Three photographs of North Western Woollen Mills North Side & Entrancestawell industry

The program is framed and hangs in the Archive room. It was displayed during celebrations for the 170th birthday of the Melbourne Athenaeum (founded in 1839).The program is tied with gold braid, and signed by Ray Lawler, the author and director John SumnerOriginal program is framed and the photocopy is filed; 16 p. includes articles about the play, the actors and advertisementsthe doll trilogy, melbourne theatre company, limited edition souvenir program, the university of melbourne, ray lawler, summer of the seventeenth doll

The play was directed by Ray Lawler.Two copies of a paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, juno and the paycock, sean o'casey, university of melbourne, athenaeum theatre, ray lawler

No program available therefore the article gives details of the show held at Athenaeum Theatre Large Newspaper article fifteen rounds with gorgeous george, melbourne theatre company, tim robertson

performers Russell Dumas, Lucy Guerin, Christine Keith, Sue McLennan, Josephine McKendry, Tim Preston and Nicholas Sabel black and whitedancing sara's phrases, dance exchange, athenaeum theatre two, program, programme, post modern cabaret

Assisted by the Australia Council, the Federal Government's Arts funding & Advisory Group Black and white theatre programcontains author autobiographymonsters, program, proogramme, athenaeum theatre two, kevin nemeth, slegehammer presents, australia arts council

advertisment source from the the age e,g 25/11/94Black white newspaper print and enlargmentdoug anthony allstarts

Book bound in tan coloured cloth, gold lettering on the spine stating volume number and alpha codes to denote contents.non-fictionREFERENCE/ENCYCLOPEDIA BOOKS FOR EDUCATIONAL PURPOSESencyclopedia, 1833

In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, red, blue and brown depicting a scene of Lake Tuggeranong mounted into a brown spectacle case.sharon peoples, embroidery, textile, lake tuggeranong

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

Auction catalogue of wool bales held by Dennys, Lascelles Limited, on Thursday 17 November 1932.Auction catalogue of wool bales held by Dennys, Lascelles Limited, on Thursday 17 November 1932.W M Bellwool sales - auction system, dennys, lascelles limited, bell, mr w. m.

Three black and white photos St. Matthew’s Church Stawell. Two of the photos are identical showing a Holden & Hilman cars parked out the front with a group of people at the entrance to the church. A flag is flying to the right in the photograph. The second photo similar view with no people or cars outside with a United Church sign on the right. Photo taken after 1977 which saw changes to Uniting Church.Three black & white photos of St. Matthew's Church. Two of the photos are identical showing a Holden & Hilman cars parked out the front with a group of people at the entrance to the church. A flag is flying to the right in the photograph, The second photo similar view with no people or cars outside.stawell religion

Three Photos. Private Allan Victor Mills World War 1Ship HMAT Berrima and 3rd Pioneer Battalion group.stawell ww1

Three Photos. Private Allan Victor Mills World War 1Ship HMAT Berrima and 3rd Pioneer Battalion group.stawell ww1

St. Peter’s Lutheran Church, Scallan Street Stawell. Originally the Congregation Church. Three photographs in the file. Three photos of St Peters Lutheran Church in Scallan St., Stawell. Two black and white photos showing the front and side view. The coloured photo taken from the front of the church. The church is cement rendered. stawell building

Newton’s Butchers Cart. Three photographs showing different views of the butchers cart. The photographs were taken at Dadswells Bridge, Stawell. The photo 61 shows the front view of cart. Photo 61.1 is the back view of the cart. The third photo 61.2 is of Hartley Newton standing by the butchers cart. The faded writing on the side of the cart (61.1) is "Butchers" and "Patrick St Stawell" (on the back).Three coloured photos of Newton's butchers cart. The photo 61 taken of the front view of cart. Photo 61.1 is the back view of the cart. The third photo 61.2 is of Hartley Newton standing by the butchers cart.The faded writing on the side of the cart (61.1) is "Butchers" and "Patrick St Stawell" (on the back).stawell

Neil Family Members - John Neil born Scotland c 1827 died Australia 1906. William Neil, born Scotland c 1853 died Australia 1901. Alexander Neil, born 17.11.1879 died 14.1.1953. Catherine Neil nee Callum, born c 1851 died 1915. Hank Neil & Edna Neil nee unknown, Annie Justina Watkins Neil nee McPherson (two photos) born 1890 died 1974.Series of 7 photos of the Neil Family. John Neil, William Neil & Alexander Neil. Cathern Neil, Hank & Edna Neil and Annie Justina Watkins Neil. The photos also include information of births & deaths.stawell

Three colour photos of Pioneer Walk located between Main & Church Streets Stawell, photos taken in November 1992. One photo is of Big Hill and the other two of people and scenes and mining in Stawell.Three colour photos of collages decorating a walkway. The scenes are of people, building and landscapes. Copies also found in Album 4, p.49-50.151 Stawell History Mural, eft panel. Nov. 1992 151 Stawell Mural in Pioneer Walk Nov/92 151.1 Stawell Mural, center section Big Hill view. Nov.1992stawell