A souvenir of Egypt brought back by an unknown person at the end of World War 1. It contains a central image of the Sphinx, the Great Pyramids and man seated on camel. There are flags and images of military leaders. The date is unknown but assumed to be from the first World War period. Flags around the central image are from countries allied in World War One, clockwise from bottom left: flag of Belgium ; the Sultanate of Egypt (red flag used 1914-1918) ; French flag ; a form of the UK flag with King George V ; Russian flag and image of Tsar Nicholas II in top right ; Italian flag ; and the Serbian flag in bottom right. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.A record of a type of souvenir from Egypt at the end of World War 1. Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Square printed cloth (possibly silk) with lace outer edge, possibly added later. Printed section contains central image of Egyptian Sphinx, pyramids and man seated on camel (facing left). Surrounding main picture is a series of portraits of leaders of countries with national flag.Souvenir of Egyptsouvenir, world war one, egypt

Agfa plastic mount (blue base, white cover) with a photo of Bendigo 5 passing through the Bridge St Loop. Tram has the destination of Golden Square, a Cohns Soft drink ad on the dash panel and a "R.J. Conroy" roof advertisement. Photo taken c1962."BES 31" in penciltramways, trams, bendigo, north bendigo, bridge st, tram 5

Agfa plastic mount (blue base, white cover) with a photo of Bendigo No. 19 and the Scrubber tramcar at Golden Square terminus, with the terminus milk bar in the background. Photo taken late 1960's early 1970's. No. 19 has two SEC roof advertisements."BES 36" in penciltramways, trams, bendigo, golden square, scrubber tram, scrubber, tram 19

Colour photograph: single storey hotel, white painted façade, brown trim. Foundry Arms Hotel, situated on corner of Old High Street and Shamrock Streets, Golden Square. Arched windows, flat roofed extension at rear of hotel. Potentially early 1980's?bendigo, hotel, foundry hotel, golden square

Recorder players and street float photos laminated upon pink cardboard. Top, [a] Recorder players in concert with handwritten caption, School Recorder Players, Miss Hufer. [b] School street float partially captioned, 'White Christmas' Golden Square Mother's Club. No Dates.bendigo, institutions, golden square primary school

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.With the black lace evening dress (2917.0093.1) there is also a matching lace square with long lace ties (2017.0093.2) that might have been used as a mantilla or as a shawl. The outfit was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, shawls, lace, doris bennet (nee willmott)

This photograph is a visual record of Mrs. Major, then Miss Beatrice Williams was appointed Matron of the District Nursing Division of the Melbourne District Nursing Society (MDNS) After Care Home in April 1929 until 1933 when she resigned to marry Mr. J.P. Major. Following her marriage she was invited to become a member of the Society's Committee. In 1957 she was the first President of the Melbourne District Nursing Service.Mrs. Major, then Miss Beatrice Williams worked as a Sister with the Melbourne District Nursing Society in the early 1920s, before sailing tor England where she studied Midwifery and Community nursing. On her return her leadership qualities were recognized and she was appointed Matron of the District Nursing Division of the Melbourne District Nursing Society After-Care Home in April 1929, being considered 'capable, sympathetic, a good organizer and administrator and with understanding of the problems of the under-privileged, the aged and the sick'.. She was instrumental in convincing the Committee of Management of the need for an Ante-Natal Clinic which then opened at the After-Care Home in September 1930. Matron Williams tendered her resignation in 1933 as she was to marry Mr. J.P. Major. Following her marriage she was invited to become a member of the Society's Committee, and at the time of the dissolution of the Society and After-Care in 1957, was the first President of the now Melbourne District Nursing Service, a role she held until her death on 15th of February 1958.Black and white photograph of the head and shoulder view of Mrs. J.P. Major, nee Beatrice Mary Williams, who has short dark hair curled at the ends. She is wearing a light coloured floral frock with a square neckline.. She is sitting in front of a closed curtain.melbourne district nursing society, melbourne district nursing service, mdns, after-care home, rdns, royal district nursing service, matron, beatrice mary williams, mrs j.p. major

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

Negative Nos. N393 and N394 and black and white print made by a laser printer (stored in folder) of Bendigo tram No. 6 at Golden Square terminus. Tram has the destination of Golden Square. Has the Golden Square hotel in the background and an Age advertisement on the dash panel. Note the large overhead pan at the terminus. .1 - tram has arrived and the driver/conductor has place the pole on the overhead after turning the pole. .2 - Driver/conductor standing by front of tram. Date of photo on folder - 26/9/1962?? or 1 Jan 1963. A date on the front of the folder of 1/12/1959 is too early - tram has been painted with tiger stripes and fitted with dash canopy lighting. Same date on Ballarat folders as well - see negative number N392 etc. Crew member wearing a great coat - unusual for Bendigo on a new years day. Photo early 1960's. Original negative rescanned 24/5/2020 and image file updated.BE1 - Paper folder that contained the negative had "NR15A" in red ink, "BE1" in pencil, date stamp of "1 DEC 1959" on front and on inside date stamps "26 Sep 1962" and "26 Sep 1962". BE2 - Paper folder that contained the negative had "NR104A" in red ink, "BE2" in pencil, date stamp of "1 Jan 1963" on front and on inside date stamps "26 Sep 1962". trams, tramways, bendigo, golden square, crews, tram 6

4 Newspaper items, one headed 'Bendigo South' To Celebrate 150 years of Methodism in Golden Square held at Golden Square Uniting Church at 11am on Saturday June 23; re-enactment by Jim Evans of the first sermon by Jimmy Jeffrey, the Bendigo Chorale , the Bendigo Theatre Company, Bendigo Senior Secondary College Ensemble. Followed by an afternoon tea in the hall. The Reverend Peter Hoare will lead the worship service at Anne Caudle Centre at 2pm tomorrow assisted by members of the Kangaroo Flat congregation; another headed 'Uniting' a special dedication and musical afternoon will be held at Golden Square Church on Sunday October 12 at 2.30pm when further brick pavers inscribed with past worshippers names will be added to the Memorial Entry. Since the creation of this memorial at last years 150th anniversary several requests have been received for further pavers to be. Anyone wishing to include a memorial paver should contact Glenys on 5443 9451 or Barbara on 5443 6323. Sunday Worship at Kangaroo Flat at 9.30am Golden Square at 11am will be led by the Reverend Peter Hoare and will include Holy Communion. Lockwood worship at 10.30 am and will be led by Marilyn Hocking. Cluster Worship at Kangaroo Flat at 6.30 pm will be preceded by a shared tea at 5.30 pm. Kangaroo Flat Evening Fellowship will meet at St Laurence Court at 2 pm on Wednesday to entertain the residents and provide afternoon tea.celebration of 150 years of methodism in golden square; golden square uniting church, laurel & panton sts; david wright, glenys newton and barbara mamouney; jim evans; jimmy jeffrey; bendigo chorale; bendigo theatre company; and bendigo senior secondary college; reverend peter hoare anne caudle centre; kangaroo flat congregation; glenys 5443 9541; barbara 5443

The photograph was taken after Coles Supermarket and Sunbury Shopping Square were constructed on the railway land on the east side of the line in 1989, but before the Safeway-Woolworths complex was built in 2000 on the west side of the railway line. The open land on the west side of the line was used by rail communters as a car park.A coloured photograph showing part of the T intersection at Cornish and Horne Streets. A large pine tree is growing at the corner immediately in front of a pedestrian crossing. The railway car park, metal water tower and Coles Supermarket are in the background. A boy is walking along the footpath.cornish street, horne street, water towers, coles supermarket, sunbury railway station, george evans collection

Description by Elders Real Estate: A Beautiful Studio Residence: The Barn at Kinloch Gardens Eltham's prestigious Private Country Estate A special part of Eltham's heritage. Beautifully situated on grounds of 1750 square metres with panoramic views, this dramatic building on three levels is converted to a ? office residence from the original farm house of the Kinloch Estate. The main level, 21 metres in length, is a soaring galleried space of 17 squares of flexible living and working areas, extensive storage spaces and private courtyard. Centrally located within Kinloch's landscaped grounds. The Barn is a romantic focal point of a unique enclave of ten contemporary house designed by Graeme Gunn and Ian Jelbart, the cultural mix of old and new confirms the value and reputation of this exclusive private estate. Digital file only; created from scan undertaken by EDHS of item on loanarthur street, elders real estate, eltham, houses, jelbart property, kinloch gardens, real estate agent, the barn, woodridge estate

Stawell Post Office on corner of Wimmera and Main Streets. Erected 1875. Telegraph pole and streetlamp in foreground. Akins store visible at right of photo. The building has 3 arched doors & 6 arched windows on the ground floor and 8 square windows on the top story. Two chimneys on the roof and a wrought iron square fence on the roof. The outside of the building has not changed while the interior has been remodelled several times. The early Postmasters and their families lived upstairs. The main room originally included the Telegraph office where operators worked at machines, sending and receiving Morse code messages. Later alterations were made for a telephone switchboard room downstairs, with trunk line equipment upstairs. In 1965 the telephone system was converted to automatic.Black & white photo of a two story building on the corner of Wimmera & Main St. The building the Stawell Post and Telegraph Office. Out the front of the Post office is a telegraph pole and a light post. Next door in Main St is a single story building with a sign over the building Argus Australasian, underneath Akins, Age/Leader possible a newsagent. stawell

After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal when the idea of the St Kilda Road site, which was favoured early on, was overturned and in 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)White A4 paper with black type written as a circular to Legacy members to outline Legacy's impact in the building the Shrine.memorial, shrine of remembrance

These night gowns were knitted by Mrs Whiteman for Marjorie and were probably worn when she had bronchitis. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made all of Marjorie’s clothes, hats and outfits. This item is an example of a handcrafted item and reflects the handcraft skills of women needed in the first half of the 20th century.Two hand-knitted pink woollen night gowns. They have square necks, no sleeves and a lace pattern on the bodice and hem. Both are waisted. They have been knitted but are different size from the same pattern. 2483.11 is smaller and possibly older as it appears to have had more washes.handcraft knitting sleepwear nightgowns burton-marjorie

This was used as a dummy propeller when test running aircraft engines.This is a heavy wooden propeller for an aircraft. It is painted blue with birch tips. It has a large centre hole of 8 cm diameter. It has 8 bolt holes of 18 mm diameter. The propeller tips are squared (ie not tapered). One side of the blades have an aeronautical curved form.aircraft maintenance, propeller

Made by Commonwealth of Australia (Commonwealth Acoustic laboratories) to address the problem of providing hearing aids to ex-service men with impaired hearing due to war related events. They were issued by the then Repatriation Department a cheaper alternative to imported more expensive but lower quality units. The were also used for the large number of children who had impaired hearing due to the Rubella epidemic in Australia during WWII. http://www.acoustics.asn.au/journal/2000/2000_28_3_Upfold_Piesse.pdfIssued to Henry Claude Roussac a veteran of both WWI and WWIISteel square case with a white plastic thumb wheel with volume marks on the side and two holes for the insertion of the earpiece plug, front contains a small (10mm x 5mm) microphone covered by a wire grill.There is a small retaining clip on each side to clip the unit into a shirt pocketC of A CALAID D11849calaid, hearing aid, australian acoustic laboratories, roussac, gallipoli, repatriation department, cal

Corp H.A.Donovan appears to be Herbert Allen Donovan No 448 A Coy 38th Bn, enlisted 31.3.1916 age 21 years, embark for England 20.6.1916, embark for France 22.11.1916, hospital 23.11.1916 with Mumps, rejoin unit 26.1.1917, WIA remaining on duty 7/9.6 1917, WIA 19.6.1917 SW left leg, rejoin unit 27.10.1917, made Cpl, WIA 3rd occasion 29.9.1918 GSW Face, while in England transfers to HQ’s London 28.12.1918, RTA 15.11.1919, discharged from the AIF 4.5.1920..Cigarette case metal near square shape with folding lid, front has been inscribed to make a total of 7 lines in all, rear has very ornate inscribed letters making difficult to work out, inside is a very gold colour with several manufacturers marks on.On front, “Presented to Corp H.A.Donovan from F.K.Shultze for his services in the Great War 1914 - 18, A token of affection from England”. On inside imprinted very small/hard to read, “2079 4”. Inside small shield shape “WN Ltd” then 3 small symbols appearing to be an “anchor, lion, t”containers, cigarettes, 38th bn, a coy

Collection of ARTHUR CYRIL EBDON See also: 2605.2, 2606, 2607, 2608.3.1) Brass cup with handle (flattened brass) made from shell case. .2) Brass paper knife made from ammunition (rifle) blade flattened brass. .3) Brass frame (photo/picture) made from ammunition (rifle) & flattened brass, square shape..1) Stamped on base: “St / GFSP 289 / DE2 1916 / ?”metal craft- brassware, handcrafts - trench art, military history - souvenirs, passchendaele barracks trust

Wooden double wash trough on wooden legs. Wooden splash back 8 cm wide. the left hand trough is stained blue. The square wooden legs are braced on either side at floor level. At each side of the trough, there are two iron rods to hold the wood in shape.uebergang, allansford, laundering, troughs

This butter box belonged to Jack Gore of Warrnambool who used it in his garage to store car parts. It is connected to Warrnambool Cheese and Butter Factory Company Limited through the box manufacturer, Peter John McGennan, who was one of the instigators of the factory. Cobden and Warrnambool factories were the first two co-operative factories to produce butter in Victoria, both commencing in 1888. Warrnambool Cheese and Butter Factory Company Ltd is the only remaining independent butter factory still using its original name. It is an example of the manner in which butter was packed for export from the late 19th century until well into the 20th century. Its innovative design is light but strong, using plywood for the box body and struts 'stitched' to the body with wire. The ply was originally pine imported from New Zealand which did not taint the butter. Following the exclusion of the timber from NZ, plantations of local pine were planted and used. McGennan's box factory supplied butter boxes to the majority of butter factories in Victoria, producing up to half a million boxes per year by 1917.This Cobden butter box is historically significant relating to the butter industry and a rare item. Not many of these exist. Wooden butter box with broken ends and a hole in the bottom.Constructed using thin ply ends, sides and base with square wooden struts tied with wire to strengthen the box. The trade mark on the end of the box is an oval with text around a map of Australia with the word AUSTRALIA printing across the map.COBDEN/PURE CREAMERY BUTTER/56lb Net/VICTORIA/REGD No.528butter, dairying, dairy manufacturing industry, butter boxes, cobden

A book titled 'The Life of Socrates. The Great Grecian Philosopher. London : Ward, Lock & Co., Salisbury Square, E.C. 657-672 pgs. This booklet is one of a series of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. There are also advertisements of note.books, biography, socrates, lydia chancellor, collection, socrates, the life of socrates, person, male, individual, philosophy, philosopher, famous people, greeks, ward & lock's penny biographies, biographies, ward & lock's penny books for the people, penny books, advertisements, biograpahical series

Cheese platter and cover made of China. (previously #91a,b from Mechanics Institute Eaglehawk ) Rectangular shape with fluted edges, decorated with pink and floral painting, approx. 20 x 27 x 15cm. Top slopes left to right with square shaped, dipped handle.cottage, miners

Letters (2 ) from Golden Square Primary School 1189 to the following politicians requesting their presence at the opening of the 125th. Anniversary celebrations. To a, Mr. Bob Cameron, member for Bendigo West., and to b. Mr. Jeff Kennett, Premier of Victoria. Letters signed by Mr. Ron Payne, Principal.bendigo, education, golden square primary school

Black and white photograph of the A Team, Nov 2nd 1970 A Team Netball from the Golden Square Primary School. The seven girls are photographed under a tree. Their names are: Alison Miller, Jean Hargreaves, Robyn Lewis, Sandra Whitlock, Janet Alcock, Elizabeth Hangar and Karen Richter.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph netball team, alison miller, jean hargreaves, robyn lewis, sandra whitlock, janet alcock, elizabeth hangar, karen richter

Alphabetical list of names of pupils enrolled at Golden Square Primary School, Laurel Street Primary School. Names are listed roughly in alphabetical order, but not strictly so. The list gives the child's birth date in order of month, date and year. The list was used for the 125th anniversary of the School.bendigo, education, golden square primary school, golden square primary school, enrolment, pupil