Norma Anguey trained as a home missionary. She was accepted as a candidate for the new order of Methodist Deaconesses in 1943.B & W gloss head and shoulders studio portrait of Norma Anguey.norma anguey, home missionary sister, methodist, deaconess

A black and white photocopy of the 5th grade class of 1942 at St. Mary's Catholic School.st mary's catholic school, our lady of mt carmel, education, sisters of st joseph, schools, sunbury, 1942, hayes, peter, elliott, jack, callaghan, vincent, payne, tommy, moore, john, donnelly, brian, mccormack, anderson, frank, dillon, deverall, barry, davies, margaret, nolan, kathleen, brookes, joan, millett, eileen, morrison, mary, mercovich, hall, patricia, st mary's catholic church, churches, george evans collection

Hard Copy

L-R: Back - Sr ?, Sr Jean Harris, Sr ?, Sr ?, L-R: Front - Sr ?, Sr Betty Longdenharris, longden, sisters, ballarat, hospital

L-R: Sr Mavis Orr, Sr Sheila Prendergast, Sr Margaret Yingorr, prendergast, ying, sisters, ballarat, hospital

L-R: Sr Sheila Prendergast (Prendy) & Sr Therese Prunty (Prunty)prendergast, prendy, prunty, sisters, ballarat hospital

L-R: Sr Margaret Ying, Sr Sheila Prendergast, Sr ?ying, prendergast, sisters, ballarat, hospital

L-R: Srs McGrath, Sheila Prendergast, Elsa Wilkie, ?, ?, ?mcgrath, prendergast, wilkie, sisters, midwifery, ballarat, hospital

Framed Photo1901, group, mrs, eagleton, matron, nurses, sisters, mr

Photo

Photo1922, drs, nurses, sisters, bbh

Photo1959, finalists, dinner, 1962, beverley, matron, langham, sr, porter, tutor

Sr Bradby & Sr Orr, 1940s, Ballarat & District Hospitalbradby, orr, sisters, prendergast, 1940s, ballarat, hospital

The play was adapted by Aubrey Mellor and directed by Bruce Myles.Paper program; coloured coverthree sisters, athenaeum theatre, program, melbourne theatre company, anton chekhov

The Wiener Werkstätte (Viennese workshops) established by Josef Hoffman and Kolomon Moser in 1903 are today celebrated for their work in promoting the involvement of artists, designers and craftspeople in the manufacture of home furnishings; however Sigmund Járay’s firm was also an important, although today lesser-known, Viennese manufacturer of Kunstmöbel (art furniture). An Austro-Hungarian designer of Jewish descent, Sigmund Járay (1838-1908) established his Kunstmöbelfabrik (art furniture factory) in Vienna in the 1870s in partnership with his brother Sándro Járay (1845-1916), a sculptor. The firm with its team of cabinet makers, modellers, sculptors, upholsterers, painters and gilders, manufactured bespoke furnishings and decorated interiors for public and private clients, including the Imperial court. Such was the prominence of the work of this factory, that in 1899 one of the first purchases of the newly formed Austrian Museum of Applied art was a suite of furniture designed by Sigmund Járay for a married worker. In commissioning the furniture, Slawa was adopting the custom of Viennese couples to furnish their homes with bespoke furniture from the interior design firms that flourished in early 20th century in Vienna. Comparative material is held in the National Gallery of Victoria collection; a suite of furniture by Josef Hoffman commissioned by the Gallia family in 1912; and a suite of furniture by Adolf Loos commissioned by the Langer family in 1903. Ann Carew 2016The bedroom suite is aesthetically significant for the quality of its craftsmanship and design. It is a significant example of domestic interior design in Vienna during the 1930s. The bedroom suite is intact, and has been preserved in its entirety – double bed and side tables, wardrobe and linen press, stool and day bed. It has the potential to be displayed in situ in the place where it was last in use. It is of historical significance. Many Jewish families had all their possessions lost or destroyed during the war years. The story of the furniture’s journey from Austria to Australia is relevant to the study of the experience of émigré families during the Holocaust, and the importance of return of their property. It is rare, as it and the furniture in the living and dining room, are the only known examples in Australia of furniture manufactured by the firm of Sigmund Jàray. The provenance of the furniture is excellent, and is demonstrated by photographs taken in Vienna; correspondence with the donor’s sister, Rella; and the quotation from Sigmund Járay Kunstmöbelfabrik. It is in excellent condition. Ann Carew 2016Bedroom suite consisting of a double bed, two side tables, an upholstered stool and upholstered day bed, and a wardrobe and linen press. Made of Maple and Rosewood. Designed by the firm of Sigmund Jaray with Slawa Horowitz-Duldig.

1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017

Similar to Earlier photo 0022-35Colour photograph with predominantly Blue Grafittitourism

This key was to the Sacred Heart Convent gates which were originally located off Skene Street. At the time, Skene Street was considered the main entrance to Geelong from the West. The Convent entrance was built to face this major though fare. The gates were later moved to an entrance at the southern end of Retreat Road. The original key to the Sacred Heart Convent. Metal key, rusted and worn.sacred heart convent, newtown, geelong, sisters of mercy, convent, orphanage, key, 1870s, sacred heart, shc

Miss Amy M Davies Boona Private Hospitalstawell health

Colour Photograph Description on backtourism

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Western Highway education, tourism

tourism

Edo Period Coloured woodblock printactor, sister