This candle mould was used in the past to make six candles. Molten wax or tallow, together with a central thread or cotton, were poured into the columns and when set were removed from the moulds. Until the advent of electricity in the 1920s in Warrnambool, candles, lanterns and lamps were an important source of lighting in homes. Few homes had gas lighting. Many householders made their own candles from waste fat etc. This mould is retained as an example of the way householders in the past made their own candles to assist lighting in the home. This is a mould with a rectangular base and six cylindrical hollow columns with pointed ends affixed to the mould base. The columns are topped by a rectangular metal tray with the openings of the columns in the base of the tray. There is a metal clip attached to one end of the tray. The mould is very rusty warrnambool history, candles

Copy of map part Sec. 13, Parish of Yan Yean 1856, Map 3, Village site... Scale: 8 chains to 1 inch. Drawn by C. Hodgkinson, District Surveyor, redrawn by A. R. Blair 1978. 1 p. photocopy of map. yan yean reservoir, yan yean

Horse harness that connects a horse to a horse drawn vehicle 2 types 1. breast collar or breast strap 2. full collar or collar-and-hames. On either side of the collar are wooden or metal bars called hames.Used by farmers in the Kiewa ValleyShort knob top, forged hook, nut and bolt joint, loose rein ring, chain bottom, steel cased. They go on the collar and are made of two metal strips which take the full force of the pull padded by the collar.horse equipment, hames, horse collar

Horse harness that connects a horse to a horse drawn vehicle. 2 types 1. breast collar or breast strap 2. full collar or collar-and-hames. On either side of the collar are wooden or metal bars called hames.Short knob top, forged hook, nut and bolt joint, loose rein ring, chain bottom, steel cased. They go on the collar.hames, horse equipment, horse collar

The sketch was drawn by artist Hans von Gruenewaldt. The sketch depicts Peter Mueller acting in the role of Custodian Krach in Hosterhaus, a play put on in camp 13. Both men were POW's in Camp 13 during WW2. Colour photograph copy of a sketch (on foam backing) of a red haired man wearing a white jacket which has double lines running down and a single line across. He has a red scarf tied around his neck and a red vest with 6 buttons. He has his thumbs in his armholes and fist closed. Trousers are white with black stripes running vertically. Standing behind a corner shaped wooden divider with 6 uprights. A black top hat on his head.hans von gruenewaldt, camp 13 artists, camp 13 internees, peter mueller

Horse-drawn harvester at Lake Bolac, circa 1930's. Oats are cut and the sheaves are bound by the machine. The sheaves are then stooked before being carted to the stacks. Vic Moreton is on the seat of the binder with Ernie Brown carrying a sheaf.lake bolac, oat harvest, moreton, brown

Depicts part of the procession at official opening (21/12/88) - horse drawn carriage, horse and rider. National Wool Museum in background. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum

North east view of Sturt Street from Doveton Street North. You can see both electric trams and horse drawn cabs. Verandas with decorative balustrades. In the garden in the middle of the street are seats with sun shades.sturt street, postcard, streetscape, garden, building, commerical, vehicle

This reproduction of the 1958 architectural drawings for 290 Walsh Street gives insight into Boyd's design. The finished building differs from these plans in some interesting ways - for example, the upstairs balcony cantilevers twice as far as originally drawn.Working Drawing, Colour copy, Paper type A1

Wooden Butcher’s Shop (J. Cock) Main Street Stawell on West side of Town Hall with butchers wearing aprons and horse drawn cart out front. Note sheep carcases hanging out in open air.stawell business

Rose Series postcard No. P 4649 titled "Collins Street Melbourne", looking west from Russell Street. Has several of cable trams in the view along with many horse-drawn carts and some motor cars. Yields information about Collins St c1915Postcard - printed real photograph with Rose Stereograph Co. name on the rear.Has the Ken Magor stamp on the rear.trams, tramways, cable trams, collins st.

Drawn by Margaret Donald, a former student and founding member of the Friends Of the Burnley Gardens (FOBG), it was given to Sandra Pullman who donated it to the Archives in 2013. Previous control number B14.0081. Margaret Donald died Feb 2015.Pen and ink drawing of the Summer House with a parent and child sitting inside it. sandra pullman, margaret donald, summer house, friends of the burnley gardens, fobg, sketch, ink drawing

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read.This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered 16 page instruction book with black and white photographs and detailed instructions explaining how to tat and eight tatting projects including how to make a collar and handkerchief edgings, published by Paragon Art Needlecraft of Sydney.Front cover - "PARAGON BOOK NO. 104" "PRICE 1/3" "Learn to/ TAT' Back Cover - "36/D5 E/A DO2" - handwritten in pencil flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, tatting, tatting pattern book, tatting instructions, handicraft, needlework, shuttle, tatting shuttle, paragon needlecraft, paragon craft book

This photograph shows a large bullock team at the foot (eastern side?) of the Orbost township.This is a pictorial record of transport used in the late 19th century in Orbost.A large black / white photograph of a bullock team pulling a laden cart. A man is sitting on top of the freight. In the background is a horse - drawn cart loaded with sacks (maize?) with a man on a horse to the side and another standing on the shafts. In the foreground are two men on horses. There is a small house and barn in the background.on back - " At the foot of the township - 1889"orbost transport-bullock-teams horse-drawn-transport

Includes the names of farmers in the Kiewa ValleySoil Conservation Authority, Bogong High Plains, Cattle Allocation Marking/Brand Identifications Season 1958/59. Drawn 7-1-59, DWG No 679 file Sc/D/4M Chart gives details of Names, Run No., Earmarks, Brand & Location & Breed of cattle.Penciled in details under 'Name' 1978/Roper/W.Ryder/F.Ryder/W.Hicks/Maddison.chart, cattle, markings, brandings, bogong high plains, roper, ryder, hicks, maddison

See Cat 4575P.Set of 3 Black and white postcards printed in Palestine, WW2. 1. A scene of the Shephardic Synagogue, Tel Aviv. 2. A street scene of Allenby Street, Tel Aviv. 3. A scene of Moepabi Opera House, Tel Aviv. In the foreground can be seen horse drawn taxis.Nilww2, tel aviv, palestine

Two October 1986 newspaper reports and a cartoon - VFL umpire Don Jolley addresses school assembly and accepts donation towards fitout for spinal unit bus. Cartoon drawn by WEG, popular Australian editorial cartoonist and illustrator, William Ellis Green, a local resident of Heathmont.

Sandy coloured rock, with two stiped graptolite specimen. Graptolite is barely discernible and has a pencil ring drawn around it. Sticker with 'CH33' on front near specimen also written on back in pencil. Graptolite specimen was formerly held in the School of Mines Museum, Pall Mall, Bendigo.

Copy of original design created and drawn by Owen Walter Williams in the early 1900's. This design used for the leadlight made for the entrance to the Bendigo Leadlight Cafe 1998. The design show three panels, the two side ones decorated with flowers motive and the middle one with a family crest.bendigo, business, owen williams

Certificate awarded to Temperance Fire Brigade Bendigo from the Country Fire Brigade's Board Victoria for second prize in Discipline Certificate - Brigades Classed D and Upwards. Printed on stiff paper with illustrations of horse drawn fire vehicles and firemen. Markings - Sands & McDougall Limited, Melbourne.organization, government, bendigo fire brigade

Yields information about tram services and the use of the City Loop and tramcars in general.Negative and Digital images of the Wal Jack Ballarat Negative file of Ballarat No. 13 in the city loop. Side on photo. Early 1960's. Tram has the blinds drawn - look new. In the background are the hotel with the proprietor J P Flood and a shop Betty Preen Pty Ltd. trams, tramways, city loop, sturt st, tram 13

Sepia coloured photograph of a horse drawn hearse, the name P. Fizelle can be seen on the front side. The photo is from a calendar as it has March 2013 written at centre bottom. On the back a sticker with the words: Fizelle & Mulqueen undertakers c.1890's Bridge Street, Bendigo.bendigo, business, mulqueen