The Children's Cottages at Kew were first opened in 1887 as the "Idiot Ward" of Kew Asylum. Located on the asylum's grounds, the children's cottages were established to provide separate accommodation for child inmates who had previously been housed with adult patients. Although the Cottages only admitted children as patients, many of those children remained in residence at the Cottages as adults. The function of the institution was to provide accommodation and educational instruction for intellectually disabled children. Some Wards of the State and other various "difficult" children were also admitted.Shortly after opening, the Idiot Ward began functioning separately from the Kew Lunatic Asylum, and became known as the Kew Idiot Asylum from 1887 until c.1929. From 1929 they have been known as the "Children's Cottages, Kew" or alternatively "Kew Cottages Training Centre". The institution was finally closed in July 2008. [Source: Wikipedia, 2016]Framed photograph, forming part of the Kew Cottages collection, donated by Dr Cliff Judge in 1993. Dr. Judge was a consultant psychiatrist at the cottages for 14 years, as well as an author and vocal advocate for the intellectually disabled and their families."Kew Cottages - Outside Old Ward 12. Outside old Ward 12 (now Unit 10). The persons first, second and fourth from the left were blind."kew cottages, dr cliff judge, kew cottages historical society 1987-1993

The Children's Cottages at Kew were first opened in 1887 as the "Idiot Ward" of Kew Asylum. Located on the asylum's grounds, the children's cottages were established to provide separate accommodation for child inmates who had previously been housed with adult patients. Although the Cottages only admitted children as patients, many of those children remained in residence at the Cottages as adults. The function of the institution was to provide accommodation and educational instruction for intellectually disabled children. Some Wards of the State and other various "difficult" children were also admitted.Shortly after opening, the Idiot Ward began functioning separately from the Kew Lunatic Asylum, and became known as the Kew Idiot Asylum from 1887 until c.1929. From 1929 they have been known as the "Children's Cottages, Kew" or alternatively "Kew Cottages Training Centre". The institution was finally closed in July 2008. [Source: Wikipedia, 2016]One of a series of framed historical photographs of the Kew Cottages that once formed part of the collection of the Kew Cottages Historical Society, founded by Dr. Cliff Judge and Fran Van Brummelen in the 1980s. The set contains both copies of originals in other collections such as the Public Record Office Victoria and photographs taken by Dr Judge for his books on intellectual disability in Victoria. The significance of the set of framed photographs is that they provide a curated collection of images of the development of the Cottages over a one hundred year period.Framed photograph, forming part of the Kew Cottages collection, donated by the Kew Cottages Historical Society 1987-1993 in 1993. Dr. Judge was a consultant psychiatrist at the cottages for 14 years, as well as an author and vocal advocate for the intellectually disabled and their families."An old dormitory in the year 1973. It is still in use as a therapy room and store. Originally these buildings were called tents. Open air treatment was used to cure bad cases of insanity."kew cottages, dr cliff judge, kew cottages historical society 1987-1993

Child-size rocking horse made and sold by a patient of Mayday Hills Asylum. Purchased in 1978 and used by a family for generations.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A small wooden rocking horse painted in green, white and brown, with carpet lining on seat.beechworth, burke museum, mayday hills asylum, rocking horse, children's toys

Comedian Rachel Davies and Isabel Angus have donated all proceeds of their show "Edge" to the Asylum Seeker Resource Centre.News clipping, black text, colour image.rachel davies, isabel angus, asylum seeker resource centre

Pleasant Creek Hospital and Benevolent Asylum. Stawell Hospital First Permanent Building Incorporated 1897. Nurses seated on lawn.stawell hospital medical

The grave is in Sunbury Cemetery and belongs to Margaret Baker, who was an inmate at the former Sunbury Asylum. See further details on P0686.A black and white photograph of a headstone in a cemetery. The grave is surrounded with a low decorative iron fence. A lot of the surrounding area is overgrown with weeds and grasses.baker, margaret., sunbury, sunbury cemetery

Contains details and photos of many soldiers that served on Gallipoli. Not indexed.Black leather bound Gold rising sun embossed on the front.. Victorian edition printed 1917. All Australian memorial. Australia's roll of honour 1914-1916. History of heroes and helpers.Printed pages and photographs. Lists names of all Victorians who served on Gallipoli with a special section listing all those killed.. Dedicated to Warrant Officer Ferdinand Oates of Beechworth Vic. His parents worked at the Asylum Beechworth.

This is a catalogue supporting an exhibition held at the Castlemaine Art Gallery and Historical Museum.Grey soft covered booklet printed to accompany am exhibiton held at Castlemaine and Historical Museum during Heritage Week. The book lists information on Castlemaine and district doctors, Castlemaine Hospital, Pharmacists, Herbalists, Dentists, Veterinary Surgeons, Opticians, Nurses, Midwives, Chiropody, Benevolent Asylum, Private Hospitals, Caslemaine Infant Welfare Centre, Homelea Herb Farmdoctors, castlemaine hospital, pharmacists, herbalists, dentists, veterinary surgeons, opticians, nurses, midwives, chiropody, benevolent asylum, private hospitals, homelea herb farm, castlemaine infant welfare centre, richard bunce, william fisher preshaw, john cheyne, henry barraclough, daniel o. preshaw, ching chin, raymond francis duggan, enpo hong, l. goon, shee shok, algernon cyril yandell, augustus courts yandell, myrtle lucinda yandel, daniel cohen, max pincus, s. aaron, mrs foletti, vaughan, mary ann passalaqua, guildford, mary an martinoja, beatrice thurlby, elizabeth spencer, lenna hopkins, rebecca baxter, avonsleigh, ballara, jonathan chapple, alice kenyon, health

The Shackleton Polarizer was presented to the Ballarat School of Mines in May 1910 by the inventor James Oddie. It is thought to be along the lines of an air conditionerBlack and white photo mounted onto card. L-R: Messrs B. Deakin, MIEE; Daniel Walker, SMB; Frederick J. Martell, Director of SMB; Dr Cherry, Director of Department of Agriculture; T.P. Long, President of Benevolent Asylum; Prof. Alfred Mica Smith, SMB; ? ; James Oddie, FRGS, etc, inventor of the Shackleton Polarizer.On mount 'Richards & Co Ballarat'ballarat school of mines, alfred mica smith, daniel walker, james oddie, b deakin, frederick j martell, dr cherry, tp long

The 1993 - 1994 Annual Report was published by the Shire of Bulla and distributed to the residents of the shire.A 24 paged publication with a yellow cardboard cover which has an aerial photograph which features the former Sunbury Asylum buildings and surroundings before the area was developed for housing. The former Shire of Bulla logo which featured 'City Living - Country Style' is in the bottom RH corner of the photograph. Details of the administration officxes of the Shire of Bulla are printed on the back cover.shire of bulla, annual reports, councillors, george evans collection

Colourised pictorial postcard of the Zig-Zag Bridge at Kew. In the foreground is a rowboat in which a man is standing, behind whom are two women in hats and a young child. The man appears to be pushing the boat away from the Bank. In the distance is the wooden Zig-Zag Bridge, constructed in the 1870s to link the Yarra Bend and Kew Lunatic Asylums. [Destroyed by flood, 1929.]Text to Mrs Cooper from Grace ? inscription dated to 1907zig-zag bridge, yarra river -- kew (vic.), postcards

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the entrance gates to the Kew Asylum. Located in Princess Street, these gates were relocated to Victoria Park in the 1930s/40s. There is a shelter to the left of the gates. A horse-drawn covered carriage is exiting through the gates. An electric light is hung from a metal bar in the centre of the gates. The two-storey gate house on the right of the gates is outside the view of the photograph.kew lunatic asylum, kew lunatic asylum -- gates, henry beater christian, christian-washfold collection

Established in 1857, the Bendigo Benevolent Asylum provided care for the aged and destitute. In 1886 a lying in hospital was included and was subsequently called the Benevolent Asylum and Lying in Hospital. This continued until 1937 when the Lying in hospital was discontinued and the institution became the Benevolent Home. From 1963 it was called the Bendigo Home and Hospital for the Aged until a further name change in 1988 saw it become the Anne Caudle Centre.Hardcover book with a woven cover and negative photo of the home in black and gold. Clear dustjacket. 232 pages with black and white photographs and illustrations covering the history of the Bendigo Home and Hospital for the Aged between 1857 - 1980.Frank Cusack, Queensberry Hill Pressmedical

A former asylum seeker who spent time in detention will speak about his experience at a special Refugee Week event in Montmorency.News article 1 page, black text, colour image.montmorency, refugee week, asylum seeker

The photograph features the Administration building of the former Sunbury Asylum and its Ha-ha wall which are located in the Jackson Hill estate. The former Sunbury Asylum was an important Sunbury institution for many years.A coloured photograph of an Edwardian style brick building on a hill and a high brick wall with trees in the background and green lawn in the foreground.sunbury asylum, jackson hill

Ghost hunters put their lives at risk. Illegal ghost hunts at the former Larundel mental asylum are an accident waiting to happen, police fear. News article 1 page, black text, colour image.bundoora, ghost hunters, larundel hospital

The building in the photograph is the Boiler House which was part of the former Sunbury Asylum. It was built in the 1920s to replace an older boiler. Coal and/or briquettes were burned to produce hot water and steam which was used to heat and supply hot water for the Asylum buildings. Steam attendants monitored and maintained the furnace and boiler seven days a week. It ceased production in October 1992 and since then has served as an Arts and Cultural complex for the local community. A non-digital black and white photograph of a large brick building with a tall chimney overlooking open rural countryside with two women sitting on the grass in the foreground. The image has been photographed from an earlier photograph. sunbury asylum, boiler house, arts and cultural complex, performing arts

Annual reports were both a way of informing benefactors as well as generating new ones for charitable organisations. In 1867 an asylum and school for blind children began in Melbourne. Between that first intake and 1891, the asylum went through a great many changes, including the building of the St Kilda Road building, growing in size and developing a workshop for blind workers. A copy of the 1867 Annual Report was placed in the time capsule that was opened in 1993.1 bound volume with illustrations.victorian asylum and school for the blind, time capsule

Carving of a large male head made by a patient of Mayday Hills Asylum. The sculpture has been roughly hewn from a single piece of wood.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of the man's face featuring heavy eyebrows, moustache and beard.beechworth, burke museum, mayday hills asylum, carving, wooden sculpture

Carving of a small female head made by a patient of Mayday Hills Asylum. The sculpture as been roughly hewn from a tree limb with multiple branches.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of a face, featuring a wide nose, protruding eyes, and flat mouth. On a limb section that extends above the head is a carving of a small totem-like face. Two small limb sections protruding from the back. Pen lines and figures on nose and ears.beechworth, burke museum, mayday hills asylum, sculpture, wood carving

Taken in Beechworth, this photograh depicts Camp Street and Albert Road looking towards Asylum Hill. In the center of the image, the railway gate appears to be closed. Black and white rectangular postcard. The image is printed on matte photographic paper and is mounted on cardboard. Obverse: NO INSCRIPTION Reverse: 7756 1997.2835 84-230-1 POSTCARD Beechworth with takers cart in foreground Townview . beechworth, camp street, albert road, asylum hill

This object is a broken white mug with the letters VG stamped on the base. It is assumed that it was used at the Sunbury Asylum c1920s. The assumption being that VG is the Victorian Government.A broken white ironstone mug.V G (stamped on the bottom)sunbury asylum, kitchen, diningroom, meals, george evans collection

This object is a plan of a proposed recreation ground at Munro's. This was unfenced land between Evans and Barkly Streets adjacent to the Asylum boundary, now Jacksons Hill.A wooden framed plan of a proposed recreation ground.sunbury, sunbury asylum, george evans collection

This tin scoop would have been used in the kitchen at the Sunbury Asylum to distribute bulk food such as sugar, flour etc from larger containers.A tin scoop used to distribute sugar, flour etc from storage containers.sunbury asylum, george evans collection

This glass slide captures a scene from a male hospital ward at Mayday Hills Mental Asylum. Also known as the Beechworth Lunatic Asylum, Mayday Hills was officially opened on the twenty-fourth of October 1867 and was commissioned following lobbying from Beechworth Municipal Council concerning a need for better living conditions for individuals confined to the town's gaol. These individuals, as well as many others who were brought from surrounding institutions, exhibited behaviours that were deemed to be unfit for mainstream society. At its peak, the asylum consisted of sixty-seven buildings and housed over twelve-hundred patients and five-hundred staff. At the time of Australian Federation in 1901 - just a year after this photograph was taken - the patient population numbered six-hundred and seventy-four. The asylum was officially closed in 1996. It is listed on the Victorian Heritage Register as being architecturally significant. The extensive complex of buildings are examples of Italianate-style, which is strongly associated with asylums of the 1860s - the period in which construction of this particular asylum began. Today the asylum offers tours to visitors, including daytime history tours and night-time ghost tours. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is socially and historically significant as it is representative of the lives of the nurses and patients at Beechworth Mayday Hills Asylum in the early twentieth century. It is also historically significant as it is representative of the changing style of treatments and attitudes towards mental illness. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.Obverse: h /lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, mayday hills, mayday hills hospital, mayday hills asylum, beechworth lunatic asylum, beechworth mental asylum, psychiatric hostpital, beechworth, burke museum, beechworth municipal council, beechworth patients, psychiatric patients, victorian heritage register, 1900, 1900 mayday hills, italianate style, 19th century asylums, asylums victoria, male ward mayday hills

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic)

The Benevolent Asylum was on Ascot Street South. It is now the Queen Elizabeth Geriatric Centre. This sketch comes from View of Ballarat by Niven & Co circa 1885.building, public, benevolent asylum, ascot street south, ballarat, views of ballarat

As the title states this book provides sketches of Melbourne life in light and shade. It was written in 1877 and published by George Robertson . It is one of a series and this edition covers the following: A night in the model lodging -House, A day in the Immigrants' Home, A morning at the Hospital, Three days in the Benevolent Asylum, Our Lunatic Asylums, Sixpenny restaurants and The Theatre Vestibules. Throughout all he comments on the social situations and dilemmas in which he finds himself and which others must endure.The Vagabond Papers provides a valuable record of life in Melbourne in the 1870's. It is not always the view of Melbourne as a prosperous and developing city which is presented but it is experienced first hand by the author to which he also imparts social commentary on the many difficult situations. Small faded hard covered book with black text. Contains 205 pages with advertisements on front and back covers.Reprinted from the Argus corrected and revised by the author. Dedicated to the Conductors of the Argus in recognition of many private and professional Kindnesses.melbourne 1877, social commentary melbourne 1870's, social life and customs