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Melbourne Athenaeum Archives
Theatre Program, Compiled by Play Bil printed by Capitol Press Pty Ltd, A Touch of the Poet (play) by Eugene O'Neill performed by the Melbourne Theatre Company at the Russell Street Theatre commencing 24 October 1972, 1972
... the university of melbourne australian elizabethan theatre trust ...Obtained by Secretary of Melbourne Athenaeum in 1972 (Mr Leslie Stephens) to see the advertisement for library membership that was included in the program. Includes a loose page documenting advertising rates in the Theatre program. Melbourne Theatre Company programs often included advertising for the library. MTC later leased the Athenaeum Theatre.Paper program for a play performed at the Russell St Theatre 24 October until 18 November 1972; coloured cover; 20 p. includes articles about the play, the actors and advertisementsmelbourne theatre company, russell st theatre, program, a touch of the poet, eugene o'neill, the university of melbourne, australian elizabethan theatre trust, melbourne city council -
Melbourne Athenaeum Archives
Theatre Program, Compiled by Play Bil printed by Capitol Press Pty Ltd, Sticks and Bones (play) by David Rabe performed by the Melbourne Theatre Company at the Russell St Theatre 26 September until 21 October 1972, 1972
... and bones david rabe the university of melbourne australian ...The program includes articles about the play, the actors and advertisements.Advertisement for Athenaeum Library included in the program.Melbourne Theatre Company Season Ten - Program; 20 pages.melbourne theatre company, rusell st theatre, sticks and bones, david rabe, the university of melbourne, australian elizabethan theatre trust, melbourne city council -
Melbourne Athenaeum Archives
Theatre program, Compiled by Play Bil printed by Capitol Press Pty Ltd, Jugglers Three (play) by David Williamson performed by the Melbourne Theatre Company at the Russell St Theatre commencing 17 July 1972, 1972
... of melbourne australian elizabethan theatre trust melbourne city ...Several programs of the Melbourne Theatre Company performing at Russell Street Theatre contained advertising for the Melbourne Athenaeum Library. Melbourne Theatre Company leased Athenaeum Theatre from 1977 season to 1985Paper program for a play performed at the Russell St Theatre 17 July until 5 August 1972; green cover; 20 p. includes articles about the play, the actors and advertisementsThe front cover has a message for the secretary Mr Stephens regarding future advertising for the seriesmelbourne theatre company, russell st theatre, jugglers three, david williamson, the university of melbourne, australian elizabethan theatre trust, melbourne city council, program -
Melbourne Athenaeum Archives
Theatre program, Equus (play) by Peter Shaffer performed by the Melbourne Theatre Company at the Russell St Theatre commencing 8 October 1974
... peter shaffer the university of melbourne the australian ...Melbourne Theatre Company later leased Athenaeum Theatre 1977 -1985Paper program; 16 p. includes articles about the play, the actors and advertisementsFile includes three theatre reviewsmelbourne theatre company, part 2 season 21, equus, peter shaffer, the university of melbourne, the australian elizabethan theatre trust, melbourne city council, martin dysart, mick rodger -
Stawell Historical Society Inc
Realia - Numismatics, Collection of assorted Jewelry, Badges & Coins
Found wrapped while metal detecting in Ironbark's. Royal Engineer's Bage and Royal Australian Engineer's Badge both c 1949 Brass Uniform badge with English Coat of Arms, city of Melbourne 1897 Queen Victorial Jubilee. 1902 Penny, Replica (Poor) Prussian Iron Cross 1913, Pair of Cufflinks, 1916 Halfpenny's Pair of White on Black Cameo earrings. Pair of Marquisate earrings, Spiral Sailing theme bracelet with 5 coloured images. Two Small blue badges with symbol and organ note. Red key shaped broach for lions 21 st Multiple district covention Sydney 1973.collection of Jewelery, Badges & Coins found in the Ironbarks -
Yarrawonga and Mulwala Pioneer Museum
Instruction Manual, Alfa Laval, The Alfa Daisy Milker
... the companies that distribute the milker. Australian capital cities... that distribute the milker. Australian capital cities. Illustration ...The first centrifugal separator was invented in1878 by Dr. de Laval. This recognized the need for a mechanical milker for which patents were granted in 1894. Alfa Laval were leading world producers of mechanical milking machines. The manual was used in Tungamah during the 1940's and 1950'sPaper booklet describing the operation, parts and installation of the Alfa Daisy Milker. Inside front cover is listed the companies that distribute the milker. Australian capital cities. Illustration includes 12 pagesSee photos -
Plutarch Project
Film screening Log Book, Log Book, Collins late 1950's
Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes -
Melbourne Athenaeum Archives
Flyer/ brochure, The BZW Collins Street Grand Musical Promenade(music variety)by BZW Saturday 11 of November 1995
coloured brochures 750 outstanding musicians 130 extraordinary concerts 35 magical venues including: Melbourne town hall assembly hall athenauem theatre 1 athenauem theatre 2 Basement discs baptist church Cathedral room-ANZ Gothic Bank the melbourne club rauquet courts melbourne town hall council chambers miettas lounge gold vaults old treasury building 101 collins Street Scots Church 333 collins street capitol cinema city square kay croddocks antiquarian book shop gallery 101 melbourne town hall reception area mitre tavern novetel on collins micheals brasssere JJclark room 120 collins street reserve bank foyer the bzw colins street grand music promenade, athenaeum theatre one, the australian art orchestra, athenaeum theater two, the aspern papers, that, geoffrey tozer piano, roger woodward piano, nathan waks cello, stephen mcinytre piano, rita reichman piano -
Koorie Heritage Trust
Book, Robson, Merryl K, Designs in wood: Aboriginal artifacts of southeast Australia, 1987
An exhibition catalogue to publicly introduce the local Wintercooke and Fitzpatrick Collections, as well as to display selected items from The Victorian Aboriginal Cultural Heritage Trust on loan through the Museum of Victoria.32 p. : ill. ; 19 x 21 cm.An exhibition catalogue to publicly introduce the local Wintercooke and Fitzpatrick Collections, as well as to display selected items from The Victorian Aboriginal Cultural Heritage Trust on loan through the Museum of Victoria.art, aboriginal australian -- australia, southeastern -- exhibitions. | aboriginal australians -- australia, southeastern -- implements -- exhibitions. -
Koorie Heritage Trust
Booklet, Robson, Merryl K, Keeping the culture alive: an exhibition of Aboriginal fibrecraft featuring Connie Hart, an elder of the Gunditjmara people with significant items on loan from the Museum of Victoria, 1986
Exhibition held at Aboriginal Keeping Place, Hamilton and Westerm District Museum, June 18th, 1986-Feb 28th, 1987.Bibliography: p. 67.67 p. : ill., 1 folded geneal. table, ports. ; 24 cm.Exhibition held at Aboriginal Keeping Place, Hamilton and Westerm District Museum, June 18th, 1986-Feb 28th, 1987.Bibliography: p. 67.1. hart family. 2. aborigines, australian -- industries -- exhibitions. 3. aborigines, australian -- basket making -- exhibitions. i. museum of victoria. ii. hamilton (vic.). council. iii. hamilton and western district museum. aboriginal keeping place. iv. title. -
Koorie Heritage Trust
Book, Briggs, Carolyn, The journey cycles of the Boonwurrung : stories with Boonwurrung language, 2008
The stories constitute maintaining and reclaiming heritage and carries forward the language and knowledge to the guests in Boonwurrung country. The significance of these stories is that they constitute maintaining and reclaiming heritage. They were given to the author over many years. They are a legacy of her people, and it is her responsibility to pass them on. "This stories edition is adapted from text edition by John O'meara courtesy Bayside City Council."v-xi; 51 P.; ill.; lists.The stories constitute maintaining and reclaiming heritage and carries forward the language and knowledge to the guests in Boonwurrung country. The significance of these stories is that they constitute maintaining and reclaiming heritage. They were given to the author over many years. They are a legacy of her people, and it is her responsibility to pass them on. "This stories edition is adapted from text edition by John O'meara courtesy Bayside City Council."derrimut, -1864. | benbow, -1852. | briggs, louisa, 1836-1925. | language - vocabulary - word lists. | sites - quarries - ochre and pigment. | material culture. | environment - climate and weather - seasons. | literature and stories. | language - vocabulary - place names. | boonwurrung / boonerwrung / bunurong language (s35) (vic sj55-09) | boonwurrung / boonerwrung / bunurong people (s35) (vic sj55-09) | aboriginal australians -- folklore. | australian languages -- victoria. | language revival -- victoria. | dreamtime (aboriginal australian mythology) -- victoria. | material culture -- victoria. | ocher -- victoria. | seasons -- victoria. | bayside (vic sj55-05) | australian. -
Latrobe Regional Gallery
Photograph, TIPPING, Richard. born 1949, Adelaide, Australia, No Understanding, 2002
Digital photographic print. Not signed. Not dated.signage, text, intervention, city -
Koorie Heritage Trust
Book, Osborn, Betty et al, Maryborough, a social history, 1854-1904, 1985
The authors have given a picture of Maryborough from the earliest rough life on the diggings when a full-scale rebellion was narrowly averted over an incident at Tipperary Hill, to life at the turn of the century when a more sophisticated society had developed. Maryborough-History-1854-1904.Aborigines, Australian-Maryborough-Jajowurrong. (Dja Dja Wurrung); Aborigines-poisoningxx, 420 p. : ill., facsims., maps, plans, ports. ; 24 cm.The authors have given a picture of Maryborough from the earliest rough life on the diggings when a full-scale rebellion was narrowly averted over an incident at Tipperary Hill, to life at the turn of the century when a more sophisticated society had developed. Maryborough-History-1854-1904.Aborigines, Australian-Maryborough-Jajowurrong. (Dja Dja Wurrung); Aborigines-poisoningmaryborough (vic.) -- history. -
Latrobe Regional Gallery
Work on paper - Print, BALDESSIN, George b. 1939, Italy. arr. Australia 1949. d. 1979, City Monuments, 1967
EtchingSigned and dated lower right corner below printed image, "George Baldessin 67" Edition and title "Ed 25 'City Monuments" lower left corner under printed image -
National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
National Wool Museum
Medallion, CENTENAIRE DU DELAINAGE MAZAMET, 1951
... . Haughtons had branches in all Australian capital cities, New Zealand.... Haughtons had branches in all Australian capital cities, New Zealand ...This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage -
National Wool Museum
Booklet, American merino rams recorded in the American Merino register, selected by W.G. Markham
American merino rams recorded in the American Merino register, selected by W G Markham, Avon, NY, USA from the best American flocks. Consignee Alfred Hay, esq, Boomanoomana, Mulwala, New South Wales, Australia. Shipped from San Francisco, California June 1883 by steamer, City of New York.sheep breeding merino sheep - history sheep - american, hay, mr alfred, sheep breeding, merino sheep - history, sheep - american -
National Wool Museum
Book, With a Passport and Two Eyes
"With a Passport and Two Eyes" by V.C. Buckley, c.1930. An account of the authors travels around the world, including an extensive chapter on Australia, with references to the Western District, farming, country life, city life, retail stores and wool.farming sheep stations, farming, sheep stations -
Koorie Heritage Trust
Book, Bennett, M. M, Teaching the Aborigines : Data from Mount Margaret Mission W.A., 1935, 1935
Data (1935) from Mount Margaret Mission on teaching and welfare of its Aboriginal people.pp.67; illus.; 22 cm.Data (1935) from Mount Margaret Mission on teaching and welfare of its Aboriginal people.mount margaret mission w. a., aboriginals, australian-education, intelligence-aboriginal-australians -
Koorie Heritage Trust
Journal - Serials, Birdsell, Joseph B. et al, Records of the Queen Victoria Museum Launceston. Contents - The racial origins of the Extinct Tasmanians. A survey of possible sea routes available to the Tasmanian Aborigines. The Tasmanians - a summary, 1949
Some of the points raised seem rather dated, but an interesting set of theories historically.105-145P.; plates; refs. figs.Some of the points raised seem rather dated, but an interesting set of theories historically.tasmanians - racial origins., australian aboriginals - origins., migration theories - tasmanians., bass strait - geology. -
Koorie Heritage Trust
Book, Bellear, Lisa, Central Business Dreaming, 2008
In recognition of Indigenous culture, we (The City of Melbourne) have initiated and supported the only dedicated local government indigenous arts funding program in Victoria.3-138 P.; ports.; index; facs.In recognition of Indigenous culture, we (The City of Melbourne) have initiated and supported the only dedicated local government indigenous arts funding program in Victoria.melbourne (vic). indigenous arts program. | art, aboriginal australian -- victoria -- melbourne. | art, aboriginal australian. | -
National Wool Museum
Handbag, Womens handbag
... Winter Olympics Fashion Costume Leather sport Salt Lake City ...Part of the womens formal uniform for the 2002 Winter OlympicsAUSTRALIAfashion, costume, leather, sport, salt lake city -
National Wool Museum
Socks, Womens hiking socks
... City AUSTRALIA SALT LAKE 2002 Womens hiking socks Socks ...Part of the womens casual "sportwool" uniform for the Winter Olympics, 2002.AUSTRALIA SALT LAKE 2002fashion, costume, shoes, wool, sport, salt lake city -
Whitehorse Historical Society Inc.
Clothing - Womens Suit, c1980
Suit owned by donor - Valda Arrowsmith and was worn to many City of Nunawading official functions.1980 Burgandy wool women's pleated skirt and three buttoned jacket. Jacket fully lined.Fletcher Jones Australia Finest Clothingcostume, female -
Whitehorse Historical Society Inc.
Article, Think before you drop it|Asks children to Council|No medals unless State shares cost, 1970
... Bicentenary. City of Nunawading Keep Australia Beautiful Council ...A photocopy including three unrelated articles:|A campaign by Keep Australia Beautiful to reduce litter and Nunawading Council reaction.|A photocopy including three unrelated articles:|A campaign by Keep Australia Beautiful to reduce litter and Nunawading Council reaction.|A proposal by the Nunawading Mayor to invite children to attend Council meetings|A refusal by Nunawading Council to pay for souvenir medals for children related to the Cook Bicentenary.A photocopy including three unrelated articles:|A campaign by Keep Australia Beautiful to reduce litter and Nunawading Council reaction.|city of nunawading, keep australia beautiful council, garbage collection, cook bicentenary, telford, bruce -
Whitehorse Historical Society Inc.
Article, The place to go for a job|Ambulance in their pocket, 1979
Photocopy of two unrelated articlesPhotocopy of two unrelated articles|Establishment of a new job centre on the corner of Station Street and Bank Street, Box Hill|Proposed establishment of an Ambulance Depot to service the 'Nunawading Pocket' comprising Box Hill, Nunawading and the southern part of Doncaster.Photocopy of two unrelated articlesaustralia. commonwealth employment service., station street, box hill, bank street, box hill, mcdonald, wayne, ambulance stations, city of nunawading, rotary club of nunawading -
Whitehorse Historical Society Inc.
Article, Antonio Park Primary School Flag Flying, 6/07/1994 12:00:00 AM
Nunawading Post article on Mitcham's Antonio Park Primary School's presentation of a City of Nunawading flag and a Victorian flagNunawading Post article on Mitcham's Antonio Park Primary School's presentation of a City of Nunawading flag and a Victorian flag as part of program teaching pupils about the three levels of Government in Australia.Nunawading Post article on Mitcham's Antonio Park Primary School's presentation of a City of Nunawading flag and a Victorian flagantonio park primary school, city of nunawading, primary schools -
Whitehorse Historical Society Inc.
Document, Nunawading High School, 1988
[Nunawading High School]: entry in Nunawading Council's History and Heritage Bicentennial Essay Competition, part of option for HSC/VCE Australian History, by Lois Singleton[Nunawading High School]: entry in Nunawading Council's History and Heritage Bicentennial Essay Competition, part of option for HSC/VCE Australian History, by Lois Singleton[Nunawading High School]: entry in Nunawading Council's History and Heritage Bicentennial Essay Competition, part of option for HSC/VCE Australian History, by Lois Singletonnunawading high school, city of nunawading -
Whitehorse Historical Society Inc.
Document, Nunawading High School, 1988
[Nunawading High School]: entry in Nunawading Council's Heritage Bicentennial Essay Competition, part of option for HSC/VCE Australian History, by Cathy Vesty[Nunawading High School]: entry in Nunawading Council's Heritage Bicentennial Essay Competition, part of option for HSC/VCE Australian History, by Cathy Vesty[Nunawading High School]: entry in Nunawading Council's Heritage Bicentennial Essay Competition, part of option for HSC/VCE Australian History, by Cathy Vestynunawading high school, city of nunawading -
Whitehorse Historical Society Inc.
Letter - Correspondence, Australia Post, 1976
... in the then City of Nunawading. Post Offices Australia Post Patterson Keith ...A reply to K.A. Patterson from Australia Post.A reply to K.A. Patterson from Australia Post. He had asked for opening dates of post offices in the then City of Nunawading.A reply to K.A. Patterson from Australia Post.post offices, australia post, patterson, keith arthur