Refer to Cat 4967.2These badges are shaped like an old fashioned round bomb with a burning fuse on top. Two badges have been darkened for wartime use, One badge is brass coloured with a banner underneath with the latin word "Ubique". ww2, artillery, uniform

A gas kitchen set up on a stage marked ''Gas And Fuel Presents FASHION, FOOD And FITNESS'' Two Ladies behind the kitchen doing some cooking and a man holding a microphone at right. Date and Location unknown.event, social, gas & fuel fashion, food, fitness

Artwork. Norman Penrose collection: various colour and black and white pictures of women's fashion taken from magazines, etc and pasted onto cardboard. Some blue and white illustrations of methods of drawing figures and clothing.artwork, norman penrose collection, artwork, women's fashion

Brian was born in Melbourne in 1949. Early life was spent in the stimulating bush environment in Montrose. Ramon Horsefield saw a spark and Brian began to paint in oils at the age of thirteen. He contunued tuition with Graham Moore, in class and at night classes. An Art Diploma at Swinburne was not completed. This did not crush his creative spirit and he resumed tuition with Graham Moore. Within a few years he was winning prizes. Many and varied jobs allowed him to survive whilst aspiring to become a full time painter and bring up his growing family. In 1977 Brian resigned from his last employment as a picture framer. He leased a shop in Main St, Mornington and set up classes. Brian taught painting and had his own studio behind the school. Later he was to move and build his "bushland gothic" home in North Warrandyte. Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. He has won many prizes, was a finalist in the 1992 Moran Portrait prize. The Alice Bale Scholarship which he won, entailed a year traveling and studying in Europe. Brian returned home in 1996. Sharing his skills with many students over the years, he taught privately and at various art societies. His oils, pastels and charcoals capture the light of landscape, portrails and nudes. In 2012 it will be thirty-five years since Brian has had a "real job". At times this has been really difficult. He is now semi retired after suffering from Rheumatoid Arthritis for a decade. Now he paints what he loves to. His portraits capture the very essence of the sitter. In 2009 he remarried and moved back into the bushland of North Warrandyte. 'Duet' by Brian E. Armstrong was donated by the Artist to the Eltham Copper Butterfly Appeal Auction.Oil on canvas painting depicting a 'Duet' scene with two children. One is shown playing the flute whilst the other is playing the piano. The painting is fashioned in sombre colours and muted tones, with alternating tones of violet prominent.Signed- Brian E. Armstrong '87 On label - artist's name: Brian E. Armstrong Address: 844.2925 Title of Painting: Duet Medium: Oil on canvas On Frame: 82 enclosed in circle. 31 1/2. C Enclosed in circlebrian e. armstrong

Black and white photograph of Vera Hanlon nee Allen aged 24 years wearing the latest fashion of a summer slack suit, taken in the yard of her parents home in Myer Street Lakes Entrance Victoria.genealogy

Copy of Issue 16 of 'Le Petit Journal Echo de le Mode' (French), dated 21 April 1929. Cover depicts women in latest fashions & holding tennis equipment. Materials: Paper, Inktennis

Commonly used removable cams from a Singer sewing machine of the 1960s. These cams enabled the home sewer to use fancy stitches in their work and were later superseded by integrated electronic controls.Box containing four sewing machine cams and leaflet containing sewing patterns and instructions for use. Accessories to a Singer sewing machine.Fashion discs for Singer Automatic swing-needle machine. Set no. 2, 276401, 306 class. Shell, Solid scallop, Icicle and Banner singer sewing machines

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens, mens and childrens garments."SPEEDIKNIT" SPORTS WOOL / Villawool / KNITTING BOOK / No. 62 / 1'6 / "SPORTMAN" See p. 4 / "FASHION WISE" See p. 5knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

Organza is a thin, plain weave, sheer fabric traditionally made from silk. Many modern organzas are woven with synthetic filament fibres such as polyester or nylon. Silk organza is woven by a number of mills along the Yangtze River and in the province of Zhejiang in China. A coarser silk organza is woven in the Bangalore area of India. Deluxe silk organzas are woven in France and Italy. Organza is used for bridal wear and eveningwear. In the interiors market it is used for effects in bedrooms and between rooms. Double-width organzas in viscose and acetate are used as sheer curtains. Nylon organza was very popular as the new fashion material in the 1950’sA lady's collar white embossed nylon organza with machine lace edge. C1950clothing, nylon, organza, dressmaking, moorabbin, bentleigh, cheltenham, fashion

This is one of two books donated together and believed to have belonged to the Purvis family. The books were rescued from recycling. It has the name of C Purvis on the front endpaper. The other book from the same donor has the inscription "C. A. Purvis". The inscription on the back endpaper of the other book belonging to C. Purvis is of interest, '"Edith Fox, Gheringhap, 1879"' as it is earlier than the earliest journal in that book. Perhaps it is the birth date of Edith. It is also interesting that an notice was printed in the Geelong Advertiser in 1922 stating that Edith Susan Fox of Box Hill had an interest in land in Gheringhap. Gheringhap is a town on the Midland Highway, Victoria, 15 km northwest of Geelong, and 6.7 km southeast of Bannockburn.This is one of two journals of ladies' fashion, fancy work and stories that reflect the interests of the late 1800s. They are a useful source of historical information and the articles available for sale.The Ladies' Home Journal 1891- 95; a collection of women's journals in a burgundy hardcover book with a leather-bound spine and leather-reinforced corners. The journals are illustrated magazines and include fashion, fancy work and family reading, Published in Philadelphia, America by the Curtis Publishing Company. The binder was made by G Mercer, Geelong. A printed blue label is on the inside front cover. An inscription is on the corner of the front fly page.On spine: "THE LADIES' HOME JOURNAL" Within two concentric oval outlines "G. MERCER / GEELONG" and it nthe centre "BINDER" Handwritten in black pen and crossed out "E. F." Handwritten in blue pen "C. Purvis"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, young ladies journal, ladies journal, women's journal, edith fox, gheringhap, fashion, fancy work, family reading, illustrated magazine, curtis publishing company, philadelphia, young ladies journal 1891-95, 1891-1895, purvis, g. mercer of geelong, stationery

Historical information Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s.As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A small bom imprinted with the Sarah Coventry name and company detailsOn top in white: SARAH COVENTRY AND AFFINITY® / INTERNATIONAL FASHION JEWELLERY On one side: DISTRIBUTED BY SARGEM PTY. LTD./HUME HWY WODONGAsarah coventry, sarah coventry affinity, sarah coventry wodonga, sargem wodonga

This brand of starch was first manufactured before 1966 and covered the period when Australian made was the preferred clothing due to limited imports from England. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity and ease of supply and not by the "Buy Australian" campaign (of later years), was the major factor for the demand of these type of laundry goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. This product was in the era and importantly the social more of "clothes make the person" in which starched shirts and dresses was the fashion vogue. Formality of dress was a strictly British "class" up-man-ship which from the 1950's onwards became less and less visible. The Australian "Ocker" or fair "dink'm" bloke became more entrenched after World War II. The national identity was slowly developing.This box of starch is very relevant to the Kiewa Valley because this box highlights the differences ,in this period, between city and rural social standards. Rural areas were deeply entrenched into colonial and the pioneer family structure viz- a-vie social and dress fashion standards. British values and norms lingered on well beyond the changes happening in city fashion. Tradition and English "ties" were the backbone of early colonies and it was only after World War II that these "ties" were becoming irrelevant. Early traditions lingered well past the independence sought by Federation, colony to statehood and trade with other nations eg. USA and Asia. The idea that a change in "status" would automatically change the social mores of Australians, especially in rural ares, was not fully grasped by the "law makers" and those wanting change.This box (capacity 12 ozs) has white(aged into cream) and blue printing and a "white star" on five sides, the sixth side has a laundry scene with two ladies, in early 1900's fashion. The package is made from 200 gsm thick cardboard. As manufacture was made before and during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize. One side of the box has instructions of use and all the other sides are promotional, detailing "the best in the world and won't stick to the iron""SILVER STAR", "THE BEST IN THE WORLD", "WON'T STICK TO THE IRON", "REQUIRES NO BOILING", INSTRUCTIONS FOR USE", "ROBERT HARPER AND COMPANY LIMITED", "INCORPORATED IN VICTORIA, AUSTRALIA", "NET WEIGHT 12 OUNCES", "LARGE BOX 12 OZS"domestic laundry essentials, cotton clothing preparations, household starch "crisp and neat appearances.

This Newspaper "How London celebrated Victory and Peace" was sent home by W.H. Field No 18440 AAMC who was still in London at the time. Off the 20 pages 6 are full page of the Victory Parade. Refer Cat No 7848 for W.H Fields service details.Newspaper, "The Daily Mirror", 20 pages No 4908, all print in black, contents range from full page photos of the "Victory March in London 19.7.1919", articles, cartoons, lots of Womens fashion adds, price was one penny.Hand written on front page in black pen, "Take care of all these papers"victory, newspaper, parade, malone collection

Lettter re memories of her art classes at 1189. Fiona studied fashion design at RMIT and now manages DMC in Australia. She was inspired by her lessons at Golden Square 1189. Letter dated 1 August 2003.bendigo, education, golden square primary school

Two copies of French family magazine, 'La Mode Illustree',dating from 1903. Issue: No. 15, 12 April 1903; and, No.24, 14 June 1903. Issues feature tennis fashions. Materials: Paper, Ink, Stringtennis

The Young Ladies Journal was first published by E. Harrison. It was issued from 1864 to 1920. Framed fashion plate from the Young Ladies Journal. Two women in 1864 costume, one blue, one monochrome. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, ladies home journal

The Ballarat School of Mines Students' Magazine was published annually. 1958 editor was Peter Robinson. Contents include: School Council, Members of Staff, A Balanced Education, Retirement of the Principal, Principal's Page, Prominent Personalities, Have we the Right Approach?, Sweet and Sour, Paying Homage to the Dead, Sports Awards 1958, Italian Coachwork Sets the Fashion, The "White Australia" Policy, Wool, Roll CallYellow soft covered 56 page magazine with green ink. Contents include: New Students from Asia (Anthony Yeung Chai Shing, Yep Kwok Ming, Archari Kassibhrimi Sarikananda, Teddy Gan Ben Chiang, Richard Tann, Somsack Satapuntu, Chermsak Tanskul, Charles Tai, Chit Cheng Foo); Italian Coachwork Sets the Fashion; the White Australia Policy; Wool; Artists' Society; Literary Society; Maryborough Visit; Roll Call; Higher Education for Girls; Sports, Football, Baseball, Badminton, tennis, School of Mines Society of Artists; Girls' Association Images include: Craig's Royal Hotel, Dick Richards, Peter Robinson, Lansell groat, Elizabeth Scott, Patrick Collier, Nelson Hails, Biruta Mellins, William Widdop, Frank Pomeroy, Alan Clarke, Kaspar Bitans, Walter, Reimann, Gladys Hocking, Keith Alexander; Murray Gillan; John Skujaballarat school of mines, ballarat junior technical school, lansell groat, r. w. richards, elizabeth scott, patrick collier, nelson hails, biruta mellins, william widdop, walter reimann, gladys hocking, keith alexander, frank pomeroy, alan clarke, kaspars bitans, eric mcgrath, teddy gan, juris erdmanis, brian duthie, r. horgan, g. beveridge, t. stanley, p. agrums, d. vendy, j. whelan, a. atkins, b. dunstan, p. collier, d. kirton, i. weir, b. lonsdale, anthony yeung, k. alexander, a. rock, g. barnett, n. delosa, w. reimann, m. villani, a. clarke, john wynd, h. fletcher, c. fraser, p. h. collier, v. dorron, murray gillan, john skuja, chit cheng foo, k. bitans

This is one of two books donated together and believed to have belonged to the Purvis family. The books were rescued from recycling. It has the name of C A. Purvis on the front endpaper. The other book from the same donor has the inscription "C. Purvis". The inscription on the back endpaper of this book is of interest, 'Edith Fox, Gheringhap, 1879' as it is earlier than the earliest journal in the book. Perhaps it is the birth date of Edith. It is also interesting that an notice was printed in the Geelong Advertiser in 1922 stating that Edith Susan Fox of Box Hill had an interest in land in Gheringhap. Gheringhap is a town on the Midland Highway, Victoria, 15 km northwest of Geelong, and 6.7 km southeast of Bannockburn. This is one of two journals of ladies fashion, fancy work and stories that reflect the interests of women the late 1800s. They are a useful source of historical information and include advertising and thought provoking articles .Young Ladies Journal 1884 - 1885; a collection of journals in a burgundy leather-bound spine and hardcovers with a black, blue, burgundy and cram pattern. The Journal contains illustrations and articles of a wide variety including fashion, fancy work and family reading. Inscriptions are on the spine and the front and back end pages. Inserted between pages is a loose Christmas Magazine from The Sun, dated 24th Dec 1954. Published by the Curtis Publication Company, Philadelphia, Pennsylvania, Inside the front cover on the first page, handwritten in pen; "C.A. Purvis 1955" Inscription, script in black ink; "Edith Fox / Gheringhap / 1879"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, young ladies journal 1884 - 1885, young ladies journal, 1884-1885, ladies journal, women's journal, fashion, fancy work, family reading, illustrated magazine, purvis, c a purvis, edith fox, gheringhap, 1879, edith fox gheringhap 1879

Dr. Leonhard Adam was an internee in Camp 2.Original painting depicting an internee during the artist's time in Internment at Tatura.Portrait of unknown 'Camp 2 Internee', by Leonhard Adam. Cream coloured painted old-fashioned frame (plaster?), with decorative scrollwork on corners. Male subject, brown hair & goatee, blue eyes. Blue/ white background. White shirt.Leonhard Adam Tatura / Vic Weiten 1940tatura, dunera, internee camps, leonhard adam

Black and white photograph taken of spinning wheel and Kenny Koala on truck tray set up for Myer Street Traders Twilight Market. In background Fashion Network previously Stewart's Butchers and Galleon Coffee Lounge Lakes Entrance Victoria