Colour slide of a legatees standing near a loaded semi trailer in Eildon. The blue cabin had a yellow 'Operation Firewood' sign on the door. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a group of men beside a semi trailer loaded with wood in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Handwritten 'Smoke Oh / Eildon' and '19' in blue pen and '21' in pencil. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers, wood

Colour slide of a legatees standing near a loaded semi trailer in Euroa. The blue cabin had a yellow 'Operation Firewood' sign on the door. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a group of men beside a semi trailer loaded with wood in Euroa during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Handwritten 'Euroa' and '21' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers, wood

Made by internees at camp 3, using wood sourced from under the barracks ie : stumps. Used for wood workingAwl and wooden handle with metal ferrule at end, thin metal shaft , slightly bent coming to a sharp point. Spare handle in a light wood with a brass ferrule.kazenwadel, blacksmith, wood, tools camp 3, chisels, mallets

.1 - Twenty page booklet on the history of the Brighton Electric Line by Leon Marshall-Wood, published 1956. Gives a brief history of the electric tramway operated by the Victorian Railways between St. Kilda Station and the Brighton Beach railway station, that commenced operation in 1905. The booklet was priced 2/-, published by the Traction Publications. Has 18 photographs, map 1905 and present day (when printed), rolling stock roster and notes and on the rear cover has details of the AETA. Front cover has horizontal crimson stripes. Has details of the AETA on the back cover and listing of some publications. Second copy from Ian Stanley added 24-1-2016. .2 - as for above - second edition, 1958, similar text, different photo layout and different front cover photo. See Reg Item 7631i for a scan of the 1966 edition.On front cover of first copy of .1 - top right hand corner; "N.Z.R.L.S / with compliments" and initials. Under title of book, "Price to Society 18/- Aust. per doz. / Retails 2/-" On page 3 of second copy of .1 - "Ian J Stanley 28 Park Road, South Camberwell, SE6, BK3746" On page 3 of .2 - "Ian J Stanley" in ink.trams, tramways, vr, melbourne, brighton, st kilda

Colour slide of legatees loading cut wood onto a semi trailer. Similar to another slide which was labelled being in Merton Victoria. The white and blue car features in other Operation Firewood photos. Both the car and the truck have yellow 'Operation Firewood' posters stick to them. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of legatees loading wood on a semi trailer near a white and blue car during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, wood, semi trailers, cars

Bluthner piano dated 1889 (patent no. 32310). PWD engraved imprint to wood. "The Bluthner grand piano came second-hand to the Chalet in 1920 when it was obtained by lessee, Hilda Samsing. This high quality German piano, which stands out as an item of individual significance, is now one of the oldest furnishings in the Chalet. When it was acquired in 1920, the Chalet already had a Beale brand upright piano which had been at the Chalet from the earliest days." (Pg. 77 Historica. 2011) 'A photograph taken of the Music Room (also known as the Drawing Room) between 1920 and 1924, when Hilda Samsing was lessee is one of the earliest known photographs of the Chalet's lounge areas. Published in the undated promotional booklet, Victoria's Wonderland Mount Buffalo, it shows 'A corner of the music room'... On the right, is the Chalet's second piano, which was purchased second-hand in 1920 from Gardner & Lang in Swanston Street, Melbourne. This impressive grand piano of walnut wood still stands in the Chalets Music Room. It was made in the world-famous factory of Julius Bluthner, in Leipzig, Germany, which has made Bluthner pianos since 1853 for numerous royals, composers, conductors, artists, authors and performers including Brahms, Mahler, Bartok, Debussy, Wagner, Strauss, Tchaikovsky and Rachmaninoff. The present stool is not part of the ensemble." ( Pg. 42. Historica )Listed in Draft Inventory of Significant Collection Items. Appendix A.1. Furnishings, Lounges and Hallways (Pg 163. Historica"Bluthner" grand piano made from walnut wood with accomanying wooden stool.(not matching). Piano features three large turned and carved legs on brass castors. Pedals on piano are solid brass, surrounded by carved and turned wooden pedal stand. Stool seat slants towards piano and two plain stretchers support four curved legs. Has 'PWD' stamped on it. PWD engraved imprint to wood.

This hymn board is attached to the wall. Numbers referring to the hymn or hymns for the current religious service would have been placed onto the rails and would be visible to the congregation. It is used for showing the hymn number or numbers that will be sung during the service. This hymn board was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This hymn board is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Hymn board; arch-shaped wooden board with relief decorative wood and decorative cross on top of the peak. The word 'hymns' is raised in decorative wood on the top. The board has six rails. This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.Carved into the wood "hymns"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, anglican church, flying angel club, hymn board, song board, religious worship, worship service, worship music

Bowl and lid made from the wood of the SS 'HYGEA' Plate ' MADE FROM / THE WOOD OF / THE SS HYGEA

Sketches of John Woods long standing Stawell Politician, Member of Parliament 1800's.Original in State Library of VictoriaBlack and white photograph of a detailed sketch of the head of a male with short hair and trimmed beard.John Woods 79stawell

This set may have been carved by a seafarer and gifted to the mission.Carving and model making is one of the hobbies of many seafarers during long voyage.Wooden Fijian creamer and sugar bowl set with spoon. Creamer and sugar bowl both have Fiji style cravings in the wood stopping 3/4 of the way up the sugar bowl and 1/3 of the way up the creamer. Both have been stamped on the bottom which might possibly read "HEATED WOOD HANDCRAFT". Creamer also has "BULA FIJI" painted on the front in white paint.stamped on the bottom which might possibly read "HEATED WOOD HANDCRAFT". "BULA FIJI" written in white on side of creamer.wood, fiji, creamer, sugar bowl, spoon, carving, hobbies, seafarers, sailors, seamen

Small head and shoulders portrait photograph of a male with beard, photographer Wood near Town Hall corner of Bank & Clarendon Streets Emerald Hill Melbourne.Wood Emerald Hillphotograph, portrait, male

Owned by the Mundy family of Orbost district. The Mundy family were farmers / settlers in the Snowy River area since c. 1880s. The original Mundy family moved to a land "selection" at Betebolong in the early 1880's from Buchan. Mundy familyA roughing plane made of wood with a small blade, held together with metal bolts. Also called a grooving plough plane.WHM is stamped into the wood (WJM?)grooving-plane roughing-plane woodworking-tool

Spirit level, small, wood with metal around the ends and the glass levels. Comprises both verticle and horizontal levels. Horisontal level is divided into 2 by metal surround. Imperial measurements are impressed into wood on both sides of the ruler.Impreial measurements are impressed into the wood on both sides.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spirit level, cabinet making, wood working, wood working tool, building tool

Archbishop Frank Woods +Additional Keywords: Archbishop Frank WoodsWritten on catalogue cards, "Archbishop Frank Woods - 18/4/58". There is no documentation linking photograph to event in Ringwood. See also: Reg. no. 72 - "Photo from newspaper showing church dedication by Archbishop of Melbourne, Rev. Frank Woods - April 1958."

Round wooden chopping board made up of four individual planks of wood. Wood has possibly been reused for this purpose.Reser (?) (…) printed on wood. Ink has worn away and difficult to decipher.domestic items, food preparation, reser, chopping board, round, wooden

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This is the fifth issue.This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.Two copies of a magazine with an olive green and yellow coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in mauve print and at the bottom "1964". The cost is noted as 2/-. It contains historical articles, photographs and examples of children's work. . magazine-the-gap education omeo

James Hossack and his wife, Penuel, arrived from Scotland to Geelong on Christmas Day 1852. James and Penuel had one daughter, Penuel who married Robert Pullar Cameron at Orbost. They had two sons, James(1858) and George(1860). James Hossack farmed "Brooklands" which he bought from John Cameron The Hossack family was a prominent Orbost family with strong ties to the Presbyterian Church in Orbost. This item is a part of the Hossack family history.A black / white photograph of a family group with the mother seated on the left and the father on the right and twin girls standing between them. Three smaller children are seated in front. It is mounted on a grey buff card with the names written at the bottom.on front - "Charlotte, Jessie, Lizzie, James, Alex, Penuel & Jim Hossack"hossak-family-orbost

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat, cart

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white negative film, 120 format 6 x 6 black & white (no markings); 2 strips of 3 frames and 2 single framesbuildings, montsalvat

Black and white printbuildings, montsalvat

Black and white print mounted on cardbuildings, montsalvat

Saunders house No 391, Lot 10 Overbank Rd, Eltham (incorrectly listed as No. 105) https://alistairknox.org/buildings/334Black and white printalistair knox design, eltham, houses, octagonal house, overbank road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frameseltham north, lower road, progress road, road construction