A small booklet with a brown cover and a foreword section outlining the purpose of the publication. This copy has been covered in brown paper to protect the covered. The title has then been handwritten on the paper by the owner.fictionThis booklet was prepared by the executive committee of the Australian Federated Union of Locomotive Enginemen in order to assist its members to become proficient in the Rules and Regulations, Engine Working, Westinghouse Brake, and other subjects, which were essential for the proper performance of their daily duties, and to especially assist those who were preparing for examination for Driver's Certificate. It included a foreword written by W. C. H. COLLINS, General Secretary.vline safety, vline training, railways victoria, railway unions

The Great Spotted Woodpecker is found throughout Europe and Asia. They are generally solitary birds and do not migrate unless found in northern climates. They are omnivorous and can extend their tongue when feeding on insects, insect larvae, and seeds, among other things. They generally only stay with the same mating partner for one season and are extremely territorial. The Great Spotted Woodpecker generally has red eyes and a deep red lower belly. The males have a red nape, whereas the females do not. They have a white upper chest and white and black head, back, tail feathers, and wings. Juveniles are less vibrant in colour and their undertails and lower bellies are a dirty pink or brown. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Great Spotted Woodpecker specimen is a juvenile female. The undertail is a faint pink while the head and neck is black and white. The tail feathers and wings are a faded grey-brown and the underbelly is white. This specimen is standing on a wooden mount with a swing tag attached to its leg.Swing tag: 2e(?). / Great-Spotted Woodpecker / Catalogue page, 66 / Metal tag: 4304 / torn swing tag: (?)s ma(?)- / q. / Nord- Deu(?)- / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great spotted woodpecker, woodpecker

Henley Road at Watsons Creek Looking easterly along new alignment, 22 March 1961 C. Browns Excavator Contractor Wolf Cr PellingRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1961-03, bend of islands, cr. charis pelling, henley road, henley road bridge, kangaroo ground, oxley bridge, watsons creek, w.e. wolf, bridge construction, road construction

The window along with the plaque for Amy Brown were erected in 1976. The funds were raised in 1975 at the same time as the credence in memory of Alice (Micky Nicholls)Artisan's craftTony hallArched windows depicting a tug boat near a ship. In the foreground the Flying Angel flag with a reference to the BibleTHY WAY IS IN THE SEA AND THY PATH IS IN GREAT WATERS. Psalm 77:19st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, flying angel, tony hall, 1976, amy brown

This item is hand made possible by a mother for her daughters. It is hand and machine stitched. This style of aprons / pinafore is attached to the two brown dresses that are also in the collection. This item is very significant for the following reasons. Historic and social - it shows what little girls wore during the early 1900's of the Kiewa Valley. It also shows fashion of the times and how these styles of aprons were made. All which is valuable for research on these topics. There are only a few of these aprons in the collection of the KVSH, and therefore would be very rare. The condition is good enough to display, therefore it has good interpretive capacity.Girls apron or pinafore. White linen with crocheted lace around the edge which is continuous around the skirt, sleeve and neck. The shoulders flaps appears that they should be pinned to the dress beneath, and pinned together at the back of the waist. The apron is manual machine stitchedclothing, girls, children, pinafore, apron, kiewa-valley, alpine-shire

Weaving sample folder: three "18 SHAFT FANCY - MOCK LENO" patterns with 1 brown, 1 green and 1 blue checked cloth sample.18 SHAFT FANCY - MOCK LENO (ink)weaving textile industry textile design, weaving, textile industry, textile design

Weaving sample folder: "K. VERNIEUX" contains sheet detailing three patterns with 1 brown, 2 green and 1 blue patterned cloth sample.textile production weaving, textile production, weaving

This was the first house built in Gregory Street opposite Colpin Ave. The picture shows Lucinda & William Usebach with granddaughters Muriel (Giles) Edna Brown(Newman).gregory street, lucinda usebach, william usebach, building, gardens, persons, private dwelling, costume

Pictures taken of QBIC Industries staff, including Anne-Marie O'Connell, Jaina Unmoepa, Selwyn Brown, Les Gregory, Henry Chicowski and Wayne Suffolk.17 col. photographs and transparencies of QBIC Industries staff + various negatives at the back of the albumqbic industries, anne-marie o'connell, jaina unmoepa, selwyn brown, les gregory, henry chichowski, wayne suffolk

Item in the collection re Ron Bollard VX14150, refer Cat No 5919P.Soft cover book. Cover - cardboard, dark brown print on front and back on light brown background. Cover illustration dark brown sketch of a soldier in a trench (Sketch by Walter SEED). 40 pages - cut, plain, off white paper. Illustrated, sepia colour half portrait of "Signaller Tom Skeyhill".books, military history, ww1, anzac, songs

Ludmilla Meilerts, Oil On Board, Botanical Gardens, Circa 1970 Ludmilla Meilerts (1908 - 1997), Botanical Gardens, Melbourne, an impressive work painted with bold brushstrokes and a vivid colourful palette which typifies the artists work. ​ Born in Riga,Latvia in 1908 - After displaying an early talent for art she studied at The Latvian Academy Of Fine Arts graduating in 1940. Later that year she married Otto Meilerts, an Economist, and they moved to Stuttgart, Germany to avoid living under Soviet occupation and then emigrated to Australia in 1948 settling in Melbourne. She worked as a nurse's aid and in a clothing factory to fund the further development of her artistic career achieving considerable early success with her colourful work encompassing portraiture, florals and city and landscapes. She particularly like painting dockland scenes. She was a member of The Victorian Artists Society (VAS) and The Melbourne Society Of Woman Painters And Sculptors. ​ Major prizes include The Dunlop Prize in 1952, Gosford Art prize 1971, Camberwell 1973, VAS Purstitz Gold Medal 1982. She is represented in The State Galleries of Victoria, NSW, Tasmania and Western Australia as well as several regional Galleries.​ ​Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint)still life, female artists, women, women artists

The habitat of the Bassian Thrush includes leaf littered and canopied gullies and dense forests. It forages for food on the ground eating small invertebrates and nests in tree stumps and tree forks. Primarily found in Tasmania, South Australia and Queensland, there are three sub-species of thrush, Zoothera lunulata cuneate (Queensland), Zoothera lunulata halmaturina (South Australian and Western Bassian Thrushes) and Zoothera lunulata lunulata/Zoothera lunulata macrorhyncha (South East Australia, Queensland, Victoria and Tasmania). Because this bird is a ground foraging species, the main threat to the Bassian Thrush is the ground clearing of its habitat, and unfortunately, the South Australian Zoothera lunulata halmaturina sub-species is considered vulnerable because of the bush fires that have eliminated much of its habitat, especially on Kangaroo Island. While the overall structure of this particular representation of a Bassian Thrush is relatively accurate, some of the smaller details are lacking. The eyes within this particular specimen are not accurate. Instead of solid black eyes, this specimen has golden/yellow eyes with black pupils. Another inaccuracy is some inappropriate intrusions coming from the beak (most noticeable in the left and right close up images). From the photographs, it is unclear if this is a representative/presentation choice or a condition problem caused overtime. Unfortunately, several aging problems have also occurred over time, with the bird’s feathers fading (Bassian Thrushes have distinct dark brown and black and white scalloped plumage) and the beak which was probably once dark grey has faded to the under colour, a yellowy cream. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Bassian Thrush has white and black scalloped plumage on its underbelly with caramel, soft brown and black tipped scalloped plumage on its back. This soft brown continues onto the bird’s head and neck. The thrush has a white rim around the glass black eyes. When seen in flight, there is also a noticeable wide band across the underside of the wings which is not visible on this specimen due to its particular stance.Swing tag appears to read: ‘46a [the a is superscripted] / Mountain Thrush. / See Catalogue, Page 16. / The number in the top centre of the wooden perch reads '63'taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bassian thrush, zoothera lunulata, white's thrush, ground thrush, scaly thrush

Black and white photograph - Grade 1A,1960"Attached to photograph" Back Row- L to R: Steven Brown, ?, ?, ?, ?, ?, ?, ?, Neville Barnes, Stewart Brown, ?. 2nd Row- L to R: ?, Denise James, ?, Rhonda Catt, ?, ?, ?, ?, ?, ?, ?. 3rd Row- L to R: ?, ?, ?, ?, ?, ?, ?, ?, Margaret Findlay, Lynda Green,, ?, Greg Shallenburger. Front Row- L to R: ?, Malcolm Jones, ?, ?, ?, Greg Hume, ?, ?, ?, ?, ?, ?. Teacher:

Identified by Mrs Surman as the Linton football team in about 1900. Mrs Surman also identified names of players, which are inscribed on the back of the photograph. Guernseys were apparently hand-knitted at this time, mostly by the players' mothers. They were all in team colours, blue and white, but had different patterns. (This information given by Mrs Stella Surman in a 1991 interview. Interview recorded on CD - see Registration no. 2019-212.)Original sepia photograph of a group of men wearing football guernseys. Guernseys have different patterns (mostly variations on vertical stripes) and most are laced at the front."Jack Brown / about 1900 / L to R / H Roberts, R Nicol, Ben Cornish, Catton, Jack Hogan, Pearly Power, J Mitchell, H Catton /Jim Hogan, A Nicol, P Crane, B Angus, W McMillan, Tony Cunningham / Mick Cunningham, -?- , Whitecross, Jack Cunningham, J Brown".linton football club, jack brown, h. roberts, r. nicol, a. nicol, ben cornish, h. catton, jack hogan, jim hogan, "pearey" power, j. mitchell, p. crane (craine), b. angus, w. mcmillan, tony cunningham, mick cunningham, jack cunningham, whitecross

Bendigo Advertiser "The way we were" from Wednesday, May 19, 2004. Bygone days: the once all male crew of the Advertiser in the early 1950s. Back row from left: Jack Clark, Stan Price, Ted Carruthers, Ron Thompson, Vin Lapsley, Unknown, Unknown, Len McKerlie, Laurie O'Brien, Bert Irving, Fred Coombs, CFA representative. Front row: editor Cyril Michelson, Kevin Lynch, Roly Trevorah, Bill Dalton, Ray Pratt, Joe Grenfell, Bill Boxshall.newspaper, bendigo advertiser, the way we were

This is a book given to Clive Cust in 1926 as a prize from the Dennington Presbyterian Sabbath School. The Dennington Presbyterian Church opened in Drummond Street in 1914, moved to Lindsay Street in 1951 and closed in 1968. A Sunday School at this church would have been operating during this time. The Cust families were pioneer settlers in the Warrnambool district. A Clive Cyril Cust was born to Alex and Annie Cust in 1914 in Warrnambool and it is presumed that he was the owner of this book. This is an interesting book as it is one of the few items we have connected to the Dennington Presbyterian Church. It is also of interest as a good example of the type of reading material favoured by young boys in the 1920s.This is a hard cover book of 196 pages. The cover is dark green with gold lettering on the front cover and on the spine and a colour sketch of a hunter and a lion on the front cover and a colour sketch of a fireman on the spine. There are several colour and black and white plates throughout the book. There are several pages at the back of the book of lists of books available from the Religious Tract Society, London. The inscription on the first page is handwritten in black ink. The cover is slightly marked and faded.‘Dennington, Presbyterian Sabbath School, Prize awarded to Clive Cust, Jan. 1926’ clive cust, dennington presbyterian church, history of warrnambool

The ribbons belonged to Cyril Joseph Bryne No 143120 RAAF, enlisted 6.7.1943 age 20 years, discharged 18.2.1946 with the rank of LAD in 1 Aircraft Performance Unit. His records show that his Northern Australian and overseas service covered Townsville, Goodenough, Kiriwina, Noemfoor, Morotai, Tarakan and Morotai again between the dates 27.9.1943 - 5.9.1945. This item is part of a group of 3 items related to the Byrne Family, refer Cat No 9903.2Ribbon set mounted on a metal plate with pin attached. Ribbons are ; 1939 - 45 Star. Pacific Star.nilribbons, ww2

Victorian Railways uniform jacket in navy blue woollen cloth. It has straight sleeves, a standing collar with brown piping and rounded fronts. There are two set- in pockets on the fronts and a breast pocket in the right front lining. The body is lined with a glazed black twill and the sleeves with cream cotton with a longitudinal brown pinstripe. The three pockets are lined with heavy tan twill. There are five metal buttons embossed with a crown and "VR". There is a black cotton tape loop inside the collar.In the breast pocket, in purple ink the initials "GL" or "GI". In the right sleeve lining, an unreadable stamp in purple ink. In the left sleeve lining, pencilled "XB 338" or "X13 338". Behind the buttons is engraved " Superior Quality - Silver Plated".costume, male uniform, civilian, george evans collection

This brown glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe. A piece of soft glass would be added to the mouth, then the double collar would be formed. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, rough surface, uneven colour. Crude, applied mouth with double collar; wide straight upper, ring lower. Slightly bulbous neck. Shoulder seam. Body tapers inward towards base and has smooth ripples. Shallow base with wide heel. No obvious pontil mark. Sediment inside bottle. Glass is scratched in places. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle

Victorian egg board (VEB) official opening - Thursday 2 August 1979 Three cards a official invitation to opening - white card with brown printing b VEB official Oening response card - yellow card with brown printing c VEB official opening Directional Map - yellow card with brown printing

This is a passenger ticket for the Screw Steamship "Otway".It was built in 1872 at Glasgow for the Warrnambool Steam Packet Company. She traded to and from the Western Ports until 1878.when she was sold for the Melbourne West Australian trade. She was broken up at Sydney in 1924. The Warrnambool Steam Packet Company commenced in 1868 and operated on the Western Ports run using the ships "Edina", "Rob Roy", "Otway", " Nelson" and "Julia Percy".In 1878 it became the Western Steam Navigation Company which operated until 1896. There is no information available on the passenger James Gilligan This item which may come from the old Warrnambool Museum is of considerable interest as a rare memento of steam travel to and from the Western Ports in the 19th century. Warrnambool was an important port at that time and this item is part of our marine history. This is a receipt for a passenger's ticket to travel to Belfast ( Port Fairy) on the Screw Steamship "Otway" in 1875. It is pasted on a brown background and enclosed in a glass covered brown wooden frame.There is string at the back for hanging the item. The Warrnambool Steam Navigation Company Limited Received from Jas Gilligan Ten Shillings for a steerage passage to Belfast 1875ship "otway", warrnambool, warrnambool steam navigation company

Brown wooden frame with glass front & cardboard backing. Sepia photo of soldier in uniform - jacket, peaked cap, seated with arms folded. Photo on white background with tan / brown striped border. In black texta on back: “Stan Philps ? Ron Phelps?” Handwritten on bottom RHS: “Swiss? Melbourne”photographs, framed

People in ancient civilisations smoked pipes during various healing and religious ceremonies. By the end of the 15th century, after tobacco was discovered in America, smoking had become a common pastime for everyday people. From that time, tobacco pipes were fashioned from many materials ranging from gold and silver to corn cobs and clay. A popular material was meerschaum, an expensive, soft, white stone from Turkey. In the 1820s, French craftsmen carved pipes out of the wood from the growth on the root of a Mediterranean White Heath. This material became increasingly popular due to its durable, heat-resistant qualities. The growth was called ‘bruyere’, now anglicised to ‘briar’ wood. Bakelite was the first plastic made from synthetic components. It was developed by Leo Baekeland of New York in 1907. The material was heat-resistant and could be moulded into any shape and hardened to keep its shape. This invention greatly impacted the industrial world and the products available to the domestic market, making more objects available at reduced cost.This smoker's tobacco pipe symbolises one of the leisure activities of the early 20th century that has continued into modern times. The shape and materials of the pipe represent a point in time in the evolution of tobacco pipes, including the revolutionary impact that the 1900s invention of Bakelite had on objects available in the domestic and industrial markets.Smoker's tobacco pipe; a round brown wooden pipe bowl joined to a dark brown mouthpiece. The French pipe's bowl is made from briar wood, and its mouthpiece is Bakelite. There is an inscription on the pipe."French Briar Pipe"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, smoker's pipe, tobacco pipe, briar wood pipe, wooden pipe, smoking, french pipe, bakelite, smoker's equipment

J T Brown General Broker 9 Queen St Melbourne notepaper dated 14th Dec 1891 re dividend on 100 shares to be given to bearer signed J T brown.bendigo, industry, cohn bros brewery

Written history of the township of Kyabram, covering squatters, the reform movement, churches, hospitals etc.Red hard cover. Cover design by Anne Bossence. Dust jacket green, white and brown. Title and author in black print. Drawing of a water wheel in green and brown. Back cover whitebossence w, kyabram, kyabram reform movement, kyabram churches, kyabram hospitals, kyabram squatters

Ladies "Two Piece Gown with Bustle & Parasol . Green in colour.. Skirt has Bustle with a bow falling from the waistline. Skirt is lined with brown material and has brown trim around the hemline.stawell clothing material