Photo of C.Edmonston, Shire President 1893/1894 and Councilors Harding, Baird, Dobson, Lester, Butler, H.T.Hughes/Rate Collector,White, W.P.Steane/Engineer, Symons, Spiers.Original Historical photos of former Ballarat Shire President and Councilors covering the financial year 1893 to 1894.Sepia Photos on blue background of C.Edmonston, Shire President,and Councilors 1893/1894.Presented by the Shire President to the Ballarat Shire Council in 1893/1894.Set in ornate brown frame.Shire Councilors and Shire President 1893/1894.shire, ballarat, edmonston c, 1893 1894 councilors

Owned by the Leviny family. Collected by Kate Leviny. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.This original print by Australian woman artist, Mildred Lovett, is from a period in Australia's history when women artists and printmakers were gaining recognition for their work that had been a previously been an area dominated by male artists.Hand coloured linocut of a jug full of assorted berries, mounted in a frame. By Tasmanian artist, Mildred Lovett. Paper, ink, paint.Lower left corner 'Tasmanian berries'. Lower centre 'coloured linocut'. Lower right 'M. Lovett'. Verso '44' encircledmildred lovett, tasmania, linocut print, tasmanian berries, australian women printmakers, leviny collection, buda, castlemaine

Yields information about on the Ballarat tramway staff's being shown at a local meeting after closure of the SEC operated Ballarat Tramway systemNewspaper cutting from The Courier, Thursday 23/9/1971, titled "Collector's item - relic of early days on trams" with Mrs Loyalo Hill and Mrs R Drury looking at one of the brass staffs or Section staff, used by ESCo and SEC up to 1936 at a meeting of the Ballarat turf Club the previous day. Notes that the staff is for the Victoria Park Loop to Carlton St loop - see item 4896 for the actual item.staff, safeworking, tramway staffs, sec, signals, esco

5/11/2009 recent edition of "Collectors" on ABC TV identified this genre, where silverpaper was placed behind degraded pictures in "craft" frames, as a form of Tramp ArtColoured print George V (1865-1936) and Queen Mary in mosaic frame. Frame has been overlaid with putty, painted gold, with pieces of broken china pressed into putty. Silverpaper has been placed behind degraded areas of paper.craft

The donor was a collector of evening bags. Her collection has been acquired by the Society. She was a friend of Barbara Rogalski, who donated them to the Society after Jenny's death.Evening Bag with front of bag covered with needlework in gold & silver thread. Coloured embroidery on the tail of a Peacock. Three butterflies on sides and two flowers in corners. The bag is made of black velvet with cotton lining. An embroidered hand strap on the back. Closed by press stud.Made in India.costume accessories, female

Composed and signed by WHC Darvall on the executive of the Victorian Mission to Seamen also with reference to three other officers: Mr Reid-President, Mr Allard Vice President, Mr Seymour Hon Treasurer. Darvall returned to Melbourne late 1901 early 1902. A former solicitor Darvall and the Mission Committee are concerned it seems at the 'appropriation' by other organisations of donations or funds usually promised to the VMTS. The seamen's home was being built or about to be on the site of the World Trade centre on Siddeley St. as at 2020. This letter was sent out at a pivotal period in the Mission story soon after the sudden death of Rev James after 20 constant years service, with the proposed arrival of a Seamen's home on Siddeley St to a location close by to one long sought by the Victorian Mission for their first Central Mission and just a few years before arrival of the London Mission to Seamen representative Rev A Gurney-Goldsmith. The ladies Committee of the Mission and volunteers had prior to appointment of a paid collector had done most of the collecting of donations.A 2 page printed circular or letter addressed to Dear Sir alerting the recipient to the new appointment of a paid Collector, Mr L Dangerfield, visiting supporters authorised to collect donations and subscriptions and not to be confused with other similarly named groups such as the Seamen's home. The pamphlet also includes extracts from a speech by "His Excellency the Governor" reminding the recipient of the authentic goals of the Mission which also, as ever, were essential to business interests in supporting seafarers.paid collector, mr l. dangerfield, whc darvall, rev james, rev geary

Document. KELLY & ALLSOP COLLECTION. Bendigo Sewerage Authority First and Final Notice of Rate. Pink form No.3518 made out to Michael Kelly for property in Pall Mall and dated 19 April 1926. Nett Annual Valuation 15 Pounds. Total Rate One Pound six shillings & threepence. Sewerage rate is one shilling and sixpence in the Pound. T. R. J. Brown, Rate Collector at the Town Hall, BendigoBendigo Sewerage Authoritybusiness, stockbroker, kelly & allsop, kelly & allsop collection, bendigo sewerage authority, rate notice, michael kelly, t.r.j.brown

'the Parthian Shot ' Newsletter for the Golden City Collectors Association Inc. July 1996 / A4 stapled paper sheets / first page shows Official Logo / 54th Edition /Po Box 66 , California Gully Bendigo /-one of the aims of the Association -To preserve and collect firearms of interest to members of both historical and antique nature. / Includes the Association's submission to the Minister of Police Emergency services regarding the proposed changes to the current Firearms legislationorganization, club/society, golden city collectors association inc, the golden city collectors association inc /

Photocopy of a letter (four A4 pages of an unknown number of pages), from the English Electric Co Ltd of Bradford dated 29/6/1938, addressed to the MMTB via Heap and Ryley London. Follows the visit of Mr Bell and Mr Spencer to the Bradford works. Has notes on Tramway Motors, controllers, notch regulators, multi-notch remote control, trolley slider heads and Bow collectors. Refers to enclosures but not found with the document.trams, tramways, english electric, motors, controllers, trolley poles, bow pantograph

This Collection Of Photos shows the Shire President W.Purcell and Councilors J.P.Spiers,R.J.Dobson,M.Ryan,J.M.Feery,J.Baird,J.Mitchell, H.W.Symons,J.Lester,and staff,H.T.Hughes,Valuer and Collector, and C.T.Jones,Secretary and engineer,for the year 1906. Original Historic Photo.Photos are sepia set on grey mount within a black,wide, frame.The frame has "beading" effect on outer edge then a narrow band of sculptured gold flowers and leaves,and sculptured inner edge. The central photo of,Councilor W.Purcell, is surounded by a shaped cream border.The photos are oval, rectangular and rectangular with curved top in shape.Around the central photo a decorative design is painted. Presented by the President to the Ballarat Shire Council 1906.purcell w, councilors 1906 ballarat shire council

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Standard sized fringed plaid blanket in red and blue with black and yellow accentsMothproofed/Godfrey Hirst/100% Pure Wool Rugwool, blanket fever, travel rug, godfrey hirst, geelong

Acquired by Kate Leviny. The Leviny daughters were friends with Ursula Ridley Walker. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.Ursula Ridley Walker is a little know Australian woman artist who was working in many artistic fields during the first part of the twentieth century. Buda holds the largest public collection of Walker's work in Australia.Print by Tasmanian woman artist, Ursula Ridley Walker, depicting blue hydrangeas in a dark blue jug with a green octagonal plate in the background. Mounted and framedLower left: 'Hydrangeas' Lower centre: '- Coloured Lino Cut -'. Lower right: 'Ridley Walker 5/50'.ridley walker, linocut print, australian women printmakers, hydrangeas, leviny collection, buda, castlemaine, 1925, ursula ridley walker, tasmanian artist

William Curtis, known as "Wheels", was a swagman and a local eccentric. He was an obsessive collector of wheels and towed them round the country-side, living from his cart and adding to his collection as he went.swagman, curtis, wheels

The book was given to an individual who was an accredited Collector of Subscriptions for carrying on the Missions of the Wesleyan Methodist Missionary Society. It contains an introductory letter from The Committee with instructions for the role and examples of how the book should be used.wesleyan methodist missionary society, wesleyan missions

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Thirteen typed pages dated 7 June 1951. In the format he used for his weekly talk on 3BO 'The Mayor Speaks'. Topics include : taxis, Golden Square Bowling Club, the Garbage collector, the Showgrounds conveniences, the Bendigo Centenary, the Mayor's Blanket Appeal, the Mayoral Ball, the King's Birthday Honour List, Lands Reclamation.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. 3bo ' the mayor speaks'. bendigo centenary 1951.

Grey / green Document, Form 19 re the Distillation Act 1901-1925 dated 30.9.1938 W.D.Mason Collection, an Acknowledgement of Notice to use a Still other than for Distilling Spirits. The Commonwealth of Australia, State of Victoria. The Still was intended for distilling Water at Queen Street Bendigo. The Still must not be removed, sold, altered, dismantled, or disposed of without permission (Distillation Act 1901-34, Section 10). Signed J.J.Kennedy; Collector of Customs for the State of Victoria.Customs House, Melbourne.business, retail, w d mason

Newspaper Cutting with picture of male band members. Caption reads: ABOVE: The Bendigo Lyric Orchestra, photographed in 1901, with its conductor Mr E.R.Andrews, who was a prominent musician in Bendigo at that time. The orchestra had no connected with the Lyric Theatre. The photograph is the property of a Bendigo collector of sheet music and musical memorabilia, who is anxious to list the names of the musicians pictured. Any reader with information and names should contact Bendigo Historian, Frank Cusack, at the Bendigo Advertiser.Bendigo Advertiserentertainment, music, bendigo lyric orchestra

Folder with tickets - black comb bound, 16 pages in plastic folders, titled "Metcard Catalogue Students & Yearly Tickets", giving details of student concessions, yearly tickets and how they worked with details of encoding etc. See item 6704 for an August 2002 issue. Published Victorian Telephone & Smart Card Collectors Club Inc. formally "Rob O'Reagon" and a website that is no longer, other than on Trove - see https://webarchive.nla.gov.au/awa/20090912121642/http://metcard.railpage.org.au/trams, tramways, metcard, students, tickets

Collector says "I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Please refer to the following worksheet for a full breakdown of the collection." Checked blanket, pink, blue and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

The album is a collection of items of interest, mainly newspaper cuttings, from 1982, 1983 and 1984. The folder contains information and records relating to the Warrnambool Bird Observers' Group and includes records relating to Lake Pertobe, Tower Hill, The Maam, Kelly's Swamp, Nirranda, Allansford, Timboon, and Port Fairy. They were collected by Jill Heathcote (1927-2011), a Dennington resident who was for many years a member of the Warrnambool and District Historical Society, the Warrnambool Bird Observers' Group and the Warrnambool Field Naturalists Group. The cuttings and bird records reflect her interest in both local history and natural history. These two items are of considerable interest, particularly to those interested in local natural history. The scanning of the items has been completed.1. One brown plastic folder sold commercially for the storage of photographs and documents. The cover has an ornamental gilt border. The folder contains 24 cardboard pages and plastic sheets. The pages are bound with two metal screws. There are 77 items stored in this folder, most of them being newspaper cuttings dealing with natural history from 1982-3-4. The collector of the items in the folders was Jill Heathcote. 2. Black folder containing handwritten notes, articles, charts and typed listsjill heathcote, natural history, warrnambool

Prepared by Talma & Co, Melbourne. Hung in council chambersFramed picture of members of the Ringwood Borough Councillors 1928-1929 +Additional Keywords: Cr. A. Blood / Cr. Wm. Mackindlay J.P. / Cr. A.T. Miles J.P. / Cr. R.G. Wilkins / Cr. J.B. McAlpin J.P. Mayor / Cr. J.K. McCaskill / Mr. W.T. Jenkin - Rate Collector & Valuer / Mr. A.F.B. Long - Town Clerk / Mr. A.H. McKibbin - Health Inspector / Dr. A.T. Langley - Health Officer / Mr. F.R. Lucas - Borough EngineerPresented by Cr. J.B. McAlpin, JP to the Ringwood Borough Council.

Children's story book "How Peter's Pound became a Penny", 64 pages. Bound with tape over maroon coloured cardboard. black and white illustrations writtenby Mrs C. E. bowen. Published by Seeley, Jackson, and Halliday, 54 Fleet Street; S. W. Partridge, 9, Paternoster Row. this book has a handwritten entry by Matthew Arkle, Mifionary Collector, Eaglehawk 1871.to Elizabeth June Hall for her birthday by Uncle Matthew 12 of May 1886.books, children's, how peter's pound became a penny.

Coloured photo of the Nunawading Council cricket team for a match against Box Hill Council in March 1968 Back row, L-R: Peate, Roger, Cr; Goldsborough, Owen, Cr; Jane, Ted, town clerk; McCall, C.R. Cr; Willis, Jim, Cr; Phillips, Ritchie, Cr Front row, L-R: Yates, Don; Bade, Stan; Sewart, Bill, city engineer; Deacon, Kevin, building surveyor; Nelson, Gerry, rate collector; Cartwright, Des.cricket, city of nunawading, peate, roger, goldsborough, owen, jane, ted, mccall, c.r., willis, jim, willis charles l, phillips, ritchie, yates, don, bade, stan, sewart, bill, deacon, kevin, nelson, gerry, cartwright, des

Significant in being a receipt issued by the Union to a driver showing that he paid his union dues for the following four weeks. Printed specifically for a defined period. Shows the importance attached to being a union member and the method of collecting dues, especially printing receipts for a specific date.Pink colour receipt from the Australian Tramway and Motor Omnibus Employee's Association Ballarat Branch dated 11 Jan 1968 written by R. Courtney as Collector giving membership to 8th Feb. 1968. The 8th Feb. 1968 date printed onto the receipt. The receipt date "11 Jan" and. " R. Courtney" stamped on red ink. Name of member "J. Everett" hand written on in blue ink. Office given as Tramway Office, Sturt St. Amount was 60cents.trams, tramways, receipts, atmoea, unions

Kerosene lamps were used as a main source of lighting throughout Australia prior to the supply of domestic electrical services. This was obviously later in many rural areas. This lamp was used in the home of Mrs. Gina Elizabeth Harris of Bethanga in Northeast Victoria where electricity was connected on 23 March 1959.This lamp is representative of the lamps used throughout Australia prior to the introduction of domestic electricity supplies. This vintage kerosene lamp is model No. 21 which was manufactured by Aladdin Industries in Greenford, Middlesex, England in the 1950s. Base stems were mostly made from wood, turned into several different patterns. More expensive table lamp stems were of metal. Bases were mostly steel filled with sand as a weight. When Bakelite became available it was used extensively in three different colours, although collectors say that white bases were used primarily in hospitals and churches and are more rare. On wick knob: "21/Aladdin Industries Ltd/GREENFORD" Inscribed around burner: "GB Patent No 9. 69-4273-4"kerosene lamp, bakelite, domestic appliances

Black leather soft binding with stipple pattern; capped leather edges to cover sides of book. Red and gilt edges on pages. Gold lettering on cover and spine with publishers crest on tail of spine. Black end papers.

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong