Showing 519 items
matching ash
-
Bendigo Historical Society Inc.
Document - TOWN HALL, IN AID OF MILLION SHILLING APPEAL, 16 Nov. 1927
Town Hall, In Aid of Million Shilling Appeal (State Permanent Orchestra Fund). Under the Patronage of the mayor and Mayoress of Bendigo Cr. & Mrs J H Curnow. Liza Lehmann's 'In a Persian Garden' Words by Omar Khayyam, followed by a Concert. Held in Town Hall, Bendigo. Wednesday, Nov. 16th, 1927, 8pm. Personnel of Programme: Miss Dorothy Penfold, ARMC, Mrs F M Warne, Miss Jean Heazlewood, Miss Claire O'Keefe, Miss Lorna Cattran, Miss Mercia Wright, Miss B McQualter, Mr C F Warne, Mr Reg Hood, Mr A E Ash, Mr Harold Rodgers. Admission 3/3 and 2/2. Lipp Piano loaned by Allan's, furnishings loaned by Myers and Morley Johnsons. Programme. In a Persian Garden: A Song of Sunshine, Flower Song, Lend me your Aid, Thou art like a lovely Flower, Margaret at the Spinning Wheel, Prologue, With Verdure Clad, Page's Song, Thou art sweet peace, In this solemn hour.Bolton Print, Bendigoprogram, music, in aid of million shilling appeal, town hall, in aid of million shilling appeal (state permanent orchestra fund). under the patronage of the mayor and mayoress of bendigo cr. & mrs j h curnow. liza lehmann's 'in a persian garden' words by omar khayyam, followed by a concert. held in town hall, bendigo. nov. 16th, 1927, 8pm. personnel of programme: miss dorothy penfold, armc, mrs f m warne, miss jean heazlewood, miss claire o'keefe, miss lorna cattran, miss mercia wright, miss b mcqualter, mr c f warne, mr reg hood, mr a e ash, mr harold rodgers. piano loaned by allan's, furnishings loaned by myers & morley johnsons. programme. in a persian garden: a song of sunshine, flower song, lend me your aid, thou art like a lovely flower, margaret at the spinning wheel, prologue, with verdure clad, page's song, thou art sweet peace, in this solemn hour. -
Bendigo Historical Society Inc.
Document - BENDIGO YOUTH CHOIR COLLECTION: PROGRAMME ''DAS NAMENSFEST''
Programme: Bendigo Youth Choir presents ''Das Namensfest'' (The Grandfather's birthday party) by Sussmayr at the Bendigo Art Gallery on Saturday, 10th August, 1985 and Sunday 11th, August, 1985 at 7.00pm. Musical director: Valerie Broad Pianiste: Eileen Hetherington Soloist: Benjamin Fenselau, Luke Gallagher, Traude Beilharz, Marcus Mawby, David Evans, Paul Veitch, Russel Boivard, Jeni Fleay, Natalie Hetherington, Sonya Morrissey, Barnaby Breaden. Grandfather: Kevin Vallence. Choir members: Jane Ash, Holly Beazley, Jillian Boivard, Peter Campbell, Lyndon Carty, Lisette Curnow, Justine Dowdle, Jodi Elliot, Kara Every, Michael Ewart, Rachel Fenselau, Paula Fleay, Kirsten Fletcher, Matthew Garside, Lorinda Grant, Meagan Lee, Glenice McIntyre, Francis Fyffe, Simon Waugh, Janet Phillips, Rebecca Porter, Aleesa Pratt, Elizabeth Reid, Fiona Ritchie, Mary-Teresa Ritchie, Cindy Waugh, Alison Wells, Nicola Wells. Red bow tied to the top of the programme.clubs, music, youth choir -
Bendigo Military Museum
Photograph - Planeta Polygraph Printing Press operating at the Army Survey Regiment, c1970s to c1980s
These nine photographs of the Planeta Polygraph Printing Press were probably taken circa 1970s to 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The photos are not annotated except for .4P. The Planeta Polygraph Offset Printing Press was a two-colour offset press used to print Naval and medium format RAAF charts. The Planata Printing Press was one of the replacements for the George Mann Printing Presses. It was more reliable than the Komori Printing Press however procurement was difficult when spare parts were required. The Planeta Printing Press was built in East Germany and was in service at the Army Svy Regt from 1976 to 1994. It was replaced by the larger format Roland 8047B four colour Printing Press.This is a set of photographs of the Planeta Polygraph Printing Press operational at the Army Survey Regiment, Bendigo c1970s to c1980s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, c1980s, Lithographic Squadron .2) - Photo, black & white, c1980s, L to R: CPL Gary Kerr, Roy Hicks, Josh Degroot, Lithographic Squadron .3) - Photo, black & white, c c1970s, 1980s, George Austen, Lithographic Squadron .4) - Photo, black & white, c1970s, c1980s, George Austen, Lithographic Squadron .5) - Photo, black & white, c1980s, L to R: unidentified, Jim Ash, Lithographic Squadron .6) - Photo, black & white, c1970s, c1980s, Gary Kerr, Lithographic Squadron .7) - Photo, black & white, c1970s, c1980s, CPL Russ Mollenhauer, Lithographic Squadron .8) - Photo, black & white, c1980s, Stuart Ridge, Lithographic Squadron .9) - Photo, colour, c1970s, L to R: CAPT Gary Kenney, Peter Barrett, Ken Modra, Lithographic Squadron .1 – no annotation .2P to.5P – personnel annotated .6P to .9 – no annotation royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho -
Bendigo Historical Society Inc.
Document - GOLDEN AND CORINTHIAN LODGE, 1919
Golden and Corinthian Lodge No.7 Social Evening. Masonic Hall, Bendigo. June 4th 1919. Wor. Bro. Geo. Pethard, WM. Wor. Bro. G S Bisset, PSGD, Secretary. Reception by The Worshipful Master, Wor. Bro. Geo. Pethard and Mrs Pethard. Programme: The Martyrs of the Arena, My Love for Thee, Route Marchin', Ah fors-e-lui, Rose of Picardy, I Trust You Still, Tired Hands, O Star of Eve, In the Spring Time, Simple Simon, Come Where My Love Lies Dreaming, The Two Grenadiers, The King's Heroes, The Sailor's Grave, The Mulligan Musketeers. Singers: Golden Corinthian Choir, Bro. A E Ash, Bro. Thos. Prichard, Miss Irene Tinkler, Bro. J Carter, Bro. R H Payne, Miss Lyra Bain, Bro. W Brown, Bro. A Hamilton, A Armstrong. Musical Director: Wor. Bro. W Tinkler, P.J.G.D. Pianist: Bro. J H Whitford. Director of Ceremonies: R Wor. Bro. G S Rule, P.J.G.W. Programme is embossed across the top with pattern which includes what may be the symbol of the Lodge.Cambridge Press, Print, Bendigo.program, music, golden and corinthian lodge -
Flagstaff Hill Maritime Museum and Village
Container - Jar Base
Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.White ceramic container, glazed with single groove around circumference near lipNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics -
Eltham District Historical Society Inc
Photograph, Frank Stokes with daughters Dorothy (left) and Beryl (right) at Stokes Orchard, Nyora Road, Eltham, 1944, 1944
Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Representative of the orchard growing areas of ElthamDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1944, beryl bradbury (nee stokes), beryl bradbury (nee stokes) collection, dorothy stokes, eltham, frank stokes, nyora road, stokes orchard -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Peter Payne, Early 1930s to 1960s
Half-hull ship models were an important step in the process of building a vessel. Shipwrights or designers would construct a half-hull scale model of a ship before the vessel was built. They used it to ensure that the dimensions would work together and that the ship look balanced. They would often mount the half hull onto a board in their workshop. The half-hull ship models were also used to show prospective buyers how the design would work and look. Given the plywood construction of the model, it is believed to have been made around the 1930s as plywood construction had started in earnest in Queensland around this time and soon became the centre of the industry because of Queensland's attractive rain forest woods used which also included red cedar, silver ash, black bean, Queensland maple and silky oak. It is also believed the model was a design for a clinker-built barge to be built by Peter Payne who operated a boat building works on the Mordialloc Creek, Victoria going out of business in 1973. Records show Peter Paynes' first craft launched in 1962 and the last in 1973 from Mordialloc Creek works. However, he was one of the most prolific builders from the 1930s and produced many more vessels than the records currently show. There is at this point no further record of the subject model or whether a full version was ever built and for whom is not known at this time.A model that demonstrates the boat-building process is believed to have been made by Peter Payne or someone who worked in his yard. P Payne was a very well-known boating personality, vessel captain and boat builder throughout most of the 20th century. Model barge half hull on wooden of plywood laminated construction. Marked "AUXILIARY BARGE 80'x16'x6' 315 TONS 4" - 1 FOOT" "P and H PAYNE?" "22/E/26" flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model half hull, ship half model, shipbuilding, shipwright, ship design, peter payne, boat builder victoria, clinker design, barge -
Flagstaff Hill Maritime Museum and Village
Container - Bowl, Late 19th or early 20th Century
Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.Plain cream ceramic bowl with flat bottom inside. Shiny glaze fades to flat texture towards base. Possibly hand thrown pottery. No backstamp. Bad crazing and staining.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen equipment, spirit-fuelled sad iron, c1920
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. Late in the 19thC designers experimented with heat retaining fillings for these irons. William Coleman began selling Kerosene lanterns in 1900 in Kingfisher, Oklahoma, USA. He moved to Wichita, Kansas in 1902 and the company became world wide. The company also produced a range of cooking stoves and domestic irons. This spirit- fuelled flat iron was very popular in 1920s - 30s These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin ShireA) spirit- fuelled, sad iron with chrome plated sole c1920, and metal trivet The iron is blue enamel with a white speckled body, with a hemispherical tank for the Coleman 'Lighting Petrol' that provided the heat for smoothing the material B) Coleman Fuel measuring can and funnellMetal Trivet/stand " COLEMAN" ; Petrol can " COLEMAN" / MEASURING CAN / for INSTANT LIGHTING IRON/ with printed instructionssad iron, kitchen equipment, coleman william, kansas, oklahoma, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves, petrol fuelled irons, spirit flat irons, coleman lamp stove co. ltd. -
Cockatoo History & Heritage Group
Plaque, Cockatoo Kindergarten - Official Opening Plaque
In 1977 residents of Cockatoo built a kindergarten in McBride Street Cockatoo to service the growing population in the area. The building was officially opened on the 22nd of November of that year. Residents formed a Co-op, raised all the money to build the kinder along with lawn bowls and tennis sporting facilities for the town. No small feat, let alone for a town with a population of around 3000. The land was provided by the council for the kinder to use and that was their sole contribution to the building of the kinder. The unique building, was designed by Richard Allen and depicted a children's carousel. The design was to provide a feeling of enjoyment and friendship to the children who used the building. The large glass windows that were installed on the north-eastern side of the building made up 1/3 of the exterior wall. This overlooked the playground of the kinder making it easy to see the children at play from inside. The site of the building is in a dominant position and is highly visible to all who travel through Cockatoo. It was used as a child care facility right up until 2005. The kindergarten has recently been granted heritage listing after Cardinia Council started demolishing the building. The local community were successful in putting a halt to the demolition and saved the building. It will become an integral part of the Cockatoo Ash Wednesday memorial. Details on the fight to save the kinder building can be found at https://sites.google.com/site/cockatoosheritageashwednesday/ Brass Plaque, depicting the opening of the Cockatoo Kindergarten by the Shire of Pakenham Shire President - Cr OwenShire of Pakenham Cockatoo Kindergarten Officially Opened by Cr E A Owen J.P Shire President 22nd November 1977cockatoo, kindergarten opening, -
Federation University Art Collection
Ceramic, 'Ceramic Bowl' by Gwyn Hanssen Piggot, 1990
Gwyn HANSSEN PIGGOT (1935-11.07.2013) Born Ballarat Gwyn Hanssen Piggot completed a Bachelor of Fine Arts at Melbourne University in 1954. She spent three years apprenticed to Ivan McMeekin at Sturt Pottery, Mittagong, New South Wales. Between 1958 and 1965 Gwyn Hanssen Piggot worked at various potteries in the United Kingdom, including Winchcombe Pottery in Gloucestershire, Leach Pottery at St Ives, and Wenford Bridge Pottery and Aldermaston Pottery in Berkshire. In 1960 she established her own studio in London. The essence of her work is purity, simplicity and form. She worked with porcelain for strength and for its translucent nature, and fired with wood to add a dine ash bloom to glazes. In 1992 Gwyn Hanssen-Piggott visited the Ballarat School of Mines Ceramics students, under the direction if lecturers Neville French and Prue Venables In 1994 she was artist in residence at the Ballarat School of Mines for six months. Gwyn Hanson Piggott received the Order of Australia Medal in 2002. Born Gwynion Lawrie John at Ballarat on 01 January 1935, Gwyn Hanssen Pigott died in London on 11 July 2018 London where she was for a solo exhibition of her new work. This item was purchased by the Ballarat University College Acquisition Committee. It is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. A bowl by internationally renowned ceramicist Gwyn Hanssen-Piggott. Photograph: HStudioart, artwork, ceramics, bowl, ballarat, gwynn hanssen piggot -
Department of Energy, Environment and Climate Action
Spong Fuel Mincer
Used to prepare fuel samples to measure their moisture content. Representative samples of fine fuel such as bark, leaves, twigs etc were minced first through a course mincing plate, then a fine plate and the moisture content measured with a Speedy moisture meter or other device. The availability of fuel to burn depends largely on its moisture content. When it exceeds 20-25% not much will burn, whereas 12-15% is generally ideal for fuel reduction burning, but if the moisture content drops as low as 7-10% virtually everything will ignite, and fire behaviour becomes extreme. During the afternoon of the Ash Wednesday bushfires on 16 February 1983 fuel moisture contents were recorded at Stawell as low as 2.7%. Fine fuels like leaves and bark can rapidly absorb moisture after a shower of rain, or from the air when the Relative Humidity (RH) is high, and the temperature is low. Conversely, they can also dry out very quickly. So even though the overall fuel quantity in the forest doesn’t change, the fine fuel availability can increase rapidly from zero after rain to many tonnes per hectare as the fuel dries out. This can happen over a few hours on hot and windy days. Heavy fuels like logs on the ground take longer to dry out. Spong No 10 food mincerforests commission victoria (fcv), bushfire, forest measurement -
Eltham District Historical Society Inc
Photograph, Frank Stokes with his mother Florence (nee West) and children, Dorothy (left), David (centre) and Beryl (right), Stokes Orchard, Nyora Road, Eltham, c.1950, 1950c
Frank's mother Florence was visiting from England at the time. Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Representative of the orchard growing areas of ElthamDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1950, beryl bradbury (nee stokes), beryl bradbury (nee stokes) collection, david stokes, dorothy stokes, eltham, flatbed truck, florence stokes (nee west), frank stokes, nyora road, stokes orchard -
Eltham District Historical Society Inc
Photograph, The Stokes family home blanketed with snow, corner Nyora and Eucalyptus roads, Eltham, winter 1951, 1951
Taken from outside the family home on the southest corner of the intersection of Nyora Road and Pitt Street with Eucalyptus Road. Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Representative of the orchard growing areas of Eltham. One of the rare times it has snowed in ElthamDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1951, beryl bradbury (nee stokes) collection, eltham, eucalyptus road, nyora road, snow, stokes family home -
Puffing Billy Railway
Machine - Steam Locomotive, 1912
12A Built in 1912 and painted Canadian red & dark brown, this locomotive was issued to the Colac to Crowes line, but over the years saw service on all four lines. It was withdrawn from service in 1954 at Moe and sent to Newport Workshops for storage where it remained until 1972. After overhaul at Ballarat North Workshops, it was brought to Belgrave in 1973 where it saw continuous service until withdrawn in 1982 for a complete rebuild. It was returned to service in 1992 in close to its early 1940s condition with all-over Black livery. It will be returned to its post WWI condition with low bunker, narrow ash chute, steel cowcatcher and Canadian red livery. Loco: 12A In service Monday, 23rd December 1912 Livery Canadian red & dark brown Owner Puffing Billy Gauge 762mm / 2' 6" Status Preserved - Operational Service History: Oct 1912 - Colac - initial allocation of a new locomotive Oct 1912 - Nov 1916 Colac Jan 1917 - Jan 1919 UFTG. Mar 1920 - Wangaratta Jul 1920 - Sep 1925 Colac Jan 1926 - Aug 1926 Moe Sep 1926 - Oct 1937 UFTG. Mar 1938 - Mar 1943 Moe Aug 1943 - Dec 1946 UFTG. Mar 1947 - May 1948 Workshops Mar 1949 - Apr 1950 UFTG. May 1950 - Aug 1954 Moe Oct 1954 - Jul 1970 Workshops Aug 1973 - In service at Puffing Billy Railway Victorian Railways - Narrow Gauge NA class steam locomotive number 12A Dates that 12A worked on the Gembrook Line Jan-1917 to Mar-1920 Sep-1926 to Mar-1938 Aug-1945 to Mar-1947 Mar-1949 to May-1950 Aug-1973 - Returned to service. Oct-1977 - Transferred to ETRB ownership.Steam Locomotive 12Apuffing billy, 12a, victorian railways, narrow gauge, steam locomotive, na class -
Federation University Art Collection
Ceramic, Gwyn Hanssen Pigott, [Ceramic Grouping] by Gwyn Hanssen Pigott, 1990
Gwyn HANSSEN PIGOTT (1935 - 11 July 2013) Born Ballarat Gwyn Hanssen-Pigott completed a Bachelor of Fine Arts at Melbourne University in 1954. She spent three years apprenticed to Ivan McMeekin at Sturt Pottery, Mittagong, New South Wales. As a teenager she was taught to through by Neville Bunning, Ceramics lecturer at the Ballarat Technical Art School (a division of the Ballarat School of Mines). Between 1958 and 1965 Gwyn Hanssen-Piggott worked at various potteries in the United Kingdom, including Winchcombe Pottery in Gloucestershire, Leach Pottery at St Ives, and Wenford Bridge Pottery and Aldermaston Pottery in Berkshire. In 1960 she established her own studio in London. The essence of her work is purity, simplicity and form. She worked with porcelain for strength and for its translucent nature, and fired with wood to add a dine ash bloom to glazes. In 1992 Gwyn Hanssen-Piggott visited the Ballarat School of Mines Ceramics students, under the direction if lecturers Neville French and Prue Venables In 1994 she was artist in residence at the Ballarat School of Mines for six months. Gwyn Hanson Piggott received the Order of Australia Medal in 2002. Born Gwynion Lawrie John at Ballarat on 01 January 1935, Gwyn Hanssen Piggott died in London on 11 July 2018 London where she was for a solo exhibition of her new work. It is believed this work was presented at the time of Gwyn Hanssen Piggott's residencey in Ballarat.. It is part of the Federation University Art Collection which features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Australian Studio CeramicsA bottle and two tumblers by renowned ceramicist Gwyn Hanssen-Piggott. art, artwork, ceramics, bowl, ballarat, gwyn john, ballarat school of mines, gwyn hanssen pigott -
Bendigo Military Museum
Photograph - Lithographic Squadron Incident Response Exercise – Army Survey Regiment, Fortuna, Bendigo, 1987
This is a set of 10 photographs of This is a set of 10 photographs of Lithographic Squadron participating in an incident response exercise at the Army Survey Regiment, Fortuna Villa, Bendigo, in 1987. The incident exercise was held on the basketball court and the roadway from Lithographic Squadron up the hill to the back gate of Fortuna. Photos .9P and .10P were taken in the offices of Lithographic Squadron. In 1987 MAJ Mick Byrne was the OC of Lithographic Squadron and WO1 Trevor Osborne was probably the Squadron Sergeant Major (SSM).This is a set of 10 photographs of Lithographic Squadron participating in an incident response exercise at the Army Survey Regiment, Fortuna Villa, Bendigo, 1987. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 1987, L to R: unidentified, CPL Paul Baker, Steve Burke? .2) - Photo, colour, 1987, CPL Paul Baker. .3) - Photo, colour, 1987, SSGT Nick Collins RE (behind left door), unidentified personnel. .4) - Photo, colour, 1987, L to R: unidentified (x4), Gavin Neilson, unidentified (x5), Waldo Shirley, John Reid, unidentified. .5) - Photo, colour, 1987, unidentified personnel. .6) - Photo, colour, 1987, L to R: unidentified (x6), Lance Strudwick, SPR Janet Murray, SPR Colin Yeats, Alan Virtue. .7) - Photo, colour, 1987, unidentified personnel, Graham Hales on right. .8) - Photo, colour, 1987, L to R: John ‘Flash’ Anderson, Colin Campbell, Jim Ash, unidentified, Greg Rowe, Peter Dillon, Damien Nolan. .9) - Photo, colour, 1987, Lithographic Squadron OC - MAJ Mick Byrne. .10) - Photo, colour, 1987, Lithographic Squadron SSM - WO1 Trevor Osborne. .1P to .10P No annotations identifying personnel. Photos annotated ‘1987’ on back. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Military Museum
Photograph - Printer Technicians and other RASvy personnel at the Army Survey Regiment, c1980s
These ten photographs were probably taken circa 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Most of the photos were taken on the shop floor in the Print Room.This is a set of photographs of Printer Technicians and other RASvy personnel in Lithographic Squadron, Army Survey Regiment, Bendigo c1980s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1980s, WO2 Steve Egan, Lithographic Squadron .2) - Photo, black & white, c1980s, WO2 Jeff Lynch, Lithographic Squadron .3) - Photo, colour, c1980s, SPR Peter Dillon, Lithographic Squadron .4) - Photo, black & white, c1980s, L to R: Peter Dillon, unidentified, Lithographic Squadron .5) - Photo, black & white, c1980s, L to R: SPR Colin Yeats, SPR Graeme Spong, CPL Peter Dillon, Lithographic Squadron .6) - Photo, black & white, c1980s, L to R: SPR Colin Yeats, WO2 Ralph Chant, Lithographic Squadron .7) - Photo, black & white, c1980s, L to R: Dale Hudson, Mark ‘Dogs’ Doherty, Lithographic Squadron .8) - Photo, black & white, c1980s, L to R: SGT Greg Rowe, WO1 Trevor Osborne, Dale Hudson, Lithographic Squadron .9) - Photo, black & white, c1980s, L to R: unidentified, SGT Kim Reynolds, Shane ‘Soupy’ Campbell, Lithographic Squadron .10) - Photo, colour, 1987, L to R: Jim Ash, Daryl South, Jeff Willey, unidentified, Lithographic Squadron.1P to .4P – not annotated .5P - annotated on front with ‘I AM BROKE, I’M NOT and me neither’, annotated on back with ‘Curly Larry Moe’ .6P to .9P – not annotated .10P – annotated with dateroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing -
Eltham District Historical Society Inc
Photograph, Stokes family with horse and sled, Nyora Road, Eltham, c.1950, 1950c
Taken from outside the family home on the southest corner of the intersection of Nyora Road and Pitt Street with Eucalyptus Road, looking northeast across the Stokes Orchard Frank Stokes with children, Dorothy (left), Beryl and David Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Representative of the orchard growing areas of ElthamDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1950, beryl bradbury (nee stokes), beryl bradbury (nee stokes) collection, david stokes, dorothy stokes, eltham, frank stokes, horse, nyora road, sled, stokes orchard -
Eltham District Historical Society Inc
Photograph, Looking south towards Nyora Road, Eltham, 1977, 1977
Viewed from near the end of Stokes Place where the linear reserve now runs between 8 and 9 Stokes Place just visible through trees in foreground, 24 Nyora with red roof is the first house in middle of view. Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Housing development in Eltham as an extension to the Woodridge EstateDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1977, beryl bradbury (nee stokes) collection, nyora road, stokes orchard estate, stokes place -
Eltham District Historical Society Inc
Photograph, Stokes Place, Eltham, July 1977, July 1977
Viewed from near the end of Stokes Place where the linear reserve now runs between 8 and 9 Stokes Place looking slightly east of south towards Nyora Road. The new Christian Church on Nyora now the Baptist Church visible in middle view. Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Housing development in Eltham as an extension to the Woodridge EstateDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1977-07, beryl bradbury (nee stokes) collection, eltham, eltham christian church, stokes orchard estate, stokes place -
Federation University Historical Collection
Booklet - Booklet - Prospectus, McCarron, Bird and Co. Printers, Collins Street, Melbourne Junior Technical School, Prospectus, 1917, 1917
Used at Ballarat School of Mines and Industries. The Melbourne Junior Technical School opened in 1912. It was a School for Junior Technical Work in Science, Art and Trade.` Information about aim of school, constitution, council, day courses, scholarships, holidays, evening courses, regulations, rules, sports, staff, students and syllabus. The first page is a Roll of Honor. Teachers and students who have enlisted in the A I F - First World War - are named. Those who have been killed in action, died or wounded are identified. Teachers - Maj. G M Nicholas (killed in action), R Hudspeth, E Harris, K B Nelson. Students - Lieut. H D Harvey (wounded), C Ash, A Addicoate (died), W H Barkley, H A Barker, L A Baker, R B Brisbane, W Berryman, G T R Cooper (wounded), D Clarke, A H Cheetham, A Ferguson, N L Ferguson, L Falconer, J A Fontaine, E A Geach, V E Hall, A J T Hamilton, I J Lang, C Leith, T R Lydster, R Morley, Gordon W Morrison, H K McNeill, N McCormick, W McConnochie, G F Nicholson, A L Nixon, T Nesbitt ( killed in action), E S Pugh, H P Philpott, R Quirk, R Shaw, J V Shelton, G W Stevens, W H Suttie, J Stewart (died), E Sharp, F W Schultz, D N Turpie, J Tyson, H Turner (died), A Woodgate, W R White, A G Wilson, H R York. Brown soft covered booklet with crest with information on teachers, students, aim of the school, compulsory drill, council, courses, fees, hours, holidays, map of the school, roll of honor and subjects. It includes photographs of the day school students, experimental science, sheet-metal work, woodwork, science workshop, modelling, blacksmithing and a drawing of the Working Men's Collegemelbourne, melbourne junior technical school, prospectus, principal, p mccormick, senior master, w bruce, trades, c greenhill, e harris, r kinross, c juncken, a dunstan, w hudspeth, e willison, a lawson, c blacker, r dannatt, mathematics, d j morris, g w irving, miss r m lewis, english, a j hauser, g a taylor, miss k e lamrock, i taylor, science, r a white, h carr, j connellan, t e kilshaw, a thomas, art, w gilmore, j n rowell, f g blachshaw, physical culture, lieut w hudspeth -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen equipment, gas-fuelled flat iron, c1900 - 30
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. Thomas Fletcher (1840-1903). By 1880s he had a gas appliance manufactory in Thynne Street, Warrington. By 1895 the company had become Fletcher Russell and Co Gas Engineers, his firm having merged with Alexander and William Russell of Pendleton Iron Works. Circa 1950, the firm merged into Radiation Ltd which was later acquired by 'TI New World'; 1902: Fletcher, Russell & Co. Ltd., Palatine Works, Warrington In 1880 gas -fuelled irons were connected by rubber tubing to the gas light-fittings of the house or to gas canisters. However , not many houses had access to a gas supply until much later and this iron was popular in 1920’sThese sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin Shire.A gas-fuelled flat iron, made in USA , It would have been attached to a gas hose fitting that was also used at night for light in the house. There is a small chimney to allow for air and to try to control the amount of heat in the iron. A 'shield' is under the leather covered handle to protect the user's hand from the heat, however it is made of copper metal - a heat conductor.FLETCHER RUSSELL CO. / LIM/ PATENT/ WARRINGTON on right side of handle 'Registered' on left side of handle ' Fletcher Russell Co L / Warrington, Manchester / & London.sad iron, kitchen equipment, fletcher russell co. ltd., england, warrington, manchester, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves, domestic gas supply, gas-light, gas cannisters -
Forests Commission Retired Personnel Association (FCRPA)
Delayed Action Incendiary Device (DAID), Bryant and May - Richmond, Large double ended match
The Forests Commission developed the use of helicopters for aerial ignition from the mid 1960s. Bryant and May at Richmond worked with the Commission to develop a Delayed Action Incendiary Device. DAIDs as the were known, had an overall length of 180 mm, striker end length - 10 mm. Ignition end length - 80 mm, then a layer of high melting point wax (to prevent accidental ignition when rubbing together in transit). Both ends coated with a modified match head compound with safety fuse exposed length between coated match ends. There was a 17-second delay from when the small end was struck to an intense flaming of the large end, which lasted for 40 seconds. DAIDs were dangerous so were stored in a metal box outside the helicopter along with a disposable striker patch attached with a quick release pin to a special half-door. The first test was with a Bell 47G on 4 October 1967 and the first use, anywhere in the world, of DAIDs to backburn a large bushfire was undertaken in north eastern Victoria in February 1968. There was a crash of an FCV helicopter conducting aerial ignition near Wandiligong on 19 April 1978 with the tragic death of two forest officers and their pilot. The crash led to the immediate end of the use of DAIDs and the adoption of the safer Premo ping-pong ball incendiary machine which originally came from Canada but was modified at the Altona workshops. Overall, the development of aerial ignition techniques by the Forests Commission from the mid-1960s resulted in a steady climb in the area burnt each year…. peaking at 477,000 ha in 1980-81 and with an impressive 10-year rolling average of 220,000 ha around the time of 1983 Ash Wednesday Bushfires.Developed in Victoria for aerial ignitionLarge double ended match used for aerial ignition and back burning by dropping from a helicopterbushfire, forests commission victoria (fcv) -
Department of Energy, Environment and Climate Action
Delayed Action Incendiary Device (DAID)
The Forests Commission developed the use of helicopters for aerial ignition from the mid 1960s. Bryant and May at Richmond worked with the Commission to develop a Delayed Action Incendiary Device. DAIDs as the were known, had an overall length of 180 mm, striker end length - 10 mm. Ignition end length - 80 mm, then a layer of high melting point wax (to prevent accidental ignition when rubbing together in transit). Both ends coated with a modified match head compound with safety fuse exposed length between coated match ends. There was a 17-second delay from when the small end was struck to an intense flaming of the large end, which lasted for 40 seconds. DAIDs were dangerous so were stored in a metal box outside the helicopter along with a disposable striker patch attached with a quick release pin to a special half-door. The first test was with a Bell 47G on 4 October 1967 and the first use, anywhere in the world, of DAIDs to backburn a large bushfire was undertaken in north eastern Victoria in February 1968. There was a crash of an FCV helicopter conducting aerial ignition near Wandiligong on 19 April 1978 with the tragic death of two forest officers and their pilot. The crash led to the immediate end of the use of DAIDs and the adoption of the safer Premo ping-pong ball incendiary machine which originally came from Canada but was modified at the Altona workshops. Overall, the development of aerial ignition techniques by the Forests Commission from the mid-1960s resulted in a steady climb in the area burnt each year…. peaking at 477,000 ha in 1980-81 and with an impressive 10-year rolling average of 220,000 ha around the time of 1983 Ash Wednesday Bushfires.Developed in Victoria for aerial ignition by the FCV and Byant & MayLarge double ended match used for aerial ignition and back burning by dropping from a helicopterforests commission victoria (fcv), bushfire, planned burning -
Eltham District Historical Society Inc
Photograph, Stokes family, Nyora Road, Eltham, c.1952, 1952c
Taken from outside the family home on the southest corner of the intersection of Nyora Road and Pitt Street with Eucalyptus Road, looking northeast across the Stokes Orchard L-R: David, Howard, Beryl (kneeling), Dorothy and Gladys Stokes with Gladys's mother sitting in Gladys's father's car with Spot the dog, Nyora Road, Eltham, c.1952 Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Representative of the orchard growing areas of ElthamDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1948-1951 vauxhall velox, 1948-1951 vauxhall wyvern, 1952, beryl bradbury (nee stokes), beryl bradbury (nee stokes) collection, david stokes, dorothy stokes, eltham, gladys stokes, nyora road, spot (dog), stokes orchard -
Bendigo Military Museum
Photograph - Cartographic Squadron, Army Survey Regiment, Fortuna, Bendigo, c1985
This is believed to be a photograph of Cartographic Squadron, one of the Army Survey Regiment’s squadrons at Fortuna, Bendigo. It was probably taken on Corps Day in July 1985 as its members appear in winter dress. Cartographic technician tasks undertaken by Cartographic Squadron at that time were scribing, compiling, retouching, masking, type setting, type stickup, terrain embossing, correcting and proving quality control. This is a photograph of Cartographic Squadron taken at the Army Survey Regiment, Fortuna, Bendigo. c1985. The black and white photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 600 dpi. .1) - Photo, black & white, 1985, Cartographic Squadron, Army Survey Regiment. Back Row L to R: CPL Dave Cook, SPR John Keely, CPL Perry Burt, CPL Terry ‘TJ’ Wicker, CPL Roger Pearson, CPL Simon ‘Andy’ Capp, CPL Paul Richards, SPR Owen Jones, SPR Bjorn Sakariassen, CPL Graeme Priestley, SPR Roger Graf, SPR Robin Marshall, SGT Paul Hopes. Middle Row L to R: SPR Max Watson, CPL Doug Home, SGT Mick Flynn, SGT Alan Staley, CPL John Reid, SPR Denise (Muldoon) Marshall, CPL Mark Casey, SGT Greg Anderson, SPR Leah (Hoffman) Peppler, SPR Gayle Humphrey, CPL John ‘Stormy’ Tempest, SGT Paul Leskovec CSM, SGT Graeme Dowd, SPR Tracy (Parker) Ash. Front Row L to R: SGT John Zuringer, SSGT Adrian ‘Charlie’ Creedy, SSGT Dennis McCarthy, SSGT Ian ‘Rock’ Thistleton, SSGT Trevor Pearson, WO2 Russ Larsen, WO1 Doug Arman, MAJ Terry Edwards, WO1 Bill Griggs, WO1 Dick Manley, SSGT Tony Harder RE (UK Exchange), SSGT Doug Gay, SGT Tim Allanson, SGT Dennis Learmonth.No personnel are identified. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, carto, asr -
Stawell Historical Society Inc
Instrument - Realia, Engineering Instruments from Northern Grampians Shire
1: Small cardboard box with lid containing Silver distance Measurer. This was used for Measuring distances on plans.(Planimeter) 2: Cardboard Box without lid containing three plumbobs: One large turned brass: one small turned metal. One circular silver coloured metal complete with string and winding board. These were used to locate survey equipment above a fixed point. 3: Timber ( Vic Ash?) dovetailed box with brass hinged lid and brass swing catches containing plywood templates called railway curves, used for drawing curves on plans. 4: Cardboard box with lid containing Allbrit panimeter in Bakelite/plastic box with silver metal hinges and catches "Shire of Kara Kara" inscribed on the box. The box contains the original Instructions. The Planimeter was used for calculating areas of Irregular shapes and used for estimating quantities from plans of cut and fill projects, as one example. 5: Timber Box with brass hinges and swing catches wand leather carry Strap containing one set of self adjusting level made by E.R. Watts and Son, London England. Paper label on the inside "Shire of Stawell". Also had paper instructions pasted to the inner lid. The level was used for taking Ground Levels. The first 3 have been in use up until the 1990's, when computer drafting took over the role of these instruments with greater speed and accuracy. The dumpy level would have been superseded in the 1980's when automatic levels became cheaper, and were more accurate. stawell -
Bendigo Military Museum
Photograph - Lithographic Squadron Group Photos, Army Survey Regiment, Fortuna Villa, Bendigo, 1985
This set of two group photographs of Lithographic Squadron personnel at the Army Survey Regiment, Fortuna Villa, Bendigo probably taken on the 27th of June 1985. On this day Lithographic Squadron was participating in the Army Survey Regiment’s Freedom of Entry Parade rehearsals at Bendigo’s Queen Elizabeth Oval. See item 6470.30P for photos of the parade rehearsals.This is a set of two group photographs of Lithographic Squadron personnel at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria probably taken on the 27th of June 1985. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) &.2) - Photo, black & white, 1985. Back row L to R: Peter Coombes, John Bateman, Warren ‘Waldo’ Shirley, unidentified, Paul Baker, Steve Burke, Terry Winzar, Terry King, Garren Hill. 4th row L to R: unidentified, Roy Hicks, Le-Anne (Smallshaw) Shirley, Greg Kidman, Gary Drummond, Jim Ash, Graham Hales, Dale Hudson, Bill Jones, Per Andersen, Gavin Neilson. 3rd row L to R: unidentified, Don Williams, Graham Johnston – obscured, Mark ‘Dogs’ Doherty, unidentified, Daryl South, John ‘Flash’ Anderson, unidentified, Lance Strudwick, Chad Hardwick. 2nd row L to R: Peter Barrett, Mick ‘Buddha’ Ellis, Ken Peters, Garry Hudson, Greg Rowe, Kim Reynolds, Peter Dillon, Brian Fauth, Rob Jones, Kerron South, CPL Martin Van De Maele, Steve Egan. Front row L to R: Bronwyn Jones, Dave, Trevor Osborne, unidentified, John South, OC MAJ Peter Raue, Brenton McDonald, Noel ‘Nesty’ Coulthard, George Austen, Gae (Robinson) Amato.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn, litho -
Melbourne Tram Museum
Document - Specification, McCarty Underwood & Co, "Hawthorn Tramways Trust Specification of Car Bodies Contract No. 12", 1915
1579.1 - Bound specification - 20 sheets - stapled within brown paper covers and sealed with black tape on the left hand side. Titled "Hawthorn Tramways Trust Specification of Car Bodies Contract No. 12". Gives the General conditions of the contract, specifications and forms for tendering. Prepared by McCarty Underwood & Co. Consulting Engineers 31 Queen St Melbourne. Contains completed tender forms, prices and some minor initialled alterations to the tender. The document is the HTT or Trusts copy of the tender and it has been signed by Duncan and Fraser and the HTT and on the rear sheet has the seal of the Trust. Gives prices and dates for delivery of 10 bogie and 9 combination (4 wheel) tramcar bodies. .2 - letter - typed on quarto paper - from Duncan & Fraser dated 13/4/1915 - advising that they had posted their tender document and questioning the type of "Ash" timber to be used. Has been endorsed on the left hand margin as item G referred to in the tender document. .3 - letter - typed on quarto paper - from Duncan & Fraser dated 13/4/1915 - advising that they had instructed the National Bank of Australasia to hand you the fixed deposit, but it had been sent to Adelaide in error. Letter enclosed the deposit receipt. .4 - Receipt on pre-printed receipt paper with a South Australian Government duty stamped impressed into the paper on the right hand edge, with an adhesive strip on the rear of the left hand side. Dated 26 May 1916 - received from the Hawthorn Tramways Trust the Fixed Deposit and interest.On the top cover in ink or pencil "Duncan & Fraser / Tramcar contract / Trusts Copy"trams, tramways, htt, hawthorn, duncan fraser, tramcars, bogie trams