Tram at Central Deborah Mine. Photo taken 1992 by Roy Mitchell.bendigo, tramways, tourist tram

Central Deborah Gold Mine poppet head, Violet Street, Bendigo.slide, bendigo, central deborah gold mine, central deborah gold mine, violet street, bendigo

Hand written quote for repairs to the mine to enable visitors to be taken around.mine, gold, central deborah gold mine, central deborah gold mine, quote for repairs

Golde Mines Hotel, Marong Road, Iron Bark (Bendigo). C1983.slide, bendigo, gold mines hotel, gold mines hotel

Map, Underground Survey of Mines, Bendigo.Shenandoah Co., New Chum Line,H.S.Whitelawmap, bendigo, shenandoah co.

8519.1 - Blueprint of mine tunnels at Outtrim, as well as surface roads and boreholes.

Black and white photograph of Central Deborah gold mine elevator shaft.mining, business, central deborah gold mine

Slide.. Lansell's Big 180 Mine remnants of brickwork still in place.mine, gold, lansell' big 180., bendigo mines-jack hattam collection.

Annual report of the Secretary for mines and water supply,, 1904. 122 pages.Hon. D. McLeod, MPgold mining, miners' safety cage, mines and water supply 1904, gold mining, gold mines, water supply.

Annual report of the secretary for mines and water supply, 1903. 107 pagesHon. D. McLeod, MPgold mining, miners' safety cage, mines and water supply 1903, gold mining, gold, mining, water supply

Series of 9 pictorial/information pages explaining the Diorama of mine clearing.mine clearing

Two Brass and Blue enamelled Stawell School of Mines & Industries Badgestawell

SEPIA PHOTOGRAPH OF THE PORT PHILLIP MINE CF PHOTO IN ITEM 1860local history, photography, photographs, mining

Hand press Date stamp imprint "Clunes School of Mines No.24"Nildate stamp, office equipment

Black and white image of a tree trunk with the blaze of the Victorian Mines Department.victorian mines department, blaze

Kevin WHITE Born England. Kevin White studied Ceramics in England and Japan, obtaining an MA from the Royal College of Art, London. He has lectured in Ceramics at RMIT. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Demonstration piece undertaken while conducting a workshop at the Ballarat School of Mines. art, artwork, kevin white, ceramics

Donald Clark Collection. A monochrome photograph depicting a mine with poppet head at Tarnagulla Copy photograph. mining

Donald Clark Collection.Printed Booklet: Mining By-Laws from the Mines Act 1915 (Vic).monarchy, commonwealth

Murray Comrie Collection. Monochrome photograph depicting view across Tarnagulla showing the Poverty Mine. Written on reverse: 'Poverty Reef Tarnagulla'.tarnagulla, views, poverty mine

Murray Comrie Collection. This is an original photograph. Sepia photo-postcard depicting the Poverty Reef Mine Monument, TarnagullaMarked in pen to indicate height of monument.tarnagulla, poverty mine, monuments, king street

Murray Comrie Collection. This is an original photograph. Sepia photo-postcard depicting the Poverty Reef Mine Monument, Tarnagullatarnagulla, poverty mine, monuments, king street

Photo taken facing North East and Mine site at rear of photo6 Stawell, Victoria Sept 1983panorama, streetscape

.1) Ballarat School of Mines Sound Installation of Plumbing Shop, by architect John Firth, 1954 .2) Plan and sections of the proposed Scheme - conversion of Ballarat School of Mines Clay Mill Building to Fluid Mechanics Laboratory, by architect John E. Dixon, 1962 .3) Plan for Ballarat School of Mines New Sanitary Accomodation, 1967 .4) Plan for Ballarat School of Mines Extension to Existing Workshop by architect Percy E. Everett. The plan includes the former Ballarat Supreme Courtjohn firth, percy everett, john e. dixon, ballarat school of mines, clay, ceramics, plumbing, buildings, architectural plan

Black and white photo. Central Deborah Gold Mine, corner Violet and Creek Streets, Bendigo. 1939-1954. Shaft 1347 feet deep. Gold extracted 29,460 ounces. This mine was purchased by the Bendigo City Council to be retained as a Mining Museum. Markings/Inscriptions: Central Deborah Mine. Corner Violet and Creek Streets. 1939-1954. Shaft 1347 feet. Gold 29,460 ozs. This Mine has been purchased by the Bendigo City Council to be retained as a Mining Museum.organization, business, central deborah gold mine

One hand written and three typed copies of notes on the Great Extended Hustlers Mine. Notes include locality, plant, early history, Prominent and Leading, Dividends and Yield, Bendigo's Worst Mining Accident, and a note of where the poppet legs were taken. Ref: Mines Dept Booklet 'Bendigo Goldfields 1936, Mines Dept Annual and Quarterly Reports, Mines Dept Bulletin 33 H Herman 1914, Annals of Bendigo Mining Sections 1870 - 1925, A Richardson,mine, gold, great extended hustlers., great extended hustlers mine, notes on the great extended hustlers mine, bendigo's worst mining accident, herbert thomas, walter blair, william ryan, george forster, john campbell, leslie martin, frederick chinn, wattle gully gold mine at chewton

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden objects. Traditionally, moulding planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other workers to pull the plane ahead of the master who guided it. Company History: The Holtzapffel dynasty of tool and lathe makers was founded in Long Acre, London by a Strasbourg-born turner, Jean-Jacques Holtzapffel, in 1794. The firm specialized in lathes for ornamental turning but also made a name for its high-quality edge and boring tools. Moving to London from Alsace in 1792, Jean-Jacques worked initially in the workshop of the scientific-instrument maker Jesse Ramsden, Anglicizing his name to John Jacob Holtzapffel. In 1794 he set up a tool-making partnership in Long Acre with Francis Rousset and they began trading under the name of John Holtzapffel. From 1804 he was in partnership with the Mannheim-born Johann Georg Deyerlein until the latter died in 1826, trading under the name Holtzapffel & Deyerlein. Holtzapffel sold his first lathe in June 1795, for £25-4s-10d, an enormous price at the time. All of Holtzapffel's lathes were numbered and by the time he died in 1835, about 1,600 had been sold. The business was located at 64 Charing Cross, London from 1819 until 1901 when the site was required "for building purposes". The firm then moved to 13 and 14 New Bond Street and was in premises in the Haymarket from 1907 to 1930. John's son, Charles Holtzapffel (1806–1847) joined the firm in 1827, at around which time the firm became known as Holtzapffel & Co. Charles continued to run the business after his father's death. He wrote a 2,750-page treatise entitled Turning and Mechanical Manipulation, published in 1843 which came to be regarded as the bible of ornamental turning. The final two volumes were completed and published after his death by his son, John Jacob Holtzapffel (1836–1897). When Charles Holtzapffel died in 1847 his wife Amelia ran the business until 1853. John Jacob II, the son of Charles and Amelia, was head of the firm from 1867 until 1896. A nephew of John Jacob II, George William Budd (1857–1924) became head of the firm in 1896. His son John George Holtzapffel Budd (1888–1968) later ran the business. By the early twentieth century, ornamental turning was going out of fashion, and the firm sold its last lathe in 1928. A vintage tool made by a well-known firm made for firms and individuals that worked in wood. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture or other items this had to be accomplished by hand using one of these types of planes. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane Holtzaffel 64 Charing & Owner J Heath 9/16" marked opposite endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, plane, j heath

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden objects. Traditionally, moulding planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other workers to pull the plane ahead of the master who guided it. John Moseley & Son: Records indicate that before 1834, the firm is listed at number 16 New Street, London and according to an 1862 advertisement the shop had been established in New Street since 1730, The Sun insurance records from the time show that John Moseley was the possessor of a horse mill in the yard of his premises, which means that some kind of manufacturing was taking place, as the mill would have provided power to run a saw or perhaps a grinding wheel so the probability is that he did not just sell tools, he made them as well. John Moseley died in 1828 and his will he names his four sons: John, Thomas, William and Richard. To complicate matters he also had brothers with the same first names; brothers Richard (of Piccadilly) and William (of Peckham Rye) are named as two of the executors. Brother Thomas is not mentioned in this will, but became a minister and was one of the executors of brother Richard’s estate when he died in 1856. From John’s will, we also learn that, although the shop was in New Street, he resided in Lympstone, Devon. The family must have had a house in that county for quite some time as both sons Richard and William are baptised in Devon, although John and Thomas were baptised in London. In the 1841 and 1851 census records, we just find William in New Street, but in 1861 both William and Richard are listed there as toolmakers. That Richard was staying overnight at New Street was probably just accidental as in 1851 and 1871, we find him with his wife Jane and children in Clapham and Lambeth respectively. In 1851 Richard is listed as “assistant clerk cutlery warehouse” and in 1871 as “retired plane maker and cutler”. Although the actual place of work is not stated, one may assume he worked in the family business. 1862 is a year full of changes for the firm. In that year, William had a new property built at 27 Bedford Street. In the catalogue for the 1862 International Exhibition, 54 Broad Street (later 54-55 Broad Street) is listed for the first time, which may very well coincide with the split of the business into a retail and a wholesale branch. Around the same time, they must have moved from New Street to 17 & 18 King Street because their manufacturing premises had been pulled down to form the New Street from Cranbourne Street to King Street. In January 1865, William died and Richard continued the business. In 1867, the partnership he had with his son Walker and Thomas Elis Hooker, is dissolved. Richard continued tool making at King Street and Bedford Street. Richard retired somewhere between 1867 and 1871, but the business continued. The business is taken over by W M Marples & Sons and tools continued to be made in London until 1904 when manufacturing relocated to Sheffield. A vintage tool made by a well documented company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane . J Moseley. maker and R Knight & J Heath also stamped stamped (Owners)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, moseley