This book belonged to Rolf Crawley who was an engineer in the employ of the Shire of Warrnambool at the time he acquired this book. In 1926 he was the engineer/secretary for the Minhamite Shire, returning in 1935 to the Shire of Warrnambool as the engineer after the death of his father, John William Crawley Junior. Rolf retained this position until 1968. Rolf’s grandfather, father and uncle had all been engineers or shire secretary for the Shire of Warrnambool, with the Crawley family recording a total of 132 years of service to the Shire of Warrnambool which existed from 1863 to 1994. This book is retained as a memento of Rolf Crawley, the engineer with the Shire of Warrnambool from 1935 to 1968. This is a hard cover book of 626 pages. The cover is green with gold lettering on the spine. The edges of the cover are rubbed. The book contains a preface, 18 chapters of text and an appendix. The pages contain many diagrams and plans. The inscriptions on the first page are handwritten in black ink. There is a label from the bookseller attached to the first page. Rolf L. Crawley 1922 Please return to R.L.Crawley ‘Korongah’ Port Fairy or Shire Hall Warrnambool Tait Book Co. 90 William Street St. Melbourne for Technical Books crawley family, warrnambool, shire of warrnambool, history of warrnambool

Walter Joseph Constantine Baldwin. Refer 1527.4. The book was an edition that came out during the war and had future updates with individual photos in the back. The volume listed all Victorians up until early 1916 who served.Black leather-looking cover with gold lettering and illustration of a rising sun with crown. Photo pasted on first page.Pasted inside front cover "BALDWIN, Walter JC No 1617 Dvr "C" Coy 38th Batt Transport Div 10th Brigade / Son of George and Elizabeth BALDWIN, 11th Street Mildura / Born at Yanac-a-Yanac July 20 1889 Educated Yanac-a-Yanac & Nichol's Point, Mildura SS Horticulturalist; enl Mildura Feb 1916. Emb June 1916. Service France, Belgium."books-history, military, all australian, baldwin, 38th bn

The Mahogany Ship is today regarded as a legend and refers to an ancient wreck that is purported to lie beneath the sand beside Armstrong Bay, several kilometres west of Warrnambool, Its location is currently unknown. For well over a century the mystery of this ship has fascinated Australians because the existence of such a vessel could throw a different light on the earliest phases of exploration of eastern Australia by Europeans. The story is that in January 1836 a party of whalers from Port Fairy travelled to the mouth of the Hopkins River in search of seals. Their boat overturned and one man was drowned. The three survivors were walking the 30 kilometres back to Port Fairy along the coast when, about halfway along, they discovered the wrecked ship in the dunes. It is said that Captain John Mills, who was in charge of the whaling station at Port Fairy promptly visited the wreck with several of his men, including Hugh Donnelly. Donnelly who was the originator of that version of events is now regarded as unreliable. Local history researcher Joan Fawcett believes Donnelly could not have visited the wreck in 1836 because he did not arrive in Victoria until 1841. The "mahogany" description can be traced to a letter from Port Fairy builder, architect and surveyor John Mason and published in the Melbourne Argus in 1876. He said he had seen the hull in 1846 and it "had the appearance of either cedar or mahogany." In 1884 Argus journalist `The Vagabond' wrote that the hull was built of "Spanish mahogany" and six years later Mason wrote another letter saying it might not have been mahogany but red gum or ironbark from New South Wales. He was too late with this new description as the wrecks mahogany tag was here to stay all through the hull was not visible as it had disappeared beneath the shifting sands by 1880. A more reliable account was later presented by the former editor of the Warrnambool Examiner, historian Richard Osburne, who wrote about the wreck in his book History of Warrnambool (published 1887). In it the author remembers to have noticed a wreck in the hummocks between Belfast and Warrnambool, in 1847 or 1848; he stated it was much nearer Warrnambool than Belfast, now known as Port Fairy, going on to state “in fact, it was only two or three miles from the former place, to the west of the big hummock which was supposed to fill Warrnambool Bay with drift sand washed by the Merri River before the cutting was made.” Osburne followed up with a letter to the Port Fairy Gazette on June 25, 1876, during a period of heightened interest in the wreck, although he was unsure of the provenance of the ship he went on to state in his letter. “The old wreck was, in fact, miles away from the Port Fairy beach, and only about four miles from Warrnambool. In the years 1847 and 1848. I have often seen the wreck and I regret to say I do not believe she was a foreign ship at all.”The ship model is significant for its association with the Warrnambool story of what is now referred to as the Mahogany Ship, an ancient shipwreck. The model is significant as it is an interpretation of a Portuguese caravel and possibly associated with the early history and exploration of Southern Australia. The model is a fine example of a hand crafted ship made from plans, not from a kit. Some of the materials used for the model are significant to the Gembrook community in that the timber used is a portion from a 30-meter pine tree that fell onto and destroyed the 120-year-old Gembrook church building. The model is also a dedication to Edward Kermond, who grew up in Warrnambool and claimed to have seen the shipwreck in the dunes when he was a lad in the late 19th century. (See note section of this document for further information on the creator and donation of the subject item).Ship model, an interpretation of a mahogany Portuguese carvel vessel in a glass display case with wood frame and a description plaque. Model is made from dark stained wood. The three masted vessel is fully rigged, with a Portuguese-like flag on mast. Plaque is rectangular, free standing on a pedestal. The model was handmade by Joe Hilder (Senior) in 1999 from flooring obtained from the Gembrook Uniting Church in Victoria. Inscriptions, hand written, under base of case and on plaque.Under base, black felt tip pen “Ship & Case made From / Flooring from Gembrook uniting Church, Flattened in 1999 / By Large Pine Tree.” On plaque, white paint "This interpretation of the Fabled Mahogany Ship was made by Joe Hilder, Gembrook Vic. is displayed in the memory of the late Edward Kermond (Ted) 1887-1973, a Warrnambool son who claimed to have seen the original ship as a child." flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model, mahogany ship, mahogany ship story, portuguese caravel, joe hilder, edward kermond, ted kermond, gembrook uniting church, gembrook storm 1999, port fairy whalers, belfast whalers

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO57 Alnwick, 11 Railway Parade Murrumbeena https://vhd.heritagecouncil.vic.gov.au/places/35369 as at 30/10/2020 Alnwick" is situated at no. 11 Railway Parade, Murrumbeena, and was built for Sir James Patterson, former Commissioner of Public Works and Railways and Premier and Chief Secretary at the time. It is historically and aesthetically significant. It is historically significant (Criterion A) as the home of a former Premier and MLA who held a multitude of senior positions during his term of office spanning between 1870 and 1895. These positions included Commissioner of Public Works, Vice President of the Board of Land and Works, Postmaster General, Commissioner of Railways and Commissioner of Trade and Customs and Minister of Railways. Importantly, he held these offices during the period of Colonial expansion leading up to the economic crash of the early 1890s. It is aesthetically significant (Criterion E) as an early example of the Queen Anne style in Glen Eira and as an isolated early building facing the railway station in Murrumbeena.Page 170 of Photograph Album with one photograph of a house on Railway Avenue.Handwritten: Railway Avenue [top right] / 170 [bottom right]trevor hart, chimneys, verandah, porch, 1890's, alnwick, railway parade, sir james patterson, james patterson, single storey, murrumbeena station, red brick, gable, murrumbeena, railway avenue, victorian style, house names, queen's avenue, queen anne style, protruding bay windows, premiers, polychrome bricks

Image of the Anglican church at Morrisons.anglican church, st james' anglican church, morrisons, morrisons, church of england

Christian Brothers College, St Kilda, was established in 1878 as a private secondary college for boys. Since 2021, following the closure of its sister school for girls, Presentation College Windsor, it has operated as a co-educational school called St Mary's College.Pale blue square card with black printing on one sidePrinted on face: Christian Brothers' College, St. Kilda, ANNUAL CONCERT, St Kilda Town Hall, Tuesday, Dec. 17, 1918. Proceeds in aid of Christian Brothers' Training College Jubilee Fund. His Grace the Most Rev. Dr. Mannix will Preside. Row J 81 ADMIT ONE This part to be given up at the Door.st kilda town hall, st kilda schools, christian brothers college, christian brothers training college, 1918, 20th century, dr mannix, christian brothers

Photographer aged 15,small residence, street frontage of St Kilda houseblack and white polaroid, unmounted, original,poor condition

A5 sized hard cover book, Sandy coloured inner cover with a torn paper outer cover of yellow honeycomb with black & white flower & 2 bees, Black writing 199 pages. First published 1943, cheaper edition 1946, reprinted 1946 Inside the cover is a blurb about the book & authorDedicated to the authors Aunts - Elizabeth Way Edwards & Winnifred Way Wencke - In memory of Days at Lone Oak

Domestic - Cast Iron Camp Oven with lidstawell

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar

Brown leather and marbled hardboard cover, loose back cover With embossed detailing on cover and spine 'Gentleman's Magazine Vol 3. 1869' 758 pages ; 22cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute' british magazine, kilmore mechanics institute library.

18cm x 12cm black and white photograph of the building on 13 Sydney Street. Which was occupied by J. Quinn who was a baker. Three figures are standing in front of the building, all female. And one male sitting in a cart pulled by a dark coloured horse. The cart has advertising on the side for J. Quinn. The building is made from bricks with decretive columns on the exterior. Written on the back: 600dpi J Quinn Baker in HEY-DAY Building before Breakell'sbakers, bakers and bakeries, bakeries, 19th century

Mrs Liddy, 59 River Street, Maidstone, VictoriaAlbum containing Postcard scenes of Guernsey. Printed in Germany. Maroon cover, embossed in gold, black binding.albums, books

Hand-knitted by donorCream wool jumper; Hand knitted in open zig-zag design. Ribbed stand up collar and tie at neck.costume, female

This small album belonged to E Joy, Eaglehawk, 1913 & 1914Small green church art stamp album consisting of 24 pages with coloured stamps marking events in the church calendar.On cover: "CHURCH ART STAMP ALBUM"

Document: Buff coloured bank book with red binding. Bank Pass Book English Scottish & Australian Bank Deborah United Pass Book July 1944 - 31 August 1959 Account closed 31. 8. 1959.McColl, Rankin & Stanistreetorganization, business, deborah united gold mine nl, mccoll, rankin & stanistreet, english scottish & australian bank pass book, gold mining, deborah united gold mine nl

Photo of Ballarat No. 41, derailed in Barkly St. Ballarat near main road on 4-11-1961. Image is going red. Tram fitted with dash canopy lights, small white stripe, large triangles. Penfold Sherry ad on roof. Numerous markings on road surface of previous? derailments. Note advertisement hoardings in background of photo, one featuring an ad for Penfolds. Tram has a destination of 'Mt. Pleasant.''SEC Ballarat No. 41 derailed in Barkly St. near Main Road, 4-11-61 1.40pm' in blue ink.tramways, trams, barkly st., derailments, accidents, mt. pleasant, tram 41

Yields information about a posters applied to a tram to advertise a Tex Morton variety show in Ballarat in 1963.Digital image from the Wal Jack Ballarat Album of Ballarat 18 dressed in extensive advertising posters and panels including the windows advertising the Tex Morton Variety Show, photographed in the parking loop, Sturt St by Wal Jack 9-11-1963. Has Thomas Jewellers shop, Gear chemist and the Union Hotel in the background. Tram No. 12 is parked behind No. 18. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative Tex Morton died in 1983 and was a well known Country and Western performer. See Wikipedia and similar websites for more details.On rear in ink "SEC Ballarat No.18 decorated with Tex Morten's Variety Show posters - Sturt St, Parking Loop 9-11-63". In top right hand corner is Wal Jack stamp with negative number "T1275" written in.trams, tramways, sturt st, decorated trams, text morton, tram 18, tram 12

School Group 1954 Form 2A: Boys standing (L-R): 1. David Reese, 2. Robert Gruar, 3. Ray Cornell, 4. Ken Tuppen, 5.Eric Brooks, 6. John Allsop, 7. David Lyall, 8. Ray Horsey, 9. Robert Finnis, 10. John Murnane, 11. Victor Greenham, 12. David Storrar, 13. Andrew Sprogis, 14. Volkar Sawatsky. Girls standing: 1. ?, 2. Norma Traverton, 3. Leslie Gibson, 4. Valerie Noble, 5. Margaret Rankin, 6. Merle Kneebone, 7. Noelene D'Hurville?, 8. Dorothy Hancock, 9. Lorraine Smith, 10. Shirley Dobson, 11. Iris Allen, 12. Janice Garrett, 13. Heather Anderson. Girls seated: 1. Wendy Hatfield, 2. Ruth Beveridge, 3. Glenda Hall, 4. Dawn Simpson, 5. Jeanette Melville, 6. Margaret Buck, 7. Anne McDowell, 8. Jennifer Pickford, 9. Judith Nott, 10. Lilian Thompson, 11. Margaret Denis. Boys seated: 1. Barry Ring, 2. Ashley Barker, 3. Louis Stevenson, 4. Terry Drummy, 5. Ian Chambers, 6. Ian Morris.Written on back of photograph, "Form 2A". No date. List in sleeve reads, "High School - Bedford Rd. Ringwood. Photo Pupils Form 2A. Reading from Left to Right. Back row boys: no.1. ??, 2. ??, 3. ??, 4.??, 5.??, 6. John Allsop, 7.??, 8. ??, 9. ??, 10. John Murnane, 11. Victor Greenham, 12. ??, 13. ??, 14. ??. Boys sitting front: 1. ??, 2. ??, 3. ??, 4. ??, 5. ??, 6. ? Morris".Girls standing: 1. ?, 2. Norma Traverton, 3. ?, 4. Valerie Noble, 5. ?, 6. ?, 7. ?, 8. Dorothy Hancock, 9. ?, 10. ?, 11. Iris Allen, 12. ?, 13. ? Anderson.Girls seated: 1. ?, 2. Ruth ?, 3. ?, 4. ?, 5. ?, 6. Margaret Buck, 7. Anne McDowell, 8. Jennifer Pickford, 9. Judith Nott, 10. Lilian Thompson, 11. ?.