BLACK AND WHITE PHOTOGRAPH OF PORT PHILLIP MINE - LOOKING NORTH FROM WEST SIDE OF CAMP HILL.TULLAROOP CREEK WITH CAMP STREET FORD, PORT PHILLIP HOTEL AND MINING BUILDINGS AND MINING CONSTRUCTIONSphotographs, mining, port phillip mine

Newspaper clipping of a building and yard at Post Office Hill, Ballarat.Post Office Hill, 1955, taken from Learmonth street, Bill Young's House makes a picturesque background for historical researcher Keith Rash, who stands behind the fence in the exact sport were the famous tree once stood."post office hill, ballarat, gaol tree, post office hill camp, learmonth street, bill young, keith rash, gaol tree

The Ballarat Old Colonists' Hall is on the site of the former Government Camp which governed the goldfield. The bluestone used in the foundation of the hall was reused from a building demolished on the site. A number of colour photographs showing the interiors of the Old Colonists' shops in Lydiard Street before the replacement of floorboards. ballarat old colonists' club, old colonists' association ballarat, old colonists' hall, bluestone, government camp, lydiard street north, shops

Shows the view north along Camp Street from Sturt Street.ballarat trades hall, state savings bank, police station, public, buildings, commerical

These buildings were located on Lydiard Street South. The court house was relocated to Camp Street.wesley church, school of mines, ballarat court house, buildings, streetscape, church, public

The former State Offices in Camp Street became the Law Courts and now is owned by Federation University.state offices, law courts, building, public

Brown and blue soft covered book featuring three faces. Contents include: David Caro, David James, Kerry Cox, Camp Street Arts Precinct, Canadian Wetlands, John Keller, Naming of the W.J. Gribble, establishment of University Brewery, Aboriginal Education Centre, Ray Over, William Pryor, John Brumby, IBM Global Servicesuniversity of ballarat, brewing, brewery

This photograph pictures 22 members of the Beechworth fire brigade in 1910 posing outside the current fire station on Camp Street, Beechworth. Black and white rectangular photograph printed on matte photographic paper and mounted on cardReverse: Beechworth Fire Brigade / 1910emergency services, burke museum, fire brigade, fire, beechworth, photograph

The Australian Natives Association (ANA) Benefit Society was formed in 1871 at a meeting of young men in Grimwood's Hotel, Elizabeth Street, Melbourne. The Association was one of many friendly societies that also aimed to promote the moral, social and intellectual advancement of its members. The young founders restricted membership to native-born Australians, but there were no Koories among them. The Australian Natives Association Ballarat Branch (No4) was founded in 1874. The association’s modest building was based in Camp Street and the branch was one of the most active in the colony, playing a key role in Federation. The Ballarat branch of the ANA was wound up in 1957 and the double storey building has since been used as for office space most recently for employment companies such as Tracey Recruitment. Ballarat's ANA Hall has heritage status under the City of Ballarat’s Camp Street heritage overlay HO186, however it is not listed by either the Victorian Heritage Register or the National Trust.Handwritten letter glued onto a lined page. The letter is from the Australian Natives Association Ballarat Branch No. 4, and is written to John Mateer at the time of his wife's death. The letter is signed by John Gray (President) and Fred Wainwright (secretary). Fred Wainwright was the first secretary of ANA branch No. 4. hew as a clerk at Ballarat Town Hall, and presented an essay on Federation of Australian Colonies in 1879.Australian Natives Association Ballaarat Branch No 4 14th December 1883. Dear Sir The members of this branch of the A.N.A. desire us to convey to you expression of their deep sympanth with you in the irreparable loss you have sustained by the death of your dearly beloved wife. The Members are fully aware that during the first month of such an overpowering infliction the most sincere sympathy of the truest friends can do little by alleviate the bitter pangs of remembrance and sorrow, still they trust that you may be enabled to submit with christian calmness and fortitude to the Will of Him, who, when seeming to act most severely wit us, is in His Own Divine Wisdom, ordering things for the best. We are Dear Sir Yours fraternally John Gray President fred Wainwright Secretary To Mr John Mateer australian natives' association, ana, ballarat branch no. 4. ballaarat branch no. 4, gray, john gray, wainwright, fred wainwright, mateer, john mateer

This building was built for the teaching of Visual Art on the Mt Helen Campus. With the move of Visual and Performing Arts to the Camp Street Arts Academy the buildings have been repurposed. Colour photograph of the building beside the oval at Federation University Australia Mount Helen Campus.federation university, buildings, mount helen campus, a building, visual art

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island. This is the current Cowes Foreshore Tourist Park. 2020Photograph of the old TeaTree Tea House in the public Camping Park, Church Street, Cowes. phillip island, local history, photography, photographs, the old ti-tree tea house, black & white photograph, tea house, cowes, public camping park, john jenner, bryant west, camping

From the Britannia Mine (Ballarat) Candle remnants from early Ballarat mines are quite rare..1) White/cream candle remnant. Candle mold seams are evident. Stored in green pharmaceutical tin with screw lid. (?) Found when removing for filling motor spaces Camp Street. .2) white candle remnant from the Britannia Mine at Cambrian Hill held in a 'Barker Cake Container; tin. A handwritten note inside the tin indicates 'Piece of Candle from Mullock's Britannia Mine. Ballarat. .2) Piece of Candle The Great Leviathan Quartz Mining CosMine at Cambrian Hill near Ballarat. Picked up by Donald Doyles Mather whilst cleaning out Ballarat South Goldfield Co's Leviathan Shaft when reopening "Great Leviathan in in the year 1948. The candle was last used by miners in the Great Leviathan in the drive where found Year G. Leviathan Closed down "______" mining, candle, lard, great leviathan, donald mather, cambrian hill, great leviathan quartz mining company

Hard covered book of 80 pages with a yellow dust jacket. Many sketches including Armstrong Street, Lydiard Street, Montrose Cottage Eureka Street, Lauderdale, Ballarat Railway Station. Bailey's Mansion, Former Ballarat Gaol, Ballarat Town Hall, Camp Street Police Station. Ballarat East Post Office, Ballarat Synagogue, Lal Lal blast furnace, Sovereign Hill, Mount Buninyong, Dana Street Primary School. non-fictionballarat, buildings, architecture, edward heffernan

Taken c1870, this photograph depicts the members of the Beechworth Volunteer Fire Brigade outside the present fire station house on Camp Street, Beechworth. Hose layer and a Niagara Pump are in shot with 11 members and 2 young boys on the pump. Sepia rectangular photograph printed on matte photographic paper and mounted on board.Reverse: Beechworth/ Volunteer Fire Brigade/ 1870burke museum, beechworth, fire brigade, volunteer fire brigade, sepia, photograph, c1870, niagara pump, hose layer, emergency services

Poster advertising a musical theatre production 'The Wild Blue Project Stage 3'.Written and directed by Anthony Crowley; musical direction by Amanda Hodder and performed at Post Office Theatre, Camp Street, Ballarat in 2003. it was presented by University of Ballarat Arts Academy. There were four night performances starting at 8.00pm and one Sunday performance at 5.00pm from Wednesday13th August to Sunday 17th August 2003. The musical was performed at Post Office Box Theatre, Camp Street, Ballarat with tickets purchased through MajesTix. Ticket prices: Adult $16; Concession $8.50; Students$7; Groups (20+) $10.50Original Posterthe wild blue project stage 3, anthony crowley, amanda hodder, post office box theatre, university of ballarat arts academy, po box theatre, majestix, musical, the wild blue co

White, blue and grey soft covered book. The contents include: Global Innovation Centre, university of Ballarat Technology Park, David Caro, Kerry Cox, Peter Mathews, Sally Wellard, Frank Hurley, Rosalyn Schute, John Smyth, Colin Bourke, honorary doctorate, Alan Webb, William McGregor, Julian Lowe, John Edwards, International Beer Awards, Camp Street, Miwako Inoue, Ballarat Technology Park, earn as you learn. .3) Financial Statements 2003university of ballarat, annual report, david caro, kerry cox, sally wellard, jim burrough, frank hurley, pater mathews, rosalyn schute, colin bourke, w. john smyth, honorary doctorate - alan kenneth webb, william mcgregor, bill mcgregor, national centre for sustainability, international students, bul ayuel bulkoch, lucy caniogo, harmohan singh, thim lai, pernilla honor'e, tom bodey, university of ballarat pipe band, bruce morgan, gillian hehir, trevor hastings, cameron sultie, leigh pyke, peter ocic, rosette arnold, robert hook, john brumby, stan jeffrey, sarah birks, john o'loughlin, leeanne pitman, kim sumner, chris grant

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

These images were taken by Geoff Biddington who was highly active in the Ballarat Branch of the National Trust. Twenty two black and white photographic views of Ballarat by Geoff Biddington. 1. Ballarat Mechanics' Institute 2. 18-20 Lyons Street south, Ballarat 3. Licensed grocer (Corner Eyre and Lyons Street South) featuring Ballarat Bertie Sign 4. Cast Iron Gasometer Frames 5. Former Ballarat Supreme Court (Ballarat School of Mines Electrical Engineering 6. Telegraph Station (Castlemaine?) 7. Ballarat Fine Art Gallery (later Art Gallery of Ballarat) 8. Former Ballarat Police Station, Camp Street 9. Former Baptist Church, Dawson Street 10. Craig's Hotel Lamp 11-13. Goller's, Camp Street 14. Old Post Box- Crown on Top 15. Former Ballarat Gaol Gates 16. Golden Point Football Club Rooms, Main Road 17. Ballarat Fire Station, Ballarat East 18. Ballarat Town Hall Tower 19. Ballan Hotel 20. Building on Inglis street, Ballan 21. Ballan News Building (Est 1872) 22. Adam Lindsay Gordon Cottagebiddington, ballarat mechanics' institute, ballaarat mechanics' institute, mechanics institute, gasometer, ballarat police station, police, baptist church, craig's hotel, goller, post box, crown, golden point, ballarat town hall, ballan hotel, adam lindsay gordon cottage, ballarat gaol gates, wrought iron, bluestone, ballarat bertie, orlando, penfolds, signwriting, licensed grover, ballarat bitter, craig's royal hotel lamp, craig's hotel

This depiction of Perseus in marble, was Presented by James Chapman in 1885 to the National Gallery of Victoria. It was de-accessioned and transferred to Ballarat in 1943 where it joined other Victorian-era statues acquired in the 1880s and later. It was located outside the first Ballarat Library in Camp Street and moved to an indoor location at the Ballarat Botanical Gardens in 2013 due to ongoing vandalism.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, standing naked male with small wings on helmet.Perseusperseus

Although the inscription of .1 states this building was transported to Maryborough it's clear that the building remained in Clunes at least until the knitting mill was relocated from Fraser Street, (now known as Collins Place) to the corner of Bailey and Camp Streets, perhaps this building was extraneous its new location and was then moved to Maryborough at some date after 1918..1 SEPIA PHOTOGRAPH OF THE MOVE OF THE SALVATION ARMY HALL TO COLLINS PLACE WITH A CROWD OF PEOPLE IN FRONT OF THE BUILDING AND A LARGE "TRACTOR" IN THE DOORWAY .2 SEPIA PHOTOGRAPH OF THE MOVE OF THE SALVATION ARMY HALL TO COLLINS PLACE WITH SEVERAL PEOPLE IN FRONT OF THE BUILDING AND A TRACTOR MOVING INTO POSITION .1 on reverse; At Clunes part of mill ready for transport to Maryborough (Plate is similar not negative of this)local history, churches - salvation army, salvation army hall

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Camping ground -James Street entranceBlack and white photographCamping ground, Port Fairy, v.13camping, public reserve, southcombe park, caravan, park, james street

These student art posters were collected by Geoff Wallis. The posters show a change in advertising style. They also indicate the history of the name changes and locations. The facility was initially called Ballarat College of Advanced Education and was located at Mt Helen. This changed and became the University of Ballarat, still at Mt Helen. The Faculty of Art was located here but in 2002 a new facility was opened for the Arts in Camp Street Ballarat.A collection of posters relating to student art exhibitionsposters, facility, ballarat college of advanced education, mt helen, faculty of art

'Widows' by Ariel Dorfman with Tony Kushner was a production by third year Bachelor of Arts acting students from the Art Academy University o0f Ballarat. Director Rob Meldrum; Designer John Bennett. It was performed at the Helen Macpherson Smith Theatre, Camp Street Ballarat from the 10th -17th September, 2005. Tickets purchased from Majestix: Adult $20; Concession $14.50; Student $12.Original Poster widows, arts academy university of ballarat, ariel dorfman, tony kushner, helen macpherson smith theatre, rob meldrum, john bennett, majestix