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Federation University Art Collection
Ceramic - Artwork - Ceramics, Ana-Gama Wood Fired Iron Stoneware Pot by Les Clough, c1982
Les CLOUGH Les Clough was a Diploma Student at the Gippsland Institute of Advanced Education from 1979 to 1982. This work is part of the Jan Feder Memorial Ceramics Collection. It was presented to the collection by Les Clough. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.les clough, ceramics, artwork, artist, jan feder memorial ceramics collection, alumni -
Lilydale RSL Sub Branch
Book, Mametz Wood - Somme, 1999
Book -
University of Melbourne, Burnley Campus Archives
Slide - 35mm Colour slides, MIY Toslear Wood Decay Trial T.B. Ovens Rust
March, April and May no dates.arboriculture, wood decay, ovens rust -
Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Say It &Smithy In The Wood
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Smithy In The Wood&Turkish Patrol
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Melton City Libraries
Photograph, Heather Marjorie Barrie - [Wood], , Peter Ernest Barrie and Wendy Elizabeth Barrie, Unknown
Ernest Wesley BARRIE and Eva Edna MYERS's childrenlocal identities -
Kilmore Historical Society
Tool - Shoe stretcher, Metal and wood shoe stretcher
Wooden tor puff. Metal tight spring joining wooden heel ball. Hollowed in the sole of toe puff2/325/4 on hollowed toe puff -
Camberwell Historical Society
Book, Legacy in Sculptured Wood: an appreciation of the work of John Kendrick Blogg 1851-1936, 1993
Biography of John Kendrick Blogg and on woodcarving. Contains article on 'The Art of Woodcarving' by John K. Blogg. First published 1993. sculpture, woodcarving -
Wodonga & District Historical Society Inc
Decorative object - Bracelet from the Sarah Coventry jewellery range, "Wood Nymph" collection, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bracelet has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal bracelet with six small brown oval faux stones"SARAH COV" on the back of the clasp.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, bracelet, bracelets -
Victorian Railway History Library
Book, Britannia Creek an Essay in Wood Distillation, 1986
A history of the Wood distillation works and tramway at Britannia Creek near Yarra Junction in the Warburton district of Victoria.index, ill, maps, p.130.non-fictionA history of the Wood distillation works and tramway at Britannia Creek near Yarra Junction in the Warburton district of Victoria.narrow gauge railroads - australia - history, timber tramways - australia - history -
Heidelberg Golf Club
Leisure object - Golf club, Ted Naismith No.1 wood, 1933-1935
Ted Naismith was the golf professional at Heidelberg Golf Club 1933-1935. This club is inscribed with his name and that of the HGCMetal shaft and wooden head, leather grip.On brass plate on base of head: "Ted Naismith Heidelberg Golf Club 1"heidelberg golf club, ted naismith, golf clubs, woods, golf professionals -
Heidelberg Golf Club
Leisure object - Golf club, Harry Alexander No.1 wood, 1927-1932
Previously greenkeeper at Yarra Yarra Golf Club, Harry Alexander joined Heidelberg Golf Club in June 1927 to 'set out the new links'. He was the golf professional at HGC from 1927-1932. This club is inscribed with his name and that of the HGCMetal shaft and wooden head, leather grip.On brass plate on base of head: "H. Alexander Heidelberg Golf Club 1"heidelberg golf club, golf clubs, woods, harry alexander, golf professionals -
Heidelberg Golf Club
Leisure object - Golf club, Walter Hagen No.3 wood
Walter Hagen (1892-1969) was a professional golfer who won 11 majors. He designed golf clubs for Wilson.Metal shaft and wooden head, rubber grip.Carved on base of head: "Walter Hagen WH 3"heidelberg golf club, golf clubs, woods, golf professionals, walter hagen -
Heidelberg Golf Club
Leisure object - Golf club, Walter Hagen No.4 wood
Walter Hagen (1892-1969) was a professional golfer who won 11 majors. He designed golf clubs for Wilson.Metal shaft and wooden head, rubber grip.Carved on base of head: "Walter Hagen 4"heidelberg golf club, golf clubs, woods, golf professionals, walter hagen -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.3 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft with plastic coating to resemble hickory (damaged), wooden head and leather grip.Brass plate on base of head: "Don Walker Heidelberg Golf Club Hand Made 3".heidelberg golf club, golf clubs, woods, golf professionals, don walker -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.4 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft, wooden head and leather grip.Brass plate on base of head: "Don Walker Heidelberg Golf Club Hand Made 4"heidelberg golf club, golf clubs, woods, golf professionals, don walker -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.2 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft, wooden head and leather grip.Brass plate on base of head: "2"heidelberg golf club, golf clubs, woods, golf professionals, don walker -
University of Melbourne, Burnley Campus Archives
Letter, Correspondence, 1991
Letter from David Ashtondavid ashton -
The Beechworth Burke Museum
Photograph, Before 1918
Depicted is James Ashton (also known as Jim Ashton), a circus proprietor, crouched beside a seated small girl (or a lady with dwarfism). The two are dressed in formal attire, James is wearing a wide-brimmed hat, and together with the girl holding a small bouquet of flowers.James Ashton was the son of James Henry Ashton. James Henry Ashton founded Ashton Circus in the early 1800s, well before Federation. For over 160 years Ashton Circus has travelled to both regional towns and big cities, bringing joy to the people of Australia. Generations of the Ashtons crossed desserts and flooded rivers, drove over snow-covered mountains, fended off bushrangers, and even ventured where there were no roads to reach the communities that have loved and inspired our family of performers for over a century. People came from all around to enjoy Ashton Circus. In the 1800s, Ned Kelly watched our show on a number of occasions and even enjoyed tea with the performers after the show. The Ashton Family has grown and changed over eight generations since James Henry Ashton started his circus. Our family continues this great tradition, proud that we still bring affordable family entertainment to our fellow Australians. Today, the 4th, 5th, 6th, 7th and 8th generations of the Ashton family are still on tour, operating three individual circuses throughout Australia- each of having grown from the same roots.Black and white oval reproduced photograph printed on rectangular paper mounted on cardboardObverse: Jim Ashton was the first generation in Aus-/ tralia. His father came out in the 1840's and/ established a circus that toured the country. (printed)/ Reverse: 1997.2560 (in pencil)/ about 1860 (in blue pen)/ A02560 (in pencil)/entertainment album, burke museum, beechworth, circus, ashton circus, james ashton, jim ashton -
Ballarat Tramway Museum
Book, "The Brighton Electric Line", 1956, 1958
.1 - Twenty page booklet on the history of the Brighton Electric Line by Leon Marshall-Wood, published 1956. Gives a brief history of the electric tramway operated by the Victorian Railways between St. Kilda Station and the Brighton Beach railway station, that commenced operation in 1905. The booklet was priced 2/-, published by the Traction Publications. Has 18 photographs, map 1905 and present day (when printed), rolling stock roster and notes and on the rear cover has details of the AETA. Front cover has horizontal crimson stripes. Has details of the AETA on the back cover and listing of some publications. Second copy from Ian Stanley added 24-1-2016. .2 - as for above - second edition, 1958, similar text, different photo layout and different front cover photo. See Reg Item 7631i for a scan of the 1966 edition.On front cover of first copy of .1 - top right hand corner; "N.Z.R.L.S / with compliments" and initials. Under title of book, "Price to Society 18/- Aust. per doz. / Retails 2/-" On page 3 of second copy of .1 - "Ian J Stanley 28 Park Road, South Camberwell, SE6, BK3746" On page 3 of .2 - "Ian J Stanley" in ink.trams, tramways, vr, melbourne, brighton, st kilda -
Parks Victoria - Mount Buffalo Chalet
Piano and stool
Bluthner piano dated 1889 (patent no. 32310). PWD engraved imprint to wood. "The Bluthner grand piano came second-hand to the Chalet in 1920 when it was obtained by lessee, Hilda Samsing. This high quality German piano, which stands out as an item of individual significance, is now one of the oldest furnishings in the Chalet. When it was acquired in 1920, the Chalet already had a Beale brand upright piano which had been at the Chalet from the earliest days." (Pg. 77 Historica. 2011) 'A photograph taken of the Music Room (also known as the Drawing Room) between 1920 and 1924, when Hilda Samsing was lessee is one of the earliest known photographs of the Chalet's lounge areas. Published in the undated promotional booklet, Victoria's Wonderland Mount Buffalo, it shows 'A corner of the music room'... On the right, is the Chalet's second piano, which was purchased second-hand in 1920 from Gardner & Lang in Swanston Street, Melbourne. This impressive grand piano of walnut wood still stands in the Chalets Music Room. It was made in the world-famous factory of Julius Bluthner, in Leipzig, Germany, which has made Bluthner pianos since 1853 for numerous royals, composers, conductors, artists, authors and performers including Brahms, Mahler, Bartok, Debussy, Wagner, Strauss, Tchaikovsky and Rachmaninoff. The present stool is not part of the ensemble." ( Pg. 42. Historica )Listed in Draft Inventory of Significant Collection Items. Appendix A.1. Furnishings, Lounges and Hallways (Pg 163. Historica"Bluthner" grand piano made from walnut wood with accomanying wooden stool.(not matching). Piano features three large turned and carved legs on brass castors. Pedals on piano are solid brass, surrounded by carved and turned wooden pedal stand. Stool seat slants towards piano and two plain stretchers support four curved legs. Has 'PWD' stamped on it. PWD engraved imprint to wood. -
Flagstaff Hill Maritime Museum and Village
Furniture - Hymn Board, 29th century
This hymn board is attached to the wall. Numbers referring to the hymn or hymns for the current religious service would have been placed onto the rails and would be visible to the congregation. It is used for showing the hymn number or numbers that will be sung during the service. This hymn board was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This hymn board is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Hymn board; arch-shaped wooden board with relief decorative wood and decorative cross on top of the peak. The word 'hymns' is raised in decorative wood on the top. The board has six rails. This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.Carved into the wood "hymns"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, anglican church, flying angel club, hymn board, song board -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured objects, wood from SS 'Hygea', c1940
Bowl and lid made from the wood of the SS 'HYGEA' Plate ' MADE FROM / THE WOOD OF / THE SS HYGEA -
Bendigo Historical Society Inc.
Photograph - SMALL PORTRAIT PHOTOGRAPH OF MALE
Small head and shoulders portrait photograph of a male with beard, photographer Wood near Town Hall corner of Bank & Clarendon Streets Emerald Hill Melbourne.Wood Emerald Hillphotograph, portrait, male -
Orbost & District Historical Society
roughing plane, c. 1890 - 1950
Owned by the Mundy family of Orbost district. The Mundy family were farmers / settlers in the Snowy River area since c. 1880s. The original Mundy family moved to a land "selection" at Betebolong in the early 1880's from Buchan. Mundy familyA roughing plane made of wood with a small blade, held together with metal bolts. Also called a grooving plough plane.WHM is stamped into the wood (WJM?)grooving-plane roughing-plane woodworking-tool -
Port Melbourne Historical & Preservation Society
Photograph - Relating to William and Charlotte Ashton, 1900s
Copies of original photos .01 - William and Charlotte Ashton (colour) .02 - Home of William and Charlotte Ashton at 11 Seissman St, Port Melbourne before 1911 (faded black and white) .03 - Heath Hill, 184 Dow St, Port Melbourne; lived in by W & C Ashton after 1911 (probably), home of Fred Nicholson 2012 (sepia) .04 - Blacksmith shop 202 Bay St, Port Melbourne; belonging to Tom and William Ashton; also a sweet shop run by Charlotte Ashton.built environment - domestic, built environment - commercial, business and traders, families, william ashton, charlotte ashton, tom ashton -
Flagstaff Hill Maritime Museum and Village
Spirit level
Spirit level, small, wood with metal around the ends and the glass levels. Comprises both verticle and horizontal levels. Horisontal level is divided into 2 by metal surround. Imperial measurements are impressed into wood on both sides of the ruler.Impreial measurements are impressed into the wood on both sides.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spirit level, cabinet making, wood working, wood working tool, building tool -
Creswick Campus Historical Collection - University of Melbourne
Sample, 1957
River red gum (E.Camuldelensis) hitching post. Specimen removed from the front of the Bank of NSW Creswick, 1957Wood SpecimenNote the wasting and decay of wood within one foot of ground level. Date of installation unknown. -
Ringwood and District Historical Society
Photograph, Anglican Bishop, later Archbishop Frank Woods - 1958, 1958
Archbishop Frank Woods +Additional Keywords: Archbishop Frank WoodsWritten on catalogue cards, "Archbishop Frank Woods - 18/4/58". There is no documentation linking photograph to event in Ringwood. See also: Reg. no. 72 - "Photo from newspaper showing church dedication by Archbishop of Melbourne, Rev. Frank Woods - April 1958." -
Friends of Westgarthtown
Barrel lid
Round wooden chopping board made up of four individual planks of wood. Wood has possibly been reused for this purpose.Reser (?) (…) printed on wood. Ink has worn away and difficult to decipher.domestic items, food preparation, reser, chopping board, round, wooden