Showing 837 items
matching weaving
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National Wool Museum
Booklet, Hattersley Hand Loom Spare Part Catalogue; plain and circular box, also dobby
... Weaving ..."Hattersley Hand Loom Spare Part Catalogue; plain and circular box, also dobby" - Geo. Hattersley & Sons Ltd, Keighley, c.1930.weaving, george hattersley and sons ltd, weaving machinery -
Tatura Irrigation & Wartime Camps Museum
Macrame Belt, 1940
... weaving ...Made by Internee . Camp 13, MurchisonLight Blue & White Macrame Belst with Tortoiseshell Buckle.tatura, handcrafts, weaving -
Tatura Irrigation & Wartime Camps Museum
Loom, 1940's
... weaving ...Designed and constructed in Camp 1 by W. (Jack) Weber and used to make scarves by and for the internees.Handmade wooden table top loom attached to a rectangular piece of crafttwood representing a table. 13 hooks attached to each wooden endpiece. A separate box of wool goes from end to end through a series of nails which are in a zig zag pattern. 1 small stool for holding wool.tatura, handcrafts, weaving -
Tatura Irrigation & Wartime Camps Museum
Loom, 1940's
... weaving ...Designed and constructed in Camp1 by W (Jack) Weber and used to make scarves by and for the interneesHandmade wooden loom with levers ,pulleys ,eyelets ,upright shapes and part woven wool made from scrap metal and improvised tools. Jack was an engineer who migrated to Queensland and was interned in 1939.tatura, handcrafts, weaving -
Maldon Vintage Machinery Museum Inc
Drive Belts, Estimated c 2000
... Weaving ...Type used in wool weaving at Castlemaine Woolen Mill.Six new wooden drive belts used in Woolen Mills. Comprising rectangular pierced wooden blocks held together by short lengths of chain.weaving, manufacturing, wool -
National Wool Museum
Bobbin
... Weaving ...Used on a pre-war mule spinner.handicrafts weaving, handicrafts, weaving -
Wangaratta Art Gallery
Textile, Tim Gresham, Resonance in Ochre, 2012
... weaving ...Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background.tim gresham, tapestry, weaving -
National Wool Museum
Photograph
... weaving ...Depicts looms within a mill, c.1930s.weaving, textile mills staff, textile mills - staff -
National Wool Museum
Rug
... weaving ...Rug was made on National Wool Museum Brinton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth. On the afternoon of 28/4/1988 Queen Elizabeth was presented with a similiar rug but latex backed and labelled.Rug was made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth. Detail of rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II. Label on rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II. Label for rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II.weaving, national wool museum, axminster -
National Wool Museum
Sample, Carpet
... Weaving ...Belmont Axminster pattern no. 46/8562, made by Brintons Geelong. Part of ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Belmont Axminster pattern no. 46/8562, made by Brintons Geelong. Belmont Axminster pattern no. 46/8562, made by Brintons Geelong.Brintons Geelong 46/8526 10 Belmont 82weaving, brintons pty ltd (geelong), carpet -
National Wool Museum
Sample, Carpet
... Weaving ...Heavy Axminster carpet sample from Brintons Kidderminster England, from a Wilton loom circa 1930. Part of a ten piece collection originally donated to the Queensland Museum by Mr Doug Glanville.Heavy Axminster carpet sample from Brintons Kidderminster England, from a Wilton loom circa 1930. Heavy Axminster carpet sample from Brintons Kidderminster England, from a Wilton loom circa 1930.Brintons Conda - 6weaving, brintons ltd (uk), carpet -
National Wool Museum
Sample, Carpet
... Weaving ...Heavy Aminster produced for the Australian Wool Board pavilion at Expo Japan in 1970 by Brintons, Geelong. This piece is believed to have had 600,000 pairs of feet walk over it. Part of a ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Heavy Aminster produced for the Australian Wool Board pavilion at Expo Japan in 1970 by Brintons, Geelong. Heavy Aminster produced for the Australian Wool Board pavilion at Expo Japan in 1970 by Brintons, Geelong.(Brintons Brisbane) G4498 Natural JF Expo Loom 22 Dye 4 30 8 J.J. Expo Osaka Japan '70 82weaving, brintons pty ltd (geelong), carpet -
National Wool Museum
Sample, Carpet
... Weaving ...Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland.581/6/1486 5weaving, blackwood norton, carpet -
National Wool Museum
Sample, Carpet
... Weaving ...Sultana worsted Axminster 27" carpet body sample made by John Crossley & Sons Ltd. Related to border sample 88.0047 (old registration number). Part of ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Sultana worsted Axminster 27" carpet body sample made by John Crossley & Sons Ltd. Sultana worsted Axminster 27" carpet body sample made by John Crossley & Sons Ltd.Sultana worsted wool Axminster linen back manfd. 1893 4 27" body carpet J.C & Sons Ltd Halifax Englandweaving, john crossley and sons, carpet -
National Wool Museum
Sample, Carpet
... Weaving ...Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. The border framed the edge to stripe of object 88.0048 (old registration number), laid to fill floor space. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England.Sultana worsted 3 1' 10 1/2" 5/8 Border Carpetweaving, john crossley and sons, carpet -
National Wool Museum
Braid
... Weaving ...Braid woven in 1977 on an inkle loom.handicrafts, weaving, weaving looms -
National Wool Museum
Booklet, Hattersley Domestic Loom: Tooth and Pick Take-Up Motion
... weaving ...Instructions: "Hattersley Domestic Loom: Tooth and Pick Take-Up Motion"Booklet, 3pp. loose leaf. Printed with text and diagrams on one side only. "Hattersley Domestic Loom: Tooth and Pick Take-Up Motion"weaving, george hattersley and sons ltd, weaving machinery -
National Wool Museum
Blueprint, Particulars for Setting Domestic Loom Dobby with Slayboard at Front Centre
... weaving ...Blueprint / diagram for a Hattersley loom: "Partculars for Setting Domestic Loom Dobby with Slayboard at Front Centre".Blueprint; detailed diagram printed in black on buff coloured paper. "Partculars for Setting Domestic Loom Dobby with Slayboard at Front Centre".weaving, george hattersley and sons ltd, weaving machinery -
National Wool Museum
Wall Hanging
... Weaving ...10-12 years old (at 1989). Brother of the donor made this item.Wall hanging Kindly donated by Margaret Williams on July 21st. 1989weaving, williams, mrs margaret mary -
National Wool Museum
Photograph
... Weaving ...Depicts a Hollingworth Dobcross 1929 loom within a mill, c.1950s. Part of a series of photos depicting the various operations within a textile mill, all of which have been edited for publication.weaving textile mills - operation, weaving, textile mills - operation -
National Wool Museum
Folder, Pattern
... Weaving ...Folder containing pattern and samples of three woollen upholstery designs: "WOOLLEN UPHOLSTERY" pattern sheet with 3 cloth samples (yellow/brown, green/blue, pink/blue).GEOFF ROBINSON (pencil) WOOLLEN UPHOLSTERY (ink)textile production weaving, textile production, weaving -
Bright & District Historical Society operating the Bright Museum
Handloom and Bobbin
... Weaving ...Wooden with metal plateswooden, handloom, weaving -
Bright & District Historical Society operating the Bright Museum
Bobbin (part of Handloom
... Weaving ...Bobbin, part of Handloombobbin, handloom, weaving -
Kiewa Valley Historical Society
Bag Camera, circa 1920s
This item was manufactured in a period where the cheapest containers for portable equipment was canvas. The market place for cheap cameras was still restricted to European, England and its colonies. It was well before the post World War II explosion of the Asian manufacturing juggernaut.This item shows one of the most popular avenues of not only bringing new "modern" age equipment into the Kiewa Valley but also providing the local market with actual overseas inexpensive merchandise. It was a time when the new European fashion and "new age" equipment took years to permeate into regional Australia. The world, through Australia eyes, was still a very large planet and supply of "modern" lifestyle equipment emphasised the geographic isolation of Australia. Post World War II emigrants and an increasing flow of tourists to Australia provided the contact needed by rural settlements to open up not only their social contacts but lifestyle activities.Canvas, yellow, cream in color and with a weave pattern on the external side. It has stitched brown laminated fabric boarders containing all ends and corners. A flap opening top fastened on one side by a large press stud (15mm). A brown coloured leather carry strap (adjustable and 10mm wide) fasted at either of the longitudinal ends of the bag.camera, case photography, hobby, personal equipment -
Bendigo Military Museum
Flag - FLAG, WHITE ENSIGN, C. 1939 - 45
The HMAS BENDIGO (1) was a Bathurst type Minelayer/Corvette. It was made in Australia. Launched 1 MAR 1941 and paid off 27 SEP 1946. The ship had a normal complement of 85 hands. The ENSIGN is the standard pattern Royal Navy ensign in use at the time by The Royal Australian Navy. The Ensign has five written names including the Captain and has 85 autographs. All but two have been identified. Referring to the sailor's service cards, the signing probably occurred between OCT 1945 to FEB 1946. Post WW2, the Ensign was presented in gratitude to the City of Bendigo where it was on display in the Old Town Hall for decades. The City then gifted the Ensign to the Bendigo and District R.S.L. After some time the RSL lodged the Ensign with the Soldier's Memorial Institute Military museum for safe keeping.The main part is of a strong open weave white cotton. The flag is divided by a bright red cross vertically and horizontally. In the top left quadrant is the Union flag of the U.K. The left side has a strong canvas spine in which is mounted the sisal rope. The rope has a small length with loop at the top and a longer length with loop at the bottomThe bottom right quadrant, has these words stencilled on it..."In Appreciation from HMAS BENDIGO". The other two quadrants have a large quantity of signatures.corvettes ww2, hmas bendigo -
Warrnambool and District Historical Society Inc.
Blotter, A Gift Blotter for mother, Mid 20th century
Blotting paper was traditionally used to blot excess ink from writing when pens and fountain pens were in common use. The paper is open weave and very absorbent. Many such as this were presented in the form of a booklet with a number of leaves inside and an appealing picture, drawing or advertising material on the front. A common item which would have been in use for many years. This particular one has visual appeal.A pale green card blotter with a picture of house surrounded by multi- coloured cottage garden. Verse is underneath the picture. The picture is on a separate piece of paper which is glued to the green card. It has a zig zag edge on the card and includes four sheets of blotting paper. Held with green cotton cord on the side.A gift Blotter for Mother. The sweetest sounds to mortals given are heard in Mother, Home and Garden. (William Goldsmith Brown)blotting paper, warrnambool -
Vision Australia
Object, Small cane basket with solid base
Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. Generic style basket could have been used as a rubbish bin or pot plant holder. It has a wide opening, with a combination of two weaves for decoration. The base is a piece of chipboard for strength, and has a decorative covering.1 cane basket with chipboard baseemployment -
National Wool Museum
Loom
Used by Ted Fairhurst, an Industrial Chemist from Bradford who came to Australia in 1951 for Bradford Dyers A. He later established the dyeing section for Davos Coop who made Exacto garments. Mrs Fairhurst (donor) made bookmarks, bell hangings and belts. Inkle weaving is for producing narrow braids.Inkle loom.weaving - inkle, fairhurst, mr ted -
Mission to Seafarers Victoria
Flag, George Tuttill Ltd, THE MISSIONS TO SEAMEN, 20th C
The Mission adopted, as its symbol, a flying angel inspired by a verse from the Book of Revelation (14:60) “Then I saw a flying angel in mid-heaven, with an eternal gospel to proclaim to those on earth, to every nation and tribe, language and people” The incorporated name of the Mission changed in 2000 and became the Mission to Seafarers, Victoria, the logo was also re-designed.This flag was most likely issued by the Central Mission in the UK or possibly ordered from Australia .Flag or banner white printed on dk blue open weave 'scrim' flag with tough woven white nylon hem at left edge whit incoporates a woven length as tie and a wooden peg to secure to flagpole hoist cord.Features a white winged flying angel with outstretched arms, one hand holding an open book with lettering above and below ( see title details).See image; also on verso small red label secured to back of white hem edge with woven details of maker: (Tuttill...) see detail image.mission to seamen, mission to seafarers, flag, flying angel -
Mission to Seafarers Victoria
Flag - Flying Angel Flag, George Tuttill Ltd, The Missions to Seamen, 20th C
Founded in 1856, the Mission adopted, as its symbol, a flying angel inspired by a verse from the Book of Revelation (14:60) “Then I saw a flying angel in mid-heaven, with an eternal gospel to proclaim to those on earth, to every nation and tribe, language and people” The incorporated name of the Mission changed in 2000 and became the Mission to Seafarers, Victoria, the logo was also re-designed.This flag was most likely issued by the Central Mission in the UK or possibly ordered from Australia .This flag shows a former design of the Flying Angel carrying a Bible and the former name of the organisation before it was changed in 2000 to Mission to Seafarers. Flag or banner white printed on dk blue open weave 'scrim' flag with tough woven white nylon hem at left edge whit incoporates a woven length as tie and a wooden peg to secure to flagpole hoist cord.Features a white winged flying angel with outstretched arms, one hand holding an open book with lettering above and below ( see title details).See image; also on verso small folded black label secured to back of white hem edge with woven details of maker: (Tuttle...) see detail image.flag, flying angel, bible