One of a series of photographs and documents relating to her father, Wilfred Charles Woollard, and (his daughter) Jean Margaret Woollard (1916-2002). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973). Jean Woollard was a member of the Kew Historical Society from 1987. She made a series of donations to the Society in 1987, 1989, 1995, 1997 and 1998.Black and white, 4-page order of service for Jean Margaret Woollard, held at St Columba's Uniting Church on 8 October 2002. woollard family, jean woollard, wilfred charles woollard

One of a series of photographs and documents relating to her father, Wilfred Charles Woollard, and (his daughter) Jean Margaret Woollard (1916-2002). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973). Jean Woollard was a member of the Kew Historical Society from 1987. She made a series of donations to the Society in 1987, 1989, 1995, 1997 and 1998.Small black and white, snapshot of Jean Margaret Woollard as a young woman. woollard family, jean woollard

One of a series of photographs and documents relating to her father, Wilfred Charles Woollard, and (his daughter) Jean Margaret Woollard (1916-2002). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973). Jean Woollard was a member of the Kew Historical Society from 1987. She made a series of donations to the Society in 1987, 1989, 1995, 1997 and 1998.Black and white, photographic positive of Jean Margaret Woollard as a young girl, double mounted on brown backing card.woollard family, jean woollard

One of a series of photographs and documents relating to her father, Wilfred Charles Woollard, and (his daughter) Jean Margaret Woollard (1916-2002). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973). Jean Woollard was a member of the Kew Historical Society from 1987. She made a series of donations to the Society in 1987, 1989, 1995, 1997 and 1998.Black and white, photographic positive of group of school girls in uniform posed in front of the school building and garden.woollard family, jean woollard

QBIC Industries production workers and supervisors, including: Selwyn Brown, May Brown, Keith Smith, Bill Bryce, Andrew Grimes, Bob McKay, Arthur Trumper, Jaina Unmoepa, Alan Nemeth, Lan Lam, Jenny Scown, Danny Fuller, Kevin Waits, Duncan Collard, Merv Matthews, Wayne Suffolk, Les Gregory, Henry Chichowski, BCC Councillor Tim Quinn, Max Stegman, Denis Cavanagh, John Gilmore, Anne-Maree O'Connell, Colin Ingram and Bray Waterman. Photos also include machinery on the factory floor, Merv Matthew's retirement in 1999, workers in action, a staff meeting, the outside of the builing and the office and showroom with its famous frog logo.62 col. photographs of QBIC Industries/Vision QLD staffqbic industries, selwyn brown, may brown, keith smith, bill bryce, andrew grimes, bob mckay, arthur trumper, jaina unmoepa, alan nemeth, lan lam, jenny scown, danny fuller, kevin waits, duncan collard, merv matthews, wayne suffolk, les gregory, henry chichowski, tim quinn, max stegman, denis cavanagh, john gilmore, colin ingram, bray waterman, anne-marie o'connell, mark pelgrave

Sensory Integration Invention A, by Cathy Smith public art sculpture, commissioned by Nillumbik Shire Council, in Fergusons Paddock,12 Arthurs Creek Road Hurstbridge was officially unveiled in 1999. Councillors Penny Mullinar and Margaret Jennings in attendance. "Smith's work has strong references to humans' sensory and practical relationship with the land through the built environment. Wind entering the structure's tubing operates like a flute, generating sounds such as bird calls that resonate into the surrounding wetland areas." Source: Highlights from the Nillumbik Public Art Collection, NSC, n.d. Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteart in public places, arthurs creek road, cathy smith, ferguson's paddock, hurstbridge, public art, sensory integration invention a

This book of prayers was given by the Warrnambool Sisters of Mercy to Dorothy Ardlie on the occasion of her 12th birthday. The Sisters of Mercy came to Warrnambool in 1872 and established St. Mary’s Convent School, Wyton in North Warrnambool (re-named St. Ann’s in 1888). This school merged with the Christian Brothers College in 1990 to form the present-day Emmanuel College. The Sisters of Mercy ceased active involvement with the school in the 1990s. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. This book and the loose cards are interesting mementoes of Dorothy Ardlie, a member of a prominent Warrnambool family in the 20th century and of the Sisters of Mercy, an order of nuns that has been important in Warrnambool’s educational history. This is a book of 138 pages with a brown leather cover and gilt edging along the sides of the pages. The front and back cover and spine are embossed with two decorative patterns. The front cover has an embossed heart with flames and a cross and the spine has gold lettering. Some of the pages are loose and some have been re-attached to the binding using adhesive tape. Some of the pages are stained. The book contains black printing and there is one black and white illustration. In the pages of the book were 29 small cards, scraps of paper etc. These are now kept with the book but in a separate folder. Most of these are of a devotional nature – prayers, images of saints etc. Wishing dear Dorothy a very happy birthday with much love from the Sisters of Mercy 26th April 1922ardlie family, sisters of mercy, history of warrnambool

The Napoleon (BML) gold mine (1932) was located beside McDougall Road, Golden Gully, between Martin and Hattam Street. It had a depth of 921 feet. It was one of the latest and most lavish of Bendigo's mines. Plant and equipment were electrically driven. The four-compartment shaft, extra large by goldfield's standards, measured 17 feet 6 inches by 5 feet 2 inches and was cement lined below 900 feet instead of being red gum boxed as was the usual practice. The workshop was equipped to carry out all repairs for the equally lavish BML mines on the Nell Gwynne and Carshalton reefs. (The Gold Mines of Bendigo, Book 2, Arthur Victor Palmer)Significant to mining history of Bendigo.Black and white photograph. Image shows flat, open landscape with four large eucalypt trees in centre of image. Four men working with shovels on left hand side of image, one man with wheelbarrow and dog alongside. Wooden framed structure on right hand side. Written in pencil on back of photograph: ' Battery excavations started 22/9/36' and 'excavations started'.napoleon gold mine, napoleon reef gold mine

The Napoleon (BML) gold mine (1932) was located beside McDougall Road, Golden Gully, between Martin and Hattam Street. It had a depth of 921 feet. It was one of the latest and most lavish of Bendigo's mines. Plant and equipment were electrically driven. The four-compartment shaft, extra large by goldfield's standards, measured 17 feet 6 inches by 5 feet 2 inches and was cement lined below 900 feet instead of being red gum boxed as was the usual practice. The workshop was equipped to carry out all repairs for the equally lavish BML mines on the Nell Gwynne and Carshalton reefs. (The Gold Mines of Bendigo, Book 2, Arthur Victor Palmer)Significant to mining history of Bendigo.Black and white photograph: landscape view of mine sheds. Battery shed fully completed with trestleway to another shed. Trees in background. Written in pencil on back of photograph: 'completed battery 5/12/36'napoleon gold mine, napoleon reef gold mine

The Napoleon (BML) gold mine (1932) was located beside McDougall Road, Golden Gully, between Martin and Hattam Street. It had a depth of 921 feet. It was one of the latest and most lavish of Bendigo's mines. Plant and equipment were electrically driven. The four-compartment shaft, extra large by goldfield's standards, measured 17 feet 6 inches by 5 feet 2 inches and was cement lined below 900 feet instead of being red gum boxed as was the usual practice. The workshop was equipped to carry out all repairs for the equally lavish BML mines on the Nell Gwynne and Carshalton reefs. (The Gold Mines of Bendigo, Book 2, Arthur Victor Palmer)Significant to mining history of Bendigo.Black and white photograph of a stamper head being lowered into position on the battery site of the Napoleon Reef Gold Mine. A wooden gantry supports the battery head as it being lowered, a man is standing on top of the stamper head. Concrete foundations are visible in immediate background. napoleon gold mine, napoleon reef gold mine

The Napoleon (BML) gold mine (1932) was located beside McDougall Road, Golden Gully, between Martin and Hattam Street. It had a depth of 921 feet. It was one of the latest and most lavish of Bendigo's mines. Plant and equipment were electrically driven. The four-compartment shaft, extra large by goldfield's standards, measured 17 feet 6 inches by 5 feet 2 inches and was cement lined below 900 feet instead of being red gum boxed as was the usual practice. The workshop was equipped to carry out all repairs for the equally lavish BML mines on the Nell Gwynne and Carshalton reefs. (The Gold Mines of Bendigo, Book 2, Arthur Victor Palmer)Significant to mining history of Bendigo.Black and white photograph: battery shed under erectionWritten in pencil on back of photograph: 'battery erection 17/1`1/36' and 'cracker station building' napoleon gold mine, napoleon reef gold mine

The Napoleon (BML) gold mine (1932) was located beside McDougall Road, Golden Gully, between Martin and Hattam Street. It had a depth of 921 feet. It was one of the latest and most lavish of Bendigo's mines. Plant and equipment were electrically driven. The four-compartment shaft, extra large by goldfield's standards, measured 17 feet 6 inches by 5 feet 2 inches and was cement lined below 900 feet instead of being red gum boxed as was the usual practice. The workshop was equipped to carry out all repairs for the equally lavish BML mines on the Nell Gwynne and Carshalton reefs. (The Gold Mines of Bendigo, Book 2, Arthur Victor Palmer)Significant to mining history of Bendigo.Black and white photograph: battery under construction, concrete bottom blocks being 'boxed' up .Written in pencil on back of photograph: 'another new daring creation' and ' boxing the foundation 7/10/36'.napoleon gold mine, napoleon reef gold mine

Bird family, c.1905 Back row, L-R: Janet Bird (nee Kilpatrick), George Bird, Ellen May (Nell) Bird Front row L-R: George Hugh Bird, Ernest Reginald Bird, Arthur Andrew Bird, Edwin John Bird Nicholes Photographer, Alphington According to the Sands McDougall Melbourne Directory, George. Nicholes, Photographer was first listed on the north side of Heidelberg Road, Alphington in 1904 and again in 1905. By 1906 he was still listed but with no profession. From 1907 on he was listed as a bicycle agent. On July 23, 1878, George Bird married Janet Kilpatrick (born Ayrshire) at Northcote by Presbyterian minister, Duncan Fraser. The witnesses were daughters of the minister. George gave his profession as farmer. Around 1880 or possibly earlier he acquired the property known as View Hill at the top of Pitt Street, Eltham between Pitt Street and Mount Pleasant Road and what is now Eucalyptus Road. George and Janet developed an orchard and farm around the View Hill home and had 10 children, three of whom died young. George Bird is listed in the 1977 history of the Eltham Methodist Church as Steward and trustee in the early years. In the 1950 history he is mentioned as Sunday School Superintendent. In the early 1900s, Janet regularly went to the church by horse and jinker. Janet died September 2, 1915, age 60 of endocarditis and bronchial pneumonia. At about this time, three children had married (Sarah, George and Ada) and four were living at home. However, Edwin joined the AIF in August 1915 and Ellen married in 1916 leaving two sons, Arthur and Reg, to look after their father and the property although some of the married children may have lived at View Hill for some time. From Edwin's letters, Hilda Pepper, a cousin on their mother's side) stayed with the family for some time to help. In later years, George developed glaucoma and became blind. He died December 6, 1920, aged 75 years, of diabetes mellites. Both Janet and George are buried at Eltham Cemetery, but the gravestone incorrectly gives 1921 for the death of George. The estate was divided into equal portions and distributed to the surviving members with Arthur and Ted Pepper being Executors. Ada Janet Lowe received a portion above what is now Rockliffe Street and Sis Pepper (Sarah Ann nee Bird) the portion below Rockliffe Street. Ernest Pepper built in the 1930s on the Pepper block at the Pitt Street end. George's share was along Wattle Grove and Arthur received the portion at the eastern end. Presumably the other two received portions including the top of the hill and slopes down to Pitt Street, Mount Pleasant Road and Wattle Grove. Read's (at the corner of Pitt Street and View Hill Crescent) was the first additional house brought in on wheels by a Mr Walkenden. The View Hill house was occupied by the Johanssons in the 1930s and was later damaged by fire. Source: Info provided to Marg Ball by Neil and Lyn Pepper (both deceased) abt. 2018. PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, 1905, arthur andrew bird, bird family, edwin john bird, ellen may (nell) bird, ernest reginald bird, george bird (1845-1921), george hugh bird, janet bird (nee kilpatrick), nicholes photographer alphington, straw boater

This photograph is thought to be of the younger pupils attending Linton State School in 1918 or 1919. A second copy of this photograph is Registration number 2015-12. A companion photograph, which shows the older pupils in the same year, is Registration number 315. The same dog is in both photographs. In the "Index of Photographs (Numerical Order)" folder, an early LDHS index, pupils have been identified as: Back row: Vincent McDonald, -? Lamb, Spencer Grigg, Arthur Bass, Norman Barr, Billy Lamb. Second row: Ilma Jennings, Jean Nicol, Linda Murrell, Doris Whitehead, Isobell Brett, -? Cole, Agnes Kennedy. Third row: Sydney Chibnall, Claude Godden, Colin Kirk, Syd Lamb, -? Cole, Coronation Wishart, Mollie Smith, Joyce Commons, Muriel Stapleton, Mollie Gascoigne, Eileen Armstrong, Jimmy Wishart, Bill Wishart. Fourth row: Jack Stapleton, Joe Reidy, Perc McGee, Ron Kirk, Jim Stapleton, Had Cornish, Alan Ching, Lance Chegwin, Bruce Maddox, Innis Brett. Fifth row: Ivy Brown, Eileen Kennedy, Jean Toshack, Alice Armstrong, Laura Mitchell, Elsie Mitchell, Nellie Norris, Norman Murrell. Dating the photograph: One of the copies of this photograph of the younger pupils was donated in 2014 by Peter Stapleton, who understood it was taken in 1919. However, a very damaged copy of the companion photograph (older pupils - this copy has not been catalogued into the collection) is dated in an inscription "October 1918".Black and white photograph of a group of school children posed in front of a bluestone and brick wall. One of the pupils is holding a dog.On back of photograph: "M. McBeath" List of names on paper with Registration no. 621: " 947 Back row. L-R - (1) Vincent McDonald, (2) - Lamb, (3) Spencer Grigg, (4) Arthur Lamb, (5)Norman Barr. 2nd Row. L-R (Girls) (1) Ilma Jennings, (2) Jean Nicol, (3) Linda Murrell, (4) Doris Whitehead, (5) Isobel Brett, (6) - Cole, (7) Agnes Kennedy. 3rd Row (Boys) (1) - Lamb, (2) - Godden,(3) - Kirk. (girls) (4) Mollie Smith, (5) Joyce Commons, (6) Marie Stapleton, (7) Mollie Gascoigne, (8) Eileen Armstrong. (boys) (9) Jimmy Wishart, (10) Bill Wishart. 4th Row (boys) (11) Jack Stapleton, (12) Joe Reidy, (13) Perry McGee, (14 - Kirk, (15) Jack Stapleton, (16) Harold (Ad) Cornish, (17)Allan Ching, (18) - Chegwin, (19) Bruce Maddock, (2) - Brett. 5th Row - front. (1) Ivy Brown, (2) Eileen Kennedy, (3) Jean Toshack, (4) - Armstrong, (5) Laura Mitchell (Tonkin), (6) Elsie Mitchell, (7) Nellie Norris, (8) Norman Murrell". "Probably 1917-1920 when E. Chegwin was HT." Note: There are actually three sets of names to go with this photograph, which all vary somewhat. The list of names in the "Other Information" field of this catalogue record is taken from the "Index of Photographs (Numerical Order)" folder, an early index compiled for LDHS. The third set of names is inscribed on the back of the copy in the "Linton State School - Photos" file.linton state school no. 880, vincent mcdonald, -? lamb, spencer grigg, arthur bass, norman barr, billy lamb, ilma jennings, jean nicol, linda murrell, doris whitehead, isobell brett, -? cole, agnes kennedy, sydney chibnall, claude godden, colin kirk, syd lamb, -? cole, coronation wishart, mollie smith, joyce commons, muriel stapleton, mollie gascoigne, eileen armstrong, jimmy wishart, bill wishart, jack stapleton, joe reidy, perc mcgee, ron kirk, jim stapleton, had cornish, alan ching, lance chegwin, bruce maddox, innis brett, ivy brown, eileen kennedy, jean toshack, alice armstrong, laura mitchell, elsie mitchell, nellie norris, norman murrell

Sepia photograph mounted on cardboard of pupils at the Tourello schoolOn Reverse; (written in blue biro) Tourello School Back Row: Chrissie Turnbull, Chris McRae, Colin Robertson, Arthur Roberts, Les Martin, Nicholas Grenfell, Miss Christie, unknown Middle Row: Bill Boyd, Bessie Scarffe, Ethel Turnbull, Lillian Roberts, Alec McRae, Bert Turnbull, Evelyn Grenfell Sitting: Cyril Boyd, Rene Trewin, Alex Trewin, Lyn Turnbull, Bill Grenfell, Norman Martin, unknown Stamped: W.H. Poiner Albert Street Clunes poiner, tourello, school

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".1. Black and white photograph of four men in partial uniform holding a snake. Photo has a white border. 2. Black and white photograph of a group of soldiers in uniform. Soldier at back is playing an accordion. Photograph has a white border.1. Handwritten in blue ink along bottom border" "ALEX, JACK, MAURIE, ARTHUR CONWAY". handwritten in blue and black ink on back: 'Python caught behind our tent. received 27/9/43." 2. Handwritten in blue ink on back: 'This one was spoilt. Taken on the trip from Palestine to Egypt, prior to embarking for home. handwritten in blue ink as an address: 'For VX40693 L/Cpl Len Payne, Hdqrs Company, 24th Batt, 9th Division A.I.F.bennetts collection, alva bennetts, ww2, palestine, army, photograph

The 8th Light Horse was initially raised from companies of the colonial Victorian Mounted Rifles located in North-east Victoria following Federation. In 1912 a major reorganisation of the Australian military forces resulted in the regiment being renumbered 16th Light Horse. The Regiment was disbanded in 1919 but soon after was re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, with the territorial title Indi Light Horse. The Indi Light Horse consisted of 3 squadrons. A squadron consisted of troops in Corryong, Walwa, Tallangatta, Eskdale and Wodonga. After an extensive recruiting campaign in January 1939 a new troop was raised in Bethanga, Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.This photo represents a group of Bethanga men who committed to service during World War 2A framed Black and white photograph of Bethanga members of the Australian Light Horse in uniformBack row (left to right), Troopers Keith Cadman, Arthur "Friday" Dower, Bert Sommer, Norm Martin, Andy Mitchell, Tom Pearce; Middle row (left to right). Troop Leader Sergeant Edward "Ted"Davies, Troopers Jack Mortlock, Albert "Ab" Bohun, Aub Cadman, Les Freyer Front row (left to right), Troopers Henry Trenchard, A."Ed" Hertzog, Doug Dower, Nelson "Manny" Green, Eric Wheller, J. Parker.indi light horse, bethanga light horse troop, bethanga history

This item came from the estate of Dorothy and Agnes Ardlie of Warrnambool. It is a type of autograph book where the signatures are used to form inkblots, thus creating patterns which in this case are called the ‘ghosts’ of those signing. The making and interpreting of ink blots became popular in the late 19th century and this autograph book created by Cecil Henland is a quirky example of this craze. The autograph book belonged to Agnes Ardlie and was apparently given to her on her 13th birthday (1928). Dorothy Ardlie (1910-1993) and Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. This book is of great interest as a good example of an early 20th century style of autograph book using the signatures to form ink blots. It also has local provenance as the signatures/blots are mostly those of an Ardlie family and other early to mid 20th century Warrnambool personalities.This is a book of 50 pages. The cover is dark red with the inkblot or ‘ghost of a celebrated general’ in black and white in the middle of the front cover. This inkblot is reprinted on the second page. The front cover and spine have gold printing. The book originally had 48 blank pages with a fold down the middle and printed space at the top and bottom for a date and a name. This book has 19 blank pages and the others are filled with ink blots formed by writing a signature along the fold and then folding over the sheet without blotting to get patterns called in this book, ‘ghosts’. The book has a signature and an inscription handwritten in black ink, a page of instructions, and a poem called ‘Ghosts’. To Agnes with love from Mickie Sept 5th 1928 Agnes Marianne Ardlie ardlie family, history of warrnambool

Photocopies newspaper articles re pistol stolen from National Bank, Greensborough by Kay Arthur Morgan: The Argus 10 December 1949, The Age 16 December 1949, The Age 17 December 1949, The Canberra Times 14 February 1950, The Argus 23 February 1950, The Argus 23 February 1950. Newspaper article: Community's colorful shop, Diamond Valley News, 8 December 1951, agency of Heidelberg branch of Commercial Bank of Australia, built by Mr Stebbins, line drawing from pre-1900 photograph of building and streetscape. Photocopy newspaper article: Long golden history, Diamond Valley Leader, 1 August 1997, built by George Stebbing, currently an opportunity shop.main road, eltham, businesses, pistol theft, commercial bank of australia, kay arthur morgan, george stebbing builder, senior constable n forbes, senior detective m mcennamin, h d pettie, detective sergeant k hubbard, inspector f hobley, senior detective r newton, detective p pedersen, senior detective l dent, senior detective j oakes, l a spear

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942)

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942)

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, 1885, female shillinglaw 9, unknown

A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, unknown, 1885, male shillinglaw 3

A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, unknown, 1885, male shillinglaw 3

Greensborough Football Club, First Eighteen, Premiers 1961, Diamond Valley League. Names supplied by Gary Partington. Back row, Left to right: Rob Wickes, not known, John Crellin, Don Bell, Ian Bryant; 2nd row from back: Jim Kill, Dick Ward, Arthur Cattach, Ern Bishop, Frank Londrigan, Trevor Partington, Graham Geer, Brian Eltham, Jack Maurer, Tom Tobin, John Ely, Ron Hall; 3rd row from back: Joh Nolan, Rob Wasley, David Wickes, Joe Murphy (Captain/Coach), Len Mullenger, Don Williams; Front row: Fred Anderson, Brian Weidlich, Peter Londrigan (mascot), Trevor Browning, Ron Reynolds. Team photograph of Greensborough Football Club. Not mounted. .greensborough football club, diamond valley league

This bottle was manufactured for the Lady Talbot Milk Institute. The Institute was initiated circa 1900 by Lady Talbot wife of Sir Reginald Arthur James Talbot, Governor of Victoria (1904 to 1908). From 1908 the Lady Talbot Milk Institute provided "pure" unpasteurized cows milk to specific mothers throughout Victoria. Similar bottles were filled with Specially Supervised "Nursery Milk". The reason for establishing this specialised nursing milk was to reduce the high mortality rate of infants(not on breast milk) in the early 1900s due to contaminated milk supplies. Pasteurized milk became available after World War II which ensured that milk consumed by infants (not able to obtain breast milk) was free from any contaminants. Bottled milk distributed by the Lady Talbot Milk Institute was used by specific mothers of infants in lieu of breast milk. As this requirement was throughout Victoria some nursing mothers within the Kiewa Valley and in the SEC Company town of Mount Beauty needing this service were covered. The establishment(Circa 2000) of breast milk supply from donor mothers throughout Australia has replaced the fundamental product initiated by the Talbot Milk Institute. The slogan "Breast is best" initiated by the Nursing Mothers Association is one of the major supporters of the mother's milk bank supplies.One pint wide necked refillable glass milk bottle. Chipped rim and base. Side 1 MILK Embossed Contents Not less than One Pint (This bottle cannot be legally used or sold by others) This bottle is the property of the Caulfield Model Farm To be washed and returned Side 2 Embossed circular logo with a cross in the centre Surrounded by brand name Lady Talbot Milk Institute Specially Supervised Nursery Milk Base, 62lady talbot milk institute, glass milk bottle, caulfield model farm, bresat milk substitute

The land photographed is widely known as Nethercotes. In 1920 Arthur Nethercote, import agent, bought the land which was situated in Boronia Road near Dandenong Creek. Originally a flower farm, the Nethercotes became poultry farmers. The property contained a five-roomed weatherboard house which they called Weston Favell. Dated before 1883 (from newspapers found in the ceiling) it is the more dilapidated house photographed. The other house called Greenways was built for a son. Gerald Letts bought the property and when he died the Board of Works purchased the land, intending to use it as part of the proposed Healesville Freeway, meanwhile the property was leased to the Box Hill Institute's equine department. In 2013 the Board of Works announced that the freeway would not go ahead.Coloured photographs of the two houses and land at the Nethercote property, Vermont. Now owned by the board of Works and leased to the Box Hill Institute.nethercote property, vermont, board of works, proposed healesville freeway, box hill institute

Photograph is most likely of Matthew Francis Child. It was taken c1929. The photograph was taken by Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing an old, white haired man with a beard standing in the foreground. He is wearing a suit and tie.Below photograph in album - 90th Birthdaymatthew francis child, ivy child, child

The photograph is from the album of Ivy Child and shows a view across the Kalorama Valley sometime between 1927 and 1932. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph with a wire and pole fence in the foreground of a sweeping view across a valley. Numerous roof tops are visible in the distance. The land has been cleared. Hills are in the distance.Written below the photograph in the album: The Valleykalorama valley, kalorama, ivy child

The photograph is from the album of Ivy Child. The scene is looking across the Kalorama Valley with land cultivated by the Jeeves family. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with bushes in the foreground, hills in the distance and a cleared, cultivated area in the centre.Below the photograph in the album" LOOKING INTO THE VALLEYkalorama, kalorama valley, jeeves, valley