In 1904 the Australian artist Frederick McCubbin painted his triptych The Pioneer. McCubbin hired models and painted the work near Mount Macedon in Victoria, with views across land owned by his friend, William Peter McGregor who was the second chairman of the mining company BHP. While McCubbin was always non-committal about the narrative within his work, The Pioneer is undoubtedly a romanticisation of the selectors, who cleared the land in a frenzy of slashing and burning for the mass cultivation of imported livestock. The impact of the cloven hooves of these animals upon the newly bared land changed the composition of the soil forever. The title of McCubbin’s work, The Pioneer, marginalises thousands of years of nurturing land management by Aboriginal communities. McCubbin's triptych, with its association to the coal mining company and its almost religious view of land clearing by European settlers, offers an unintentionally prophetic vision of the sustained Anglo dominance of Australian popular culture, the continuing extractive nature of the country’s economy and the death of Australia's natural environment. colonialisation, environment

Southeast and State award in litter control. . In the second photo presenting award for 1995 Tidy TownBlack and white photograph of Doug Coole and Edith Juillerat Tidy Town Committee Lake Tyers Beach Victoria. Also a small black and white photograph of Doug Coole and Cr Frank Hunter environment, awards

Colour photograph of Anne Macarthur outside cottage Sea Shell during New Works Village Walk Lakes Entrance Victoria historic site, environment

Colour photograph of cottage Sandy Nook at New Works Village Lakes Entrance Victoria environment, historic sites

Colour photograph of small dredge and pipeline from dredge across sand beside entrance at launch of six month trial of sand transfer pumping system at New Works area Lakes Entrance Victoria. Plus two other photos including Barrie Martin of Gippsland Ports, Marie Tehan Minister for Conservation Forests and Land, environment, waterfront

Black and white photograph of eight adults and four children with bags of rubbish collected from North Arm foreshore, Jennifer North identified. North Arm bridge in distance. Lakes Entrance Victoriaenvironment, people

Colour photograph showing Catherine Clancy of Catchment Management Authority with two young girls inspecting the contents of a dip net on the edge of a waterway. John Twaites Victorian Government Deputy Premier looking on East Gippsland Victoriaenvironment, waterways

Black and white photograph showing Margaret Daley, Tidy Town organiser with judge Jill Cain and students Simon Cordery and Narelle Thompson with posters containing photographs of Primary School Environmental activities including beach clean up Halloween and camping Lakes Entrance Victoria environment, volunteering

Used for notetaking in an office environment.A stationery that is most likely associated with the time where the transition of the public transoprtation body from the Metropolitan Transit Authority to the Public Transport Corporation, due to the presence of both logos and the mentioning of V/LINE.A notepad with the logo of The Met (i.e., the Metropolitan Transit Authority), the title "PUBLIC TRANSPORT CORPORATION" and the text "V/LINE" at the top. A serial number (10033) is printed below. The notepad is ruled with an exposed adhesive spine desiged to tear pages off easily.public transport, the met, ptc, public transport corporation, v-line, stationery

Letter from Ministry for Planning and Environment to Sec., BHS re inclusion of (Former) Eaglehawk East Methodist church on Government Buildings Register. Dated May 8th, 1984. Therefore subject to the provisions of the Historic Buildings Act 1981.Karen Grey from Ministry for Planning and Enviroment, 235 Queen Street Melbourne.church, history, eaglehawk east methodist church, historic building act. eaglehawk methodist church.

All three pertain to the erection of a Monument in front of the Soldiers Memorial Institute in Pall Mall Bendigo to honour Ex Servicemen and Women. Refer Cat No 8245.2.1) Plan, white paper, black print on black graph paper showing front elevation and plan of a monument, signed, dated and stamped. .2) Plan, white paper black print showing plan and section A.A of same structure as .1). .3) Plan, white paper black print showing position of proposed monument as in .1) in front of a building with gardens surrounding. signed, dated and stamped.On all three written and stamped, " Planning and Environment Act 1987 Bendigo Planning scheme - Plan refrred to in Permit No 096/92 - Application No 096 (signature) 9.7.92 - for and on behalf of the responsible authority"brsl, smirsl, plans, monument

Used to prevent scattering of papers in an office environment.A stationary that is associated with a now-dissolved corporate body which existed in the 1980s.Rectangular, transparent, and (presumably) acrylic paperweight with a single green printed sheet (presumably paper) with the logo of the Metropolitan Transit Authority and the text "METROPOLITAN TRANSIT" in gold.the met, public transport, metropolitian transit authority

Used to hold docket books in an office environment.A stationary that is associated with a now-dissolved corporate body which existed in the 1980s.A dark green docket holder, made of plastic/synthetic material with cardboard as internal filling. The logo of The Met is printed on 3/5 sides, with the text "METROPOLITAN TRANSIT" printed below, all in bright yellow. One of the sides has a cut-out to facilitate inserting/removing paper. The fold-out bottom of the object is attached to the side of the cut-out and retracts upward for folding. Two copies held.the met, public transport, metropolitian transit authority

Two page document. On top, first page ' Bendigo Mining N.L., Deborah Reef Project, Environment Effects Statement, Summary Brochure'. Poppet head on top LH corner of document. A map of central Bendigo is drawn on page 1 and shows the location of the proposed processing plant near the Airport. Further maps on page 2 and 3 show the North Deborah Mine Site, the pipeline route and the airfield site. The summary brochure provides an outline of the material contained in the Environment Effects Statement and proposed planning scheme amendments upon which, the Deborah Reef Project will be assessed. Page four lists the issues that impact on this submission: planning and land use; socio economic environment; traffic; discharges to air; water management; explosives storage and handling; subsidence; heritage; flora and fauna and landscape and visual assessment. The 16th March, 1989, is the date given for submissions to be lodged in regard to this project.Bendigo Mining N.Lbendigo, mining, deborah reef project

Nillumbik Shire Council c.2010 Arts Environment Heritagepostcard, birrarung, shire of nillumbik, yarra river

Map copy, 2 pages, from 'Old Mines Department Plan, Dept of Conservation and Environment File No W91006, 16.6.1972' Map shows Golden Gully area with 'Town and Country Hotel' on north side and further south, with shafts and mine names marked.bendigo, mining, diamond hill

Nursing as a Career- Nursing is a challenging and rewarding profession to both the girls who take it up as a career. Prerequisites and training scheme - Age, Education, Health, Training, Examinations. Your future assured Graduation then what - After graduating some nurses choose to work outside the Hospital in related occupations- Train near home and your friends. The NDSN has been established to ensure student nurses in this region first class instruction under ideal conditions.Nursing as a Career- Training today for tomorrow. Brochure folded in three sections double sided. White background - Photo of Nurses in the Middle and Red and Gold insignia in middle at top with a red double cross. Internal Black and White photos of nursing/hospital environment.nursing education equipment, nurse training, nursing information

Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia