Showing 2554 items
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Greensborough Historical Society
Photograph - Digital Image, Grave of John Scotland, Mary Colquhoun, Catherine Sievwright and Jessie Scotland, Greensborough Cemetery [damaged], 21/11/1888
Grave of John Scotland (died 21/11/1888), Mary Colquhoun (died 15/02/1902), Catherine Sievwright (died 10/01/1910) and Jessie Scotland (died 21/07/1924) in Plot# M8/M9 Greensborough Cemetery. Photograph shows this monument after vandals toppled it. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone [damaged]john scotland, mary colquhoun, catherine sievwright, janet scotland, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Restored grave of John Scotland, Mary Colquhoun, Catherine Sievwright and Jessie Scotland, Greensborough Cemetery, 21/11/1888
Grave of John Scotland (died 21/11/1888), Mary Colquhoun(died 15/02/1902), Catherine Sievwright (died 10/01/1910) and Janet Scotland (died 21/07/1924) in Plot# M8/M9 Greensborough Cemetery. Headstone has been restored.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.john scotland, mary colquhoun, catherine sievwright, janet scotland, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Grave of Henry Anning Splatt at Greensborough Cemetery, 17/11/1886
Grave of Henry Anning Splatt (died 17/11/1886) in Plot#G9 Greensborough Cemetery. Post 2012 descendants of some pioneer families have been replacing damaged headstones.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.henry anning splatt, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Grave of Lillian M. Stafford, Greensborough Cemetery, 29/11/1943
Grave of Lillian M. Stafford (died 29/11/1943) in Plot#R3 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.lillian stafford, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Grave of Charlotte Turner and George Turner, Greensborough Cemetery, 25/08/1944
Grave of Charlotte Turner (died 25/08/1944) and George Turner (05/07/1951) in Plot# R5 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.charlotte turner, george turner, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Grave of Avis I. Williams , Greensborough Cemetery, 18/12/1937
Grave of Avis I. Williams (died 18/12/1937) in Plot# I7 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.avis williams, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital image, Greensborough Cemetery [view 1], 18/06/2013
View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Greensborough Cemetery [view 2] 2013, 18/06/2013
View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery -
Greensborough Historical Society
Photograph - Digital Image, Greensborough Cemetery [view 1] 2014, 28/05/2014
View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemetery -
Greensborough Historical Society
Photograph - Digital image, Grave of Alice Splatt, Greensborough Cemetery, 15/05/1898
Grave of Alice Splatt nee Memmott (died 1898) in Plot# G10 Greensborough Cemetery. This headstone has been repaired/restored by descendants of the family.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.splatt family, alice splatt -
Greensborough Historical Society
Photograph - Digital Image, Grave of John Huxley Carse, Greensborough Cemetery, 02/10/1926
Grave of John Huxley Carse (died 04/10/1926) in Plot#J15 Greensborough Cemetery. The grave was renovated in 2014.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.john huxley carse, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, William James (Billy) Jolly, William J Jolly and Adele Jolly, Greensborough Cemetery, 01/02/1945
Grave of William James (Billy) Jolly (died 1/2/1945), William J Jolly (died 10/05/1997) and Adele Jolly (died 21/2/2009) in Plot# O8 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.william james jolly, billy jolly, adele jolly, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Amiet family grave, Greensborough Cemetery, 21/03/1911
Grave of Claude Amiet (died 21/03/1911), Louis Amiet (died 1932) and Helen Amiet (died 1944) in Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.greensborough cemetery, claude amiet, louis amiet, helen amiet -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Town Hall, 1864, n.d
Displayed at History House.Reproductive photograph of Portland Town Hall c1864. Mounted on blue matt with information label.portland town hall -
Warrnambool and District Historical Society Inc.
Functional object - Ticket Book, Fairfax & Laurie, Printers, Shire of Warrnambool, Woodford Road Toll Gate, 1s 6d, Circa 1866
In 1866, in an effort to maintain the main roads of the region it was decided to establish toll roads on the Belfast, Woodford, Purnim and Allansford roads. Gates were erected and the leases were disposed of by auction. In 1867 the Woodford tollhouse was destroyed by fire suspected to be deliberate. The tolls were removed three years later after much opposition.This item has historic significant as in the early years(1864) of Warrnambool Tolls were levied on the three main roads leading from Warrnambool into the Shire. In 1864 the Shire of Warrnambool decided that tolls were the only just way to raise funds for maintenance of metalled roads. the Shire of Warrnambool had been created in 1863 from the old Warrnambool Roads Board.Small booklet 140mms long by 40mms wide 13mm depth. Blue & grey marbled cardboard covers back & green oiled cloth binding. Inside full book of double side ticket stubs with perforations in the middle.Shire of Warrnambool. WOODFORD ROAD. TOLL GATE 1s. 6d. Fairfax & Laurie, Printerswarrnambool, shire of warrnambool, woodford road, main belfast road, toll gate, toll tickets, woodford toll house 1866, fairfax & laurie printers -
Marysville & District Historical Society
Photograph (item) - Black and white photographs, Valentine Publishing Co. Pty. Ltd, Marysville, Vic, 1923-1963
A series of black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville.A series of black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville. Thomas Barton was one of the earliest settlers in Marysville and with 16 children and numerous descendants the name of Barton is synonymous with Marysville. Thomas John Barton, along with his business partner, Ewen Hugh Cameron, opened a butcher/abattoirs in Marysville in 1864. This was the first shop in Marysville. They supplied meat and other items to the miners along the Woods Point road. Thomas Barton was an active community member and was a key organiser in setting up the school in Marysville in 1870. After Thomas' death in 1911, his sons Fred and Frank took over the family business and renamed it Barton Bros. the road to cumberland valley (image 1), taggerty river (image 2), the acheron way (image 3), the old ford (image 4), nicholl's lookout (image 5), main street (image 6), mount margaret (image 7), stevenson falls (image 8), cumberland falls (image 9), keppel's falls (image 10), acheron way (image 11), marysville, victoria, barton bros, souvenir, valentine publishing co, thomas john barton, ewen hugh cameron, francis adam barton, frederick barton -
Marysville & District Historical Society
Postcard (item) - Black and white photographs, Barton Bros, Photographic Souvenir of Marysville, 1923-1963
A series of nine black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville.A series of nine black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville, and printed by Valentines Publishing Co as a souvenir of Marysville. Thomas Barton was one of the earliest settlers in Marysville and with 16 children and numerous descendants, the name of Barton is synonymous with Marysville. Thomas John Barton, along with his business partner, Ewen Hugh Cameron, opened a butcher/abattoirs in Marysville in 1864. This was the first shop in Marysville. They supplied meat and other items to the miners along the Woods Point road. Thomas Barton was an active community member and was a key organiser in setting up the school in Marysville in 1870. After Thomas' death in 1911, his sons Fred and Frank took over the family business and renamed it Barton Bros. Name & Address of/ sender allowed on/ cover STAMPS-/ 1d. Common-wealth/ 1 1/2d. British Empire If any Correspond'e/ letter rates postage From Published by BARTON BROS., Marysvillemarysville, victoria, barton bros, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), taggerty river (image 5), mount margaret (image 6), mount gordan (image 7), nicholl's lookout (image 8), the old ford (image 9), valentine publishing co, souvenir, postcard, thomas barton, ewen hugh cameron, francis adam barton, frederick barton -
Marysville & District Historical Society
Postcard (item) - Black and white photographs, Barton Bros, Photographic View Booklet of MARYSVILLE, 1923-1963
A series of nine black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville.A series of black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville. Thomas Barton was one of the earliest settlers in Marysville and with 16 children and numerous descendants, the name of Barton is synonymous with Marysville. Thomas John Barton, along with his business partner, Ewen Hugh Cameron, opened a butcher/abattoirs in Marysville in 1864. This was the first shop in Marysville. They supplied meat and other items to the miners along the Woods Point road. Thomas Barton was an active community member and was a key organiser in setting up the school in Marysville in 1870. After Thomas' death in 1911, his sons Fred and Frank took over the family business and renamed it Barton Bros. To From Published by BARTON BROS., Marysvillemarysville, victoria, barton bros, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), taggerty river (image 5), mount margaret (image 6), mount gordan (image 7), nicholl's lookout (image 8), the old ford (image 9), postcard, valentine publishing co, souvenir, thomas barton, francis adam barton, frederick barton, ewen hugh cameron -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Print (Item) - Steel Engraving, Nicholas Chevalier, Marysville, Victoria, 1874
An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea -
Glen Eira Historical Society
Album - Album page, Glenfern, Inkerman Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Glernfern H0136 https://vhd.heritagecouncil.vic.gov.au/places/57 (as at 23/10/2020) Glenfern was built on spacious grounds at the corner of Inkerman and Hotham Streets, East St Kilda in two main stages in 1857 and 1876. From 1876 to 1984 Glenfern had only two owners, including the well known Melbourne family of artists, the Boyds. The property was bequeathed to the National Trust of Australia (Victoria) in 1984 and has remained in their ownership. The original Glenfern allotment was bought by John Bakewell in 1856 and sold the following year to Francis McDonnell, a prominent Melbourne investor. By 1858, the house, rated as the most valuable in Caulfield, had been built on the site. Due to financial difficulties, McDonnell offered a number of properties for sale in 1860, including Glenfern. It was not sold at this stage, but subsequently mortgaged in 1862. In 1866 Thomas Watson purchased the property and lived there until 1876 when it was sold to Captain John T. T. Boyd and his wife, Lucy, founders of the Boyd dynasty of artists, musicians, writers and architects. The Boyd family, including twelve children, lived there until 1907, with Lucy Boyd retaining ownership after her husband's death in 1891. In 1907 the property was subdivided and the greatly reduced Glenfern portion was purchased by the Ostberg family, who lived there from 1915. In the latter years of Boyd family ownership and the Ostberg ownership, Glenfern had several tenants and was run as a school on two occasions. The Ostberg family occupancy continued until the death of Miss Amy Ostberg in 1984. From 1929 the property was listed as Glenfern Flats, necessitating various internal alterations over a period of time. The original two storey house, attributed to architect Charles Laing, was extended for the Boyd family in 1876, by architect M. Hennessy. This comprised the addition of a two storey wing to the south of the existing building. Stables were built in 1884 by the architects Smith and Johnson and other outbuildings, since removed, were recorded on the site. The gardens were developed from the establishment of the estate and remnants of early plantings, exotic trees in particular, are evident. Various additions and alterations were made to the house in the twentieth century and a separate block of flats was built on the southern boundary in c1964. Glenfern is a two storey picturesque Gothic house of stuccoed brick with steep, gabled slate roofs, elaborate bargeboards and chimneys of conjoined stacks set diagonally. The original, asymmetrically planned L-shaped house, containing the principal rooms and a rear wing, was designed with two main facades facing north and west. The north facade contains an unusual recessed pointed arch bay formed between twin chimney flues. Internally cedar joinery includes an unusual set of double doors between the drawing room and parlour, the centre pair of which fold back and then slide into the walls. Detailing of the 1876 additions copied that of the original house, including the bargeboards, chimneys and western verandah. Ownership of Glenfern passed to the National Trust of Australia (Victoria) in 1984 and in 2002 transformation of the property into a Centre for the Arts and Culture commenced. This began with the establishment of an Artist-in-residence programme, followed by the Glenfern Writers Centre. Restoration and renovation of the building has been undertaken concurrently with the establishment of this centre. How is it significant? Glenfern, East St Kilda is of architectural and historical significance to the State of Victoria. Why is it significant? Glenfern is of architectural significance as an unusually intact and rare example of the picturesque domestic Gothic Revival house in Victoria. Of particular note are the clustered chimneys, bargeboards and twin arched chimney flues and the folding/sliding cedar doors between the principal rooms. It is significant as an important work of the prominent Melbourne architect, Charles Laing. Glenfern is of historical significance for its connection with the distinguished Victorian Boyd family. It has been recorded in a painting by Emma Boyd, wife of Arthur, in 1885 and in print by writer, Martin Boyd in 1952. Glenfern is of historical significance due to its ownership by only two families from 1876; firstly the Boyds until 1907 and the Ostbergs until 1984. Of note is the resistance to redevelopment in the latter half of the twentieth century and the subsequent survival of the 1907 Glenfern estate.Page 98 of Photograph Album with two photographs (one square and one landscape) of views of Glenfern.Handwritten: "Glenfern" 417 Inkerman Street [top right] / 98 [bottom right]trevor hart, east st kilda, garden, pitched roof, glenfern, hotham street, boyd family, 1850's, 1860's, 1870's, john bakewell, francis mcdonnell, thomas watson, lucy boyd, glenfern flats, charles laing, m. hennessy, smith and johnson, stables, gothic, stuccoed brick, gabled slate roofs, elaborate bargeboards, asymmetrical, cedar joinery, verandah, national trust of australia, centre for the arts and culture, artist-in-residence, glenfern writers centre, gothic revival, clustered chimneys, emma boyd, inkerman street, north caulfield, captain john boyd, artists, writers, st kilda east, national trust of australia (victoria), caulfield, amy ostberg, architects, m hennessy, doors, chimneys, martin boyd, arthur boyd, ostberg family -
Glen Eira Historical Society
Album - Album page, Balaclava Road Tram Shelter, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation H0174 TRAM VERANDAH SHELTER CORNER BALACLAVA AND ORRONG ROADS CAULFIELD NORTH - Vic Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/2721 (as at 28/10/2020) The waiting shelter at the corner of Balaclava Road and Orrong Road, Caulfield was constructed in 1916/17 for the Prahran and Malvern Tramways Trust and is one of only three remaining tram shelters in Melbourne designed in the form of a verandah. The shelter has a corrugated iron roof fixed to an angle iron roof frame. The roof, which extends in the form of a skillion over the pavement, is supported on three squared, chamfered timber posts at the rear and three cast iron reeded columns with round bases and Corinthian capitals at the front. (The columns are hollow and function as downpipes, with rainwater discharging from the verandah roof, through the columns and under the ground). The shelter has a rinceau pattern frieze along the road frontage with centrally placed shield motif (which does not contain a coat of arms). The side and rear panels are lined with ripple iron and the upper panel at the rear is lattice work. The shelter has two timber slatted bench seats.From Victorian Heritage Database citation for H0174 TRAM VERANDAH SHELTER CORNER BALACLAVA AND ORRONG ROADS CAULFIELD NORTH - Vic Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/2721 (as at 28/10/2020) How is it significant? The waiting shelter at the corner of Balaclava Road and Orrong Road, Caulfield is of historical and architectural significance to the State of Victoria. Why is it significant? The waiting shelter is of historical significance for its association with the development of the suburban (electric) tram network which assisted the expansion of Melbourne as a suburban metropolis. It is also of historical significance for its connection with the Prahran & Malvern Tramways Trust. The Prahran & Malvern Tramways Trust (1907-1920) was the first municipal electric tramway in Melbourne, becoming the largest and most successful of all the municipal tramway trusts. Its services played a key role in facilitating suburban expansion and the development of the southern and eastern suburbs. The growth of tramways was one of the greatest municipal developments in Victoria during the first decade of the twentieth century. The waiting shelter is an important remnant of this period of Melbourne's transport history and a tangible reminder of the Prahran & Malvern Tramways Trust. The shelter indicates the extent of the Prahran & Malvern tram network. The waiting shelter at corner of Balaclava Road and Orrong Road, Caulfield is one of only three remaining tram shelters in Melbourne designed in the form of a verandah. The waiting shelter is of architectural significance for the distinctive design and construction which is unique to the Prahran & Malvern Tramway Trust tram network. The shelter was designed by notable Melbourne architect Leonard J. Flannagan (1864-1946). Flannagan was responsible for a number of buildings for the Prahran and Malvern Tramways Trust including the early waiting shelter at the junction of Dandenong Road and Hawthorn Road, Caulfield, and sections of the tram depot at Malvern, and also designed a depot for the Hawthorn Tramways Trust. The waiting shelter, a conservative design influenced by Victorian architecture, is based on the Melbourne City Council late 19th century standard cast iron verandah. It is of significance as an intact example of the cast iron type shelter and for its detail, including Corinthian columns and a 'rinceau' pattern cast-iron frieze. The shelter is largely in keeping with the original design and retains its integrity. The cast iron waiting shelter is also of significance as an unusual example of early twentieth century street architecture. Page 155 of Photograph Album with one landscape photograph of a tram shelter on Balaclava Road.Handwritten: BALACLAVA ROAD TRAM SHELTER [top] / 155 [bottom left]trevor hart, verandah, garden, grimwade house, grimwade, orrong road, balaclava road, melbourne grammar, melbourne grammar junior school, mgs, m.g.s, school, tram shelter, waiting shelter, prahran & malvern tramway trust, leonard j. flannagan, cast iron verandah, cast iron type shelter, corinthian columns, 'rinceau' pattern cast-iron frieze, rinceau, cast iron frieze, victorian style, caulfield north, leonard flanagan, cast iron work, prahran and malvern tramways trust, trams -
Glen Eira Historical Society
Article - CROWE FAMILY
This file contains one item about Matilda Ann Crowe and family: 1/Small printed article taken from Brighton Cemetorians flyer on women with a note on their family home by Claire Barton taken from Sands and McDougall 1923 edition.crowe matilda ann, may matilda ann, may george, hoolihan margaret ann, crowe george, parnell street, elsternwick, crowe james, nurses, crimean war 1853-1856, may margaret ann -
Bendigo Historical Society Inc.
Document - 1856 PETITION COPY
Copy of petition from Sandhurst Crown Lands occupants to Major General Macarthur, Acting Governor of the colony of Victoria, seeking consideration for the improvements they had made on the lands they occupied under business licenses. 18 pages containing signatures, addresses and occupation of 1,387 storekeepers, publicans, miners, professionals and persons in various types of employment.bendigo, history, 1856 crown land occupants petition -
Ballaarat Mechanics' Institute (BMI Ballarat)
Ballarat from Fire Station Looking south 1864
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, fire station, south, 1864 -
Ballaarat Mechanics' Institute (BMI Ballarat)
Sturt St 1864 Establishment Roberts Photographer
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, roberts photographer -
Mount Evelyn History Group
Souvenir spoon, Russell Stokes MLA, 1964
The spoon is a souvenir of the 1964 electoral success of Russell Stokes Liberal MLA for Evelyn.The spoon is a memento of the 1964 election campaign. Russell Stokes was the member for Evelyn 1958-1973. His home was 'Lubra Bend' in Yarra Glen. The item was manufactured by his family firm, Stokes Australasia. Founded in 1856, the firm made a variety of products including the gas lamps in Victoria's parliament and the original 'Rising Sun' badges worn by the Australian Army. See also item 2004.Stainless steel spoon with red and dark blue enamel medallion with gold lettering on handle. In plastic sleeve, blue back, clear front.Sleeve has 'STOKES'.russell stokes, evelyn, liberal, mla, spoon, metal manufacture, stokes australasia. -
Ithacan Historical Society
Print, View of Vathi, Ithaca
The reproduction print is of artwork depicting 'old' Vathi. Vathi is the main town and the largest settlement on the island of Ithaca in Greece, possibly established during the period of Venetian rule. The town resembles an amphitheatre, built around the coastline of one of the most natural ports of Greece. Many of the old buildings were destroyed in the catastrophic earthquakes of 1953. The length of the port is 926 m. with an entrance of 300 m. in width. It was once the main port for ferries transporting goods and people to and from the mainland. Ferries now dock at Piso Aetos. In the summer the harbour of Vathi is filled with sailing boats and yachts. During the periods of Venetian (c1500 - 1797) and English (1809 - 1864) rule, the population of Vathi grew significantly, reaching a total of 5,000 residents. During this period Vathi became an important centre for trade and commerce, political activities and legal proceedings.A black and white drawing of the harbour of Vathi . The drawing has a white surround. Printed in Italian across the top of the drawing: LUDRO LITTORICO Printed in Italian underneath the drawing: VISTA DE VATHI IN ITACAlittoricio, luadro -
Bendigo Historical Society Inc.
Book - SHIPPING ARRIVALS AND DEPARTURES VICTORIAN PORTS VOLUME 3 1856-1860, 2006
Compiled from newspaper reports, customs, pilots and other government records and the records of other Colonial ports, the list documents the activity of vessels containing immigrants, passengers between colonies, and the trade in wool, timber, coal and sundry merchandise sought by the expanding and developing colony of Victoria.Marten A Symevictoria, history, shipping, shipping, transport, port phillip history, family history. -
Bendigo Historical Society Inc.
Document - BENDIGO MEMORIES, 1860 - 80
Typed notes titled ' Bendigo Memories, 1860 - 80'. Mentioned the Meudell family, some successful mine owners, the statue of the shepherd and the wild beast in the Conservatory Gardens, an argument over a rooster between two Chinese neighbours, Laying the Foundation Stone of the Sandhurst Masonic-Hall, a ring presented to Mr Lysaght by the Chinese, and 'It Slowly Fades Away' which is about a house near a tennis court which has an old brewery under the back garden.document, bendigo memories 1860 - 80, g d meudell, 'the pleasant career of a spendthrift', william meudell, bank of victoria (bendigo), hon henry miller, george lansell, bank of new south wales, oriental bank, union bank, adventure and advance mine, g ballerstedt, 180 mine, garden gully united co, john boyd watson, carlisle mine, kentish mine, barnett lazarus, william hunter, joseph hunter, robert hunter, burnewang park, william moffat, bendigo advertiser 1930, mr r buck, statue in conservatory gardens, bendigo advertiser 26/2/1949, mr wells, abraham harkness, alex h stone, bendigo advertiser 16/6/1868, sing toe, ming foy, mr flegg, mr mclachlan, mr w perry, laying the foundation stone of the sandhurst masonic-hall, messrs vahland and getzschmann, mr w c vahland, brother j m'intyre w m, brother buckley, brother connelly, golden and corinthian grand united lodge, the rev j c m'cullagh, brother g p joseph, the australasian sketcher 9/8/1873, chinese testimonial, mr lysaght, bendigo advertiser 27/11/1856, ben eagle, 'it slowly fades away', michelson home, joch, mr michelson