A wooden racquet, painted white from shoulders to handle, featuring a decal of a heraldic shield with a caduceus, on both sides of throat. Inscription, from crown to stem, on obverse: SLAZENGER/KEN ROSEWALL/SIGNATURE/FIBRE/ARMOURED/SLAZENGER. Faint autograph of Rosewall features along stem of obverse. Blue 'Dymo' adhesive tape on throat on reverse: J.M.C. Materials: Wood, Paint, Adhesive tape, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive labeltennis

Card clothing sample manufactured by Samuel Law and Sons, Cleckheaton and probably sent to the Collins Bros Mill at the same time as W621. Card clothing is defined as 'the leather or other stiff material which holds the wire staples, the points of which project outwardly and form the carding teeth which operated on the fibres.' This fits into a carding machine ("The Textile Industries" vol. 8 - William S. Murphy, 1911).Card clothing sample, comprising rows of bent wires mounted on a thick rectangular leather base. Wrapped in tissue printed with an engraving of the factory where it was made and housed in an olive green lidded cardboard box, the interior of which is printed with an image of the manufacturer's factory.SAMUEL LAW & SONS, / Manufacturers all kinds Card Clothing. / Moorland Mills. / CLECKHEATON, England. SAMPLE OF CARD CLOTHING / FROM / SAMUEL LAW & SONS, / (branch of the English Card Clothing Company, Limited). / CLECKEATON. / MOORLAND MILLSsamuel law and sons collins bros mill pty ltd, carding, card clothing

Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Orange cotton flat-topped crown. Orange cotton exterior band supported by rigid internal leather band. Interior lining of green cotton under plastic. Perforated leather sweat band. Rigid black visor made of natural fibre. Black cloth strap above visor is secured by orange buttons.Insignia features a five-pointed silver star above a golden bird in flight, on red background, surrounded by a wreath of golden feathers.Label inside reads "Emerco Melbourne 36 1218 Made in Australia".

A wooden racquet (1), with a white throat, and fibreglass reinforcing. Slazenger logo and black panther emblem features across the stem, on both sides, and on the butt cover. Emblem also features across the throat. Inscription, from head to stem, on both sides: SLAZENGER/FIBRE/ARMOURED/TOURNAMENT. Racquet is accompanied by a red and white racquet head cover (2). Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Synthetic material, Metal, Clothtennis

A Rawlings, Earl Buchholz Signature tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with floral perforations. Rawlings logo features across base of head. Model name features across throat. Inscription: FIBRE/FUSED features across shaft. Rawlings 'R' trademark features on lower shaft, and plastic butt cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Ribbon, Adhesive tape, Enamel, Leather, Rubbertennis

Fine example of officer's accessory to hold map securely and protected from weather.Fine example of officer's accessorily to hold map securely and protected from weather.Hard fibre board panel with metal clips securing clear Perspex sheet covering map; canvas flap attached to one edge of board folding over and secured to other side of board with two metal press studs. Underside of flap has pockets for chinagraph marking pencils. Map is RACV road map of area southwest of Eildon Victoria probably a training area for 13th Motor Regiment. Also has two buckles to allow attachment to user's webbing.Stamped on cover flap "CG Hartley & Co 1942"map, motor, 13th, gippsland

Item looks to have been adapted for bench top use Sindanyo high temperature insulation boards are manufactured from cement based products, reinforced with selected fibres. They have been specifically designed to provide excellent service under demanding thermal and electrical applications. Sindanyo is a non-asbestos, non-combustible product that is easily machined. This insulation board is a popular option when a high quality, strong and rigid material is required.400/500 Volt, 5 amp, 50 Hz 3-phase balanced load. Circular scale with lead and lag markings and graduations. The 22cm diameter meter rear-mounted to black sindanyo board, supported by wood brackets on wood base. Five terminal posts on panel below meter. Wire connections at rear. No maker's name Patent Number: 162471/20 Serial Number 263475scientific instruments, power factor maker, lead and lag markings, terminal posts, power factor meter, wire connections, sindanyo board, non-combustible, insulation, electrical applications

G. Harper was a saddler and harness maker located at Bath Corner, Charring Cross. He advertised in The Bendigo Advertiser in 1892A brown suitcase with two metal clasps which could be locked. There are two travel stickers, ones a Victorian railways luggage Melbourne Albury which is partly missing, the other is The CHALET MT BUFFALO Nation Park. On the inside of the lid there are two labels one is black with gold letters G. HARPER NEW BAG SHOP Leather Goods & Ladies' Hand Bags Travelling Bags & Trunks Saddler & Harness Maker Charing Cross BENDIGO The other is light blue with black writing, QUALITY Guaranteed M.B. Fibre CASE.182 underlined made in bendigo, suitcase, g. harper saddler and harness maker

Two part object. (1) A Dura-Fiber XR-Graphite tennis racquet, featuring IPC core, brown frame with open throat, handle grip wrapped in tan leather printed with manufacturer name. Plastic butt cap. Manufacturer's logo on shaft and butt cap. Plastic strips around head as anchor for strings. (2) Original vinyl head cover with zip, featuring manufacturer name and logo and model name. Materials: Wood, Metal, Fibre, Leather, Adhesive tape, Vinyl, Plastic, Inktennis

A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a black plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis

A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a black plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis

A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis

A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis

A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis

A Spalding, "Pancho Gonzales" Autograph Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a black plastic butt cap. Manufacturer's name across base of head; model name across throat. Globe and compass symbol features on throat on both sides. Wreathed 'S' trademark features on lower shaft and butt cap. Strings printed with 'WILSON' and 'CHAMPIONSHIP'. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibre, Plastictennis

A mortise axe is a specialist axe designed for hewing sills and notches in joints. The axe has a long, narrow head, making it easier to work on large logs. The shape enables the user to hew a long way down into the notch, where otherwise a chisel would be used. This tool has one blade, which may be pushed, swung or struck with a mallet. Others, have two, one of which is used for separating the fibres, and the other for levering out the waste.This is an example of a common woodworking tool used by the early settlers in the Orbost district.A long wooden handled axe used to cut mortises in posts for post and rail fences. The blade is made of iron and is quite long.axe mortise-axe fencing timber farm-tool

This stencil was used as a wool classification stamp for the transportation of wool bales. Locks is a term used to describe very short wool cut from the fleece by shearers. Either short wool from around the points or second cuts caused when shearers lift the hand piece off the skin and then shear the short fibres left on the skin to tidy up. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - LOCKSLOCKSwool - transportation, wool sales, wool class, wool classers

This splicing tool is handmade on a forge. It is used for splicing in fibre and wire rope work to form a semi-permanent joint between two ropes, or parts of the same rope or steel cable. The rope is partly untwisted and then the strands are interwoven. Splices can be used to form a stopper at the end of a line, to form a loop or an eye in a rope, or to join two ropes together. Splices are preferred to knotted rope; a knot typically can reduce the strength by 20–40%, but a splice is capable of attaining a rope's full strength. This homemade, handmade splicer is an example of a tool used to splice a cable or rope, a craft that was in much need onboard a sailing ship. Splicing tool; a spike on one end and a flat blade on the other, with goose-neck centre for leverage. Handmade.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, splicing tool, rope work, rope strands, knot making, netting, net making, sailmaker's tool

Vietnam eraVietnam eraFibre helmet liner used with the US M1 steel helmet. The outside of the liner is a dark green colour and the inside brown. The liner contains a webbing suspension system that can be adjusted to fit the wearer's head. The suspension webbing has a three-strap olive green nylon webbing in an asterisk pattern stretching across the inside of the liner. A brown leather and nylon webbing sweatband is mounted around the inside of the liner with metal clips. The suspension system is mounted at six points with metal rivets and clips. Metal clips are riveted to either side of the liner and at the rear.Cat. No. 8415-50-753-5792. Written in black texta is MORCOM, 37019 an 1966-67.helmet, headgear

Washing wringer (or mangle) marked "EXTRA HIGH GRADE WARRANTED" and "102" and " - - -ROLLS 12 - - -" Has orange coloured rollers. Clamps on swivel to clamp onto trough. Adjustable pressure clamps on top. Trade Mark of Horse Shoe with "AWCo" inside it . Instructions stamped on wooden slope "THIS WRINGER HAS WARRANTED RUBBER / ROLLS / VULCANISED TO THE SHAFTS / PUT - - - THE BEARINGS / BEFORE USING LARD LOOSEN TOP SCREWS / WHEN THE WRINGER IS NOT IN USE" and "HORSE-SHOE COMBINATION TUB CLAMPS / WILL HOLD WRINGER - - - TO GALVANISED IRON, FIBRE OR WOOD TUBS" . flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wringer, mangle, laundry, domestic, cleaning, washing wringer, clothes wringer

Significant for the BTM in winning a Museum Industry Recognition Award, by Museums Australia for its achievements in replacing the sub-station and fundraising. The Certificate of the award.Framed Certificate, black frame, glass front, fibre board back and swing out stand with metal clips, titled "Museum Industry Award of Merit", awarded to the BTM as part of the 2006 MIRA Awards on 25-5-2006. Sub titled "The Lightning Strike". Award presented by Museums Australia, Vic Div. Has logos for Museums Australia, Arts Victoria, Vic. Govt. Logo. Signed by Dr. Helen Light as President and Elizabeth Triarico as Vice President. Refer to June 2006 issue of Fares Please! for ceremony photographs.trams, tramways, btm, substation, awards, museums australia

This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows the area and machines used for blending (the mixing of various fibres to produce the required quantity of yarn). The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill, blending

This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows the area and machines used for blending (the mixing of various fibres to produce the required quantity of yarn). The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill, blending

These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. A Tape Condenser is a device that receives the wide fibre web from a woollen card, divides it, and rubs each section into a sliver. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.Two black and white photos of a Tape Condenser in a landscape format. The first photo is of the front of the machine, the second is of the rear.8038.1 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1138 Rear - Showing new model Tape Condenser with all-Perspex Guards, new gear box type of main drive to Condenser. New mounting of all Tape Rollers, cross shaft drive to Variable Speed Gear Box for drive to rubber shaft and many other improved features. 8038.2 - Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1140 Rear - New Model Four-teir Tape Condenser showing rubbing motion side Note greatly improved guarding completely enclosing rubbing motion and gearing, also Variable Speed Drive to Rubbing Motiom via heavy ‘V’ Belt. The drive is taken by cross-shaft from the main gearing of the Condenser. Rubbing Motion has all roller bearing eccentrics throughout.textile machinery, tatham, wool manufacture, tape condenser

This item was used before the flexible sigmoidoscope (1996) and before the introduction of fibre optics late 1900s. The 1900s saw an incredible leap forward in the field of medical procedures. The ability to visually see what was happening within the human body (in real time) provided greater analysis about certain biological abnormalities during a greater time elapse than before. This procedure involved less trauma to the patient and greater flexibility to the Physician in treatment schemes. The rigid signoidscope, however provided the first visual of the colon in situ, but was highly invasive to the patient.This item was used in the Mount Beauty Hospital for qualified Physicians to use in their diagnostic evaluation of patients. This would not be an instrument used by a General Physician. This item is still a internal observatory method which may, in some instances, cause some minor complications. This item does point to the level of medical diagnostics, equivalent to those available in larger towns and cities, which brings this rural area (once considered to be an isolated region) to a higher level of medical care.This rigid 35 cm long sigmoidoscope (internal probe) is made of stainless steel outer hollowed rounded rod, which permits the use of both a fixed (very thin) lighting rod and two flexible cord lights access. Both the lighting rod and the flexible lights can be lowered within the main rod to allow the physician to see the colon at the bottom of the rod.These items are all contained within a specifically inlaid wooden box. The box has separate open compartments for the main instruments and a small lidded compartment containing replacement light bulbs. The hollowed tube permits the physician to visually observe the signoid (an S shaped part) of the colon.On the stainless steel main rod body are engraved the lengths of the body,in centimetres ,with numbers starting at the five centimeter mark and then every five centimetres up to the thirty centimetre mark. On the front inside rim of the box are two inlaid white plastic strips with black print, "ALLEN & HANBURYS Ltd" and the other "LONDON"medical diagnostics, sigmoidoscope examinations, medical examinations, hospital equipment

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

This drum carder was purchase by Gill Stange at the Whittlesea Show in the late 1980s. The carder allowed Gill to spin fleece from her own Merino sheep. Merino is a difficult wool to spin when compared to other popular varieties, such as Corriedale or crossbred wool. The carder helped her to tease out the fleece, slightly separating the fibres before spinning. It also allowed for easier removal of foreign matters, such as seeds and mud. Little is known about the Kacoonda brand who produced the carder. They were Australian based and appear to have only operated throughout the 1980s.The carder has one large central roller with two smaller rollers on either side. The larger roller rotates in the inverse direction of the two smaller rollers. The carding cloth is a mint green in which closely spaced wire pins are embedded. The shape, length, diameter, and spacing of these wire pins is that of a standard carder. On one side of the carder a handle is found that is used to spin the three rollers. Additionally on this side is a sticker which reads “The Kacoonda Carder. Subject to Patent Action”. A Silver grip for the easy movement of the carder can also be found high on this side. On the opposite side of the carder, many nuts and plates can be found which hold the rollers in place. This is opposed to the other side of the carder, which has a brown plastic cover plate attached underneath the handle. The walls providing a path for the carded wool to follow when being carded, are made of wood. The carder comes complete with a teasing tool. This tool has the same mint green carding cloth as the carder’s rollers. It is attached to a simple wood handle for ease of use.Wording, green, printed. Sticker on side of carder. “The Kacoonda Carder / SUBJECT TO PATENT ACTION”whittlesea show, drum carder, textile production, carding wool, kacoonda

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Another Kyoto confection, a kind of sweetened rice paste, is simply but strikingly wrapped in a package marked with its name (uiro) in vigorously written characters. Simplicity could hardly be carried further, but, as seen in this ensemble of three separate packages, the effect is altogether engaging. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving