The domestic sewing box would have been used in the home.A brown varnished rectangular wooden lidded Sewing Box with a lift out top section which has 16 varying sized compartments for storing sewing accessories. There is a has a hollow area underneath the tray. The lid is attached with brass hinges and it has a brass lock and small key. There are several sewing items included - cotton reels and thread, assorted darning thread for hosiery, wool and nylon threads, a box of black pins, assorted sewing needles, thimbles, small decorative sewing scissors, black rolled tape, mixed buttons, hooks and eyes, nickel plated fittings for hats, vintage stocking hooks, a stick of white chalk, two (one green and one ivory) antique cotton thread winders and a medium sized vintage safety pin.a Variety of brands of items include - 'Rite Tone', 'Della Darn' 'C No Darn', 'Clark's Filosheen' hosiery thread, 'Barbour's Linen Wax Thread', 'The Flora MacDonald Best Steel Bodkins' 'National Hat Guard' nickel plated steel and brass fittings, 'Chadwick's Wool and Nylon' reinforcing mending thread, 'The Myrene Snap Studio' size 1 rustless press studs, 'The Pagoda Brand' rolled tape 5 yds, 'Cross Fox Brand' Best quality Steel Stems (long plastic headed pins), 'Toledo' brass thimble and a black box of 'F. Tayler & Co's Solid Headed Mixed Pins'. The brass lock has 'SECURE PATENT' stamped in to it on the inside of the edge of the front of the box. there is also a small VR with a tiny rounded pattern opposite the Patent sign. sewing equipment, sewing box, sewing, embroidery scissors, functional object

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0356millinery, hat pin, female head wear, hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0287hat pin, female head apparel, clothing accessories

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsBrass Pin, two 3.5cm cones, gold coloured tapered down to imitation half peal centre piece Cones stamped with small flower petalsmillinery, hat pin, female head wear, hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is ball shaped covered blue/silver reflective fastened sequin. Each sequin is attached by a seed bead of dark blue colourmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0352 for same pin except details are highlighted with darkened outlines(may be dirt)clothing, millinery, costume, women hat accessory

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0351 for a cleaner itemmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsElongated pearl on silver coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors This item is similar as the one worn by the "Queen Mother" in the film "The Kings' Speech"Silver coloured pin with a thistle shaped head also in silver/chrome colour. Sleek in appearancemillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Photographs of Yom Yerushalayim at Bialik College, 2001. Includes students in blue and white handmade hats, and staff and students at a commemorative ceremony featuring a flag procession, musical and dance performances and the release of birds into the sky. Please contact [email protected] to request access to this record.judaism, 2000s, chagim

In 1964, 8th/13th Victorian Mounted Rifles was equipped with wheeled armoured vehicles. Ferret Scout Cars and White Scout Cars. Crewmen wore black tanksuits, boots, gaiters, black webbing belts, black berets with 8/13 VMR hat badge.Collection of photographs showing an armoured regiment of the Citizen Forces in the 1960s as it transitioned from wheeled armoured vehicles to tanks to M113 armoured personal carriers.Black and white photograph of crewmen lined up in front of armoured vehicles on parade ground at Buna Barracks, Victoria Street, Albury. Corporal Graeme Redman closest to camera" Buna Barracks 1964 "

The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. The regiment took pride in their inauspicious number and adopted the nickname 'the Devil's Own' and wore a black ostrich plume in their hats. The regiment also obtained an unofficial badge featuring a dancing devil. A rare example of a plume worn in military headdress in World War One. It is well provenanced. in good condition and complete.Framed set of ostrich plumes in light black wooden frame with glass front."Original issue plumes as issued to 13 Light Horse Regt prior to the introduction of Emu plumes. Presented by 13 ALH (AIF) Assn"13th light horse, military, light horse, wwi

Black & White Photographs Series of 10 depicting life for the Hill Family in 1919, young lady standing near large tree wearing a white dress with black waist sash and dark stockings rear background shows the gable roof and 4 chimneys all behind a large hedge, Durvol December 14 1919 In garden setting man on left wearing grey trousers and what appears to be a bag attached via a string to his waist, grey waistcoat white shirt and dark tie, other gentleman is wearing a dark suit white shirt and dark tie,background shows a hedge and tops of trees, a gable roofed building looms above hedge to centre right, Durvol December 14 1919. Dark photo shows a young lady sitting at the top of a trellis fence, she is wearing dark clothing, her blouse has a white collar, hat with bow above her right shoulder, background shows the tops of two trees, Durvol August 1919. 1 man dressed in dark suit and hat, one boy sitting on the seat, both boys are wearing dark clothing and the boy standing is also wearing long dark socks and boots, the large two wheeled carriage, to the right is a gable roofed shed and top right background a large tree branch, Durvol August 3 1919. 3 ladies seated on the ground first lady on left wears a large brimmed hat with light coloured clothing, other 2 ladies are wearing white blouses and dark skirts each with a light coloured hats. 3 men 2 facing the camera and the other facing to the rear, the front 2 are wearing grey trousers and waistcoats man on right has dark tie and smoking a pipe, man facing the rear wears a hat and grey suit, gable roof of a building is in the background November 29 1919. Group of men and women enjoying a picnic two of the men are seated and both wear dark hats and dark suits with white shirts and dark ties, all of the ladies are wearing hats white blouses, one a light coloured skirt and other 2 dark skirts, bush setting with hill in background, Hibernian Picnic 1919. Four wheeled carriage drawn by one dark horse, the two passengers are dressed in dark suits and hats, a whip is mounted in the front foot well, right background is a standing lady dressed in a white blouse and dark skirt, also tree in left background, 25 July 1924. Group of ladies seated two wearing light coloured hats and all wearing white blouses four are in dark skirts, background is wooded area right background is a post and rail fence, Hibernian Picnic 1919. Old vehicle with five passengers, two ladies in the front one driving and a man and two more ladies in the rear seat, all are wearing dark clothing, gabled roof house in background with white picket fence, left background shows another gable roofed building two chimneys dark appearance.Hilda Hill Personal Collectionaustralia, history, post war life

1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. R.W. written in ink. Written in texta, inside leather band is: - Atkinson 2794820.38 bn, post ww2, cmf, passchendaele barracks trust

1. Jacket - Black woollen uniform jacket. 5 brass buttons on front, 4 front pockets. The top two are held shut with small brass buttons. Epaulettes held down with small brass buttons. The rank insignia of LT.COLONEL are on the epaulettes. The sleeve cuffs have two small brass buttons. The motif on the buttons is "AUSTRALIAN MILITARY FORCES". There are 4 pearl coloured buttons inside the collar. 2. Trousers - black. Grey welt on trouser legs. Zip fly. 3. Hat - peaked black. gold braid around brim. green hat band badge of the Bendigo Regiment. Latin motto 'Honorem Custodite'2. Written in trousers is LCPL Northey.post ww2, uniform, 38 bn, passchendaele barracks trust

Belonged to Lt. Col. Duffy MC - see catalogue No. 4991P.1 & 2. Officers Peak cap - blackwood felt fabric cap with red edge trim and red wool felt hat band and black leather chin strap secured by gilt Australian Military Forces metal buttons. At front of hat band is a gold coloured embroidered badge of a lion over a Queens crown. peak decorated with gold braid. 1. Lining - black satin fabric with plastic cover, mid brown leather sweatband. Makers label "Commonwealth/Government/Clothing Factories/Melbourne" 7 3/6. 2. Lining - brown satin fabric, mid brown leather sweatband. uniform, military

Demonstrates uniform cap manufacture. Appears to be unworn.SEC Motorman/Drivers/Conductors cap - green cloth exterior, grey cotton interior lining, brown leather internal hat band, black cotton hat band on exterior with a plastic band at the front half of the cap terminating in two small SEC metal buttons on either side, black plastic peak. Sewn on the inside is a label "Commonwealth Government Clothing Factories Melbourne" and stamped "6 1/2". On the right hand side of the inside of the brown band, stamped in gold is the Australian Coat of Arms and the words "A quality product / made in Australia / by the Dept. of Supply". Appears never to have been used.tramways, trams, ballarat, uniforms, cap

Anzac Day school children's medal, issued in 1918. The medal was distributed to every school child that year to commemorate Anzac Day. The Anzac forces first landed at Gallipoli on 25 April 1915. The medal sold to Victorian school children and the public to commemorate ANZAC Day, 25 April 1918. 250,000 medals were struck. Bronze medals were sold for 1 shilling and oxidised silver medals for 5 shillings. One-third of the proceeds was to be directed to the funding of a permanent institution for returned soldiers. [The Argus, 11 April 1918, p 8]This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Bronze ANZAC Day medal distributed to all school children by the Department of Education in 1918 .Obverse has the bust of a uniformed soldier. The reverse image of the bust of an Australian soldier was adapted from a drawing by H. Harvey, an at assistant in the Victorian Education Department.Obverse: Bust of uniformed soldier wearing hat left; around, HONOR TO THE A.I.F. In small letters below bust, S&S 15C HH Reverse: Incuse on scroll which rests on olive branch, GALLIPOLI / FRANCE / PALESTINE; above EVD ; below, ANZAC DAY 1918anzac day medal (1918), commemorative medals, world war 1 - commemorations, australian commemorative medals

(1) Sepia photograph by Foster Martin, Melbourne, Curator, members of the Horticultural board of Advice, staff? and students pasted on to heavy cardboard. (2) As (1) but fewer people by JALMA Melbourne. Detailed description in handwritten catalogue. Note attached about donor's Great Grandfather, Joseph Harris seated front left. Further notes date it as 9 February 1894. (3) Framed version. (1) Handwritten description on reverse, "George Neilson born 1822 died 1897 Senior Officer in charge of the School of Horticulture at its inception 1891 (Back centre, no hat, white beard) Curator of Gardens 1872-about 1894 or 1895." "Stewart Neilson far left/soft hat & beard) (brother of George)" "Boyce Nurseryman next to S. Neilson" Charles Draper, seated second from left. (2) Handwritten on reverse "Geo Neilson 2ns from right white beard (illegible writing)" Charles Draper seated second from left. Alfred Bennett 1st left back rowfoster martin, horticultural board of advice, staff, students, joseph harris, charles draper, george neilson, curator, stewart neilson, boyce nurseryman, alfred bennett

Two identical photos of Stawell Baptist Church 1870. Examples of Baume's Photographic work. One photo is more faded and has names Davies and Wm Anthony on the back. One of the two people standing outside the picket fence in front of the Church has a top hat on. Two identical photos of the front view of Baptist Church. There is a tall picket fence in front of the church with two men standing beside the fence. Photo taken by J Baume Portrait Rooms, Reefs Pleasant Creek c. 1871J. BAUME, Portrait Rooms, Reefs Pleasant Creek. No... Copies can be had by sending Names and Numbers. Davies & Wm Anthonystawell

Copy print of Bendigo steam tram and bogie trailer at the railway station, 1894. Has Baldwin Motor No. 5 with trailer No. 4, crew members around the tram motor and trailer with a man wearing a top hat on the rear platform. Railway station goods shed in the background.Yields information about Bendigo steam tram 5 and their operations.Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details.On rear in ink " Bendigo No. 5 Motor, No. 4 car, at Railway 1894, Motor No. 5 built by Baldwin B/No 12244 of 1891." Has Wal Jack copyright stamp in bottom right hand corner and No. T169 written in.trams, tramways, bendigo, steam trams, railway station, trailers, tram 5, tram 4

Hat band worn by officials and team members when representing the Association at interstate matches. Two types - see item 6947 for an interwoven letter type as worn in item 6946 at the 1948 Sydney carnival. Most likely made by the MMTB Uniform clothing shop at Hawthorn.Yields information about the insignia worn by the VFTA.Navy blue cotton band with metal clips at either end with the letters "V F T A" machine sewn with a white backing strip on the rear.tramways, sports, football, vftc, hatbands, uniforms

Photograph Shows one of the Baldwin-built 0-4-0 saddle tank locomotives at the Sorrento beach terminus. The smokestack has been fitted with a diamond spark arrestor. Standing alongside the locomotive is a number of men including one with a long beard, wearing a top hatYields information about the Sorrento steam tram.Black and White photograph - with an "A crown M" logo and the words "Crown Copyright Reserved" printed on the rear of the paper.In ink "Front Beach Sorrento", with K J Magor and Peter Duckett stamps.sorrento, steam trams, postcards

Peaked cap worn by “Vivian Donald BULLEN". He first enlisted in the 2nd AIF on 11.3.1942 age 22 years 8 months No VX75447, during his time he rose to Acting Cpl, attached to No 4 Chemical Warfare Coy RAE and A.A.O.C in Bendigo, he was hospitalised with a Peptic Ulcer, discharged from the Army on 3.9.1943 to join the RAAF. Enlisted in the RAAF on 4.9.1943 No 431933 as a Aircraftsman, after initial training he was posted to “Air Gunnery School” on 4.2.1944, embarked for England 28.4.1944, went through 3 training units in Bomber Command, posted to 466 Sqd Driffield 19.1.1945. He rose through the ranks from Aircraftsman - LAC - Sgt - Flt Sgt - Fly Officer by 7.10.1945. He flew 13 sorties and was eligible for the France & Germany Star. Embarked for Australia 29.6.1945, discharged from RAAF 9.10.1945. Cap - peaked, navy blue cotton twill, black leather hat band with brass button keepers. RAAF badge in gold and red crown above eagle wings and laurel wreath. Inside cap, leather sweatband and cotton lining. Makers label imprint on sweatband.Sweatband - makers label imprint "Sam Brown Leather". headwear, uniform, ww2, raaf, vivian donald bullen

Sewell WAAF. Refer to other Cat No - Sewell name - 252.2.Coloured Portrait, head and shoulders of female Air Force Officer. She is wearing a dark blue cap and jacket. Light coloured shirt with a dark tie. On her peaked hat are (3) badges - a crown, a Flying Eagle and some sort of Laurel emblem. Service + W.A.A.F.Nilportrait, waaf

The photo is Douglas Niven Dean VX32652 2nd AIF, enlisted 15/7/1940, age 23 years, posted 7th Div A.A.S.Corp, served in siege of Tobruk, Middle East, New Guinea and Borneo, discharged on 7.12.1945. He was a member of the Bendigo Rats of Tobruk Association, served as secretary 1978 - 87 incl, Jnr V Pres 1992 - 95 and was a life Member of the Association.Postcard photo, portrait, B & W, shows a soldier in uniform, slouch hat, Rising sun collar badges, diamond shape colour patch showing on left arm, rear re post card has space for stamp, address and correspondence, faint makers stamp.On rear in blue ink, “Doug Dean”tobruk, 7th div, aasc,

Bertram Avenue Sheir Carey No 49 enlisted in the AIF in A Coy 5th Batt AIF on 17.8.14 age 26 years. Embarked for Egypt 21.10.14, embark for Gallipoli 5.4.15, WIA 26.4.15 GSW to thigh fractured, returns to duty 30.9.15, promoted to CPl 1.3.16, attached to 1st Army Pay Corps 1.9.16, transfers to Australian Flying Corps (AFC) London and posted 30th Training SQD 29.11.17, taken on strength 1st Wing HQ 16.1.18, discharged from the AIF 28.3.19.Framed photo of B.A.S. Carey, No. 49, 5th Battalion AIF and A.F.C. A grainy black and white portrait of an Australian soldier. Bare headed. Hat under his left arm. At least two strips on right sleeve. Frame - stylised black and gold wooden frameTicket on front - B.A.S CAREY NO 49 5 BN AIF and A.F.C. WIA 26 - 4 - 1915.photography-photographs, frame accessories, military history