Index, bib, ill, p.240.non-fictionThe camera at war examines the nature of war photography and its relationship to society's view of war"war photography - history, war photography

Ill, p.63.non-fictionIllustrated and Textual description of helicopter developmenthelicopters, military helicopters

Index, bib, p.438.non-fictionPart I: Studies from psychology Introduction Instinct theories and comparative psychology The moral equivalent of war / William James The instinct of pugnacity / William McDougall Emotion and society / D.O. Hebb & W.R. Thompson Psychoanalytic perspectives Why war? / Sigmund Freud Personal aggressiveness and war / E.F.M. Durbin & John Bowlby Toward a psychiatry of peoples / Harry Stack Sullivan Wholeness and totality / Erik H. Erikson Authoritarian personality and foreign policy / Daniel J. Levinson Social learning and intergroup relations War, peace, and social learning / Mark A. May Drives toward war / Edward C. Tolman The role of expectancy / Gordon W. Allport Part II: Studies from sociology and anthropology War / William Graham Sumner The social function of war / Robert E. Park An anthropological analysis of war / Bronislaw Malinowski Warfare is only an invention not a biological necessity / Margaret Mead Primitive warfare: a methodological note / Joseph Schneider Part III: War, liberal democracy, and industrial society The military and the industrial society / Herbert Spencer The garrison state / Harold D. Lasswell On war, society, and the military / Alexis de Tocqueville Military elites and the study of war / Morris Janowitz War and industrial society / Raymond Aron.armed conflict - history and teaching, conflict - history

Dark maroon hard cover book 454 pagesHandwritten inside front cover in blue pen "J.T. Young / 1941 / Probably printed / c.1900 or earlier" Handwritten in pencil on front page "H.B Freeman / Eastern Cable Coy / Sydney NSW"" second page handwritten in black ink "M. Henry

Green hard cover book of 286 pagesSticker on inside front cover ÄDMIRALTY CHART AGENTS / BOOKSELLERS & STATIONERS / J. DONNE & SON / 349 POST OFFICE PLACE / MELBOURNE

White 20cm round plastic disc with information on Weight plus Torque PSI plus Hover Gross Weight and Pressure Altitude for a UH - IH Huey Helicopter for use of The Royal Australian Air Force.UH-IH Performance Computer + Cruise data guide.computer and cruise data guide, uh-1h helicopter, raaf

Framed Document - Poem "New Memory for Old Blokes" Photo one - Unveiling plaque by "Woff" Snow Coughlan & AirCor Ken Watson Photo two - RAAF Vietnam Memorial Plaquedocument, photograph, melbourne shrine of remembrance, raaf vietnam commemeration plaque, woff couglan, aircor watson

the incredible story of the inspiring Australian women who rescued hundreds of orphans at the end of the Vietnam War.refugee children -- vietnam -- history -- 20th century, vietnam war, 1961-1975 -- children, volunteer workers in social service -- australia -- biography

I.ve never read a better account of a battle. 1961-1975 - united states, vietnamese conflict, 1961-1975 - regimental histories - united states, united states. army. airborne division, 101st., 155mm howitzer, a battery, 2d battalion, 11th field artillery

Gary Bray landed in South Vietnam as a recently married, freshly minted second lieutenant in the U.S. Army. His assignment was not enviable: leading the platoon whose former members had committed the My Lai massacre - the murder of Vietnamese civilians - eighteen months earlier. In this compelling memoir, he shares his experiences of Vietnam in the direct wake of that terrible event. 1961-1975 - personal narratives - american, vietnam war, 1961 - 1975, personal narratives, american, charlie company, my lai massacre

None So Blind is a unique work by a unique author. Beginning in the early 1950s and continuing far longer that any of his contemporaries, George Allen had the guts to spear truth to power - telling successive senior authorities in Vietnam and Washington, D.C. that their conduct of the war was la losing one.vietnamese conflict, 1961-1975 - secret service - united states, indochine war, 1947-1954-secret service - united states

On the afternoon of 18august 1966, in a rubber plantation in Phuoc Tuy Province, South Vietnam, Australian troops fought one of their bloodiest mist significant battles of the Vietnam War. 1966 - anniversaries etc., 1961-1975 - participation - australian, vietnam war, 1961-1975 - campaigns, battle of long tan, phuoc tuy province

What makes a leader? is he the product of the situation in which he finds himself? Is he the possessor of a definite set of character traits? Does he have an inherent charisma which elevates him above his fellows? Are the determining factors social, political, personal or intellectual or some mystical combination of them all?leadership, leadership. theories

To Vietnam and bacnk ... One man's searing true story that captures an entire generation.ehrhart, w. d., united states. marine corps - biography, vietnam war, 1961-1975 - personal narratives, american

Born: St Petersburg, Russia 1873; Arrived Australia 1887; Died: 1930InterwarLedger Gift, 1980Garden setting with seated figures and a standing figure depicting a nurse. Bronze brushed gesso frame.Recto: Signed “G.W. LAMBERT.” in black paint l.r.c of composition; Not dated; Not titledgarden, figures, shrubs, chairs, australian art

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930InterwarGift of J. Brackenreg, Artarmon Galleries, 1979Drawing of head with short hair, neck and shoulders. Black timber frame.Recto: Signed, titled and dated "G.W.Lambert / J.W.L. McHugh – April 28th / 1925" in grey pencil across lower centre of composition.drawing, portrait, face, man

Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismGift of Wooleen Pty. Ltd., 1980Evening rural landscape with buildings, trees and moon. Gold brushed timber frame.Recto: Signed and dated 'W.B. / McINNES 10' in brown oil in l.l.c of composition; Not titled painting, landscape, tree, sky, house, farm, moon

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930NationalismGift of Mrs E.E. Ledger, 1982Rural landscape with four horses and riders jumping a fence. Image is in black and white colour. Dark stained, gold and grey brushed timber frame.Recto: Signed "GEO.W.LAMBERT" in black watercolour in l.r.c of composition; Not dated; Not titledpainting, rural, horses, animals, figures, fence, jump, tree

Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismLedger Gift, 1985Expressive brushstrokes in muted colours of two figures fishing in foreground with buildings, tower and trees in background. Timber frame.Recto: Signed "McINNES" in dark brown oil in l.r.c of composition; Not dated; Not titledpaintings, rural, buildings, figures, clouds

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of Mr Wayne N. Kratzmann, 2005Oil painting on canvas depicting figure in a red dress, looking at her face in a mirror held by cherubs. Gold brushed, carved timber frame with decorative corners and edges.Recto: Not signed, not dated, not titledpainting, woman, figure, angels, cherubs, clouds, glove, mirror, face, flowers

Sepia photograph mounted on cardboard of pupils at the Tourello schoolOn Reverse; (written in blue biro) Tourello School Back Row: Chrissie Turnbull, Chris McRae, Colin Robertson, Arthur Roberts, Les Martin, Nicholas Grenfell, Miss Christie, unknown Middle Row: Bill Boyd, Bessie Scarffe, Ethel Turnbull, Lillian Roberts, Alec McRae, Bert Turnbull, Evelyn Grenfell Sitting: Cyril Boyd, Rene Trewin, Alex Trewin, Lyn Turnbull, Bill Grenfell, Norman Martin, unknown Stamped: W.H. Poiner Albert Street Clunes poiner, tourello, school

Hand written on back: given to Hist Soc St Kilda Est(?) Miss O. Appleton 19/6/83sepia photograph poor condition mountedGiven to His. Soc. St Kilda. Est Mrs O. Appleton 19/6/83. W.Edmends, Photographer. 168 Donald st, Brunswick.

The statue was unveiled on Monday December 7th, 1914 in the Catani Gardens, St Kilda, by the Governor of Victoria, Sir Arthur Stanley, watched on by Commonwealth and State dignataries and hundreds of St Kilda residents. black and white photocopy, unmounted, good conditionMemorial to Cpt. Cook (the gift of Andrew Stenhouse). Unveiled by his Excellency the Governor, Sir Arthur Stanley, in the Catani Gardens 7th. December, 1915.st kilda, catani gardens, statue, captain cook, 1914

Velvet Soap was a widely used laundry bar soap launched in 1906, produced by J. Kitchen & Sons, owned by John Ambrose Kitchen (1835 - 1922). Kitchen was born in Britain and emigrated to Victoria in 1854. After a less than successful period at the Caledonian and Blackwood diggings, Kitchen returned to Melbourne and joined his father and brothers in establishing a tallow candle making works. Through merger and expansion the company became the pre-eminent manufacturer of soap and candles in the eastern colonies in the mid to late 19th century. Kitchen also speculated in a number of enterprises but suffered financial setbacks as a result of the 1890s bank crashes. Despite this, the company continued to grow in the early twentieth century with the introduction of products such as Velvet Soap and Solvol. The company merged with the British company Lever Bros in 1914 who eventually took full control of the company in 1924, becoming Lever and Kitchen. Advertising for Velvet Soap in Australia was extensive and pervasive. All manner of surfaces were used to advertise the product such as building walls, roofs, and most commonly, enamelled sheet metal signs which were fastened to any available surface internally and externally. The most common form of sign that Velvet Soap used was the words 'PURE VELVET SOAP' in white lettering within a vivid dark blue, elongated Maltese cross. On the enamelled metal signs the Maltese cross sat on a red background with a yellow border. While this was the dominant form for Velvet Soap signs, there were variations from the standard. The Velvet Soap sign is of historical significance as a representative of painted signs that were once a common form of advertising during the nineteenth and early twentieth centuries. - : http://vhd.heritagecouncil.vic.gov.au/places/14447#sthash.Vb6KAUWl.dpufHistoric - Advertising Sign - Velvet SoapTin sign with white, yellow, red and blue enamel. Pure velvet soap.puffing billy, enamel sign, pure velvet soap