Hand painted tea cosy, black with pink flowers.tea-cosies

Lorgnette were a pair of spectacles with a handle, used to hold them in place, rather than fitting over the ears or nose. The name derives from the French lorgner, meaning to take a sidelong look. The lens were often just magnifiers although they later evolved to include prescription lenses. They became widely used in the 19th century and were popular in the Victorian Era.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A lorgnette or pair of hand-held brass-rimmed spectacles.lorgnette, women's spectacles

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A printed map of a Wodonga subdivision with hand written annotations On top proper right corner: "Donated by Merrilyn Hamilton-Smith". map, subdivision, wodonga, local history, maps, hamilton-smith, hamilton-smith collection

Spiral bound containing hand written record and informationnon-fictionHandwritten information from the Strad Jones collection. Detailed explanation of the formation of Australian Rules football leagues and competition in Northeast Victoria. It provides information about key families in the Rutherglen area as well as other clubs in what became the Ovens and Murray Football League. Basic rules of football at the time are explained in the introduction. Details of meetings, games and game data, key events and premiership and medal winners are included. Covers period from 1890 to 1940. Clubs referenced in this publication include the initial members of Lake Rovers, Excelsior, Chiltern, Howlong, Corowa, Barnawartha and Border United. Member clubs changed over this period with the inclusion of Beechworth, Wodonga, Wangaratta and Benalla at different stages.australian rules football, football northeast victoria, ovens and murray football

Drawing, photocopied from the Sandringham and District Historical Society's files showing possible route and station locations of an extension from the Sandringham station. Prepared by the Railway Construction Branch of the Victorian Railways. Shows the tram lines. Possibly late 1930s.Yields information about a possible extension of the Sandringham railway line to Beaumaris.Drawing - photocopied with hand written notes - A4 sheetExtensive notes in ink.trams, railways, sandringham, beaumaris, new railways, railway construction branch

Photo of a cable tram set that has arrived at the Northcote line terminus in High St, prior to shunting. Another two cable sets are in the background. The gripman and conductor can be seen to be preparing to shunt the tram. The photo caption says the trailer is No. 235. A Bundy clock can been seen on the pavement on the left side of the photograph. A hairdresser and tobacconist shop are in the view. Photographer and date unknown.Yields information about Northcote cable tram terminus in High St at Dundas St.Black and white print with a hand written note on rear.In pencil "Car 235 at Dundas St"trams, tramways, northcote, high st, cable trams, tram 235, bundy clock

Photograph of Geelong No. 16 at the Chilwell terminus 23/6/1949, with the J. Cahill Milk bar, shop in the background. Would appear the driver / motorman has just entered the end to drive back into town. Both poles are still on the overhead. Tram has the destination of Chilwell. See item 7117 for the original negative.Yields information about the Chilwell terminus and Geelong 16.Black and white photograph, with hand written details on rear.See rear image. tramways, trams, geelong, tram 16, chilwell

Geelong No. 1 leaves the crossing loop in Aphrasia St before turning into Pakington St. The tram has the destination of Station. See item 7821 for the original negative.Yields information about Geelong No. 1 and Aphrasia St.Black and white photograph, with hand written details on rear.See rear image. tramways, trams, geelong, newtown, aphrasia st, tram 1

Geelong 21 and 22 crossing at the Albert St loop, the second loop in Pakington St. Tram 21 has the destination of Station, and 22 the destination of West. See item 7815 for negative. Date - 23-6-1949. Refer to "Twenty five years ago, the Closure of the Geelong Tramways", by Ken McCarthy, April 1981 issue of Trolley Wire page 10 for routing information.Yields information about tram operations in Pakington St.Black and white photograph, with hand written details on rear.See rear image. tramways, trams, geelong, tram 21, tram 22, pakington st

Geelong bogie 35 turning into Ryrie St from Aberdeen St with the destination of East. Has the Town Hall clock tower in the photo. See item 7817 for the negative. Dated 23-6-1949.Yields information about Geelong 35 and Ryrie St.Black and white photograph, with hand written details on rear.See rear image. tramways, trams, geelong, ryrie st, tram 35, aberdeen st

Geelong tram No 9 at the Geelong Railway Station. Has the station canopy in the background.Yields information about Geelong 9 and the railway station.Black and white photograph, with hand written details on rear.See rear image. tramways, trams, geelong, railway, tram 9

Photo of the Geelong scrubber on a wide road, single track in Moorabool St at McKillop St - Note the pole with the single track bracket arm. See item 7844 for the negative. Dated July 1950.Yields information about the use of the Geelong Scrubber or water tram.Black and white photograph, with hand written details on rear.See rear image. tramways, trams, geelong, scrubber tram

On 17 and 18 September 1938 Ascot, Victoria celebrated the centenary. harry S. Holmes was the Honorary Secretary of the 'back to' celebrations. Elizabeth Chatham was the honorary Secretary of the Come back to Ascot event in 1988. Typed and hand written documents relating to Ascot, Victoriaascot centenary, ascot 150th celebration, ascot carry on club, recipe book, harry holmes, back to ascot, ascot district 150th anniversary committee, graeme spittle, frank mcgrath, graeme mccallum, reg kinnersley, marman grills, edgar grills, david seath, howard sabey, ivan thomas, judy kinnersley, colin loader, ian thomas, e. chatham, joan sobey, joan loader, elizabeth chatham

This specimen was recovered from Broken Hill, NSW. It was given the name Mangan Hedenbergite in 1819 by Jöns Jakob Berzelius in honor of Mr. Anders Ludvig of Hedenberg who was the first to define hedenbergite as a mineral. Hedenbergite, belongs in the pyroxene group having a monoclinic crystal system. The mineral is extremely rarely found as a pure substance. Mangan Hedenbergite is a manganese bearing variety of Hedenbergite. Manganese is the world’s fourth most used mineral after iron, aluminium, and copper primarily because it has no satisfactory substitute in its major applications. Globally, the steel industry is the primary user of manganese metal, utilizing it as an alloy to enhance the strength and workability of steel and in the manufacture of tin cans. Manganese is a key component of certain widely used aluminium alloys and, in oxide form, dry cell batteries used in electric vehicles. These batteries are in high demand. Another potential use for manganese may as an additive to help coat and protect a car’s engine. Manganese is also used for non-metallurgical purposes such as plant fertilizers, animal feed, and colorants for bricks. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized mineral specimen in shades of silver and blackmanganese, open cut mine, manganese ore processing, bell bay, tasmania, northern territory, steel industry, zinc-carbon batteries, alkaline batteries, tin cans

Diver's Submarine Electric Torches were first developed to give illumination for close examination work. They have to be self-contained, the older ones are powered by an accumulator type battery which could be recharged. Some models were fitted with a switch to turn the light off saving on the battery power. The lens is of a convex type and magnifies the light. Sometimes there was a protective grill across the glass or prongs to protect the glass from an impact. When fully charged the battery would last about seven hours. Torches are made from non-ferrous metal so as not to corrode in their watery environment. Siebe Gorman & Co Ltd has been producing hand-held, battery-powered, submarine electric torches for divers and the Ministry of Defence (MOD) since the 1920s. In 1961, the famous diving manufacturer C.E. Heinke merged with Siebe Gorman, and for a short while, torches were made with the combined 'Siebe Heinke' inscription. However, this linked inscription was later dropped, with a return to the Siebe Gorman name tag. Date of manufacture for these torches can be determined by their Admiralty Pattern (AP) number that was used to identify a particular item and were for naval stores use. Before NATO stock coding became more widely used, earlier MOD torches often have a simple four-digit group of AP numbers such as AP4456 or AP4458. In 1975 Siebe Gorman moved from their Neptune Works at Chessington in Surrey to a new location at Cwmbran in Wales and by this time their manufacture of diving equipment had declined. (For additional historic company information on Siebe & Gorman see notes section this document.)The item is significant as it gives us a snapshot into marine history and the development of diving equipment generally, especially that used for salvage operations before and during WW2. The company that made the torch Siebe Gorman was a leading inventor, developer and innovator of marine equipment with its early developments in helmets, compressors and other diving equipment. Items that are today eagerly sought after for maritime collections around the world. The items that have been donated to the Flagstaff Hill collection give us an insight as to how divers operated and the dangers they faced doing a very necessary and dangerous job.Diver's Torch brass with heavy glass screw on piece with four lugs attached contact spring inside. Leather hand strap missing."Siebe Gorman and Co Ltd, Makers, London." Has "A.P.4458" inscribed on front above glassflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, siebe, gorman, diver's torch, torch, diver, diving accessories

Hand drawn Coat of Arms for the soldiers known as the Rats of Tobruk with signatures of those involved in the engagement between 5th April to the 22nd of October 1941 The drawing is signed by artist John DOWIE AM, SX6087 who served with the 2/43rd Battalion Signatories are: VX42389 Eric Hamilton, 2/32 Battalion; VX30189 F.Baldwin, 2/23 Battalion; VX34544, F.J.Mc.Intosh 2/24 Battalion; VX34554 W.Harrison, 2/24 Battalion; WX7281 P.Bone 2/25 Battalion; VX33719 Duke Goldsmith, 2/24 Battalion; VX41179 Harry Frazer, 2/24 Battalion; VX29652 A.R.Stribley, 2/24 Battalion; SX6367 Jack Foley, 2/43 Battalion; VX48340 Harry Jones, 2/23 Battalion; VX42317 Aub Jarrott, 2/24Battalion; VX28869 Rod Deering 2/24Battalion; VX15719 Ian F. Joss 7th Division AASC; VX19723 Len Dauria, 2/12 Field Regiment; NX35852 R.E (Snowy) Cornelius 2/13 Battalion; VX32559 Jim Gray, 2/24Battalion - James Cyril GRAY Born 6/1/1916 in Orroroo South Australia. Enlisted 28/5/1940 at Mildura. Awarded Military Medal for remarkable coolness, bravery and leadership at Tobruk on 24/4 and 1/5/1941. He was promoted to Sergeant on 14/8/1941, Lieutenant in November 1942 then Captain on 9/4/1945. He was wounded in action on 11/9/1943 and discharged on 20/12/1945. He married and had three children. He died on 10/4/1992 aged 76 and buried at Wangaratta Cemetery.This original drawing is by John DOWIE SX6087 who served with the 2/43rd Battalion during the second world war and is signed by the artist and soldiers from the 2/24th Battalion known as "Wangaratta's Own". John Stuart Dowie AM (15 January 1915 – 19 March 2008) was an Australian painter, sculptor and teacher. He was born in the suburb of Prospect in Adelaide, South Australia, and studied architecture at the University of Adelaide. During World War II, Dowie worked in the Military History Unit of the Australian Imperial Force, and as an assistant to Australia's official war sculptor, Lyndon Dadswell. As a soldier, he was one of the Rats of Tobruk. After studying art in London and Florence, Dowie returned to Australia. His work includes over 50 public sculpture commissions, including the "Three Rivers" fountain in Victoria Square, "Alice" in Rymill Park, the "Victor Richardson Gates" at Adelaide Oval and the "Sir Ross & Sir Keith Smith Memorial" at Adelaide Airport. He was made a Member of the Order of Australia in 1981 in recognition of service to the arts as a sculptor and painter. Dowie died on 19 March 2008, aged 93. There is a similiar version of the drawing on page 32 of the book Desert Sand and Jungle Green by Geoffrey Boss-Walker which is an illustrated history of the 2/43rd Battalion.Timber frame containing hand drawn Coat of Arms consisting of "rats" as shield supporters, crest with a swastika in the centre and motto surrounded by signatures.Signatures of artist John Dowie and soldiers engaged at Tobruk. The crest depicts a latrine and the motto reads NON FASCES SED FAECES (Latin translation - "Do not move but the dregs") rats of tobruk, coat of arms, 1941, john dowie

Long sleeved burgundy coloured coat - velvet fabric lined with ''dusty pink'' satin with woven floral pattern. Lining hand stitched to coat. Second layer of cotton lining across the shoulders and back( 39cmsLength). Sewn into neck and shoulder seams. Large uneven stitches attach the lining to side seams. Coat and lining have seven gored panels giving fullness to the coat. Fold over collar (14 cms). Front opening with ten velvet covered shanked buttons with fabric loops. Long sleeves gathered at shoulder and cuffs(2 cms), with six cms opening with press stud fastener.Owner of coat was Isabel Lilian Pegler (nee Mair) 1921-1997. The coat was worn to Saturday night dances. Isabel liked to point out that her coat had a double lining in the upper back for extra warmth as she liked to wear backless dresses to the dance.costume, female, long sleeved coat

A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires.A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires. Bruno's Sculpture Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville. This book is a new edition of a book that has been published as a symbol of the re-birth of both Marysville and Bruno's Sculpture Garden. Hardback. Front cover has a photograph of a sculpture of a large hand with a waterfall flowing from it. There is also a sculpture of a girl kneeling by the waterfall capturing water in her hands. The back cover has a photograph of a sculpture of two figures holding hands, one of whom is carrying a water jug.To this wonderful planet Earth/ Our experiences and stories are the colours of our life Acknowledgement/ I would like to express my gratitude to Iris and Andrew for their great work and enthusiasm toward this project/ and to all the people who have inspired me, especially my wife Marleen. Also many thanks to Jerome and Linda/ for all their generous support and to Ron Patterson for making it possible./ Bruno Torfsbruno torfs, bruno's art and sculpture garden, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, 2009 black saturday bushfires

A cream coloured booklet with black details on the front. There are two rusty staples down the left hand side. There a code of 7610-66-018-6712 at the top right hand side. this booklet is covered in a plastic cover. Bottom left hand side there is a white sticker with black writing on it.australia - armed forces - service manuals, drill manual

A cream coloured booklet with black details on the front. There are two rusty staples down the left hand side. There a code of 7610-66-018-6712 at the top right hand side. this booklet is covered in a plastic cover. Bottom left hand side there is a white sticker with black writing on it.australia - armed forces - service manuals, drill manual

Carte de Visite. Portrait photograph, c. 2.25x3.5 ins.card mounted, with the photographer's name, etc. on the back. Cost cut by use of multiple lens. Collected (friends, celebrities, etc.) , for albums; not used as visiting cards. Mainly 1860s, but the fashion revived in the 1890s with a larger 'cabinet card'Hand tinted, with oil paint Carte de Viste of a middle aged woman. Held in a hinged leather bound case with a clip fastener. Photo surrounded by patterned gold leaf on left hand inner side. The right hand side covered with padded brown velvet. Daguerreotype.photography, photographs / slides / film

A cream coloured paper cover with black information on the front. Bottom left hand corner reads Army Headquartes, Canberra. ACT. Bottom right hand corner reads Directorate of Military Training December 1966. There are two metal staples down the left hand side of the booklet.army headquarters, training, information bulletin

These carpentry items were owned and used by Archibald (Mick) Blackley, a local long-time resident of Numurkah. Born 1912 in Numurkah, Mick was the son of Archibald (Senior) and Grace Blackley, also residents of Numurkah. Archie Senior was a carter, horse-breaker, conducted a livery stable and worked at Brown Corke & Co for a number of years. Archie also served in the Veterinary Corps in WW1. Some of the tools donated belonged to Archie Senior eg wooden hand planes. Mick Blackley used his dad’s tools (and also added some of his own) when he worked in various carpentry jobs during the 1930’s and 1940’s. One particular carpentry job was during the depression when Mick relocated to the Wonthaggi State Coal Mines building stables for the horses, and also completing some building works inside the mines. Returning to Numurkah, Mick joined a Mr Murray as carpenter and painter to build and repair houses. He then joined another builder for 4 years (We think this was Jim Tuttle). Mick then went on to work at the Butter Factory (originally called Holdenson & Nielsen) where some of his carpentry skills were still used. Item list: • Wooden box for carpentry tools • 1 x steel pliers • 2 x wooden hand planes • 1 x tin snips • 1 x wooden spirit level in canvas bag • 1 x small wooden spirit level • 5 x wooden handled hand-saws • 1 x wooden handled right- angle square • 1 x wooden handled tenon-saw • 1 x steel plumbers wrench • 1 x wooden handled hedge-clippers • 1 x cloth & leather measuring tape • 1 x wooden mallet • 1 x narrow wooden plane • 1 x plastic handled hand-saw • 1 x plane blade sharpening stone • 1 x brace hand drill • 1 x compass for marking wood • 1 x cold chisel • 1 x set of various chisels and hand drill bits in a canvas bag • 1 x steel sike • Various other drill bits, chisels, files • 1 x wooden handled trowel • • 2 x steel garden secateurs • carpentry, building, wood, tools, planes, levels, chisels, hammers, saws, drills, drill bits

A surveyor was employed to measure the land designated as Yangery, County of Villiers, in the Borough of Warrnambool. The area on the map is similar to the earlier Farnham Survey undertaken by William Rutledge in the 1850's. Warrnambool was a Borough between 1863-1883. Coutours, waterways, sea and other significant points are shown. The distances are accurately measured. This survey map was used for planning future land sales, recreation areas and roads. WILLIAM RUTLEDGE (1806-1876) William Rutledge surveyed the land known as Farnham in southwest Victoria in 1843. His tenants made him a profitable business from working the land there. In 1863 Rutledge moved from nearby Port Fairy to Farnham and became very successful in breeding sheep, which he imported from J.R. Kirkham of Lincolnshire, England. He also bred horses on his land. The survey map of Yangery is important for its connection with renowned surveyor William Rutledge. The map shows the growth of landholders in the district when compared to the original Rutledge survey of the 1850's.Survey map of Yangery, titled "Yangery - County of Villiers". Printed on white paper, mounted on brown paper. c. 1863-1876. Comments printed on the Map include; Special Survey by William Rutledge, Photo-lithographed at the Department of Lands and Survey, Melbourne by W.J. Burson, Price 1/- [one shilling]. Scale is in Chains. Map has boundaries of Koroit Borough, Meerai, Purnim, Wangoom, Borough of Warrnambool, Mentions the Proposal of Tower HIll for Public Recreation. The map names the owners of the land at that time. Hand written pencil marks and figures and "Sauls fence" drawn on map. Hand written pencil markes and figures and "Sauls fence" drawn onto map. "For Department Use only". "Scale: 8 chains to 1 inch" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, county of villiers map, yangery district, w.j. burson, borough of warrnambool, koroit, purnim, meerai, wangoom, proposal of tower hill for public recreation, special survey by william rutledge, william rutledge, farnham, lincolnshire sheep, clydesdale

See catalogue number 1956.2.1) Left hand side of the attached photo. Union flag in King's colours configuration. Fringed with red, white and blue. Two red, white and blue tassels on a cord attached to the top right hand corner. Sewn sleeve for pike on the right hand side. .2) Left hand pike in photo. Wooden pike with a metal ring encircling the handle. Pike surmounted by metal King's crown. battalion colours, king's colours, military banners, flags, 67th battalion

Sheets of lined paper on off white paper with "The Met" logo in the top right hand corner. Was printed in pads. Has number 1033 in the top left hand corner. Three copies held. .1 - Sheet for "The Met" Inter Office Memorandums - has the words "An Authority of Victoria Transport" in the bottom left hand corner. Two copies held. Form number 10027 in bottom left hand corner.trams, tramways, the met, letterhead, stationery, memorabilia

Clothing. Twelve shaped panels form the body of the jacket, which is dramatically ''shaped in'' at the waistline, and flared out toward the hipline. Four black fabric covered buttons form the closure, with hand-stitched button holes, all ''hidden away'' under an overlay of the beaded velvet, of which the jacket is made. The long sleeves, narrow at the elbow, flair out to an embroidered and beaded cuff, 35 cm in circumference. Sleeves are gathered at the shoulderline, giving fullness, and featuring an elaborate ribbon, cord, and beaded embroidery. The embroidery is repeated around the revere collar, and on the right-hand side of the bodice, and the full length of the back of the garment, and around the hemline, and also trims the opening edge of the left-front bodice. Lined with black silk. It feels as if there is extra to support beaded areas.GEORGE STIRLING & SONS, THE RICHMONDcostume, female, black velvet long sleeved jacket