Softcover Book, 442 Pages, Apps 1-9, Bibliography and Index, by Paul W Simpson. Front cover depicts the vessel in question in rough seas (oil painting), wide blue horizontal bands above and below the picture. Back covers is portion of a period photograph of the Loch Soy.non-fiction“The Loch Soy was built for Aitken, Liburn & Co of Glasgow. She sailed between Britain and Australia for more than twenty years. In that time she established a reputation as a crack wool clipper. … The clipper lasted twenty one years before coming to grief on the jagged shore of Kangaroo Island during the predawn hours of April 24th 1899 ...”--Back cover. Contains biographical information. Includes bibliographical references (pages 407-420) and index.clipper, loch, jammer, shipwreck, simpson, kangaroo island, loch sloy ship, wool, transportation

Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

Foreword by Admiral Lionel Lockwood.non-fictionkeith oliver, donation, commodore dacre smyth, commodore dacre smyth (1923-2008)

The Beagle Press, 1999.. Lge. 4to; pp. 128; frontispiece, 50 plates, bibliography; stiff illustrated wrapper, a fine copy. With contributions by Roger Butler, Anita Callaway, Jeanette Hoorn, Jacqueline Macnaughtan, Richard Neville, Juliet Peers, Kay Vernon and Liz Ward.non-fictionCatalogue of artworks by Australian female painter, Violet Teague.violet teague, windjammers, jane clark, felicity druce, artist, female artist, c.b. pedersen, carnarvon

164 pages, softcover with colour illustrations.non-fictionThe first comprehensive study of the life and work of Ray Honisett [1931-2019], one of the most significant illustrators of his generation and the doyen of Australian aviation art.ray honisett, gavin fry

This window, in memory of Alfred Gurney Goldsmith, was unveiled on 9 February 1927 by Archdeacon Hayman along with the brass tablet in the Mission's hall. (AR 1927). It was created by George H. Dancey from Brooks, Robinson & Co, at a cost of £57. Arched windowsaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, reverend alfred gurney goldsmith, kobe, william holman hunt, the light of the world, george dancey (1865-1922)

"Asylum seekers in great desperation."This artwork was an entry for the Maritime Art Prize 2019. David Rowe, editorial Ccrtoonist of The Australian Financial Review, has won the Art Prize in 2010.Marine artOil on canvas depicting asylum seekers in great desperation as they are helping two men in the water to get on board.mission to seafarers victoria, artwork, mission to seafarers, seamen's mission, flinders street, artwork-paintings, maritime art prize, sea, ship, 2019, migrants, migration, diaspora, asylum, desperation, sinking, david rowe, cartoonist

The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will come in to him, and will sup with him, and he with Me".Pre-RaphaeliteFramed colour reproduction of the Light of the World.jesus, william holman hunt (1827-1910), pre-raphaelite, allegory, reverend alfred gurney goldsmith

I was born in Guildford W.A. on 12 November 1940 and at an early age took an interest in painting. Over the years (between lapses) I have completed several hundred pieces of work including pencil and crayon sketches, lino cuts, oil colours - and water colours which have been my main focus. As painting has always been a hobby I’ve never bothered with selling my work through an art gallery - but have donated a good deal of work to fundraisers and charity auctions with some paintings attracting large prices, I’ve also sold quite a number (some years ago) via Joels Auctions before they went up-market, others have gone to friends and family. My pleasure has been in completing painting, I’ve never bothered about recovering costs (including framing) but happy when people take an interest in my work - and I know pictures have gone to a happy home – additional pleasure comes when people remind me they love the painting, sometimes I’ve forgotten what they have and other occasions have been able to see them in their homes and loved they way they have fitted-in. Regarding the little painting of the Bicentennial sailing ships – I did it as a quick sketch at the time (1988) when the ships departed Melbourne sailing down Port Phillip Bay - with the view to doing a larger painting which never eventuated and it has remained in my possession until recently when I decided to dispose of my remaining work/s as I have to move and ‘down-size’. As you will appreciate it is a very simple sketch but it captures a notable moment in time and would be very happy if the MTS could find a place for it in their collection. As it happens I spent 9 years in the Royal Australian Navy and feel a close connection to seafarers and would be honoured that you might wish to include the picture in your collection. Marine art, Maritime artKimberley Dunstan, Mission to Seafarers CollectionSmall rectangular oil painting (landscape format) depicting sailing shipsSigntaure of the artist bottom left corner: KHD At the back in black ink: 1988 / Kim Dunstan / Port Phillip Bay / Bicentennial Fleet Departure / From End Of Martin St Brightonbicentennial, 1988, fleet, kim dunstan, kimberley dunstan

Details contents of museum and describes the various types of carriages, tools and harnessesHistory of the manufacturing and maintenance of carriages12 page souvenir booklet, coloured front page, illustrated with a reproduction of an S.T Gill painting, black and white interiorcarriages, beechworth, beechworth carriage and harness museum, harness, buggy tools

296 p. : ill., ports A hard cover book with a dust cover and a plastic clear cover over that. On the dust cover front and back there is a picture of a man and a woman ( early settlers) out in the bush.On the back cover the woman is holding a baby. The inside covers front and back show an old photo of a man leaning on a gate talking to a woman in the front garden of a house. non-fictionTraces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment. australia, pioneer, women, history, pastoral, goldfields.

The Imperial Camel Corps was a camel mounted infantry brigade raised by the British Empire in December 1916 during WW1.This is a print of the painting by H Septimus Power of the Camel Corps at Magdhaba on 23 December 1916An oblong colour print on paper in a wooden frame.The print is of a painting by H Septimus Power, published by the Australian War Memorial, Canberra, ACTcamel corps, ww1, december 1916

RMS Orcades was a British built ocean liner that served on the UK-Australia route as a Royal Mail Ship from 1937-1939. Orcades was requisitioned by the British government as a troopship in 1939. It was torpedoed and sunk in October 1942 with the loss of 48 lives. The next Orcades was the first new purpose-built vessel to enter the Australian migrant trade after the Second World War and made over 55 voyages to Australia between 1948 and 1972.The significance of this painting is that it was presented as a commemoration of the 50th anniversary of the end of the second world war by the Scullin Australia Remembers Committee in 1995.Framed and signed print of ship "Orcades". Print measures 22 x 30 cm. Print is signed "Peter Jones '95".On back of frame "No.9 Orcades to Asia Peter Jones". orcades, world war ii, scullin australia remembers committee, prints, peter jones

Painting is by Will Rees, an Australian Artist. Subject is a shepherd's hut owned by the D Alton Family on land where D'Alton's Resort now stands.Item is a coloured print of a painting. The range stands in the back ground. A hut stands middle of foreground with a stump in front . A taller gum tree stands to the right side of the photo. Print has soft muted colours.painting, landscape

Hardback; xi, 52 p. : ill. (some col.) ; 30 cm.ISBN 085561272X clifton pugh, artists

This book gives information on 1,100 War Memorials in Victoria. It was compiled by Bradley, Christey et al and produced for the Returned and Services League of Victoria. War Memorials were established in most settlements in Australia after World War One and added to after World War Two and succeeding conflicts. The number of War Memorials reflect the historical importance of Australia’s involvement in world wars and because of our distance from the battlefields they have become sacred places in Australia – de facto war cemeteries. The book includes information on the Warrnambool War Memorial and those in our area. This book is of interest as it gives details on War Memorials and includes all those in the Western District of Victoria. It will be useful to researchers of social and military history. This is a hard cover book with a blue cover and gold printing on the spine. The dust cover is dark blue with a colour sketch of the Portland War Memorial and white printing on the front cover and an outline of the map of Australia on the back cover. The book has 240 pages, black and white and colour illustrations, a Foreword, Dedication, Acknowledgements, Introduction, Contents, Bibliography and Index and information in alphabetical order of the War Memorials in Victoria. It also has reproductions of 20 oil paintings of Victorian War Memorials by Dacre Smyth.Spine: ‘War Memorials of Victoria’ R.S.L. Victorian Branch’ Front Cover: ‘War Memorials of Victoria, a Pictorial Record’ war memorials in victoria, warrnambool war memorial, history of warrnambool

Blue and gold hard cover with stylized figure of life saver on front cover with multi coloured blue cover on back with small boxed copy of front cover figure. Taken from painting Beltman and Co by Brian St Alban Smith 1958. 548 pages followed by lists of award winners both individuals and clubs. Title and authors in dark blue text.History of Life Saving Victoria for over 50 yearswarrnambool, surf life saving victoria, surf championships, shark attacks, surf boats

Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988. In an interview in the Australian Women's Weekly, (29 April 1970), months before his death in October 1970, Ian Hassall discusses his life with author Maureen Bang. "Ian Hassall can look back on his life with few regrets. He believes like his friend author Alan Marshall, that when you're old you should be able to "look back on life as a book with lots of pictures". Artist Ian Hassall has a lifetime of pictures". Colour photographactivities, alan marshall, eltham shire office, heritage display, heritage week, ian hassall

Acquired in Fort Worth, Scotland in August 2019.Allied Memorial to World War II commandos in locations where commando training was undertaken.A4 size framed paintingPrinted by Mark Leggett

Cyril Henry Woodford Kett FBOA FSMC (1890-1971) was one of the five people who signed the Memorandum and Articles of Association of the Australian College of Optometry in 1939. He was a councillor of the College from 1940 to 1970 and First Vice President 1944 to 1947. He was made an honorary life member of the College in 1954. He donated numerous items of historical interest to the College that provided the foundation of the Museum which now bears his name. It was painted by another optometrist, John Nathan.This painting is significant to the College as it is one of only ten portraits in oils of individuals who have been leaders in the development of the College.This framed oil painting shows Mr Cyril Henry Woodford Kett FBOA FSMC (1890-1971),Councillor and Vice President of the Australian College of Optometry, an important figure in Optometry in Victoria. It was painted in 1980 by another optometrist, John Nathan,and is signed by the artist at lower right corner: 'John Nathan'.Signed by artist at lower right corner: 'John Nathan'. Plaque on frame reads:'Cyril H W Kett FBOA(Hons) FSMC FVOA c1890-1970/ Councillor of the College 1940-1970/ Vice President 1940-42, 1944-47, 1948-50, 1954-70/ Chairman of Council 1944-1947/ One of the five signatories to the original Memorandum of Association of the Victorian College of Optometry'.optometry, painting, oil painting, portrait, cyril h w kett

Norma Kett was a resident of Ringwood and a member of the local Artists Society. She regularly diplayed paintings in local exhibitions .Small oil painting of gum trees, creek and hills. Australian possibly Victorian. Framed in multilayered gold and buff coloured wood. The name ?Accacia Creek in pencil on back of painting.Signed Norma Kett

Newspaper article from Ringwood Mail page 9 on 12th May 1998

Image of a Charles Conder painting on front of soft covered book titled The Artists' Camps: Plein Air Painting In Melbourne 1885-1898. FOREWORD by Margaret Plant - Department of Visual Arts, Monash University. The paintings of the 'Heidelberg school" are the best loved group of works in Australian art. The affection is linked in the national mind with a recognition that the authentic Australian landscape had been discovered and colonial bonds broken. The painting activity of the 1880s and 1890s was by no means confined to Heidelberg. Helen Topliss painstakingly presents the variety of sites around Melbourne, in the bush and on the coast, reconstructing their original character and the history of their accessibility. The major figures are well known — Roberts, McCubbin, Streeton and Conder — but there were a number of 'minor' artists associated with the various painting spots that have been too long neglected. A research programme is here initiated in the hope that some of these figures might be more fully returned to us. The restoration of the sites provokes a more extensive roll-call of artists involved in the plein air phenomenon. Various expressions of nationalism in the late nineteenth century have been accorded attention: the painters contributed in varying degrees. But it is, finally, the quality of the painting, the freshness, the particularity of nuance, the calculated aesthetic angles that have governed response and inspired affection. The elegant relaxation themes of many of the paintings have in fact been overlooked in the intellectualization of the quest for 'national identity'. The orchards and the beaches, the ladies promenading a la mode on the beach at Mentone or in the grasses of Box Hill are as important to our artistic tradition and social history as the shearers of rams.