Wax doll owned by Elizabeth Annie Robshaw. Doll dressed in cotton lace fabric. Three cotton petticoats. One of lace and pintucks. Two plain petticoats. Cotton drawers. The doll has wax legs with moulded boots, copostion arms. Thumb missing on left hand. Ginger wig. Holes in ears for earrings but earrings missing. No markings on doll. Doll’s face and shoulder plate badly damaged. Clothes need to washed. Large piece of lace in box with the doll. Appears to be of a later date than the doll. Printed sign with doll “Wax doll 1870. Owned by Miss Robshaw.’

These tobacco pipe heads are one of a group of artefacts in the McCulloch Collection that were recovered from the shipwreck Victoria Tower and were donated together. The pipe heads could have been from the ship's cargo or amongst a passenger’s personal belongings. The stems of the clay pipes would be easily broken during the 100 or so years that they were under the sea. There are other tobacco pipes in our collection that were recovered from the Victoria Tower. The object is now one of the shipwreck artefacts in Flagstaff Hill’s Mc Culloch Collection, which includes items recovered from the wrecks of the Victoria Tower (wrecked in 1869) and Loch Ard (wrecked in 1878). They were salvaged by a diver in the early 1970s from the southwest coast of Victoria. Advanced marine technology had enabled divers to explore the depths of the ocean and gather its treasures before protective legislation was introduced by the Government. The artefacts were donated to Queensland’s Department of Environment and Heritage Protection (EHP) by a passionate shipwreck lover and their locations were verified by Bruce McCulloch. In 2017 the Department repatriated them to Flagstaff Hill where they joined our vast collection of artefacts from Victoria’s Shipwreck Coast. The Victoria Tower: - The three-masted iron clipper ship was built in 1869 in Liverpool, England, as a passenger and cargo ship for the Australian trade. She was named after one of the two towers of the British Houses of Parliament and owned by the White Star line. The Victoria Tower sailed under the command of Captain Kerr from Liverpool towards Melbourne on her maiden voyage. She carried 34 passengers and 16 crew plus a general cargo including bottled beer, slates, iron pipes and hardware. She was almost at her destination when she was wrecked on 17th October 1869 at Point Impossible, west of Thompsons Creek, Breamlea. The wreck is a very popular diving site.The artefact is an example of cargo or personal items on board a ship in 1869. It provides a reference point for classifying and dating similar items. The artefact is significant for its association with the clipper ship Victoria Tower, which is listed on the Victorian Heritage Register as S698. The Victoria Tower is recorded as the most intact historic shipwreck accessible between Point Lonsdale and Cape Otway. The Victoria Tower is one of only seven shipwrecks in Victoria that have had more than 100 objects recovered from them reported as a result of the Commonwealth Amnesty held in 1993-94.Tobacco pipe heads, two(2); bowls of white unglased clay tobacco pipes. Pipe bowls are each decorated with the image of a Negro slave head moulded into it and facing away from the smoker. The pipe heads have no stems. Both have a vertical line down the centre of the face, broad nostrils sunken eyes, recessed hair. 8508.1 - features are worn but the ear is distinct, forehead bare, eyes sunken. The bowl is complete. 8508.2 - features are distinct, eyes closed, thick broad lips. The back section of the bowl is missing. The items were recovered from the wreck of the ship Victoria Tower.white star line, victorian heritage register, clipper ship, victoria tower, captain kerr, shipwreck victoria tower, migrant ship 1869, cargo ship 1869, iron clipper, british clipper ship, 1869, cargo imported to australia, pipe heads, clay pipe fragments, pipe, ceramic pipe, clay pipe, smoker’s pipe, smoking accessory, tobacco pipe, smoker's pipe, personal effects, tobacco, smoking pipe, smoking tool, smoking habit, smoker, tobacco smoker, tobacco pipe heads

Six key portable cassette recorder/player with rotary volume control. It can be operated directly from batteries or AC power (cord included). Also has Automatic Recording Level Control Circuitry (ALC), thus no need to adjust volume while recording. In original box with instructions and power cord. (Purchased at Waltons for 29.99).Auto Stop / GAC - logo Top: Condenser mic Rec / Play / Rewind / FF / Eject Left side: Ear O / Remote Mike 00 / Volume Bottom markings: Model No. SW-201 AC: 240V 50HZ 6W DC: 6V (UM - 2x4) Made in Hong Kong Warning: To prevent fire or electrical shock hazard, do not expose this appliance to rain or moisture, do not remove cover, no user serviceable parts inside, refer servicing to qualified service personnel. cassette recorder, gac

Page with three black and white photos pasted onto it. Two are the same group of people, but in different poses. They are all holding a tray with Yes We Have No Bananas painted along the front edge. They are all wearing scarves, blouses, the ladies are wearing skirts and the men are wearing trousers. They are all wearing head scarves and large round ear rings. The third is a copy of an advertisement for 'Yes! We Have No Banana's, America's Greatest Song Craze. It has a man standing in front of fruit and vegies in a fruit shop. A picture on the wall shows two men and a lady with the names Bailey & Cowan with Estelle Davis. Also on it is: Published by J Albert & Son.photo, group, mixed group, peter ellis collection, arthur wylie, vera jewell, alf bennett, elsie fraser, bob green, elsie wandell, frank dodd, chris thompson, yes! we have no bananas, bailey & cowan, estelle davis, j albert & son

Set of three photocopies of photographs from "Challenging Traditions - A History of Melbourne Grammar (Arcdia, Melbourne 2002) showing the cable tram winding house on the corner of St Kilda Road and Bromby St in 1919 and after redevelopment c1930. .1 - looking north with steam coming from the winding house. .2 - looking south east with winding house and surround buildings .3 - after closure and redevelopment of the site, looking north east. .4 - photo of the intersection of Victoria Parade and Gisborne St showing the cable tram track, cable trams, MFB and Eye and Ear Hospital. Shows the track layout partly. A photograph from a book "Melbourne from the Air"trams, tramways, st kilda rd, cable trams, victoria parade, brunswick st, winding houses, fitzroy

A collection of nine postcards donated by the Bass Coast Op Shop. Information on the back of No. 276-05. "Koala Bears were first seen by white explorers in the Blue Mountains, 1798. Early colonists from N.S.W. called it a "monkey bear". Koala means in Aboriginal "does not drink" or "no drink". They are slow-moving, tree-climbing, friendly marsupials with thick woolly fur coats, large ears and rubber nose. They live in gum trees and feed upon their leaves. Babies are born every two years, spending nine months in mother's pouch and then on her back for about six months, then leaving its parents and looking for a tree with comfortable branches."Nine coloured postcards of Phillip Island and wildlife. 276-01. Postcard showing four vintage vehicles displayed in the Len Lukey Memorial Museum & Gardens at the GP Race Track. 1. 1928 Austin Chummy. 2. 1926 Maxwell. 3. 1924 Model T Ford. 4. 1913 Model T Ford. 276-02. Postcard showing penguin in burrow possibly on egg/s 276-03. Postcard with two photographs of penguins coming up the beach at dusk. 276-04. Postcard with three photographs of penguins coming up the beach and people looking over the railing at them. 276-05. Postcard of a koala sitting on a branch. 276-06. Postcard of seals at Seal Rocks with man sitting on the rocks beside one. 276-07. Postcard with four photographs of koalas, penguins, Cowes Jetty and Cowes beach. 276-08. Postcard with three photographs of koalas, penguins and a seal. 276-09. Postcard with four photographs of penguins, koalas, seals and penguins.276-01. Len Lukey Memorial Museum & Gardens. Vehicle description as above in Physical Description. 276-02. Phillip Island, Victoria, Australia. On back: Australian Penguin Reserve, Phillip Island Victoria. 276-03. Australian Penguin Parade Phillip Island. 276-04. Penguins at Phillip Island, Victoria, Australia 276-05. On back: Full description of Koalas - see Historical Information below. 276-06. On back: Making friends at Seal Rocks, Phillip island, Vic. 276-07. Cowes Phillip Island. 276-08. Phillip Island Victoria 276-09. Greetings from Phillip Island. On back: Phillip Island, Victoria, Australia. Interesting aspects of this fascinating Island which gives shelter to some of Australia's unique fauna.wildlife - seals, wildlife - koala, wildlife - penguins, vintage cars, t model ford, len lukey musem, cowes beach, cowes pier, bass coast op shop

The first commercial digital hearing aid was created in 1987 by the Nicolet Corporation. The hearing aid contained a body-worn processor that had a hardwire connection with an ear mounted transducer. While the Nicolet Corporation’s hearing aid was not publicly successful and the company shortly folded, it was able to start a competition between companies to create more effective hearing aids. Two years later, in 1989, the behind-the-ear (BTE) digital hearing aid was launched. In addition to the Nicolet Corporation, Bell Laboratories expanded upon the hearing aid business by developing a hybrid digital-analog hearing aid. When the hearing aid was put on in the market, it was instantaneously successful. This development helped bring major changes to the world of the hearing aid. The next major milestone was creating an all-digital hearing aid. The Oticon Company developed the first digital hearing aid in 1995, but it was only distributed to audiological research centers for research on digital technology in the realm of acoustic amplification. The Senso was the first commercially successful, all-digital hearing aid, and was created by Widex in 1996. After the success of the Senso, Oticon began marketing their own hearing aid, the DigiFocus. Presently, the digital hearing aid is now become programmable. By making the hearing aid programmable, it has allowed hearing aids to be capable of regulating sound on their own, without using a separate control. The hearing aid can now adjust itself depending on what environment it is in and often does not even need a physical volume control button. Silver metal case with side clips and hearing aid attached. Has battery compartment for AA batteries. Volume control is the top left hand corner. "C OF A/CALAID/36778" on back of case deaf children australia, hearing aid, calaid

The first commercial digital hearing aid was created in 1987 by the Nicolet Corporation. The hearing aid contained a body-worn processor that had a hardwire connection with an ear mounted transducer. While the Nicolet Corporation’s hearing aid was not publicly successful and the company shortly folded, it was able to start a competition between companies to create more effective hearing aids. Two years later, in 1989, the behind-the-ear (BTE) digital hearing aid was launched. In addition to the Nicolet Corporation, Bell Laboratories expanded upon the hearing aid business by developing a hybrid digital-analog hearing aid. When the hearing aid was put on in the market, it was instantaneously successful. This development helped bring major changes to the world of the hearing aid. The next major milestone was creating an all-digital hearing aid. The Oticon Company developed the first digital hearing aid in 1995, but it was only distributed to audiological research centers for research on digital technology in the realm of acoustic amplification. The Senso was the first commercially successful, all-digital hearing aid, and was created by Widex in 1996. After the success of the Senso, Oticon began marketing their own hearing aid, the DigiFocus. Presently, the digital hearing aid is now become programmable. By making the hearing aid programmable, it has allowed hearing aids to be capable of regulating sound on their own, without using a separate control. The hearing aid can now adjust itself depending on what environment it is in and often does not even need a physical volume control button. Silver metal case with side clips and hearing aid attached. Has battery compartment for AA batteries. Volume control is the top left hand corner. Comes with its black case "C OF A/CALAID/101862" on back of case. "ANGUS & COOTE/Acoustics/HEARING AIDS" on inside cover of case

In the collection of the Kew RSL (Cotham Road) there is a framed original certificate with information about Lillias Jerram. It includes the following information: Miss Lillias May JERRAM Commandant No. 323 Detachment, Victoria [Citation] Loyal and able leadership and service during World War II Service: Joined No.323 (Kew) Detachment in 1937. Commandant in 1944. Miss Jerram did voluntary duty in casualty and wards at St Vincent's Hospital regularly for 6 years. Also duty at the Eye and Ear Hospital and A.R.P. Duty. Helped No.323 Detachment to raise funds amounting to 400 pounds for St. John Theatre at 115th A.G.H., Heidelberg. Blood donor. [Courtesy: John Torpey representing the Kew RSL]Women's contribution-utions to the war effort both in 1924-18 and again in 1939-45 were significant. Voluntary Aid Detachments. The primary role of a Voluntary Aid Detachment (VAD) member was that of nursing orderly in hospitals, carrying out menial but essential tasks - scrubbing floors, sweeping, dusting and cleaning bathrooms and other areas, dealing with bedpans, and washing patients. They were not employed in military hospitals, except as ward and pantry maids; rather, they worked in Red Cross convalescent and rest homes, canteens, and on troop trains.Small blue muslin tablecloth used at V.A.D. (Voluntray Aid Detatchment) meetings in Kew and embroidered with the names of notable members and office bearers. The date range provided in the embroidered names is 1918-1948.Signed with initials of members and the dates of their participation in the V.A.D.voluntary aid detachment (kew branch), signature table cloths, lilies may jerram

In the collection of the Kew RSL (Cotham Road) there is a framed original certificate with information about Lillias Jerram. It includes the following information: Miss Lillias May JERRAM Commandant No. 323 Detachment, Victoria [Citation] Loyal and able leadership and service during World War II Service: Joined No.323 (Kew) Detachment in 1937. Commandant in 1944. Miss Jerram did voluntary duty in casualty and wards at St Vincent's Hospital regularly for 6 years. Also duty at the Eye and Ear Hospital and A.R.P. Duty. Helped No.323 Detachment to raise funds amounting to 400 pounds for St. John Theatre at 115th A.G.H., Heidelberg. Blood donor. [Courtesy: John Torpey representing the Kew RSL]Group portrait of Voluntary Aid Detachment (V.A.D.) nurses including Lillias Jerram who was a member of this group during 1939-46. The photograph was given at the same time as the embroidered V.A.D. tablecloth which also includes Miss Jerram's name (see 2002.0003)Inscription on reverse in inl: "Miss Lillias Jerram X. / V.A.D. Corp / 1939-46".voluntary aid detachment (kew branch), lillias jerram

In the collection of the Kew RSL (Cotham Road) there is a framed original certificate with information about Lillias Jerram. It includes the following information: Miss Lillias May JERRAM Commandant No. 323 Detachment, Victoria [Citation] Loyal and able leadership and service during World War II Service: Joined No.323 (Kew) Detachment in 1937. Commandant in 1944. Miss Jerram did voluntary duty in casualty and wards at St Vincent's Hospital regularly for 6 years. Also duty at the Eye and Ear Hospital and A.R.P. Duty. Helped No.323 Detachment to raise funds amounting to 400 pounds for St. John Theatre at 115th A.G.H., Heidelberg. Blood donor. [Courtesy: John Torpey representing the Kew RSL]Miss Lillias Jerram in 1989, taken on her 89th birthday. Miss Jerram who lived at 37 Rowland Street, Kew was, during the Second World War, a member of the Kew Voluntary Aid Detachment (V.A.D.)Inscription on reverse in ink: "27.12.89. / Miss Lillias Jerram / 37 Rowland Street Kew 31 / (Taken on her 89th birthday)."lillias jerram, voluntary aid detachment (kew branch), 37 rowland street (kew)

This field telephone was developed primary for military purposes (World War I) and other wars/military interventions there after. It was the first "mobile" telephone which had a prime objective of providing isolated or "hard" to connect with locations instant communication links. Like a lot of "new" technologies it evolved from a war environment. This handset was used to connect offices and workshops, which due to their functions could not be co-located with their prime office(external workshops).The evolution from the early 1900s to the mid 1980s when mobile communication technology progressed in leaps and bounds from hard wire telephone communication to mobile digital receivers. This handset was manufactured by a subcontracted Australian company under the Australian Post Office mandate.This handset is significant in that it was donated by the Mount Beauty Timber yards and formed an integrated part of its communication system with its out lying work yards and buildings, before the mobile handset evolution. This handset was located in an environment which required a rugged and reliable day to day communications linkage as a vital part of its logistical (business) survival. As progress demands it, the faster that customers are satisfied with the service they obtain from suppliers the longer those services will be asked for and the longer and more profitable the supplier will be. This edict is as true for rural companies as it is for small or large city businesses. The customer is "always" right.This sturdy field telephone has a shell housing made in black bakelite material with a "U" form housing the major components (wiring, magneto and batteries). The main housing has two metal bells, with a central ringer between both, on the top part (to notify incoming calls). In front of the main structure is a box with the telephone hand piece (ear and mouth receptacles) nestled on two cradles. An on/off switch is activated when handset is removed from its cradle. On the front of the control box is a winder handle(to ring off) and in a field situation to activate/deactivate the magneto. To the left of the winder but on the the main body are two wind up connection buttons for the connection of operational wires (power)On the main right hand front body and next to two chrome switches is a plate with "L (next to the top switch) and below this "L2" and underneath this are "or" "EARTH". There is a plate fastened to the front of the handset and behind the winder with "REPLACE HANDSET WHEN FINISHED" and below the winder 'SERIAL NUMBER 5116"field telephone, world war ii field telephone f mk i

This diary was written by Cpl William Donald McDonald 3403 who served from July 1915 to November 1918. The diary covers the period August 5th 1916 to December 31st 1917.William McDonald was stationed in England mostly at the Salisbury Plain for the entire period. This item was mistakenly identified as as the J A G Brass diary, with 11Lieut J A G Brass being written inside the front cover of the diary. However J A G Brass was a distant cousin of W McDonald who still lived in Scotland and along with other names inside the front cover were contacts for the writer. Among the names are A W Hardy, J W Jolly, I J Windsor, Pte H A Jessop. The book itself is a modified British Service notebook, having been cut down by the author to make it a more manageable size. William McDonald was 35 years of age when he enlisted and was a tailor before enlistingThis diary has historic significance as it records daily life during the first world war. It relates daily life in the army ranks. It also has strong links to local families.Modified Service notebook of the type issued for use in the British Army of World War 1. It would have originally measured 5” x 7”, but has been cut down by nearly removing the fly end of the pages to reduce them about 3.5”. The author, who was a painstakingly neat and fastidious man, has also re-rounded the corners, to prevent them ‘dog-earing’. The aim of the modifications is likely to have been to make the item easy to slip in or out of a tunic pocket. Heavy light grey green card with rounded corners bound with two staples. 96 pages, each with 8 faint, light blue, vertical lines. Handwriting in ink and indelible pencil is across the lines.The front cover of the Notebook (now the back cover of the diary) is annotated as ‘Army Book 136A’, effaced with an imperial crown of the ‘St James’? Pattern with a title inscribed in an ellipse, which would once have read - SUPPLIED FOR THE USE OF OFFICERS AND NCOS.warrnambool, ww1 diary, mcdonald 3403, william donald mcdonald, william mcdonald, j a g brass, world war one

The helmet belonged to Henry Victor Evans No 418655 RAAF. Refer 1760.4. Type B flying helmet made of dark brown leather and lined with chamois. There is a leather chin strap fastened on the left with a white metal buckle. On the inside of the helmet on either side of the face are two snap fasteners with a strip of chamois backed webbing fastened between them for securing an oxygen mask or face protector. There is a buckled strap across the back of the neck with two thinner buckled straps running vertically above it. Another thin buckled strap is secured across the front of the helmet. A circular ear piece is sewn on either side of the helmet with a zippered opening. Inside each piece is a brass fitting for attaching gosport tubes. Brown leather Flying Helmet, yellow suede lined inside."N361". Hand written "V.H.Evans".flying helmet, raaf, headwear, leather

Mr. W.W. Roach is Chief Executive Officer (CEO) of Royal District Nursing Service (RDNS) and is sitting in his office at RDNS Headquarters, 452 St. Kilda Road, Melbourne. Mr. W.W. Roach became CEO of RDNS in January 1971, and soon after started an appeal for funds, as well as organizing and distributing printing material advertising the services available from the Royal District Nursing Service. After almost 13 years with RDNS he retired in December 1983. During his time as CEO, RDNS grew from 6 regional centres with 182 on the staff to 14 centres with a staff of 452, and the Education Department relocated to a nearby building.Black and white photograph showing Mr. W. W. Roach, of Royal District Nursing Service (RDNS), sitting at his dark coloured desk. Mr. Roach, who has thinning dark hair, and is wearing a white shirt, dark tie, grey buttoned vest and a dark coloured jacket, is holding the hand piece of a grey coloured telephone to his left ear and holding a pencil in his right hand. His wrist is resting on a piece of white paper on a large white blotter on the desk and a light coloured Teledex is on the far right. A multi drawer filing cabinet and opened floral curtains can be seen in the background of the photograph. Between the curtains closed Venetian blinds are seen and below this a voile curtain.Photographer stamp. Quote No. KH 53royal district nursing service, rdns, rdns headquarters, rdns chief executive officer, mr w.w. roach

Set of 4 black and white photographs of MMTB trialling overhead fittings for pantographs on the West Preston line. .1 - dummy fitting of where two overhead trolley wires cross each other at 90 degrees .2 - cross frog and signal contactor .3 - Section insulators with pantograph pan depression bars .4 - ears fitted to a curve section with a short dropping sections. Handwritten note (filed with photos) giving photo numbers, location and that sent to ET. Not dated as such. Electric Traction magazine issues for June and August 1977 - see image i5 an it advises of the pantograph trials and changes made. W2 546 had been fitted during May 1977 with a pantograph and a closed circuit camera.trams, tramways, mmtb, west preston, overhead, electrical engineering, electric traction, pantographs

Sidney Yankauer, M.D. (1872-1932), an ear, nose and throat specialist and pioneer in bronchoscopy, practiced at the Mount Sinai Hospital in New York. Dr. Yankauer, a prolific inventor of medical equipment, might best be known for the tube he designed for suctioning the mouth and throat. Yankauer introduced the wire-mesh anaesthesia mask around 1904. The drop method involved placing the mask over the patient’s nose and mouth, and then placing gauze over the mesh of the mask. Next, liquid anaesthetic, such as ether or chloroform, was applied in drops or lightly poured onto the gauze so that the patient breathed in evaporated anesthetic as well as air. The gutter around the base of the mask was designed to catch any residue of the harmful anaesthetic. (The Wood Library Museum, 2016; Museum of Healthcare Kingston, 2016)A metal tear-shaped mask with gauze wire dome, gutter around the base and detachable spring piece with open circular handle to secure cloth over gauze. Found inside medical carry box #899Stamped underneath neck of circular handle: HATRICKdr [e.s.] holloway, hatrick, yankauer, drop method, mask, gauze

The mansion was built in 1888. The first occupant was Charles Brook Longbottom (independent means). In c1910 he moved to 92 Union Road. Anthony G Connell followed and then Dr John Box J P. (1863-1934); he was a surgeon at Williamstown Hospital and honorary surgeon at the Eye and Ear Hospital. John and his first wife Jessie Powell Mitchell (1872-1913) had a daughter who died in infancy, then 4 sons. Henry Powell Box became a solicitor; John Eric Mitchell Box became a chemist; Noel Edward Hamilton Box became a surgeon and and William Mitchell Box also became a doctor. John Box married Eleanor Beatrice Grist in 1917. Montalto was sold after her death, demolished and the land subdivided as Sythney Court.Black and white photo of a 2 storey Italianate mansion with arched verandas on 2 sides. There is palm tree on the near side of the driveway and outhouses in the background.SH519 in pencil on the rear.montalto, italianate style, dr john box, jessie powell box, jessie powell mitchell, eleanor beatric grist, eleanor beatric box, william mitchell box, henry powell box, noel edward hamilton box, john eric mitchell box

Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions as switchboard operators. In the first image, a man wearing a headset sits behind a small switchboard and on the desk is a sign that reads "Please buzz for attention. Our receptionist/telephonist is blind". In a second image, two people sit at a desk. The woman uses a device to locate a key on the switchboard whilst wearing a headset. Beside her a man points to the key and holds a telephone receiver to his ear. In the third image, a seated man reaches forward to find a socket in the switchboard, with an audio jack attached to his finger. Beside the switchboard a man stands and holds his wrist, possibly guiding him.employment, royal victorian institute for the blind

The Rainbow Bee-Eater is native to Australia, living across the mainland, except in desert areas. Male and female birds are both brightly coloured, the primary difference being the length of their tail streamers. Male Bee-Eaters have longer streamers than the females. They are insectivores and use techniques to remove threats to themselves; eg. they will remove wasp's stingers to avoid the poison. They nest in sand and dig a long tunnel, at the end is a 'chamber' where they lay the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rainbow Bee-Eater is a uniquely beautiful species of bird with strikingly bright colouring. The plumage is green, blue, chestnut and yellow. The build of this specimen is small and graceful and the bill is slender and curved. This Bee-Eater has two distinct streamers that extend from the base of the tail. The glass eyes provided to this specimen are dark black in colour; however, in life, this specimen has red eyes which contrast with the black stripe of colour that is located from the base of the bill to the ears. Below the black stripe, is a smaller pale blue colour. The throat is orange-yellow and the breast is green. The tail is black with a blue tinge to the plumage closer to the rear of the torso. The colouring on this particular specimen has faded significantly, but it provides a good example of what this specimen looked like while alive.Label: 5a / Australian Bee-Eater / See catalogue page 7 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, rainbow bee-eater

This trophy was presented by the Country Women's Association (C.W.A) Kiewa Valley Branch circa 1950's. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The CWA was an organisation that catered exclusively to women's needs. The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."The Kiewa Valley Group of the C.W.A. was a focal point for women in this still relatively isolated rural region to have a place of refuge from the heavy domestic demands that family and business exerted, and the need of a time and space to gain all the mental relaxation and group bonding necessary to balance the sometimes harsh environment that rural life presented.Silver plated chalice trophy has two "block ear" type handles fastened at the top lip and going 40mm vertically down to reconnect with the bowl. The bowl is connected to the dark brown plastic base by a brass (silver plating has worn off) stem (flower vase shaped).the chalice stem is attached to a circular tapered dome 30mm high which is also silver plated. The plastic base has a 35mm high extension rising from the broader circular bottom section and is rectangular in shape except for the quarter circular indent at each corner. The final circular base provides the chalice with the stability to stand on a flat surface. The whole of the base is hollow allowing the stem fastening nut to be viewed. The inscription on the chalice has been carefully and professionally scribed into the metal. "*C W A* KIEWA VALLEY GROUP H & H.I. EXHIBITION-PRIZE FOR MEMBERS. 40 & OVER" mementos, acknowledgement, cwa awards, trophies, rural women's club

Yields information about the way the SEC repair overhead failures on the Ballarat Tramway system - shows the trucks and the crews involved.Black and White copy photograph of a newspaper photograph taken by The Courier of repairs to damaged overhead wire, Lydiard St North, just to the north of the Railway level crossing. Tram services were disrupted as a result. Photo taken 23/4/1965, published 24/4/1965. Shows three SEC vehicles in use, including the tower truck. By the front of the truck, the overhead wire and a set of ears can be seen. The Victorian Railways Institute building is in the background. In the far background is the North Star hotel. The types of truck, from the left hand side are Ford (Tower Truck), International and a Bedford. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and "85%" in ink in the top left hand corner.tramways, trams, lydiard st nth, overhead, secv, repairs

This Sister is working at the Control Centre at RDNS Headquarters, 452 St. Kilda Road, Melbourne where she is receiving a phone call which she will transfer to the appropriate staff member in Headquarters, or if appropriate pass the message onto an RDNS Centre to take action. Central Control was based in the Royal District Nursing Service (RDNS), Headquarters and the Sister working there took and directed all incoming telephone calls to persons in Headquarters or to the appropriate RDNS Centre. Each Centre contacted the Control Sister each morning for any messages received over night. She remained in contact with each RDNS Centre during the day, and in contact with Evening staff after each Centre was closed at 6 p.m. Evening staff contacted Central Control after completing their evening visits, and book work, so the Sister in Central Control knew they were safe and had completed their shift before leaving the RDNS premises. Of a weekend, when reduced staff numbers were working, the same procedure was carried out by the Sister working in each Center's office. In the centre of this black and white photograph is a Royal District Nursing Service, (RDNS), Sister, who wears glasses and has short curly hair, is wearing a watch on her left wrist and is wearing her grey short sleeved uniform with an RDNS cotton badge applied to the top of the sleeve. She is sitting behind a desk and is holding a telephone to her right ear; she has a pen in her left hand and is ready to write in an open white paged book. A typewriter is on the left hand side of the desk and a black telephone can be seen on a shelf adjacent to the desk, A framed rectangular mirror can be seen on the left hand side wall. A shelf, with several books on the left hand side, can be seen attached to the upper part of the wall behind the Sister. Below this a large chart is on the wall and a wooden shelf below itPhotographers Stamp. 'Quote No. GE 14rdns, royal district nursing service, rdns administration

Brothers from Bendigo .1) Arthur John Knight No 318 enlisted 16.3.1916 in A Coy 38th Bn age 23 years 10 months, embarked for England 20.6.1916, embark for France to join the 58th BN 9.9.1916, hospital 26.1.1917 with Trench Feet, RTA 18.10.1917 loss of all toes, discharged from the AIF 15.6.1918. .2) Oliver Leslie Knight No 3891 enlisted on 16.8.1915 in 12th reinforcements 5th BN age 21 years 3 months, embark for Eygpt 23.11.1915, hospital Cairo 8.2.1916 with Influenza, embark for France with BEF 25.3.1916, WIA 25.7.1916 GSW Ear & Back, rejoin unit 16.11.1916, hospital 21.12.1916 with Trench Feet, rejoin unit 28.6.1917, L/Cpl 18.8.1917, WIA 2nd occasion 22.9.1917 GSW Back, rejoin unit 3.5.1918, Cpl 1.10.1918, RTA 1915 draft 25.1.1919, Discharged 6.7.1919 from the AIF.Photos B & W rectangular shape, soldiers in uniform, brothers, studio background. .1) Soldier standing with hands behind back. .2) Portrait photo merged into the background.photographs, 5th bn, 38thbn, 58thbn

Plaque commemorating D.L. Palmer, Musician to the Blind, 1882-1955. David Palmer was a music teacher and Director of Music at the Royal Victorian Institute for the Blind (R.V.I.B.) for over 40 years and conducted the R.V.I.B. choir and orchestra. The orchestra had about twenty musicians, all of whom were vision impaired, and was popular with the public for dances and events. Mr Palmer and the other music teachers would transcribe over a thousand sheets of music every year for the orchestra into Braille. Created by sculptor Andor Mészáros (1900-1972), this plaque was located in the foyer of Ormond Hall. During an interview with Australian Women's Weekly (28/10/1959, p7), the sculpturor - Andor Meszaros - said that he worked with half-closed eyes to create the memorial. It shows a profile, with wavy lines that sweep across the eye and around the ear to represent how one sense will become more importance when another is lost. His son, Michael Meszaros, was involved in the collaboration.1 bronze plaque with raised lines depicting profileAndor Meszaros 1959awards, sculpture, royal victorian institute for the blind, david palmer, andor meszaros, michael meszaros

This paper lantern was used by Australian athletes in the ‘Lantern Dance’, the last program of the closing ceremony, the lantern is called “Ch’ong sa ch’orong” and is traditionally used during weddings and festivals.When closed the lantern appears as a large, red spiral bound book with detailed inscriptions describing the way to correctly use the lantern in the ceremony. This description appears in several languages as well as a drawn depiction. When opened latticed crepe paper forms a cylinder. The two thirds of the paper is dyed dyed blue and the last third is dyed red. A small battery pack is used to light the lantern.GAMES OF THE XXIVTH OLYMPIAD SEOUL 1988 o The last program of the Closing Ceremony is called “Lantern Dance”. When all the performers enter the stadium holding lanterns, turn the paper board inside out and press the ends so that they snap shut. This will then allow the lanterns to light up. Hold the lantern by the handle at the centre and gently rock it above your head as shown in the picture. o Listen to the announcements via the ear-phones and follow the signals from the guides for further instructions. o* This lantern is called “Ch’ong sa ch’orong” and was traditionally used during weddings and festivals. This inscription is repeated several times in various languages on the cover of the lantern.1988 seoul olympic games, closing ceremony, lantern dance

Frank Wright wrote the following tribute to Percy Campbell which was printed in the Ballarat Courier. "With the passing of Percy Campbell, Ballarat has lost its best known and most distinguished musician. His was no ordinary talent, but an inborn musicianship touched with genius. He was a critic of the keenest perception and many able musicians sought his advice on technical matters over a wide range. His ear was of the most sensitive kind, and among his unusual accomplishments was that rarity among musicians, "absolute pitch." Those of us who knew him well will reflect with pride that we were privileged to journey with him for a little while along life's highway. Percy Campbell belonged to Ballarat, and to Ballarat's music. He was part of the city itself. Handicapped through partial blindness from birth, there can be no doubt that had he been in full possession of his faculties, and been able to travel, his name would have been known in every corner of the world."Four page programme printed in brown ink on cream paper. the concert was held at Albert Hall Ballaratfrank wright, j c rowe, albert hall, percy campbell, monica righetti, star for opera quest, william ritchie, robert lemke, ballarat soldiers memorial band, bert rasmussen, ellinor morcom, south street society, righetti, morcom

This work was commissioned by the University of Ballarat (later Federation University Australia) at the suggestion of University lecturer Janice Newton.The composers brief was to provide fanfare/processional - type music that reflected both something of the early history of Ballarat and something of the goldfields. 'Look Out Below' and the medieval university tune 'Gaudeamus Igitar' has been incorporated into the body of the music. The discerning ear may pick out these tunes being played independently or together, in snatches or longer segments, throughout the piece. Rosalie Boninghton (9.4.1946 - 21.12.2011) was born in Ballarat. She studied composition under Keith Humble, Ian Bonington, Theodore Dollarhide and Lawrence Whiffen from the University of Melbourne and completed her Master of Arts (Music) at LaTrobe University in composition with a thesis on 'Contemporary Liturgical Music and the Composer. In 1967 Rosalie was awarded the Coutts Memorial Prize for Composition from the University of Melbourne. She has also won the national Song of Jubilee competition (1999), and was co-winner of the national Competition for Liturgical Psalm-Setting (1983). An A3 score of fourteen A3 pages for brass, woodwind and timpani. The pages have been inserted into an A3 display book. An collections of A4 scores for each musical instrument is also located in the A3 display book. The music has been designed for flexi-length options to suit each particular occasion, ranging from approximately 2 minutes and 35 seconds minimum length to approximately 3 minutes and 37 seconds maximum, and including a range of intermediate lengths possible. graduation, music, music score, rosalie bonighton, processional hymn, janice newton, fanfare

Photograph. Norman Penrose collection: (A) Photo portrait of a man wearing a suit and tie. He is also wearing glasses, dark hair. (B) Tinted portrait of a lady with black hair. She is wearing a grey dress with beads and fabric flowers and leaves at the shoulders. She is also wearing sun glasses. Picture mounted on cardboard. (C) Black and white portrait of a lady with shoulder length curly hair. She is wearing a black dress. She is also wearing glasses. Portrait mounted with matt board. (D) Coloured portrait of a lady wearing a bright yellow dress with large black buttons at the shoulders. She has short, curly hair. She is wearing glasses which are black with clear lower edges to the frames. Also black ear-rings. The portrait has been taken from the side and she has her head turned to the camera. The background is pale blue.photograph, person, norman penrose collection, artwork, male and female portraits