BOOK - 'THE Boys ' Budget ' /,Hard covered Book - -published by Blackie & Son Ltd , 50 Old Bailey , London and 17 Stanhope St. Glasgow / front cover shows a painting of countryside with two boys brewing a kettle on a Primus stove - part of a picnic - back cover - two boys and a row- boat / black and white & coloured illustrations/ , Stories by assorted authors /books, children's, story book, the boys ' budget ' / blackie & son ltd , 50 old bailey , london and 17 stanhope st glasgow

Grey Hardcover Children's book 'Little Lord Fauntleroy' by Mrs Frances .Hodgson. Burnett Illustrated / cover shows a sketch of a man, boy and dog / inside cover written in pen -'Miss E. Hall .A memento of our 1894 exam ' / published -London Frederick Warne and Co 1893 / Copyright entered at Stationers' Hall November 1886, Richard Clay and Sons, Limited, London and Bungay.Mrs Frances .Hodgson . Burnettbooks, children's, story book, 'little lord fauntleroy' by mrs frances .hodgson . burnett illustrated / published -london frederick warne and co 1893 / copyright entered at stationers' hall november 1886 / richard clay and sons , limited , london and bungay

Hard covered Childs book -'Bobby Bear's Annual 1934' covers nearly coming away from binding , painting of characters on front / inside first page - 1934 'Bobby Bear's Annual - Edited by Aunty Kitsie , published -Dean & Son Ltd , 6 La Belle Sauvage Ludgate Hill , London Ec4 ./ contains stories by various authors/ some colour , some black and white illustrations/ characters in the book include Mr Soft hat , Mr Hard Hat, Bobby Bear , His friends were Ruby Rabbit and Maisie Mouse. Percy Porker the pigWilfred Haughtonbooks, children's, picture annual, mr soft hat , mr hard hat

Circa 1920, Red, Hard bound children's book 'Hi-Tum. Ti-Tum and Scrub ' showing a painting of a boy , a dog and a girl carrying an umbrella / author Jennie Chappell / inside front cover 'Private School Wattle St Second prize for writing awarded to Edna Beche , Christmas 1903 , A.L. Parkhurst Teacher / water colour painting on first page /HI-TUM. TI-TUM AND SCRUB '- A story of three kittens by Jennie Chappell author of 'My friend Kathleen ', 'Terrie Travels ' ' The lost Doll etc., Illustrated by Audrey J Watson, Blackie and Son Limited, London, Glasgow and Dublin / illustrations include pen and ink sketches / part of a series of books listed in the last few pages include - Blackie and Sons - Books for Young People - Eighteen penny seriesJennie Chappellbooks, children's, story book, 'hi-tum. ti-tum and scrub / jennie chappell / illustrated by audrey j watson / blackie and son limited , london , glasgow and dublin /

Child's book -' Little Betty Blue ' / cardboard cover with watercolour painting of young girl - cloth binding / 'London Ernest Nister , Printed in Bavaria 160 , New York E.P.Dutton & Co / first page written in ink - ' Private School Wattle St , Upper first class prize for home lessons awarded to Doris Emmett, Christmas 1903 , A.L Parckhurst Teacher / collection of Nursery RhymesErnest Nister , E.P.Dutton & Cobooks, children's, story book, little betty blue / ernest nister / e.p.dutton & co / private school wattle st , /, a.l parckhurst teacher / doris emmett

commemorate the admittance of history the 1,000, th pupil 1st Lucy Lewis1860 & Bruce Missen 1939 This item is historically significant because it relates to the life of VDDI and celebrates the 1000th student and tells the story of VDDI.Commemorative book deaf history from 1860 and presents - presened to the deaf & dumb insituton on 80th Birthday and to COMMEMORATE the ADNITTANCE of the 1,000 thh pupil 1ST -- 1000th Lucy lewis Bruce missenblue stone school, the victorian deaf and dumb institution, commemorative, b.j. missen, 1860, 1939, lucy lewis, r.h.luff, student, deaf education

J.H.Burchett's manuscript was created in 1957, as the knowledge of the school's history.J.H.Burchett had met Mr F.J.Rose, the founder of the Victorian Deaf and Dumb Institution.Cardboard bound book containing: 1. a list of teachers and students of the Princess Elizabeth Kindergarten for the Deaf, for 1950-1957 and 1958 - ? 2. A typed manuscript of the history of the Victorian School for Deaf Children, written in 1957 (?) by J.H.BurchettFront Cover: "Utmost for the Highest" "Manuscript" in pen and inkdeaf children australia, deaf education, manuscript

Mrs. Axie Mazèl - Krammer and her friend Anneke Rappard each had two daughters with them in the Women's camp in Banjoe Biroe. Prior to her marriage Axie Krammer von Marchau had studied languages, literature and pedagogy and particularly the art of teaching through play. The spirit and optimism of these two women contributed to the survival of their 4 little girls. An accomplished artist Mrs. Mazèl created the original of this booklet for the 6th birthday of her friend's daughter Anne Marie on July 30, 1945.The illustrated story of children playing at internment does not hide the reality of their lives but puts in the context of a game of make-believe. The make-believe is illustrated in colour while the harsh reality is recognised in a small black and grey sketch in a corner of each page. Simply produced 30page booklet. It is the printed version of a handwritten booklet produced in July 1945 by Mrs Axie Mazèl Krammer to help her children deal with the memories of their imprisonment by the Japanese in the former Dutch East Indies. The materials and style imitate the simple materials that were available for the author during their 4 years of imprisonment and deprivation. The name "A. Kelleners" is written on the flyleaf.dutch east indies; japanese; internment camps;

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

the incredible story of the inspiring Australian women who rescued hundreds of orphans at the end of the Vietnam War.refugee children -- vietnam -- history -- 20th century, vietnam war, 1961-1975 -- children, volunteer workers in social service -- australia -- biography

From the most photographed war in the twentieth century, among the enduring images is one of a little girl screaming in pain and terror are being burned by napalm in an air attack. On June 8, 1972, nine year old Kim Phuc ran from her burning village in South Vietnam and into the eye of history.kim phuc, vietnamese conflict, 1961-1975 - children, vietnamese conflict, 1961-1975 -- aerial operations, american

This is a remarkable story of bravery and compassion. Liz Thomas flew alone to Vietnam in 1972 having trained as a nurse. She was twenty years old and her one aim was to help and care for the suffering.vietnam war, 1961-1975 - children, vietnam war, 1961-1975 - civilian relief

A handful of women fought to get a few Vietnamese waifs to Australia. Their opponents were formidable - conniving politicians hypocritical church leaders racist social workers and the phony "charitables" of Toorak. A moving and courageous story.interracial adoption - australia, vietnamese children

In this era women of Marianne Gibson's position in society were chaperoned and chauffeured, their role was that of wife and mother, busy in their home. Women did not have the vote and those who worked were servants who lived with families. The Gibson family was well respected in the community and Marianne was the mother of 8 children.The Marianne Gibson Quilt is one of the finest examples of crazy patchwork quilting known to exist globally. It features items from her husband's hardware shop, household objects, oriental designs as well as local fauna and flora and the quality of the needlework is outstanding. It is extremely well preserved and unfaded. For a short film about the Marianne Gibson Quilt, visit Culture Victoria: http://www.cv.vic.gov.au/stories/marianne-gibsons-crazy-patchwork-quilt/11762/marianne-gibsons-crazy-patchwork-quilt/The Marianne Gibson Quilt is owned by the Wangaratta Historical Society and was placed on the Victorian Heritage Register in 2011. Marianne Gibson was born in Ireland and 1863 and married her cousin Alexander McCulla Gibson in 1864 in Wangaratta. The quilt is"...one of the finest examples of a crazy patchwork quilt in the world" (Victorian Heritage Register) and is composed of 9 blocks featuring silks and velvets with a backing of beige silk. The crazy patchwork style popular between 1876 and 1920 encompasses many different patterns that tell stories of that age and uniquely showcases local flora and fauna. Marianne made the quilt between 1891 and 1896. She loved flowers, birds, her garden and especially her family. This is evident in her quilt embroidery and stitching so lovingly demonstrated. Marianne died on 8th March 1911. She left the quilt to her daughters Clara and Edith who gave it to their housekeeper Miss Alma Gard in 1934. When Miss Gard retired to a nursing home in 1985 the quilt was donated to the Wangaratta Historical Society. MG 1891marianne gibson quilt crazy patchwork local fauna flora

Purchased through the Horsham Art Gallery Trust Fund, 2002

Artist's statement: I chose to make these afikoman pouches even though they may not be familiar to or used by all Jewish families. In these little pouches, a small piece of matzah would be placed in the pouch and then hidden in the house for the children to find during the Passover meal. On finding it, a gift is given. The story of Passover and Judaism in general have been kept alive over the centuries. I wanted to honour the passing down of the Torah through the generations, and, in particular, the role of children in its transmission. I have used the Australian desert as a metaphor for the great wilderness crossed by the People of Israel. A recent trip to Broken Hill and beyond inspired me to work with the subtle colours and textures of that landscape and I have incorporated into the work found objects, stones and beads collected there. (2007, New Under the Sun: Australian Contemporary Design in Jewish Ceremony III)machine embroidered

Story of the internees and pow's behind the barbed wire veil that was drawn around people deemed threats to Australia's security. Soft covered book. Front cover has 6 photos of internees with their id numbers. In middle is title. Authors name at bottom. Spine is brown coloured with title, author and photo of internee. Back cover has two photos, Group of adults and children and a soldier with gun and five men with hands in air. 266 pagesCaptured Lives Australia's Wartime Internment Campsaustralian internment camps, australian pow's, peter monteath, loveday internment camp

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Olive green linen cover with embossing on edge and spine. Gold printing on spine. 256 pages. The front of the original dust cover has been attached to the inside of the book. It is colour picture of four children in a farmyard with chickens and two cats. Painted by Ettel Kate Burgess.Hand written inside: Else-Lore Oertel from the Red Cross, Christmas 1942, Tatura Internment Camp 3A. else lore hukins, children's books, camp 3, christmas, red cross, internees

Possession of former internee at camp 3. Brought with him from Jaffa, Palestine in 1941.Hard card covered story book with colour illustrations throughout. Has grey cloth spine. Cover features illustrations of 3 children holding hands/forming a circle. Title etc. in handwriting/German Gothic script.Peter Drescher, Tatura, 1942peter drescher, jaffa, palestine, internee books, german story books

Various stories written by local and former Tatura residents. Includes trip by school children to 1956 Olympic Games, Township of Tatura 1879, Matt Patterson's life story, Dhurringile Mansion history by J Lowry, W Doller and R NewnhamPlastic cover, black and white cartoon like characters and grave yard scene on front. Contains plastic sleeves each with printed material.tatura and district, documents, history, tatura residents, 1956 olympic games, tatura 1879, matt patterson, dhurringile mansion history, j. lowry, w. doller, r newnham