Showing 4390 items
matching 1881-1959
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Flagstaff Hill Maritime Museum and Village
Instrument - Clock, 1920s
In 1902, William E Sessions and other family members purchased a controlling interest in the E.N. Welch Company, a clock manufacturer located in Forestville, Connecticut. Sessions' father owned a foundry located in the town of Bristol, Connecticut that produced cases for E.N Welch Co. On January 9, 1903, the company was reorganized and registered as The “Sessions Clock Company”. Within a few years the Sessions Clock Company was producing clock movements, cases, dials, artwork and castings for their line of mechanical clocks. Between 1903 and 1933 Sessions produced 52 models of mechanical clocks, ranging from Advertisers, large and small clocks with logos of various businesses, to wall, or regulator clocks, and shelf or mantel clocks, designed for the home. Many of the Session clocks from this period are prized by collectors. In 1930, the company expanded to produce electric clocks and timers for radios, while continuing to produce traditional brass mechanical movements. Beginning at the end of World War II Sessions W Model (electric) was widely used by various casting companies for their clocks. The dial of the W Model read Movement by Sessions. In the early 1950s Sessions begin to produce timers for television. In 1956, Sessions was absorbed by a company interested mainly in their timing devices. In 1959, William K. Sessions, grandson of William E. Sessions left the Sessions Clock Company and formed the New England Clock Company. In 1960, one of the Sessions Clock buildings was sold to the Bristol Instrument Gears Company. Kept as the Sessions Company, the new owners ran the operation until 1969 when changes in the market forced the Sessions Company into liquidation. In 1970, the remaining buildings were sold to Dabko Industries, a machine parts manufacturer.The item marks a time when clock production in America was at it’s peak producing clocks for sale in many countries, they were keenly priced, mass produced and available to all. The company had a relatively short life span life regards clock manufacture later diversifying into electric timer mechanisms. Yet it was perhaps inevitable with the advent of electricity along with stiff competition from other clock manufactures that would ultimately herald the end in 1935 of the Sessions company's ability to continue manufacturing mechanical clocks. Clock mantle type face set in a painted black case designed to represent a Greek building with gold decorative pillars. Free standing with decorative feet. No markings or inscriptions on clock case or mechanism flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sessions, mantel clock, clock, clock industries -
Monbulk Historical Society
Thomas and Lillian Cavey with sons Tom and George
Thomas William Cavey was born in 1871, he was the youngest of his family and the only child that was born in Australia. He was first employed at the lime kilns in Geelong, before moving to Queensland for 4 years where he worked as a Boundary Rider. Thomas returned to the Lilydale area to be the driver of a buggy and pair for David Mitchell of David Mitchell Quarry in Lilydale. He selected land in Seamer Road in Monbulk in about 1898, but was working for the railways in Melbourne at the time and would come up to Monbulk at weekends to clear and cultivate the land. He met Lillian Eager, probably through relatives of hers, the Wingates, who lived in Monbulk. He and LIllian were married in 1910. They bought a 22 acre property in what is now called Cavey Road. They had two sons Thomas Charles, born in 1918 and George William Born in 1923. Initially the property in Cavey Road was farmed for vegetables, fruit and berries. The land used for this was over a creek on steep land away from the house. Once the produce was harvested it was taken by flying fox, back across the creek to where it could be prepared for sale. It was then taken to the Emerald and Belgrave markets each week. Later 10 cows were purchased, and the main income from the property was the dairy which produced approximately 25 quarts of milk a day, they produced Cream and Butter and together with the milk they were delivered fresh daily in the horse and cart. Deliveries were made to Monbulk, The Patch and to the canvas town at Silvan Dam, where the workers building the Silvan Dam lived. Thomas William Cavey died in 1959 aged 89. Lillian Blanche Cavey died in 1949 aged 68. -
Melbourne Tram Museum
Administrative record - Depot List, Bob Lilburn, "MMTB Engineering Department - Workshops and Running sheds Branch - Allocation of Tramcars", 1928 to 1985
Set of 20 photocopied lists, titled "MMTB Engineering Department - Workshops and Running sheds Branch - Allocation of Tramcars", listing allocation of tramcars to various depots, workshops, storage and disposal. Packet 1 1 - 16/6/1928 - 2 pages 2 - 9/6/1934 - 2 pages 3 - 30/6/1938 - 2 pages 4 - 12/3/1948 (?) - 2 pages 5 - 1/2/1949 - 4 pages 6 - 16/7/1949 - 2 pages 7 - 28/1/1950 - 2 pages 8 - 24/3/1951 - 2 pages Packet 2 9 - 24/1/1953 - 3 pages (one poor copy) 10 - 23/1/1954 - 2 pages 11 - 30/8/1958 - 2 pages 12 - 17/1/1959 - 2 pages 13 - 1/1961 - 2 pages 14 - 1/1962 - 2 pages 15 - 7/1963 - 2 pages 16 - 1/1964 - 2 pages 17 - 1/1965 - 2 pages 18 - 3/1965 - 2 pages Packet 3 10 - 1/1965 - 2 pages 11 - 1/1967 - 2 pages 12 - 1/1969 - 2 pages 13 - 1/1970 - 2 pages 14 - 1/1971 - 2 pages 15 - 1/1/1977 - 3 pages 16 - 1/7/1977 - 3 pages Packet 4 17 - 1/7/1978 - 2 pages 18 - 1/7/1979 - 4 pages 19 - 1/7/1980 - 4 pages 20 - 1/7/1985 - 7 pages - MTA header.trams, tramways, tramcars, mmtb, lists, depots, depot allocation -
Old Castlemaine Schoolboys Association Inc.
Honour Board, Yapeen State School
1933 Cyril J. MARTIN 1934 Jas. M. BRADFIELD 1935 Joan WRIGHT 1936 John SELLERS 1937 Lindsay G. BRADFIELD 1938 Stanley BRADFIELD 1939 Dorothy HILLEBRAND 1940 Charles BAKER 1941 Fay WILLIAMS 1942 Ronald L. BRADFIELD 1943 Hilda HUTCHINSON 1944 David GREENWOOD 1945 Joan BAKER 1946 Barbara PEILE 1947 Patricia STEED 1948 Marjorie PEILE 1949 Graham DICKSON 1950 B. J. STUCHBREE 1951 Helen M. DICKSON 1952 Marion RABBAGE 1953 Marlene MEGEE 1954 Margaret T. RABBAGE 1955 David HASSELL 1956 Wayne MEIN 1957 Judith MEIN 1959 Boyd RAY 1961 Gail BARASSI 1963 David HORNER 1964 Brian BAKER 1965 Jeannie HORNER 1967 Jennifer BAKER 1968 Peter SAYER 1969 Douglas SAYER 1970 Kim RAY 1971 Patricia SAYER 1972 Miriam HORNER 1973 Diana SAYER -
Federation University Historical Collection
Photograph - Photograph - Black and White, Ballarat Ladies Highland Pipe Band Photographs and Newspaper Article
"After the war Pipe-Major Duncan McLennan, moved to Ballarat and took up a position as cadet instructor and leader of the Ballarat Highland Pipe Band and the Ballarat Ladies Pipe Band. " (Victorian Historical Journal Vol. 85, No. 1, June 2014)A1 - Black and white photograph of band members with children in horse and cart. A2 - Newspaper article relating to the above mentioned photograph. A3 - Black and White photograph of Drum major and member of band. A4 - Black and White photograph of Ballarat Ladies Highland Pipe Band Bazaar B1 - Black and White photograph of piper in uniform B2 - Black and White photograph of Drum Major in uniform B3 - Black and White photograph of Drum Major in uniform on stairs B4 - List of Members. C1 - Black and White photograph of pipe band marching. C2 - Black and white photograph of Ladies Drum Major with Lew Zilles and Mrs Zilles C3 - Black and white photograph of Mr & Mrs Zilles, Mr and Mrs Bennett and Joan Bolden Gift of Margaret Bennett, 2019A1 - Outside 19 Waller Avenue where the ladies pipe band held a fair to raise money for new drums. The horse and cart was hired to give children rides around the "island". Trevor in the cart - striped shirt. M. Bennett. Ballarat Courier Press Photograph. A3 - Ballarat - Margaret Smith - Base drummer and Margaret Bennett - Drum Major, outside I & R Morley Doveton Street. A4 - Ballarat Ladies Highland Pipe Band Bazaar 1959. 19 Waller Ave, Ballarat B1 - 183 B2 - Margaret Bennett the Drum Major of Ballarat Ladies Pipe Band. Taken on front porch of 19 Waller Avenue B3 - Ballarat City Oval. Drum Major Margaret Bennett nee Reynolds. C1 - Copyright The Ballarat Courier Proprietary Limited C2 - Mrs Zilles, Lew Zilles, and Margaret Bennett. Progress Photos, Midway Arcade, 256 Collins St, Melbourne C3 - Mr & Mrs Zilles, Margaret and John Bennett, Joan Bolden (Parker) ladies pipe band, members, members list, ladies highland pipe band, photograph, black and white photograph -
Federation University Historical Collection
Photograph - Photograph (Black & White), Victa Studios, Presentation to Professor Alfred Mica Smith of the Ballarat School of Mines at Craig's Royal Hotel, c1924
This photo is thought to have been taken at the time of Alfred Mica Smith's retirement from the Ballarat School of Mines. It is most probably also the unveiling of the Max Meldrum portrait of Smith. Alfred Mica Smith retired from the Ballarat School of Mines in 1922 after an association of 41 years and aged 78 years. At the August meeting of the Ballarat School of Mines Council in 1881 it was resolved that 'Alfred Mica Smith Esq., B.Sc., be appointed Professor in Chemistry and Metallurgy and be Superintendent of the Laboratories, for the period of twelve months at a stipend of five hundred pounds per annum, and to commence duty as soon as possible'. (signed: James Oddie, Vice-President) Smith played a major role in the years of 1887-1893 when SMB was affiliated with Melbourne University. In 1912 he became Professor of Metallurgy and received an annual salary of 250 pounds. Alfred Mica Smith presented many scholarly papers, gave evidence at government enquiries into the safety of mines and became an authority on mine safety and ventilation. He was on the Mines Ventilation Board. Professor Smith was the public analyst for the City of Ballarat and Town of Ballarat East, as well as to a number of other boroughs and shires. He was also Chief juror to the Adelaide International Exhibition, chemical section. He provided information to the Royal Commission on gold mining (1889, 1891), and was President to the chemistry section of Australian Association for the Advancement of Science, Associate of American and Australasian Institute of Mining Engineering, Member of the Science Faculty Melbourne University, and Hon. Life Member of the Miner Managers' Association of Australia. He also was involved in many educational and community affairs such as President of the SMB Students' Association, President of the Ballarat Science Society, first President of the Ballarat Camera Club, Vice President of the Field Naturalists' Club, and he presented Ballaarat Fine Art Gallery with his collection of paintings and porcelain ware. His legacies include the mutual regard between him and his students, the many tributes by former students, the Mica Smith scholarship (established in 1923) and now known as the Corbould-Mica Smith Travelling Scholarship, his portrait in oils by noted artist Max Meldrum, and the marble bust of Smith sculptured by Paul Montford. Money for a scholarship in sanitary science at the University of Manchester in the name of his uncle R. A. Smith was left being set up in 1928. Smith died of cancer on 14 May 1926 and his remains, cremated at Springvale, were interred in the Ballaarat New Cemetery. See http://guerin.ballarat.edu.au/curator/honour-roll/honourroll_Smith,%20Alfred%20Mica.shtml Black and white mounted photograph showing a number of men sitting around two dining tables at Craig's Royal Hotel in Ballarat. Professor Alfred Mica Smith of the Ballarat School of Mines is standing 15 from the left, and is the subject of the painting on an easel to the left. The painting was presented to the Ballarat Fine Art GalleryLower right of mount 'Victa Studios Ballarat' Verso (typed and glued on): Presentation to professor Mica Smith, Craig's Hotelballarat school of mines, craig's hotel, craig's royal hotel, alfred mica smith, art gallery of ballarat, ballarat fine art gallery, portrait, frederick martell, daniel walker -
Flagstaff Hill Maritime Museum and Village
Domestic object - Clock, late 1900s early 20th Century
In 1850 the Ansonia Clock Company was formed as a subsidiary of the Ansonia Brass Company by Phelps and two Bristol Connecticut clock makers, Theodore Terry and Franklin C. Andrews. Terry & Andrews were the largest clock manufacturers in Bristol at the time with more than 50 employees using 58 tons of brass in the production of about 25,000 clocks in 1849. Phelps decided to get into the clock making business to expand the market for his brass, while Terry and Andrews got access to better quality brass at better prices. They had then sold 50% of their business to Phelps and moved the business to Ansonia, Connecticut. In 1877 the clock company purchased a factory in New York and moved most of its production thereafter being spun off from the brass company. Henry J. Davies of Brooklyn, himself a clock maker, inventor and case designer, joined the newly reconstituted company as one of its founders. As President, he is thought to have been largely responsible for the figurine clocks, swing clocks and other unusual and desirable novelties for which the Ansonia firm became known. By 1879, a second factory was opened in Brooklyn, New York and by June 1880 employed 360 workers, while the Connecticut factory continued producing clocks as well with a workforce of 100 men and 25 women. Hence, clocks marked "Connecticut" were generally produced before 1879, while those marked "New York" were all produced after 1880 After the New York factory burnt down in 1880 the company rebuilt the factory on the same site, and reopened the expanded factory in 1881, with a capacity to exceed that of the Connecticut factory which by 1883 had closed. By 1886, the company had sales offices in New York, Chicago and London, with more than 225 different clock models being manufactured. In 1899, Phelps' grandson William Earle Dodge Stokes commissioned architect Duboy to build the "greatest and grandest hotel in Manhattan, New York” which became the city's first air-conditioned building. In 1929 the majority of the timekeeping machinery and tooling was sold to the Soviet government's US trading company Amtorg, just before the stock market crash. The parts, machinery and key skilled workers were shipped out of the USA to form the basis, along with the remains of a watch company purchased a year later, of the clock and watch industry in Moscow such as Poljot and Sekonda. In 1969, the rights to the use of the name, trademarks, and goodwill were transferred to Ansonia Clock Co., Inc., Lynnwood, Washington. The item marks the beginning of mass produced clocks in the United States, cheaply priced and available to all. The company had many innervation's during it’s life regards clock and later wrist watch making that led the way for other companies in many different countries to emulate.Clock, pendulum mantle model. Carved scallop "Ginger bread house" cottage clock. Oak case, white enamel face, floral etched glass door. Clock has an hour bell chime. Glass front opens to allow rewinding. Made by Ansonia Clock Co, New York. Marked "Manufactured by Ansonia Clock Co. New York, USA"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mantle clock, clock, pendulum clock, time keeper, horology, ansonia, ansonia clock co, america -
Flagstaff Hill Maritime Museum and Village
Gestetner Machine, c. 1922 - 1929
This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. Gestetner” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, office machine, copying machine, gestetner machine, duplicating machine, duplicator, stencil machine, gestetner cyclograph company, cyclograph, cyclostyle, d. gestetner ltd, gestetner durotype stencils, gestetner cyclostyle, printing machine, office technology, durotype stencils, david gestetner, raymond loewy, roneo, rotary duplicatorten, mimeo, mimeograph machine, roneograph copier -
Ringwood and District Historical Society
Photograph - Collection, Ringwood Technical School 2010 Reunion Photographs - Record 1 of 6, 2010
Photographs from Ringwood Technical School Reunion. Note: If anyone in these photographs does not want their image to be visible on the Victorian Collections public website, please email [email protected] with a request to remove that photo. This Reunion was held at York on Lilydale, Lilydale, Victoria on March 27 2010, to commemorate the 50th anniversary of the school commencing in February 1960 in the newly-completed building as a co-educational campus. Prior to that it had operated on two separate, temporary campuses until the new school was ready: - at Ferntree Gully Technical School in 1958 for 100 Form 1 boys, then the following year in spare rooms at Lilydale State School for 200 Form 1 and 2 boys - at Box Hill Girls' Technical School in 1959 for 100 Form 1 girls The Reunion was organised by Joan Pickford, helped by several other past students. Joan worked exceptionally hard to organise the reunion and the materials displayed on the night. The beautiful RTS banner that we all walked past in the school's main corridor all those years ago, was there in all its glory - the only RTS relic that wasn't showing its age on the night. It was a great event and well-attended. The noise of people chatting and swapping stories was deafening. Some of the 1958-59 original students, and teachers from the1960s onwards were there. People brought along their photos and memorabilia. Some wore their ties and badges which still fitted after all those years. One former prefect wore his old blazer, which must have shrunk in the wardrobe but reminded many of us of those carefree times at school.. Best of all was the re-kindling of memories, and renewing and consolidation of friendships started at the school all those years ago. (This background provided by Liz Seaton, September 2022) This record contains 10 of the 57 photographs taken at the RTS Reunion 27 March 2010. Records 21009-1 to -6 contain the full collection. The photographs were copied from a CD provided by Photographer Belinda Dinami. rts, ringwood tech -
Ringwood and District Historical Society
Photograph - Collection, Ringwood Technical School 2010 Reunion Photographs - Record 2 of 6, 2010
Photographs from Ringwood Technical School Reunion. Note: If anyone in these photographs does not want their image to be visible on the Victorian Collections public website, please email [email protected] with a request to remove that photo. This Reunion was held at York on Lilydale, Lilydale, Victoria on March 27 2010, to commemorate the 50th anniversary of the school commencing in February 1960 in the newly-completed building as a co-educational campus. Prior to that it had operated on two separate, temporary campuses until the new school was ready: - at Ferntree Gully Technical School in 1958 for 100 Form 1 boys, then the following year in spare rooms at Lilydale State School for 200 Form 1 and 2 boys - at Box Hill Girls' Technical School in 1959 for 100 Form 1 girls The Reunion was organised by Joan Pickford, helped by several other past students. Joan worked exceptionally hard to organise the reunion and the materials displayed on the night. The beautiful RTS banner that we all walked past in the school's main corridor all those years ago, was there in all its glory - the only RTS relic that wasn't showing its age on the night. It was a great event and well-attended. The noise of people chatting and swapping stories was deafening. Some of the 1958-59 original students, and teachers from the1960s onwards were there. People brought along their photos and memorabilia. Some wore their ties and badges which still fitted after all those years. One former prefect wore his old blazer, which must have shrunk in the wardrobe but reminded many of us of those carefree times at school.. Best of all was the re-kindling of memories, and renewing and consolidation of friendships started at the school all those years ago. (This background provided by Liz Seaton, September 2022) This record contains 10 of the 57 photographs taken at the RTS Reunion 27 March 2010. Records 21009-1 to -6 contain the full collection. The photographs were copied from a CD provided by Photographer Belinda Dinami. rts, ringwood tech -
Ringwood and District Historical Society
Photograph - Collection, Ringwood Technical School 2010 Reunion Photographs - Record 3 of 6, 2010
Photographs from Ringwood Technical School Reunion. Note: If anyone in these photographs does not want their image to be visible on the Victorian Collections public website, please email [email protected] with a request to remove that photo. This Reunion was held at York on Lilydale, Lilydale, Victoria on March 27 2010, to commemorate the 50th anniversary of the school commencing in February 1960 in the newly-completed building as a co-educational campus. Prior to that it had operated on two separate, temporary campuses until the new school was ready: - at Ferntree Gully Technical School in 1958 for 100 Form 1 boys, then the following year in spare rooms at Lilydale State School for 200 Form 1 and 2 boys - at Box Hill Girls' Technical School in 1959 for 100 Form 1 girls The Reunion was organised by Joan Pickford, helped by several other past students. Joan worked exceptionally hard to organise the reunion and the materials displayed on the night. The beautiful RTS banner that we all walked past in the school's main corridor all those years ago, was there in all its glory - the only RTS relic that wasn't showing its age on the night. It was a great event and well-attended. The noise of people chatting and swapping stories was deafening. Some of the 1958-59 original students, and teachers from the1960s onwards were there. People brought along their photos and memorabilia. Some wore their ties and badges which still fitted after all those years. One former prefect wore his old blazer, which must have shrunk in the wardrobe but reminded many of us of those carefree times at school.. Best of all was the re-kindling of memories, and renewing and consolidation of friendships started at the school all those years ago. (This background provided by Liz Seaton, September 2022) This record contains 10 of the 57 photographs taken at the RTS Reunion 27 March 2010. Records 21009-1 to -6 contain the full collection. The photographs were copied from a CD provided by Photographer Belinda Dinami. rts, ringwood tech -
Ringwood and District Historical Society
Photograph - Collection, Ringwood Technical School 2010 Reunion Photographs - Record 4 of 6, 2010
Photographs from Ringwood Technical School Reunion. Note: If anyone in these photographs does not want their image to be visible on the Victorian Collections public website, please email [email protected] with a request to remove that photo. This Reunion was held at York on Lilydale, Lilydale, Victoria on March 27 2010, to commemorate the 50th anniversary of the school commencing in February 1960 in the newly-completed building as a co-educational campus. Prior to that it had operated on two separate, temporary campuses until the new school was ready: - at Ferntree Gully Technical School in 1958 for 100 Form 1 boys, then the following year in spare rooms at Lilydale State School for 200 Form 1 and 2 boys - at Box Hill Girls' Technical School in 1959 for 100 Form 1 girls The Reunion was organised by Joan Pickford, helped by several other past students. Joan worked exceptionally hard to organise the reunion and the materials displayed on the night. The beautiful RTS banner that we all walked past in the school's main corridor all those years ago, was there in all its glory - the only RTS relic that wasn't showing its age on the night. It was a great event and well-attended. The noise of people chatting and swapping stories was deafening. Some of the 1958-59 original students, and teachers from the1960s onwards were there. People brought along their photos and memorabilia. Some wore their ties and badges which still fitted after all those years. One former prefect wore his old blazer, which must have shrunk in the wardrobe but reminded many of us of those carefree times at school.. Best of all was the re-kindling of memories, and renewing and consolidation of friendships started at the school all those years ago. (This background provided by Liz Seaton, September 2022) This record contains 10 of the 57 photographs taken at the RTS Reunion 27 March 2010. Records 21009-1 to -6 contain the full collection. The photographs were copied from a CD provided by Photographer Belinda Dinami. rts, ringwood tech -
Ringwood and District Historical Society
Photograph - Collection, Ringwood Technical School 2010 Reunion Photographs - Record 5 of 6, 2010
Photographs from Ringwood Technical School Reunion. Note: If anyone in these photographs does not want their image to be visible on the Victorian Collections public website, please email [email protected] with a request to remove that photo. This Reunion was held at York on Lilydale, Lilydale, Victoria on March 27 2010, to commemorate the 50th anniversary of the school commencing in February 1960 in the newly-completed building as a co-educational campus. Prior to that it had operated on two separate, temporary campuses until the new school was ready: - at Ferntree Gully Technical School in 1958 for 100 Form 1 boys, then the following year in spare rooms at Lilydale State School for 200 Form 1 and 2 boys - at Box Hill Girls' Technical School in 1959 for 100 Form 1 girls The Reunion was organised by Joan Pickford, helped by several other past students. Joan worked exceptionally hard to organise the reunion and the materials displayed on the night. The beautiful RTS banner that we all walked past in the school's main corridor all those years ago, was there in all its glory - the only RTS relic that wasn't showing its age on the night. It was a great event and well-attended. The noise of people chatting and swapping stories was deafening. Some of the 1958-59 original students, and teachers from the1960s onwards were there. People brought along their photos and memorabilia. Some wore their ties and badges which still fitted after all those years. One former prefect wore his old blazer, which must have shrunk in the wardrobe but reminded many of us of those carefree times at school.. Best of all was the re-kindling of memories, and renewing and consolidation of friendships started at the school all those years ago. (This background provided by Liz Seaton, September 2022) This record contains 10 of the 57 photographs taken at the RTS Reunion 27 March 2010. Records 21009-1 to -6 contain the full collection. The photographs were copied from a CD provided by Photographer Belinda Dinami. rts, ringwood tech -
Ringwood and District Historical Society
Photograph - Collection, Ringwood Technical School 2010 Reunion Photographs - Record 6 of 6, 2010
Photographs from Ringwood Technical School Reunion. Note: If anyone in these photographs does not want their image to be visible on the Victorian Collections public website, please email [email protected] with a request to remove that photo. This Reunion was held at York on Lilydale, Lilydale, Victoria on March 27 2010, to commemorate the 50th anniversary of the school commencing in February 1960 in the newly-completed building as a co-educational campus. Prior to that it had operated on two separate, temporary campuses until the new school was ready: - at Ferntree Gully Technical School in 1958 for 100 Form 1 boys, then the following year in spare rooms at Lilydale State School for 200 Form 1 and 2 boys - at Box Hill Girls' Technical School in 1959 for 100 Form 1 girls The Reunion was organised by Joan Pickford, helped by several other past students. Joan worked exceptionally hard to organise the reunion and the materials displayed on the night. The beautiful RTS banner that we all walked past in the school's main corridor all those years ago, was there in all its glory - the only RTS relic that wasn't showing its age on the night. It was a great event and well-attended. The noise of people chatting and swapping stories was deafening. Some of the 1958-59 original students, and teachers from the1960s onwards were there. People brought along their photos and memorabilia. Some wore their ties and badges which still fitted after all those years. One former prefect wore his old blazer, which must have shrunk in the wardrobe but reminded many of us of those carefree times at school.. Best of all was the re-kindling of memories, and renewing and consolidation of friendships started at the school all those years ago. (This background provided by Liz Seaton, September 2022) This record contains the last 7 of the 57 photographs taken at the RTS Reunion 27 March 2010. Records 21009-1 to -6 contain the full collection. The photographs were copied from a CD provided by Photographer Belinda Dinami. rts, ringwood tech -
Surrey Hills Historical Society Collection
Photograph, Mrs Florence Margaret Tacey (nee Edwards)
Mrs Florence Margaret Tacey (nee Edwards) was the mother of Albert Arthur Tacey. She was born in 1863; died in 1943 in Camberwell. Her husband was William Tacey born in the Buckland Valley near Bright in 1857. There were many members of the Tacey family who were butchers. Various members of the family were associated with Tacey's Butchers at 629 Canterbury Road, Surrey Hills. According to a Context P/L heritage assessment of the property the land on which the business was built "was purchased by Edward Tacey on 16 September 1889. Edward Tacey was a butcher and the Sands & MacDougall street directory indicates that a butcher’s shop had been constructed on the site and was operating by 1890. It seems that the family lived for some time at a house located next door to the shop at 627 Canterbury Road (visible on the 1909 MMBW plan, but since demolished). On 15 June 1920 Edward Tacey transferred all three blocks of land to Joseph Tacey, most likely his son * and also a butcher, who carried on business from the same premises. Joseph Tacey died on 20 February 1933, after which administration of his estate (which included the three blocks of land) passed to his widow, Mary Dorothy Tacey." Edward Tacey (1863 - 1952) was the brother of William Tacey (1857 - 1920). The property passed to Joseph Charles Tacey (1887 - 1933), his nephew and son of William, not his son. His wife was Mary Dorothy Coates. Albert Arthur Tacey was a brother of Joseph Charles Tacey. The SHNCHC has a large framed photo collage of the Tacey butcher's shop at 629 Canterbury Road. It hung in various Tacey family-owned butcher's shops around Victoria before coming back to Surrey Hills. The donor was the daughter of Albert Arthur Tacey (1902-1959). A black and white photograph of an older lady. She has greying hair, is wearing rimless glasses, pearls and a jacket over her dress.surrey hills, butchers, mrs florence margaret tacey, miss florence margaret edwards, william tacey, joseph charles tacey, albert arthur tacey -
Kew Historical Society Inc
Album, Eva Grant, Historic Buildings in Victoria & New South Wales, 1919-c.1962
One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century -
City of Greater Bendigo - Civic Collection
Letter - Correspondence from School of Mines and Industries, Bendigo to R.H. S Abbott, Bendigo School of Mines and Industries, 17th September, 1901
The Bendigo School of Mines was opened in 1873 following the first report of the Technological Commission in 1869 which recommended the establishment of schools of design and science to meet the scientific and technical needs of the mining industry on the local gold fields. Initially mining, chemistry, geology, metallurgy and art were taught while a separate school of design was established in c. 1870 but incorporated into the School of Mines around 1883 when it was renamed as the School of Mines and Industry. In 1904 The Mechanics Institute was liquidated and its assets and buildings acquired by the School of Mines. Around 1907 a Junior Technical School commenced to operate at the School of Mines and Industry but ceased operating in 1961 with that function being transferred to the White Hills and Kangaroo Flat Technical Schools. The Bendigo School of Mines and Industry became known as the Bendigo Technical College from the 1st July 1959. It operated under that name until February 1967 when it became the Bendigo Institute of Technology (B.I.T.). Construction work commenced in c.1965 which saw the Institute progressively re-locate to new buildings at Flora Hill. (Fn: https://prov.vic.gov.au/archive/VA3091) Richard Hartley Smith Abbott was the step son of Joseph Henry Abbott and continued on in the family tradition of entering into business. He was elected a representative in the Mandurang riding in the Shire of Strathfieldsaye in 1887, served as Mayor of the City of Bendigo from 1917 - 1918 and was Secretary of the Bendigo Art Gallery for over 20 years. His father Joseph Abbot had been a member of the School of Mines Administrative Council and RH Abbott served as President of the School of Mines for two years and was a highly regarded business man within the local community. The School of Mines and Industries would have written to him asking him to intervene to ensure that their reputation remained intact.Handwritten letter by the registrar from the School of Mines to R H S Abbott on lightly lined writing paper.city of greater bendigo education, city of greater bendigo mining, mayor rhs abbott, shire of strathfieldsaye, bendigo art gallery -
Bendigo Military Museum
Award - MEDAL SET AND NAME BADGE, Post WW2
.1) The first medal on the left is the BEM. There are 9 clasps denoting overseas service and 3 clasps denoting Long Service. Francis William (Dinky) Dean enlisted in the 2nd AIF No VX93960 on 16.12.43 age 18 years. He went on to serve with the 2nd/2nd Pioneers in the islands ending up on Morotai at wars end. At the end of 1945 while still overseas 3 new Battalions were formed for service wth BCOF in Japan. They were the 65th, 66th and 67th Bn’s made up from 3 Aust Divisions 6th, 7th and 9th. Frank was one of the first to sign up in the 65th Bn with same Regt No. They moved to Japan in early 1946. While still in Japan in 1947 there was a period called the Interim Army while the 65th, 66th and 67th Bn’s were designated 1st, 2nd and 3rd Bn’s R.A.R, Aust Regular Army. His Regt No changed to 3742 and the 65th became the 1st Batt of the R.A.R. He then served with 1 RAR in Korea 7.4.52 to 28.2.53, 3.3.54 to 24.3.56. Malaya during the Emergency/ Confrontation Oct 1959 to Oct 1961. Vietnam 1.6.65 to 7.6. 66, 18.3.68 to 11.2.69. Malaya 1969-70. Frank was discharged from the Army on 19.12.1975 with the rank of Quarter Master Sergeant with a total of 32 years service. He was the longest serving member of 1 RAR, he had a final posting to RMC prior to discharge. BEM (British Empire Medal) For service in Korea. BCOF (British Commonwealth Occupation Force Japan) RAR ( Royal Australian Regiment) RMC (Royal Military College Duntroon) In 2004 Frank was the guest of honour at the new Coral Lines Lavarack Barracks Townsville, a street was named “Dean drive” after him. Frank passed away on 11.2.2005 age 79 years. .1) Medal set, miniatures, brass plate mounted, set of (16) re F.W Dean BEM. .2) Name badge - battalion badge for unit associations. Black plastic backing with pin, black name on gold background. .2) "Frank Dean 1RAR"numismatics, medals, military, badges, metalcraft -
Wodonga & District Historical Society Inc
Photograph - Des Martin mounted on his horse, 1986
This image was taken in Melbourne on Anzac Day 1986 where Des had taken place in the annual parade. The photo itself has had a long journey. It was donated to the Star Hotel in Yackandandah, Victoria by Des Martin in 1994. The hotel changed hands so many times that the custodian "Pip" Beatty felt it was best placed at the Light Horse Museum at Bandiana, Victoria. Its journey was complete when the photo was returned to the Wodonga Historical Society. Des Martin lived all his life in Wodonga, except for his years of service during World War Two. He was raised on the family property Aherlo in the Huon Creek Valley. In 1937 he joined the 8th Light Horse Regiment but in May 1940 led his Wodonga Troop into the 2/2nd Australian Pioneer Battalion. This Battalion saw service in Syria, Java, New Guinea and Borneo. After the war, Des returned to Aherlo and his horses. He was granted permission by the Victorian Racing Club to participate as an amateur “gentleman” rider. He became the first president of the Victorian Amateur Riders Association and founded the Murray Valley Hunt Club. Des also played a major role in Australia entering an equestrian team in the Melbourne Olympics in 1956 and served as a steward at that event. Des also wrote several publications including “Australia Astride” in 1959, a history of the Albury Racing Club – a Century of Racing, and an historical novel “Many a Mile”. He collaborated with R. M. Williams to develop “Hoofs and Horns” to become a national publication. From 1969 to 1973, Des Martin also wrote a column for the Border Mail newspaper. He was also a member of the RSL for almost 50 years and held several committee positions during that time. Des Martin died on 12 April 1995.This is a portrait of a significant member of the Wodonga community who made an outstanding contribution as a farmer, soldier, horseman, author and member of the RSL and other community organisations.A coloured photograph of Des Martin in full military uniform mounted on his horse. The photo has been mounted in an oval wooden frame.des martin, murray valley hunt club, 2/2nd australian pioneer battalion, albury racing club -
National Wool Museum
Machine - Knitting Machine, Coppo, 1960s
The knitting machine is a recently designed instrument, especially when it is compared with its ancient counterpart, the loom. It enables the creation of many metres of fabric very quickly. A knitting machine is composed of a series of needles which mimic the process of manual knitting. The mechanism engages numerous mechanical elements simultaneously and enables the creation of many metres of fabric very quickly. In addition, a knitting machine can be setup to produce unique bolts of fabric. The density of the fabric may be modified and a knitting machine can produce double-faced effects. A doubled-faced effect creates colour combinations through the introduction of an additional colour to the knitting pattern. This knitting machine is a Coppo brand. It contains over five hundred needles and was produced in the 1960s. It is a representation of the best available in the world at that time. Originating from Italy, it was designed for commercial use. Through both precision and capacity, Italian artisans were seen to be the best in the world of textiles and knitwear. Through emigration, globalisation and the regularly available quantities of wool, Australia came to compete on this stage. The owner of this particular machine migrated from Italy in 1959. When she did, she brought with her a Dubied knitting machine. She later replaced it with this Coppo. When in Australia the owner began work as a piece worker, knitting jumpers and worked for some of the iconic names in the Australian knitting trade including ES Poratt and Alpin Manufacturing. The owner’s role progressed from a piece worker to a wool garment designer and she won many Wool Industry Awards in the 1970s and 1980s. Her high quality of work using and her individual custom designs were spoken about by many of her customers and she had a very large private clientele. She designed and knitted fully fashioned tailored jumpers for people for around 30 years.Knitting table sits on a stand with wide metal legs. Legs contain lettering 'COPPO torino'. Legs are connected via three thin metal poles as well as a metal band and the bed of knitting table at top. The connecting metal band has the lettering 'SUPER - COPTAL' attached. The Knitting table itself contains two beds and a bench at the rear. Attached to the bench is a thin metal structure for the elevation of yarn. It has four crane esk structures above on this metal structure. The bench is covered in a pale grey laminate in the imitation of wood. Attached to the knitting bed is a sliding contraptions containing two handles at the front followed by a complex semi-circle sliding mechanism used to move the knitting mechanism front and back.Left Stand. Lettering: Coppo Torino Right Stand. Lettering: Coppo Torino Centre Stand. Lettering SUPER - COPTALcoppo, knitting machine, design, italy, wool, business, migrants -
Seaworks Maritime Museum
Notice Board
Wooden notice board with inscription featuring names of the winners of the annual table tennis competition MHTOSC/ Table Tennis/ Championship/ Year champion/ runner up/ 1952 L. Jamieson W Davies/ 1953 W. Y. Wilson K.R Trueman/ 1954 J. N Hosking K.R Trueman/ 1955 M.J Jewell J.M Alexander/ 1956 W.Y Wilson I/S Gaskell/ 1957 W.Y Wilson R.J Hardy/ 1958 M.J Jewell W.Y Wilson/ 1959 M.J Jewell W.Y Wilson/ 1963 K. Walsh M.J Jewell/ 1964 K Walsh R. J Austin/ 1965 R. J Austin R.S Kirkwen/ 1966 B.J McCarthy M.J Jewell / 1967 M.J Jewell B.J McCarthy / 1968 R.S Kirkwen R. J Austin / 1969 R.S Kirkwen R. J Austin/ 1970 R.S Kirkwen M.J Jewell/ 1971 R.S Kirkwen D.W Fowler/ 1976 D.W Fowler R.S Kirkwen/ 1986 J.D Leahy R. J Austin/ 1987 R.S Kirkwen R. J Austin/ 1988 R.S Kirkwen J.D Leahy " PMA 0363 -
Stratford and District Historical Society
Desk
A succession of teachers has signed their names under the lid, and the notation "Killed in Action, March 1917" has been added after the 1913 signature of Edward Jones. These were originally at State School 1589 Invermichie, which operated from 1875 to 1917 near Munro. At its closure the furniture was transferred to Munro, and teachers there signed the desk lid after that time. A tall, unpainted teacher's wooden desk with a single hinged flap as a lid. A ceramic inkwell is set into the top right-hand side. Names have been inscribed under the lid. It is accompanied by its stool (00802VSFH)Names that are legible include: R.Costello 1925 [?], 1928 Hector Connaught / Semper Fideles J.A. Cullinan, 96 BW 94 Maude Rack June '91 J.Bux Howqua Dale Barry J. Buxton 19.12.52/son of the above. Edw. H. Jones August 1913. Killed in Action March 1917 Enter Irene Hannan 1st May 1916 Exit 19 Sept 1919 Ella K. Fletcher 31.8.20 Monga [?] Duggan 1922 S.M.Kerr 7/1/27 J.A.Mullin Jan 1930-Sept 34 Robert J ...... Sept 34-Dec34 G.A.Faux Jan 5 to Aug 55 Mrs Mary M.Costello HT Sept 1955 Heather A ..... Assistant Feb 1969-Dec 1970 Emma Dronieika [?] Assistant Feb 1971 - Dec 1971 Pamela Golden (Draffin) Feb 1972-Dec 1972 AnneCargeeg Feb 1973 Scratched on lid is B.W.Butcher born 1912, killed 1959 aged 47 Vision and Realisation gives dates for the school as 1875 to 1917, so names after that time would appear to be for teachers from Munro.schools, world war 1914-1918 -
Old Castlemaine Schoolboys Association Inc.
Honour Board, Fryerstown Primary School
1926 Don’d BARRETT 1927 Harold ROWE 1928 W. B. MURLEY 1929 N. I. SAUNDERS 1930 Frank L. SMITH 1931 Paul A. JONES 1932 John F. HARDWICK 1933 James O. SYMES 1934 Kenneth JONES 1935 Dulcie E. McDONALD 1936 Eileen ROBERTS 1937 Gwen’h SCHONFELDER 1938 Fay DOLAN 1939 John ALLEN 1940 Edna THOMAS 1941 Bernard WRIGHT 1942 Hazel GUEST 1943 Charles WRIGHT 1944 Dawn KAYE 1945 Robert GUEST 1946 Allan DALTON 1947 Lance MOUNSEY 1949 Philip RODDA 1950 Marjorie HORNER 1952 James CATTLIN 1953 Milton MILLER 1954 Wendy J. HAMBLIN 1955 Isobel NOKES 1956 John CHRYSTAL 1957 Helen HAMBLIN 1958 Jennifer BARRETT 1959 Betty LANCASTER 1960 Kevin HADDOCK 1961 Patricia COLE 1962 William BARRETT 1963 Glenda HADDOCK 1965 Kaye McLEOD 1967 Gaye SAUNDERS -
Mont De Lancey
Book, William Gillies, M.A, Stories in British History for Young Australians, 1920
A simple study in British History for secondary school students with a fold out map of the British Empire at the time - published in 1920. There is a list of the dynasties and kings and queens and a table of Periods in British History which can be referred to.A badly damaged red cloth covered hardcover book with the title: Stories in British History for Young Australians printed in black lettering on the front cover with the publisher, a round publisher symbol and 2/6 at the bottom. The title is printed on the spine. This is a First Course in British History by William Gillies, M.A. Inside, opposite the title page, is a lined sketch of Oliver Cromwell. Black white illustrations, maps and photographs are included. At the back is an Index as well as three additional recommended titles of other history books. Considerable markings, lists and a love poem is scribbled at the back. It is quite damaged and worn through use. Pp.315.non-fictionA simple study in British History for secondary school students with a fold out map of the British Empire at the time - published in 1920. There is a list of the dynasties and kings and queens and a table of Periods in British History which can be referred to.great britain - history, history, textbooks -
Plutarch Project
16mm Portable Optical & Magnetic Sound Projector, circa 1950's
One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type.Primary historic significance as well as rarity significanceFrom January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type. Apart from this projector these items were taken on each trip. -a- 3 projectors in total -b- 2 tripod stands -c- 1 20 feet x 10 feet screen -d- 6 projector lamps and 2 exider lamps for sound -e- 2 extra lamps per film to be shown -f- 1 film rewinder (see rewinder in same collection)Siemensprojector, film, magnetic, sound, optical, language, greek, siemens, german, γιαννούδης, προβολέας, yiannoudes, plutarch -
Flagstaff Hill Maritime Museum and Village
Domestic object - Razor, John Clarke Ltd, 1930s
In 1848, 43-year-old John Clarke launched a cutlery business in Harvest Lane in Neepsend, Sheffield UK. Clarke entered the trade late in life he was indenture and apprenticed to Octavius Twigg, a razor maker. Clarke was granted his Freedom in 1856 and began using the trademark 'NEVA'. By the 1860s, Thomas Clarke's son by his wife Elizabeth had joined the firm. When John Clarke died at his home at Augusta Place, Rock Street, Sheffield on 25 July 1873 (aged 68), he only employed six workmen. By 1881, Thomas had expanded this number to twenty. He sold a wide range of cutlery and was also an ‘emigration agent’, the Sheffield Independent, of 7th September in 1886 had an article published stating Thomas helped to recruit personnel from England for cutlery centers in America. In 1893 Clarke’s showroom displayed miniature knives from '5/16ths-inch long to the most expensive sportsman's knives, that were gold and silver mounted. Table knives and carvers were also manufactured (or factored). Agencies were opened in London, New York, and Melbourne. Besides ‘NEVA, the ‘EXPRESS’ and ‘RING’ marks were used on razors; and Clarke’s marketed the American ‘GEM’ safety razor. By 1901, the firm had moved to Mowbray Street, where its Mowbray Works overlooked the River Don. Thomas Clarke died at Harrogate on 26 April 1902, aged 62, and was buried in the same Burngreave cemetery as his parents. Thomas’s sons, John Roome Clarke (1860-1925) and Thomas Edward Clarke, were directors, another son George William Clarke was a shareholder. John Roome Clarke died on 3 February 1925, aged 64 his son, John Clarke, of Crimicar Lane, remained as the senior partner. Clarke’s was one of the last producers of hand-made pocket knives and it also produced a large output of sheath knives for scouting associations. The firm was liquidated in 1964, but the company name was resurrected and Its last address after 1980 was at 65 Garden Street Sheffield. The company trademark passed on to Meteor Industries and then to Egginton Ltd. Weber & Co: The Clarke company purchased or (factored) many of its blades for razors and knives from Weber & Co of Solingen Germany. The full name of the firm originally was Jowika Stahlwarenfabrik Eugen Weber & Altenbach KG. It was founded in Solingen prior to 1928, under the name Johann & Wilhelm Kleinewefers GMBH, Messerfabrik. JWK for short, hence JoWiKa. The company was sold to Eugen Weber in the 1930s. Weber was married to a woman named Altenbach, from a family that manufactured innovative low-priced pocketknives, as well as other cutlery items. In 1960 Weber opened a branch factory in Listowel Ireland. It was sold to Albert M. Baer of Imperial Schrade in 1978. The Listowel factory was closed about a year and a half before the U.S. Schrade factory closed in 2004 and the Jowika factory in Solingen had closed in 1984.An item with an interesting manufacturing history from the 1930s showing how one man can grow a business into a successful concern that made quality products that stand the test of time.Razor metal folding blade with horn handle in its original cardboard box Inscription Made by John Clarke and Son England. "Champion" razor. On box " The Champion 10/6d" and "Weber Lohmann & Co SOLINGEN".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
The Beechworth Burke Museum
Photograph, c.1870
This photograph was taken in approximately 1870 and depicts four male miners standing in mining sluice at the Three Mile Goldfields. These men are wearing typical attire for 1870s gold miners. They wear white shirts, tan coloured pants with water proof shoes and most of the men are wearing an apron to prevent their clothing from becoming too dirty from the mud. Each man is wearing a wide brim hat and hold large wooden tools used for sorting through the sluice. Three of the four men have full beards. The photograph was donated to the Burke Museum by R. Ziegenbein before 2001 but the photographer and the individuals captured in the photo are unknown. The image depicts the landscape of the Three Mile Goldfields during a period when open cut sluicing was undertaken to reach gold. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5 km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund was later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. Sluice box workers were a vital part of gold mining regardless of how inefficient they were in the recovery of gold. After using hydraulic sluicing to cut away the earth, miners would use the big wooden boxes depicted in the image to catch the earth which would then be sifted for gold. However, accidents would occur often which would result in the gold washing away and unable to be recovered. It was not a very efficient system because the gold, which was alluvial and thus very fine, would often pass through the sluice box undetected.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.[illegible] about 1870 / 97 2514.1 / 2594 30three mile goldfields, goldfields, 1870, 1870 gold, australia, australian landscape, miners, gold miners, diggers, gold diggers, beechworth, victoria, sluice box workers, sluicing, sluice, mining -
Southern Sherbrooke Historical Society Inc.
File, "Carlotta Tye Ladies Guild Correspondence"
A folder of correspondence of the Carlotta Tye Memorial's Ladies Guild. Includes: -Letter from A.F Brockoff and Co Pty Ltd Biscuits, 10/10/1939, willing to donate biscuits and face masks. --Order form from A.F Brockoff./-Letter from the Rosella Preserving and Manufacturing Co. Ltd, 10/10/1939, willing to give product samples to the church./-Letter from Nicholas Limited, 11/10/1939, offering samples of Aspro./-Letter from Robur Tea Company Limited, 12/10/1939, giving advice on who can provide samples to the church./-Letter from The Kiwi Polish Co, 16/10/1939, regretably informing Gwen that they cannot provide any samples./-Letter from Nugget Polish Pty.Ltd, 16/10/1939, informing Gwen they cannot provide samples for the church./-Receipt from AF Brockoff and Co. Pty. Ltd, dated 31/10/1939./-Letter from Bushells to Gwen Thomas, 16/11/1939, willing to donate tea to the guild./-Form from Entertainments Tax Assessment Act 1942, dated 17/9/1946, registering entertainment for the Parish Hall, Selby. Comes with attached envelope./-Invitation to Annual Anglican Ball, 11/10/1946./-Letter from Bushells, 26/3/1947, refusing a request to provide samples. Attached is a small letter from the Secretary, dated 23/5/1947./-Letter from Ferntree Gully Shire Council to Gwen Thomas, 24/8/1947. Says that the Shire president Violet B.Lambert is willing to come to "Australian Tea" at Parish Hall, Selby./-Handwritten letter from Mr and Mrs H.W Shepherd, 9/9/1947./-Handwritten letter to Gwen, from "A.Grace(?)", dated 14/9/1947./-Handwritten shopping list, undated./-Handwritten letter to Gwen, from Mrs Langford, 14/9/1947, with attached envelope./-Handwritten letter to Gwen, from G.Coling, 19/9/1947, with attached envelope./-Handwritten letter (2 pages) to Gwen, from M.Allchurch(?), 1/11/1947./-Handwritten letter from W.Tompkins, 8/11/1947./-Handwritten letter to Gwen, from Emily Noble, 10/7/1948, with attached envelope./-Handwritten letter to Gwen, from Hadwen and Houghton (specialists in church furniture), 2/11/1949./-Handwritten letter to Mrs Pearce from Majorie Tye, 7/3/1951./-Handwritten letter to Gwen, from G.Waring Lee(?), 18/6/1951./-Handwritten letter to Gwen, from Iris Wood, with attached shopping list, 2/12/1952./-Handwritten letter to Gwen from N.R Geffery, 23/7/1954./-Letter of appreciation from the family of the 'late Mrs Ruby Clinton Cartledge'. Attached envelope says the date 6/4/1955./-Typed letter to Gwen, from R.K Sutherland, 14/1/1957./-Handwritten letter to Gwen, from R.K Sutherland, 9/2/1959./-Handwritten letter (on card) to Gwen, from Violet Lambal 16/6/1959./-Handwritten letter (2 pages on folded piece of paper) to Gwen from Mary H Chessell, 4/7/1959./-Handwritten letter from St Pauls Vicarage, 6/7/1959./-Handwritten letter to Gwen, from Faye Gronlund, 8/7/1960, with attched envelope./-Handwritten letter to Gwen, from Majorie Cromie, with attached envelope with the date 1/8/1960./-Handwritten letter to Gwen from the Church Missionary Society, 18/4/1962./-Letter of sympathy for the death of Percival William Stephenson on 29/5/1962./-Handwritten letter from Miss Thomas to Edna Lindsay, 29/8/1962./-Letter to Gwen from Moran and Cato Pty. Ltd., 19/6/1963./-Handwritten letter to Selby Church of England Guild from a "Martin", 25/6/1963./-Handwritten letter to Gwen from Doris Pearce, 25/6/1963, with attached envelope./-Handwritten letter to Gwen from Dorothy M Donnelly, 1/7/1963, with attached envelope./-Handwritten letter to Gwen from Violet Lambal, 6/7/1963, with attached envelope./-Undated small card to Gwen, from Marjorie Cromie (circa 1963 as it mentions the guild's 25th anniversary)./-Letter to Gwen from Textile Promotions Pty. Ltd., 29/11/1965, promoting Fashion Fabrics Demonstration for 15/6/1966./-Handwritten letter to Gwen, 14/2/1966./-Letter to Gwen from R.K Sutherland, 12/4/1966./-Handwritten letter to Gwen from Kathleen Sutherland, 13/4/1966./-Letter to Gwen from Holdenson and Nielson Marketing Pty. Ltd., 29/4/1966. Written on date says 'April 10th 1967'./-Handwritten letter from Sean Buckley to Gwen Thomas thanking her for an invitation to her guild, with envelope attached, 14/6/1966./ -2 Handwritten letters from Beatrice Thomson to Gwen Thomas, 22/6/1966 and 23/6/1966. Has an attached envelope./-Handwritten letter from L.E.Heard(?) to Gwen Thomas, 4/7/1966. Has an attached envelope./-Handwritten letter from Eva Blyth(?) to Gwen Thomas, 13/7/1966. Has attached envelope./-Handwritten card to Gwen Thomas from Violet Allen and Mr R.Allen. Attached envelope dates the message as 18/7/1966./-2 page handwritten letter to Ladies Guild from H.R and J.E Herod, 24/7/1966./-Handwritten letter to Gwen Thomas from D.Dickinson (Mrs D.Dickinson), 10/8/1966./-Invitation from the St Cuthbert's Church of England Ladies Guild, Menzies Creek to celebrate their birthday on 20/9/1966. Handwritten financial calculations on the back./-3 page handwritten letter (photocopied) from 'The Most Reverend D.J Penman' to the Ladies Guild. Attached is a note saying "Gwen, Please read this and get back to me if you need to. I will get it typed on Thursday, 24/11/1987'./-Handwritten letter from Majorie Cromie to 'Friends of All Saints Tye Memorial Church', 20/4/1996. With envelope attached./-Letter from The Mission of St.James and St.John, promoting donations for homeless children and families, 28/5/1996. Comes with envelope and donation card./-Undated handwritten note on the back of a Cadbury's advertisement./-Card of acceptance of an invitation signed by Emily Buckley, undated. (?)/-Handwritten note, dated 'March 26th', from Majorie Cromie to Mrs Pearce./-Card of two birds on branches, written to Gwen Thomas hoping to see Gwen at a special occasion on October 11th (year unknown)./-Card with purple flowers on the front cover, written to Gwen from Winnie Dea(?)./-Card of roses on the cover, written by Mrs Cromie as she accepts an invitation to the Selby Ladies Guild's 21st birthday./-Handwritten note, consisting of the address of Gwen Simpson./-Letter (typed and handwritten), to Gwen Thomas from Eva Blyth, inviting the president and members of the ladies guild to a group meeting with the Women's Fellowship of the Union Church, Belgrave./-Invitation card from Violet Allen to the Ladies Guild, for a party on 26th July (year unknown)./-Card with roses on it from Gwen Thomas to Majorie Cromie, July 20th (year unknown), thanking Gwen for a recent visit./-Handwritten note to Gwen (authors name hard to read), on Parish of Belgrave paper./-Handwritten letter to Gwen from L.E Herod, date unknown./-2 envelopes to Gwen Thomas. Both are empty but years unknown./-Card with illustration of Carlotta Tye Memorial Church to Susan, Marian and Peter, from 'Julie', November 4th 2009. -
Federation University Historical Collection
Programme, Hoskin Print, Programme for the unveiling of the Shakespeare Statue at Ballarat Civic Hall, 1960
The sculptor of the Shakespeare sculpture was Andor Meszaros of Kew, Melbourne. The unveiling was undertaken by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected. The "portrait statue" shows how people saw Shakespeare as he wanted to be seen; as author-actor bowing to the applause. His position implies modesty, the knowledge of his own worth; majesty. his movement is at once humble and royal. The statue was positioned so people approaching or leaving Ballarat Civic Hall will see the statue full face, and the bowing attitude enables them to continue to study the face even from a few feet distant. The base in in the form of an Elizabethan stage, and is designed so that its sides correspond to the existing angles of its position. The proposal to erect a Statue of Shakespeare in Ballarat stemmed from a movement in 1889, when a committee was formed and a meeting held to inaugurate the proposal. At the initial meeting 258 pounds was contributed to the fund, which was later built on by further donations. In 1935 the fund stood at 945 pounds. In 1939 a bequest of 100 pounds was received from the estate of the late Frank Gale. In October 1952, the Fidelity trustee Company Limited notified of an extract of the will of Harry Person Stevens, in which be bequeathed the sum of 2,000 pounds to the fund for the erection of a Statue of William Shakespeare. In 1957 it was felt the fund had accumulated to an amount sufficient to carry out the intentions of the fund. at that stage the money in hand was approximately 4,000 pounds.A small committee was appointed to further the proposal. In May 1959 a panel of adjudicators met to determine the winner of a limited competition amongst sculptors. The committee comprised Cr G.L. Scott, Cr K.C. Webb, Cr W.E. Roff, J.H. Heinz representing the Fidelity Trustee Company Limited, and R.P. Evans of the Ballarat Fine Art Gallery. Norma Redpath, the nominee of the Victorian Sculptors' Society was present in the capacity of an adviser. Four page leaflet printed for the City of Ballarat Ceremony of handing over, accepting and unveiling the Shakespeare State at the Ballarat Civic Hall. The Shakespeare sculpture is cast in bronze and sits on a Stawell stone base. stevens, fidelity trustee company, gale, ballarat civic hall, shakespeare, north, nicholson, stawell stone, andor meszaros, sculpture -
Federation University Art Collection
Ceramic, Robin Welch, Stoneware Bowl by Robin Welch, c1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection