Showing 4401 items
matching shaped
-
Bendigo Historical Society Inc.
Document - Undated photocopy of a newspaper article on the expansion of the Bendigo Myer Store; probably from the Bendigo Advertiser
newspaper article/clippingUndated photocopy of a newspaper article on the expansion of the Bendigo Myer Store; probably from the Bendigo Advertiser. Expansion of "the Myer L-shaped store (frontages to Williamson Street and Pall Mall) includes construction of a third floor.social history -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES GOLD COLOURED METAL MESH HANDBAG, 1900's Edwardian
Textiles. Gold coloured metal mesh handbag with metal frame with twist clasp. Two V shaped points at loqwer edge with 2 cm mesh fringeing. Metal chain link carrying handle. Not lined.textiles, domestic, ladies gold coloured metal mesh handbag -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Collection of suture needles used by Dr Mitchell Henry O'Sullivan
Needles in this collection include: -2 x abdominal triangular cutting edge suture needles, used for skin suture. Size 2/0 -Morrison's half circle round bodied suture needle, size 3 and size 2 -Bonney's regular curved cutting edge suture needle, size 7 or 8 -Regular curved triangular pointed suture needle, size 2 and size 6 -Ferguson's round point half circle suture needle, size 15 -Hagerdorn's reversed 1/20 suture needle, size 7 -Bonney's curved suture needle, size 7 and size 9 -Regular curved triangular cutting point suture needle, size 15 -Boston/intestinal fine round bodied half circle suture needle Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Collection of suture needles in wooden case. Consists of four, loose, crescent shaped needles, and an additional nine needles stuck into a piece of cork. Case is cylindrical, has a lid and is possibly made from pine wood.surgery -
Stanley Athenaeum & Public Room
Functional object - Ventilator, Roof Ventilator - Old
Plaster base and top. Middle section of tin. Tin has vents all around. Cylindrical design. Top is slightly dome shaped. Base sloped outward. Old roof air vent - old ventilator.Pepper's improved patent ventilator. 'PEPPERS' -
Geoffrey Kaye Museum of Anaesthetic History
Mayo's Airway
Tubular airway with ovoid opening and curved terminal point to allow access to the patient's airway. The long, circular-shaped metal components are moulded to create an 'open bar' system which resemble the vertical bars of a cage.The manufacturer's details, 'DOWN BROS. LONDON', are stamped on the opening rim of the airwayairway, mayo, down bros london, anaesthesia, nickel, ovoid -
Geoffrey Kaye Museum of Anaesthetic History
Picrotoxin
Picrotoxin is a bitter crystalline compound derived from the seed of an East Indian woody vine (Anamirta cocculus). It is a central nervous system and respiratory stimulant formerly used in barbiturate and other anaesthetic poisonings. Hexagon shaped amber glass bottle with red rubber stopper. There is an ivory coloured manufacturer's label with black printed text adhered to the front of the bottle, along with some handwritten notations. The bottle has powdery contents.Handwritten on manufacturer's label: PURE FIRST USED 8/10/64 •Moulded into base of bottle: T195respitaroty stimulalnt, t and h smith, barbiturate poisoning, edinburgh, blandfield chemical works -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Cylinder, Nitrous Oxide
Nitrous oxide has been used for anaesthesia in dentistry since December 1844, where Horace Wells made the first 12–15 dental operations with the gas in Hartford. Its debut as a generally accepted method, however, came in 1863, when Gardner Quincy Colton introduced it more broadly at all the Colton Dental Association clinics, that he founded in New Haven and New York City. Hospitals administer nitrous oxide as one of the anaesthetic drugs delivered by anaesthetic machines. Nitrous oxide is a weak general anaesthetic, and so is generally not used alone in general anaesthesia. In general anaesthesia it is used as a carrier gas with oxygen for more powerful general anaesthetic drugs.Medium size empty blue coloured cylinder with rounded base and painted white neck once containing Nitrous Oxide. A large blue on white diamond shaped label is adhered onto the main cylinder body.Printed on manufacturer's label: 'CIG [logo] / [blank weights table] / DRY / NITROUS OXIDE / C.I.G. (Victoria) PTY. LTD. / 50 LA TROBE STREET, MELBOURNE C3 / Telephones: FJ 6681 / FJ 4164 / USE NO OIL / OR GREASE'nitrous oxide, dental anaesthesia, dental anesthesia, gardner quincy colton, colton dental association -
Geoffrey Kaye Museum of Anaesthetic History
Mask, Yankauer, c. 1904
Sidney Yankauer, M.D. (1872-1932), an ear, nose and throat specialist and pioneer in bronchoscopy, practiced at the Mount Sinai Hospital in New York. Dr. Yankauer, a prolific inventor of medical equipment, might best be known for the tube he designed for suctioning the mouth and throat. Yankauer introduced the wire-mesh anaesthesia mask around 1904. The drop method involved placing the mask over the patient’s nose and mouth, and then placing gauze over the mesh of the mask. Next, liquid anaesthetic, such as ether or chloroform, was applied in drops or lightly poured onto the gauze so that the patient breathed in evaporated anesthetic as well as air. The gutter around the base of the mask was designed to catch any residue of the harmful anaesthetic. (The Wood Library Museum, 2016; Museum of Healthcare Kingston, 2016)A metal tear-shaped mask with gauze wire dome, gutter around the base and detachable spring piece with open circular handle to secure cloth over gauze. Found inside medical carry box #899Stamped underneath neck of circular handle: HATRICKdr [e.s.] holloway, hatrick, yankauer, drop method, mask, gauze -
Clunes Museum
Textile - DOILEY
.1 Blue cotton doily. Hand sewn with lemon crocheted edging and hand embroidered fawn and blue cotton. Oval shaped .2 Coffee coloured square doily, hand sewn wide lace edgingsewing, craft -
Clunes Museum
Ephemera - NUMISMATICS
.1 BADGE OVAL SHAPED RED FRAME AROUND OUTSIDE OF BADGE. TREE DEPICTED IN GREEN ON FACE OF BADGE. .2 BAR BADGE RED COLOUR ON FACE OF BADGE .3 RUBBER STANP WITH RED HANDLE.1 CLUNES SCC IN GOLD LETTERING .2 LIFE MEMBER IN GOLD LETTERING .3 CLUNES SENIOR CITIZEN'S CENTRE INC. 25 FRASER ST. CLUNES 3370. PHONE (053) 453380clunes senior citizens, member badges -
Tatura Irrigation & Wartime Camps Museum
Book, Leonhard Adam - From the Spree to the Yarra - Aquarelles: 1911-1955, 1996
Rectangular shaped book, covered with painting of "Undoolya" (east of Alice Springs) on both font and back covers. 30 pages. Black and white photos and paintings by the artist of Tatura camp 3, Europe, Sydney and Melbourne, Acknowledgement: Mary - Clare Adam daughter of Leonhard Adam.artwork at camp 3 tatura, life of leonhard adam, leonhard adam -
Anglesea and District Historical Society
Brownie Safelight Lamp, Estimated 1960's
Orange cone-shaped lamp with bulb and box (missing electrical connection). Suitable for use with Kodabromide, Kodak Bromesko and other photographic contact and enlarging paper. Stock Item No. 2523. (Directions for use inside box).Bottom: (in black) - KODAK (AUSTRALASIA) PTY. LTD. / BROWNIE SAFELIGHT LAMP / USE GLOBE NOT EXCEEDING 15 WATTS.photography, safelight lamp, brownie -
Tatura Irrigation & Wartime Camps Museum
Watering Can, 1940's
Used by internees at Camp 3.Oval shaped metal watering can with removable rose spray head, 2 handles, 2 stays between the can and outlet to spray head. Black band around spout to help hold spray on. Handmade.Bulach. 3 letters illegiblewatering can, camp 3, metalwork, volker bulach -
Uniting Church Archives - Synod of Victoria
Plaque - Methodist Order of Knights, Award board : F.L. Nunn Trophy
From Barkly Street, Ballarat. Winners: 1956 United, Junior Star of LaTrobe; 1957 Brookes, Burwood Rd; 1958 Brookes, Burwood Rd; 1959 Rosanna; 1960 South Camberwell; 1961 South Camberwell; 1963 Sunshine. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. Scroll shaped wooden award board Methodist Order of Knights High Court of Victoria and Tasmania. F.L. Nunn Trophy Most Efficient Junior Court. The winners from 1956 - 1961 are recorded in gold paint."HIGH COURT OF VIC & TAS." "F.L. NUNN TROPHY" "Most Efficient Junior Court" "1956 UNITED, Junior STAR OF LATROBE; 1957 BROOKES, Burwood Rd; 1958 BROOKES, Burwood Rd.; 1959 ROSANNA; 1960 SOUTH CAMBERWELL; 1961 SOUTH CAMBERWELL; 1962 SOUTH CAMBERWELL; 1963 SUNSHINE"methodist order of knights, f.l.nunn -
Whitehorse Historical Society Inc.
Domestic object - Milk jug cover
From collection of Betty McPhee. A round, cream cover with yellow and blue glass beads. Design: 6 radiating diamonds with centres of blue and yellow diamonds worked alternately. Outer edge: fans decorated with tear-drop shaped glass beads.handcrafts, crocheting or crochet work -
Whitehorse Historical Society Inc.
Clothing - Coat, c1860
1860 Black silk taffeta coat with long sleeves. Black lace around collar, fronts and hem. Appears to be fastened with large hook. Gored shaped coat and knee length. Worn over a wide skirt.costume, female -
Numurkah & District Historical Society
Candlestick Holders
2 x glass candlestick holders, with a broad square base and a square column leading to the top square area which holds the candles. The glass has "carved" diamond and star-shaped patterns in the base and the columncandlestick holders, candles, light, glass -
Southern Sherbrooke Historical Society Inc.
Set of shoe lasts
Consists of 3 individual foot shaped metal casts. Largest last has a stand with a slot at the top into which the smaller lasts can be placed. Used to mould boots and shoes of different sizes in their production or repair.bootmaking -
South Gippsland Shire Council
Plaque, Karmai Carnival Bush Decathalon
Wood plaque, perpetual trophy donated by Bob Newton for the Karmai Carnival Bush Decathlon. Shield shaped plaque which features 9 engraved plates and a title plate. Names and dates engraved on three of the plates. -
Wangaratta High School
WHS Yearbook, 2002
Black yearbook with a full page image of 2002 VCE students standing in a crowd shaped like Australia, with a orange sunset background and a WHS logo in the bottom right corner. 2002 is in the left corner in yellow and orange.Wangaratta High School 2002 -
Bendigo Historical Society Inc.
Weapon - Artillery Shell
Brown metal cylindrical shaped object coming to a point at the end. 13cm in length. Hollow bottom with a thread going up 2.5cm. 3 bands on the bottom area then a smaller band and two grooves further on the item. weapons, artillery shell -
Kew Historical Society Inc
Award, Boroondara Bowls Competition, Kew Heights BC : Team 4's & Team Triples Trophy, 2013
Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Triangular engraved glass trophy set in a V-shaped metal bracket on a wooden stand, awarded to Kew Heights Bowling Club in 2013. The names of the Team 4's and the Team Triples are engraved on the base of the trophy.BOROONDARA BOWLS COMPETITION / WINNER 2013 / HOSTED BY NORTH BALWYN BCkew heights sports club - barkers road - kew (vic), kew heights men's bowling club -
Kew Historical Society Inc
Clothing - Cerise Velvet Capelet, 1930s
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.A high waisted crimson silk velvet fitted cape featuring long panels of velvet at the front. The cape is decorated at the base with crimson silk diamond shaped velvet drops. All is lined with cherry red silk.capes, women's clothing, evening wear, edith mary weir (nee betteridge), illapa - 84 princess street -- kew (vic.), fashion -- 1920s -
National Wool Museum
Textile - Skirt, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Maroon skirt with curved wrap detail with maroon and navy striped ribbing halfway around bottom. The skirt is shaped with darts, has an elastic waistband, and centre back opening with a zip and skirt hook. Maroon lining.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Beechworth RSL Sub-Branch
Lanyard, Battle Dress, 1981
This lanyard attaches under the right shoulder epoulette of a jacket issued as a Royal Australian Engineers uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was a standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This lanyard is a component of a uniform belonging to CPL K. Howe, the donor provided good provenance, in conjunction with other items of militaria donated by the Howe family. The Uniform can tell a story of multi generations of military service of the Howe familyA length of thick, navy blue, cylindrically shaped fabric. Knotted in two locations to create two loops at either end. One loop is 270mm long when outstretched and the other is 82mm long when outstretched.royal engineers, battledress jacket, battledress jacket khaki, lanyard, royal australian engineers -
Beechworth RSL Sub-Branch
Shoulder Patch
The Rising Sun patch is worn on the left shoulder as part of the military uniform by Australian Army. Oval shaped dark brown patch. Around the outside of the patch is a machine embroidered khaki cotton border. The Australian Army Rising Sun has been machine embroidered centrally on the patch in black cotton thread.THE AUSTRALIAN ARMYrising sun, royal australian army, patch -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, Land Warfare Centre Australia
Shield shaped plaque made od a red varnished wood with a gold badge of a seven headed dragon affixed to the centre above the dragon is a banner with " Land Warfare Centre" and below it is a boomerang pointed down with "Australia" on itland warfare centre australia -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - Presentation Plaque, 6th Battalion Royal Victorian Regiment
Wooden, shield shaped plaque, that is varnished in a red coloured varnish. The varnish is badly chipped. Located centrally on the plaque is a large Royal Victorian Regiment badge. This is located above a silver banner with "6th Battalion" embossed on it.6 rvr, army reserve, infantry, hat badge -
Mont De Lancey
Functional object - Mirror, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An ornately hand carved rectangular wooden framed mirror with a shelf at the bottom and a carved ancient Egyptian style head in the middle of the frame at the top. There are two carved gargoyles on each top side. The mirror glass is shaped.mirrors, functional objects, wall mirrors, objects -
Wodonga & District Historical Society Inc
Decorative object - Gold toned chain from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold toned chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal chain from the Sarah Coventry jewellery range with two circular elements and two swirling decorative elements, and a small rhombus-shaped attachment near the clasp with the Sarah Coventry mark stamped on it.. "SARAH COV / MADE IN / CANADA" - The 'SARAH COV' mark is thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains