Showing 8411 items
matching wool
-
National Wool Museum
Book, Management reporting system
"Management reporting system"- L Parker, Synthesys, 1986 Used for reporting Australian Wool Corporation stock inventories.wool sales wool stores, australian wool corporation, wool sales, wool stores -
National Wool Museum
Book, Report on objective measurement: technical mission to Eastern Europe
"Report on objective measurement: technical mission to Eastern Europe"- Australian Wool Corporation Research and Development Department, 1975.textile industry wool - measurement wool marketing wool sales trade - international export - wool woolclassing - objective measurement, carding, scouring, combing, spinning, wool clip preparation, textile industry, wool - measurement, wool marketing, wool sales, trade - international, export - wool, woolclassing - objective measurement -
National Wool Museum
Book, AWTA Limited 1957-1997
"AWTA Limited 1957-1997" Australian Wool Testing Authority Ltd, 1997. 40th anniversary promotional booklet.wool - chemistry woolclassing, australian wool testing authority ltd, wool - chemistry, woolclassing -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 62
This knitting book was produced by the Alexandria Mills in Sydney during WWII, makers of Sun-glo and Sunbeam knitting wools.Sun-glo / Knitting / Book / SERIES / 62 / 7d. / DESIGN No. / 2727knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
Ballarat Tramway Museum
Textile - Framed Tapestry - Zoo Tram, 1980s
Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia -
Warrnambool and District Historical Society Inc.
Clothing - Woman's kilt, Fletcher Jones and Staff, Warrnambool, 1980s
This is a woman's kilt (skirt, shawl and pin). Two of the objects were made by the Fletcher Jones clothing company. The Tartan is the Australian tartan which was designed by John Reid, a Melbourne architect, when he entered a competition run by the Scottish Australian Heritage Council. He chose the colours of the Outback as the basis of his tartan. The tartan is design registered in Australia (No. 97439). (Source: District Tartans, P. Smith and G Teall, 1992). This outfit was possibly made around 1990. David Fletcher Jones who served in World War One had a itinerant drapery business in the Western District before opening a tailoring business in Warrnambool in 1924.He began to specialise in men's clothing and in 1946 opened a shop in Melbourne. In 1948 he opened a clothing factory in Warrnambool and formed a new company Fletcher Jones and Staff. The company expanded to all states of Australia and included the manufacture of both men's and women's clothing making it one of the best known clothing companies in Australia. The company dissolved in 2011 This is a fine example of a Fletcher Jones clothing product and comes from a firm which was a dominant industry in Warrnambool and known Australia wide. It has further cultural significance being in The Australian Tartan..1 An orange/tan checked woollen kilt with a pleated skirt and straight panel at the front with a side fringe and a metal buckle It has an adjustable waist with buttons and metal clips. .2 A triangular shaped shawl in the same material as .1 .3 A metal pin or brooch in the shape of a sword and a circular piece with a swan image and a motto ENDURE FORT..1 Fletcher Jones AUSTRALIA'S FINEST CLOTHING PURE NEW WOOL .2 FLETCHER JONES AUTRALIA'S FINEST CLOTHING MADE IN AUSTRALIA .3 ENDURE FORT fletcher jones clothing company, warrnambool industries, australian tartan, tartan, australian tartan kilt, fletcher jones kilt -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 313
Book produced by Patons and Baldwins and contains knitting patterns for womens garments. Sold by Solomons Pty Ltd, a local Geelong draper.Patons / KNITTING BOOK NO. 313 / "BELLA' - See page 8 / P&B / WOOLS / 10 1/2d. SOLOMONS PTY. LTD. / GEELONG'S / BUSIEST / DRAPERShandicrafts - history knitting, patons and baldwins (australia) ltd solomons pty ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 438
This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for mens garments. All the garments have been named after airplanes.No. / 438 / Patons KNITTING BOOK / No. 438 / PATONS / BEEHIVE 3-Ply TOTEM / HIGHLAND SPORTS PATONYLE / AZALEA DOUBLE QUICK / P&B / WOOLS / 1'9knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Accessory - Cap
Dark red school cap with peak. Insignia of Greek warrior head in yellow on front.The Philip Joseph Quality Cap Pure Wool Philcraft Finish.|Pre-shrunk and Water Repellant Name -------- 6 1/2|Made expressly for the Myer Emporium.costume, children's -
National Wool Museum
Spinning Wheel
Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This wheel is Irish and dates from the late 19th century. It would have been used for spinning flax as well as wool. It was purchased from H. Ringersma, Melbourne.Part of the Zakrzewski Spinning Wheel collection.handicrafts - history flax, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz, handicrafts - history, flax -
National Wool Museum
Journal, George Hague & Co.'s Weekly Station Produce Circular, no. 73
"George Hague & Co.'s Weekly Station Produce Circular, no. 73, Tues. Sept. 21, 1880". George Hague and Co. are stock and station agents, and this is a weekly circular produced by them last century promoting their services and giving an account of the state of the wool and agriculture industry. The 'Western Wool Warehouse' is pictured on the front cover; it stood formerly on Western Beach but is now demolished.wool brokering wool sales sheep stations wool stores, george hague and co. pty ltd, western wool warehouse, geelong, victoria, wool brokering, wool sales, sheep stations, wool stores -
National Wool Museum
Journal, George Hague & Co.'s Weekly Station Produce Circular, no. 77
"George Hague & Co.'s Weekly Station Produce Circular, no. 77, Tues. Oct. 19, 1880". George Hague and Co. are stock and station agents, and this is a weekly circular produced by them last century promoting their services and giving an account of the state of the wool and agriculture industry. The 'Western Wool Warehouse' is pictured on the front cover; it stood formerly on Western Beach but is now demolished.wool brokering wool sales sheep stations wool stores, george hague and co. pty ltd, western wool warehouse, geelong, victoria, wool brokering, wool sales, sheep stations, wool stores -
National Wool Museum
Photograph - Chernihiv Worsted and Cloth Mill, Ukraine, 1990s
This image shows the team from the topmaking section at the Chernihiv Worsted and Cloth Mill in the Ukraine. Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Image depicting four men and two women seated and standing around a table with coffee cups.stuart ascough, international wool secretariat, topmaking, career, wool industry, training, technical advice, mills, ukraine, textile industry, chernihov -
National Wool Museum
Taxidermy Sheep, Booka, c1980
The ‘Wanganella’ merino sheep stud was established by the Peppin brothers in the Riverina in 1861. The introduction of a single French ‘Rambouillet’ Merino ram, called Emperor, is now widely acknowledged as one of the most important events in the development of the Peppin stud. As many as 70% of today’s Australian Merinos are said to be directly descended from the Peppin-developed sheep. Its heavy fleece falls in the mid-range of Merino wool qualities (20 to 23 microns) and is protected from the excesses of the environment by a comparatively high content of natural wool grease, which can be seen in the creamy colour of Booka’s wool. Fred Peppin said [of the sheep breed] "We were satisfied with the type of wool that the country would grow, instead of endeavouring to produce what the climate and soil continually fight against. Thus we developed all its good natural tendencies and after that the flock had a character of its own.”Peppin merino stud. Has a large body and long legs. Two horns protruding from its skull.sheep, wanganella -
National Wool Museum
Photograph, Union Mill, 1932
The Collin's Union Mill was built in 1874 making it one of the first Woollen Mills in Geelong. The building was upgraded in 1910 and 1940. The two photos are of the same location within the mill at different years, showcasing the upgrade to the mill.The first photo is a black and white image alleyway in the Union Mill in landscape format. A pile of bricks are stacked on the right hand wall. The second photo is a sepia image of the same alleyway, showcasing the second floor upgrade to the left building.8064.1 - on rear - Union Mill 1932wool, woollen mills, geelong, wool manufacture, union mills, collins -
National Wool Museum
Photograph, Federal Woollen Mills Ltd, The Federal Woollen Mills Display, July 1928
Image of The Federal Woollen Mills mills display from the 'Made in Australia' Exhibition held at the Geelong in July 1928. The exhibition was organised by the manufacturers sectional committee of the Geelong Chamber of Commerce and Manufactures. Over 50,000 people attended the exhibition, making the exhibitors and organisers delighted at the result.Black and white photograph of a Federal Woollen Mills display in a landscape format. The exhibit featured draping fabrics and a suited man in the left hand edge.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, 'made in australia' exhibition, geelong -
National Wool Museum
Photograph, Federal Woollen Mills Ltd, Federal Woollen Mills Float, 1938
Federal Woollen Mills float for the 1938 Gala Day in Geelong. For over 20 years Geelong held a Gala Day to raise money for the Hospital. Many organisations created floats and paraded them in Geelong. In 1938 the day raised more than 10,000 pounds for the Hospital.Black and white photo of the Federal Woollen Mills float in landscape format. The float is in the form of a Dutch setting with windmill and two girls in costume.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, geelong, gala day -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Archive - Advertisement, Castlemaine Woollen Mill, 1958
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement Castlemaine blankets "Warm as a summer breeze"Warm as a Summer Breeze/Light as a Floating Cloud/Castlemaine Blankets/Castlemaine-the Aristocrat of Blanketswool, blanket, blanket fever, advertisement, castlemaine, australian women's weekly -
National Wool Museum
Archive - Advertisement, Challenge Woollen Mills, 1961
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1964
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." There's no question about the brand, only the colour (blanket range) There's no question about the brand….only the colour!/Onkaparingablanket, blanket fever, onkaparinga, wool, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1966
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Wonderfully, naturally, beautiful (couple on picnic blanket)Onkaparinga/Wonderfully, Naturally, Beautiful blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Photograph - Valley Worsted Mill, 1923
Photographic postcard depicting the newly constructed Valley Worsted Mill, c.1923.Photographic postcard, black and white. Depicts an aerial view of the newly constructed textile mill. A chimney stack and many saw toothed roofs can be seen.POST CARD / CORRESPONDENCE ADDRESS ONLY / KODAK / AUSTRALtextile mills, valley worsted mill foster valley mill pty ltd, aerial photography, factory, wool, industrial building -
National Wool Museum
Socks, Womens hiking socks
Part of the womens casual "sportwool" uniform for the Winter Olympics, 2002.AUSTRALIA SALT LAKE 2002fashion, costume, shoes, wool, sport, salt lake city -
National Wool Museum
Sign - Short Mule Weft Bobbins Only, Collins Bros Mill Pty Ltd
Taken from Collins Mill around 1984.Painted rectangular sheet metal sign reads "SHORT Mule Weft Bobbins ONLY". The sign is painted on one side and has a white background with a green strip around border.SHORT(red paint) Mule Weft Bobbins (black paint) ONLY (red paint)collins mill, signs, textile industry, wool, bobbins, weft -
National Wool Museum
Slide - Floral Carpet Pattern, 1950s
Slide of a carpet pattern dating from the mid to late 1950s.Photographic slide, colour. Depicts a floral carpet design. Black plastic slide mount.carpet, floral, wool, 1950s, pattern, design -
National Wool Museum
Machine - Knitting Machine, Sock
Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Personal history of Edna Harris who used the machine.knitting machine, industry, design, socks, clothing, wool -
National Wool Museum
Socks, Mens hiking socks
Hiking socks to be worn with hiking boots for opening ceremony of Winter Olympics, 2002Australia Salt Lake City 2002fashion, costume, shoes, wool, sport, salt lake city -
National Wool Museum
Functional object - Container
Used at Foster Valley Mills.Kidney-shaped plastic textile container with lacing on joins.foster valley mills, textile industry, loom, weaving, container, wool