pencil on paper student's technical drawing of C.A.V. Fuel Pump Elementstechnical drawing, mechanical engineering, r. ingleton

Pencil on paper student's technical drawings Turf Roller: .1) General assembly .2) Transmission .3) Frame .4) Manilla folder with design specs technical drawing, turf roller, engineering design

The full folio of work undertaken while Alice Watson was a student at the Ballarat Technical art School is held by Federation University Australia.Double sided. Sketch depicting a campfire and tents with a Girl Guides badge upper, right corner on one side and a graphite transfer on verso. GOOD CAMPING written on top, left side. Girl guides badge with the motto "Be Prepared" at top right corner. Small practice sketch above main drawing ballarat technical art school, edith alice watson, alumni, alice watson, pencil, pencil rubbings, graphite transfer, camping, girl guides

These plans are line drawings by the State of Victoria for a Suction Hopper Dredge, which used a suction pump to bring up material from the bottom of a body of water. The plans are contained in a box from the Public Works Department, Ports and Harbours Division in Melbourne, which in the year 1910 was responsible for the dredging operations of coastal ports and harbours, and inland waterways. The stamped signature is that of Arthur Edward Cutler, Chief Engineer, Public Works Department of New South Wales. The steel steamer Matthew Flinders was constructed by Morts Dock & Engineering Co Ltd in Sydney, New South Wales. Identified as Ship No. 40 by the ship builders, this dredge, had twin screw engines that were made in Sydney. Its gross tonnage was 1180. It was launched on July 15th, 1916, and registered by the owner, Department of Public Works in Victoria, at the Port of Melbourne in 1917. Unlike bucket dredges, the Matthew Flinders did not use permanent moorings but instead had bow and stern anchors. It travelled forward on the bow anchor, taking up a strip of even-depth wilt from the bed below. A local newspaper noted that the Matthew Flinders has many advantages that were especially useful for its work at Warrnambool. Warrnambool Harbour had been experiencing silting and sanding for many years. The problem continued even after the construction of the Breakwater in 1890, which was overseen by New Zealand engineer Arthur Dudley Dobson. Melbourne’s Department of Ports and Harbours sent the new Matthew Flinders to dredge the heavy silting in the Warrnambool Harbour in May 1919. This work was previously done by the smaller dredge, the Pioneer. However, after a month of work, the Matthew Flinders was returned to Melbourne for alterations to make it suitable for work in the heavy seas it experienced at Warrnambool. Both dredges were sent up from Melbourne when required over the years to periodically attend to the silting in the Harbour, but the Matthew Flinders was preferred because of its efficiency. It was still dredging the Harbour even in July 1938. The ship’s original master was J G Rosney. In 1923 the master in charge was Captain Dunbar. In 1930 the dredges were no longer required as the Harbour was no longer suitable as port.These plans are significant for their close association with the suction hopper dredge, the Matthew Flinders I, which was call upon often to remove the silting of Warrnambool Harbour and allow shipping to continue in the Port of Warrnambool until 1930, when the Port of Warrnambool ceased to be suitable as a port. The work done by the Matthew Flinders is significant for its association with the Warrnambool Breakwater and the on-going issues with the silting of the Harbour. Plans with line drawings for the suction hopper dredge Matthew Flinders, rolled, in open-top wooden box. Created for the Public Works Department, Melbourne, Victoria. Stamped with signature and dated November I, 1911. Inscriptions: label on box, handwriting on box, drawings and outer layer of paper. Freighted by 1 Star, New Zealand Express Cargo.Signature stamp “A E Cutler” Date stamp “NOV 8 – 1911” Printed on one page “STATE OF VICTORIA / SUCTION HOPPER DREDGE / GENERAL ARRANGEMENTS OF MAIN ENGINE ROOM / SCALE 1/2 IN = 1 FT.” Label on box "1 [star symbol] / THE NEW ZEALA- - - / EXPRESS CAR - –“ Handwritten on base “PUBLIC WORKS / DEPARTMENT / - - LBOURNE” Handwritten in pencil on cover paper “MATTHEW Flinders”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, plan, line drawing, dredge, pioneer, steel steam ship, twin screw engines, a e cutler, arthur edward cutler, chief engineer, public works department, new south wales, nsw, 1911, state of victoria, suction hopper, main engine room, public works melbourne, warrnambool harbour, lady bay, sanding, silting, breakwater, morts dock & engineering co ltd, j g rosney, captain dunbar, ship no. 40, matthew flinders i, matthew flinders, 1 star, new zealand express cargo

Point of Bravery reproductionequipment, ww2, army

Fuzzy Wuzzy Angels pencil reproductionpicture, ww2, army

Entry into Maffra Agricultural Society (Show) - Class Q Art Section 15 No. 3. A 'Victorian Drawing Book' entered by Merle Bush ( M. I.?. B in pencil on cover) - 12 pages of school drawing. Under 16 years. Agricultural Society entry card is inside front cover.person, individual, bush collection - personal

BHS CollectionSmall pencil sketch of a young person asleep. Untitled. William Delecca collectionSigned by the artist in pencil at bottom right: W.A Delecca '61william delecca, pencil sketch

BHS CollectionBust sketch of a lady with long hair and glasses, wearing a blouse. Untitled. William Delecca collectionSigned by the artistwilliam delecca, lady, pencil drawing

Exercise book. The Vana exercise book, the name Phillip in pencil on the front. The book is full of numbers and words and few drawing. The writing is of a young child.personal effects

Crayon artwork. Art shows poppet head with chimney and brick and timber engine house. Written on bottom ' Constellation Gold Mine, Eaglehawk. A.A. Perry 1958' Two punch holes on LH side. Written on back in pencil: This mine was west of the Victortia St railway gates on N side. I used to read the electricity meter here about 1918 - 20. This drawing was done from memory in 1958 when I was getting over a sickness'.eaglehawk, mining, constellation mine

'Drawing Book' - attached plate stating 'Student's Name' : Phoebe Lansell.; 'School Number': 161 Other ??. Pinky - fawn coloured cover - string- bound with cardboard pages and separating tissue paper .The front cover has a landscape scene sketch .An angel and cherub are holding back a curtain .A label shows School number 161 .The back cover shows a sketch of 'New Princes Bridge .Melbourne ' and St Patricks Cathedral-Post 1880's 90's .Inside are pencil sketchesperson, individual, phoebe lansell

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph of Ted Jenkins writing on a portable writing desk outside in front of Amess House drawing room.Catalogue number written on reverse in pencil. Handwritten on reverse 'Ted Jenkins (self evident) c.1940's' 'VELOX' and 'Kodak Print''3''92' stamped on reversechurchill island, billie wilson, ted jenkins

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a woman wearing a long white semi-sheet wrapper, standing to the left of the fireplace in the Amess House drawing room, with her right hand resting on the mantel.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of drawings of birds mounted on colour pieces of paper with a hand written sign saying 'W.E.S.B.O.C Westernport Bird observers Club' in the Churchill Island Visitor's Centre DisplayCatalogue number on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of 'Birds of this area' display with drawings of birds mounted on coloured paper and a sign for the 'Bird Observers Club of Australia'Catalogue number on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of two women dressed in period costume embroidering on the reclining chair in Amess drawing room [catalogue number written on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing the north west corner of Amess House with a view of the drawing room, the sundial, and trees.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of the drawing room at the north east corner of Amess House.Catalogue number written on reverse in pencilchurchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site.Black and White Photograph of shoreline with long grass. A mudflat bridges the water drawing the eye to another islandCatalogue number written on reverse in pencilchurchill island, shoreline

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site. Robert Ingpen is a renowned graphic designer and book illustrator who was born in Geelong in 1936. In 1968 he became the only Australian to be awarded the Hans Christian Andersen Medal for his International contribution to book illustrations. Robert Ingpen did a classic set of drawings of Churchill Island (circa 1976), before the farm restoration. They were originally sold to raise funds for the conservation of Churchill Island and can still be seen as prints or depicted on place mats and coasters. Black and White photograph of Robert IngpenCatalogue number written on reverse in pencil. Handwritten on reverse 'Artist Robert Ingpen' churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of bird drawings mounted board in the Visitor's Centre DisplayCatalogue number on reverse in pencil.churchill island, photograph