This is a hurricane lamp, so called because the tall glass dome was designed to protect the flame from excessive draft. These lamps were common in households in the first half of the 20th century ( used for house lighting) and later used for camping and out door activities.This item is retained as an example of type of lighting used in pre electricity times.This is a metal lamp with a glass bowl contained within a metal frame with a handle. There is a mantle inside the bowl. On the metal frame and base are various mechanisms for controlling the flame and a place for filling the container at the bottom with kerosene. The metal is heavily rusted with splotches of paint.vintage lighting, hurricane lamps

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Pair to 3850.Cut glass lamp bowls, decorated in criss-cross pattern around bowl, creating numerous facets. Circular base and brass top with metal tags.Front: Rd. No 5373 (stamped in base) Rd. No 218630 (stamped in top)birmingham collection, lamp, decorative, household, lighting

This type of rectangular dark blue painted metal railway lamp was used by train guards in the Victorian Railways in the 20th century for communication, safety and lighting. It is the same type as the lamp attached to the Victorian Railways guard's leather satchel dated to the 1970s, registration WHS 00074 on Victorian Collections online.The Victorian Railways lamp has local significance as it was donated by a resident of Wodonga, as well as state significance as an example of communication and safety equipment used by the Victorian Railways employees in the 20th century.Rectangular dark blue painted metal lamp with a large handle on the top and a circular glass disk in front of a green filter. The initials 'V.R.' are embossed on the top and both sides. White metal/aluminium rim around the clear glass disk."V.R." on the top and both sides.victorian railways lamps, v.r. lamps, vr lamps, victorian railways guard's lamp, victorian railways equipment

Spills and tapers were used by early settlers in Moorabbin Shire to light fires, candles and gas lamps. . Late 19 century. A light-wieght black enamelled tin for holding spills and wax tapers. Spills and tapers were used to light fires and gas lamps. The tin is decorated with gold scrolls, and green and blue flowers. The paint work is damaged. No makers mark.kitchen equipment, lights, candles, fireplaces, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners

These types of metal and glass railway signal lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Black painted metal signal lamp with a clear glass lens secured at the front and one thin elongated oval shaped handle showing at the back. The metal appears to be tin plated iron under the black paint layer. There is an oval plate with an embossed inscription on the proper left side of the lamp that is partly covered by the door at the front which holds the clear glass lens. The inscription includes the date 1901."...NARIPPINGILLE STOVE / CO LTD 1901 / PATENT...S & / ...NUFACTURERS / RMINGHAM" on an oval shaped plate on the proper left side, which is partly covered by the door with the clear glass lens.railways wodonga, victorian railways

Bradley and Hubbard Co. 1869 to 1940. Pat'd 1895 - 1898.Used by a Kiewa Valley residentNickel plate body with glass chimney and large white lamp shade. Both bowl and base are panelled and the base is scrolled on the edge. The bowl has a fill cap inscribed B & H and opposite there is a ratchet wheel lift. On top of the bowl is a decorated cylinder which lifts up to enable the lamp to be lit with a match. The glass chimney sits on top. There are 3 curved equally spaced rods coming up around this cylinder - to hold up the shade.Embossed on Fill Cap lid: "B & H" Embossed on top of bowl "Dec. 1885 / No. 4 Radiant / The/ B & H" and opposite "Pat'd Aug. 16 1888" Embossed on side under the 'grate': Pat'd Feb. 16 '97" Painted on glass chimney: "Griffen - Brand / dragon logo / Fire Proof / Madein Saxony / Rochester / No. 2lamp, lantern, bradley & hubbard, kerosene, oil light

Very early representation of Clarendon College crest. According ot the Argus Thursday 4 October 1934 the crest of Clarendon College was arranged by the Rev Robert kennedy and Mrs Kennedy who founded the school in 1876. the lamp of knowledge stand on a shield which contains a book and star. the book is the open Bible and the star a symbol intended to guide to way in the search for truth.Unique itemSilver lapel pin with crest featuring uninscribed motto scroll and shield with lamp at top and open book and star on textured faceclarendon-college, crest, mrs kennedy, rev-robert-kennedy

Small black and white photograph of the entrance to Victoria Park showing high iron gates that are open. The gates are open but the gate on the right is behind the fence. There are caste iron lamps at either side of the gates in front of the bowed-top picket fence. Between the gates, in the distance the fountain is visible. Murray pines are also visible. Wide dirt approach.Victoria Park is of social and historical significance to the people of Echuca and district. It includes a state park that has a natural dry schreyphyll forest with a canopy of eucalypts. The Park also includes sporting grounds and facilities and picnic areas. This photograph depicts the entrance to the Park in the 1920s showing a dirt approach with the caste iron lights, iron gates and caste iron gate posts and the bowed-top picket fence. Black and white photograph of the entrance to Victoria Park showing high iron gates and lamps with bowed-top picket fence. Wide dirt approach.On the back of photograph, in pencil, "Park Entrance"victoria park, echuca

The photograph depicts a rocking chair, a kerosene lamp, a bottle holder, and two epergnes.The photograph contains historical and research significance of domestic life in Beechworth. Through the depiction of the historical rocking chair, the kerosene lamp, the bottle holder and the epergnes, the picture displays some of the everyday objects that would have been found within a Beechworth house. Although kerosene lamps and bottle holders are no longer in widespread use, this photograph not only acts as historical document and depiction of both, but it also displays the evolution of everyday tools. The interpretive capacity of the photograph extends its significance as it contains the potential to reveal information regarding the domestic life of Beechworth residents. Moreover, it also has protentional to demonstrate the shifting designs of rocking chairs, kerosene lamps, bottle holders and epergnes.Black and white rectangular photograph printed on paper.Reverse: BMM A03328/ 1997.3132/ 28 1/2 ems/ E32k491/ THE OVENS AND MURRAY ADVERTISERrocking chair, chair, lamp, kerosene lamp, bottle holder, burke museum, beechworth

Two 120 VAC lighthouse lamp changers, 6 globes on each ex Point Lonsdale Lighthouse and new control unit mechanismLC-300 120 VAC amp changer Part No. 630.1087 Series A Max voltage 130 Lamp size 250Watts US and foreign patents Tideland Signal Ltd, Surrey, England. Identifier No 1: 189486-5/01 Tideland Signal Corp, Houston, Texas USA identifierlighthouse, lamps, lamp rotator, point lonsdale lightouse

Guards Hand Lamp - Tri Colour Harvey, Shaw & Drake 1913 Gills Alley is located between Queen and Elizabeth streets, extending north to a dead-end from Little Collins Street. In 1895, Gills Alley extended through from Little Collins Street to Bourke Street. The Saracen's Head Hotel was located on the corner of Gills Alley and Bourke Street. By 1920, however, the north end of the lane had been closed off, leaving the sole entrance to the lane on Little Collins Street. Gills Alley was at this time the location of several warehouses, showrooms and factories belonging to the Harvey, Shaw and Drake Company.Guards Hand Lamp - Tri Colour Harvey, Shaw & Drake 1913 used by the victorian railwaysTri Colour Harvey, Shaw & Drake 1913 guards hand lamp Made of Metal , brass and glassTri Colour Harvey, Shaw & Drake 1913 puffing billy, guards hand lamp, harvey, shaw and drake company, tinsmith

Metal grey round lantern, rope attached to top, clear glass is crackedflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Lantern frame with chain painted white with glass cover and lighting apparatus missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Small copper lantern has been painted red. Wick and fuel assembly detaches from bottom. Missing glass.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Kerosene lantern Marked Everhand No 22 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, kerosene lantern, lantern

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Blankets' electrical sign with signature lambsLaconia Blanketsblankets, blanket fever, laconia, advertising

Valmae GaudionSmall lantern, made of glass and metal. Has a black decorative neck and silver decorative bands around the base. Has a metal handle at the back and a black turning knob on the side of the lantern. Has fragrant blue burning oil inside."Made in Hong Kong" and "33 10" on the baselanterns

This portable lamp was manufactured by the Lucas Industries, a company in Birmingham, England that first produced lamps after 1875. It could have domestic use or be attached to cars or bicycles early in the 20th Century to provide light at night. The lighting fluid was oil. This object is an interesting example of lighting for cars and bicycles and in the home in the late 19th and early 20th Centuries.This is a brass lantern with a circular glass piece in the middle front, and a top metal mechanism with a handle. Inside the circular opening is a domed jet with holes for lighting the lamp. On the sides there are various mechanisms for turning the light up and down, opening the front glass and opening the bottom to allow filling of the lighting fluid. The item is corroded on the exterior. The top has air vents to permit the vapours to escape. On the side is the maker's name LUCAS No. 722 KING OF THE ROAD JOS. LUCAS LTD. vintage lighting, lucas industries

This is an early photograph of St. Mary's Anglican Church in Sunbury. On 13th October 1863, the Government granted one acre of land on the corner of Stawell and O'Shanassy Streets for the building of a church. he first service was held on 24th November 1867. After that date subsequent additions were made. The gas lamp outside the church indicates that the photograph was taken before electric power was installed in Sunbury. St. Mary's Anglican Church is one of the earliest places of worship to be built in Sunbury.A non-digital sepia post card photograph of a small bluestone church with a slate roof with a wooden picket fence and two gates across the front. A gas lamp is on the pathway. Peter Collett's signature is on the back as well as a sticker with number 7 written on itst. mary's church of england., o'shanassy street, stawell street

The Panther lamp was made by Powell and Hanmer of Birmingham. (see Item 7354) This model appears to be dated from the 1920's. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights.Carbide Vehicle Lamp.-Silvered Metal, Lens Assembly . Small Green lens on both sides of the assembly, with a clear lens in front. 'Panther B'Ham' is stamped on the lower part of the assembly. In addition a Logo is Stamped with 'P H' and 'Ltd' under those letters. Carbide Gas section missing.Panther B'Ham

Carbide lamp and broken carbide lamp lens - 7 pieces.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The subject item was produced in 1914/15 by the Telford Grier and Mackay Company in Glasgow, Scotland, this lantern was not used to provide visibility for Sailors on a ship, rather, it is meant to help other vessels identify the ship’s presence and heading in low visibility conditions hence it is marked Port and has a red filter. The lantern would have been placed along the port side of larger vessels to provided an unbroken light and would be visible in an arc from as well as at an angle from the port side of the vessel. The company was established in 1904 at 11 Fairley Street Glasgow and in 1922 moved to 10 Carrick Street. The company manufactured patented lamps for marine use, later moving into the manufacture of electrical and mechanical items. A significant marine kerosene lantern made by a company that patented this type of lantern for use by the British Navy and for merchant ships the world over. This item today is rare and sought by collectors.Ship's port side sidelight lamp with clear glass frenal lens with red filter behind, burner missing, replacement with modern electric fittingTwo makers lozenges one marked PORT the other has the maker Telford, Grier and Mackay, Glasgow, 1915 marked on main body chimney has 1914 marked . Also serial No C976 stamped on backplate.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp ship's sidelight, ship's sidelight lamp, port lamp, marine light, navigation light, kerosene ship lamp

Colour Photograph. Male holding a frosted glass lamp shade from an oil lamp. in front of him are an oil lamp, and three vases, including one pair.biarri

Lamp made from metal/tin. Cylinder base to store the kerosene, with pump attachment to pump kerosene up to the lamp area. The lamp is attached to the base via a metal tube. the lamp is cylindrical with clear plastic lenses. On top of the lamp is a perforated metal cylinder for venting the fumes. on top of that is a metal circle for hanging the lamp. This is also a long screw which can be undone to access the lamp area. The whole lantern has a thick metal wire loop handle.lamp, lantern, kerosene, light