Born: Dorchester, Dorset, England 1856; Arrived Melbourne 1869; Died: Kallista, Victoria, Australia 1931Heidelberg SchoolLedger Gift, 1978Rural landscape with dirt road. Copper coloured timber frame.Recto: Signed "Tom Roberts. 24." in white paint l.l.c of composition; Not dated; Not titledlandscape, trees, bush, road, hill, forest; australian art

Born: Carlton, Victoria, Australia 1917; Lived and worked: England 1953-1992; Died: London, Middlesex, England 1992Post WarGift of the Friends of the Benalla Art Gallery, 2005 Black and white photogaph of makeshift horse arena. Unframed in archival folder.Recto: Not signed, not dated, not titledphotograph, fence, hill, rural, arid, tree, building, figures, fence, bush, child, woman, rock painting, paddock

Ordered by Langwill Bros., & Davies Ltd Melbourne Used for saw milling, dam constructions and log haulingFoden Traction Engine This engine is a compound traction engine built by Foden Ltd of Sandbach England in 1914 – builders number 4525. This was ordered by Langwill Bros and Davies Ltd of Melbourne and was used by Mr F Orr on his farm at Bullarto South Victoria. On the farm it was used for many agricultural purposes and was used at times as a stationary engine to run a wooden thrashing machine. The unit was last used on the farm in 1947 and put aside on the farm with a “museum” of other old agricultural tractors and machinery. Mr Orr gave us the engine as an exhibit for the Menzies Creek Museum of Puffing Billy in the 1960s. At that stage he was an elderly gentleman of 97 years and maintained a great interest in his farm which had been in his family’s hands for three generations at that stage. His grandfather had cut the farm from the bush. The traction engine in its youth was used to go around other farms in the district and went as far away as the Wimmera and Mallee farms thrashing crops of wheat, barley and oats. It towed the wooden thrashing machine behind it on its trips to these farms on hire to the farmers. Foden Compound Traction Engine Built by Foden Ltd., Sandback, England in 1914 to the order of Langwill Bros., & Davies Ltd., Melbourne, it was used on a farm for sawmilling, dam constructions and log hauling. Donated by F. Orr of Bullarto South, Victoria. Foden Compound Traction Engine - made of Steel (Painted)Foden foden, traction engine, steam, puffing billy

A visual portrayal of a well-worn bush pathway, possibly to the beach at Inverloch.Black and white standard size postcardCopyright by G. Ford, Leongatha. Printed in Britain. $10 hand-written in pencil on reverse side. tea tree, inverloch, g. ford, leongatha

John Bulmer spent forty years of his life as missionary to Aboriginal people in Victoria, in 1855 devoting his activities to communities on the Murray, but most of his life was spent at Lake Tyers where he established a Church of England mission in 1862, In his later years he wrote a series of thirteen papers in which he recorded his observations on the life and times of the people to whom he ministered. Over a period of several years Alistair Campbell transliterated the manuscripts, altering a little but retaining the flavour of the original text.maps, b&w photograph, word lists, tablesgunai kurnai, gippsland, lake tyers, lakes entrance, king charley, snowy river, ellen hood, sarah moffat, lance mcdougall, kassie mcdougall, tom foster, alec mccrae, nellie blair, john bulmer, victorian history, indigenous social life, kinship, religion and mythology, bush foods

The fieldguide edition of Wild Food Plants of Australia. It is presented in a concise, convenient form to facilitate quick and ready reference in the field. Tim Low has provided a truly reliable guide to our edible flora, making identification easy. Thus it is a perfect companion for bushwalkers, naturalists, scientists and, with emphasis on wild food cuisine, gourmets. Low describes more than 180 plants - from the most tasty and significant plant foods of southern and eastern Australia to the more important and spectacular inland and tropical foods.Maps, colour photographs, b&w illustrationsedible wild plants, cooking, flora, cuisine, bush tucker

A mortising tool is a specialist axe designed for hewing sills and cutting notches in timber. It has a long, narrow head, making it easier to work on large logs. The shape enables the user to cut a long way down into the notch, where otherwise a chisel would be used. Example of a common bush woodworking tool used before the advent of chainsaws and power equipmentMortising Tooltimber tools

A mortising tool is a specialist axe designed for hewing sills and cutting notches in timber. It has a long, narrow head, making it easier to work on large logs. The shape enables the user to cut a long way down into the notch, where otherwise a chisel would be used.Example of a common bush woodworking tool used before the advent of chainsaws and power equipmentMortising Tool, AxePrades Co Solid Steeltimber tools

Newspapercourier, early, hospital, charity, ball, alfred hall, 1895, queen, victoria, ward, 1900, williams, ballarat, benevolent, asylum, lying-in, hospital, architectural, drawing, jones, 1870, history, bush, 1935, finances, children's ward, egg, appeal, schools, 1911, alterations, indoor, outdoor, patients, strike, chinese, butters, medicine, new, pioneers, hospital

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters

Oil on canvas board. Landscape painting of Eltham with Brougham Street bridge in the foreground. People walking down the road and cars in the backgroundLower left, red paint 'HILARY JACKMAN 80'landscape, painting, eltham, bush, bridge, brougham street, jackman

Coloured photo of Brumbies Band entertaining crowd at Friends of Schwerkolt Cottage Wisteria Party, October 1995.brumbies bush band, friends of schwerkolt cottage, wisteria party

Coloured photo of Brumbies Band performing at Friends of Schwerkolt Cottage Wisteria Party, October 1995.brumbies bush band, friends of schwerkolt cottage, wisteria party

Coloured photo of Brumbies Band performing at Friends of Schwerkolt Cottage Wisteria Party.brumbies bush band, friends of schwerkolt cottage

Coloured photo of Brumbies Band performing at Friends of Schwerkolt Cottage Wisteria Party.brumbies bush band, friends of schwerkolt cottage, wisteria party

Coloured photo of Brumbies Band, Barbara Gardiner and children at Friends of Schwerkolt Cottage Wisteria Party.gardiner, barbara, brumbies bush band, friends of schwerkolt cottage

Programme for three weeks of activities at the 1996 Mullum Mullum Festival, 6th - 27th October. Creek Carnival weekend, October 26th & 27th.Programme for three weeks of activities at the 1996 Mullum Mullum Festival, 6th - 27th October. parks and reserves, schwerkolt cottage, cameron, david, simpson, ken, cooper, pat, cooper, mike, manningham creek, hillcrest reserve, mullum mullum creek, taylor, cameron, lang, felicity, currawong bush park, city of manningham, city of whitehorse

Photograph of two children in the garden at Schwerkolt Cottage to publicise the Wisteria Time Party organised by Nunawading and District Historical Society on 12 October 1997Wisteria Time Party organised by Nunawading and District Historical Society on 12 October 1997nunawading and district historical society, simon's mobile menagerie, brumbies bush band

Melbourne Water completed its $14.5 million Daylighting Dandenong Creek project which involved removing 830m of underground pipe. Members of the local community engaged to tree planting the area.Melbourne Water completed its $14.5 million Daylighting Dandenong Creek project which involved removing 830m of underground pipe. melbourne water, bush care, heathmont, dandenong creek

Digital Photographvictoria, hepburn shire, sign, comedy, public art, george w bush, humour, john howard, satire

Vinyl and Paper