This framed watercolour was created by 20th-century landscape painter Harold Morse Ward. He was born in Brooklyn New York in 1889 and died in Sacramento, California, in 1973. Ward graduated from the Pratt Institute in Brooklyn and furthered his studies in Paris. He was a high school art teacher for many years, later establishing the art department at the Sacramento Junior College in 1923. In 1949 he won a Carnegie Grant for further research in fine arts. He wrote and illustrated the book ‘The Thing Called Art’. His subjects were often taken from the Sacramento area.This is the only example of artwork by early-to-mid 20th-century recognised artist H M Ward in our collection. It is representative of the artwork displayed in homes during that era. Harold Morse Ward received a Carnegie Grant for research in art. He was a descendant of the inventor of the telegraph, Samuel Morse.Painting; the timber framed watercolour painting behind glass depicts a cottage on a hill beside a winding creek with trees and bushes. Artist is H M Ward. Signed "H M Ward"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, watercolour, landscape, h m ward, harold morse ward, 20th century art, sacramento artist, the things called art

Federation University Australia TAFE Business CollectionFramed oil painting in predominantly blue. If you can supply information on this artwork or artist please make post a message via the contact link below. tafe business collection, artist, artwork, abstract, painting

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

Gold framed coloured oil painting depicting RAAF Iroquois gunship of 9 SqnBarry Spicer 2001iroquois, gunship, helicopter, raaf, 9 squadron raaf, bushranger

Minnie Mary Fimmel (1880-1965) was born at Kewell, near Minyip and married carpenter John Thomas Francis Moroney in 1897. His death left her a widow with two children. Minnie re-invented herself as Marie Minnie Dalley and commenced menial work in Melbourne. Known as ‘Ma’, she became a financially successful businesswoman, eventually owning various properties around Victoria including a ‘machinery factory’. She was much ‘talked about’ in the newspapers for her benevolent actions, particularly towards women. For this community service she received an O.B.E. in 1949. Aged 74, she became the first female mayor of Kew. Ma Dalley refused to accept a formal presentation of the honour at a ‘return ball’, insisting that the money be donated to St George’s Hospital, Kew. She continued to financially donate to various charitable organisations. Her piéce de résistance was a staggering £250,000 personal donation to further the building of St George’s Hospital. She died at Kew and is buried at Miniyip Cemetery. Framed large oil painting on canvas. Cr Marie Dalley in her mayoral robes. Painted inscription on reverse of canvas: ‘Ma Dally [sic]. 1st lady Mayer [sic] of Kew Vic. Pinxit Govett 1951". [Cr Dalley was Mayor of Kew in 1954-55, so the date given by the artist on the reverse is incorrect.]marie (ma) dalley, james william govett, ma dalley, minnie mary fimmel, mayoral portraits

Sepia photo on cream board. Mixed group of people at a musical function (in doors). Ornate ceiling + Drapes. 4 framed painting on wall. 5 people from musical group, with brass instruments, 4 music stands. Another 7 people standing to the left. In front, are back view of audience members (Seated). Inscription: Handwritten 'Reg V. Brock/of Bendigo', 'V1599 1'Reg V.Brock Bendigoperson, group, musical function

Framed painting. Background = Australian flag - Centre Front = Shrine of Remembrance - Top Right = Sun with two aircraft and ship below - Foreground Left to Right = Sheep being shorn, ambulance, nurse, windmill/sheep, First Nations men, factory - main feature = Soldier on horseback with rifle./ Entered in Lilydale art show "Australia Remembers - 1945-1995". competition sponsored by Lilydale RSL."Australia Remembers" 1945 - 1995

The original of this portrait is held by Melbourne University Art Collection. Redmond Barry was the first President of the Ballarat School of Mines. Until 2020 this was exhibited at the Ballarat School of Mines Administratin building, outside Founders Room. Artist George Folingsby died in 1891.Framed reproduction of a painting of edmond Barry by George Folingsby.His HOnour Sir Redmond Barry K.C.M.G., M.A., LL.D 1813-1880 Foundation Presidet of the S.M.B., 1870-1876 Trustee of the S.M.B., 1870-1880 Chancellor of the University of Melbourne, 1853-1880redmond barry, george folingsby, available

A framed original coloured painting by Norman G. Crew '92 of HMAS Sydney out at sea. .H.M.A.S. Sydney Vung-Tau Ferry 1965-1973hmas sydney, vung tau ferry, cerberus collection

Wooden framed copy of painting of " HMAS Parramatta ". HMAS Parramatta was an Australian Grimsby Class Sloop.Photograph is inscribed Mediterranean Duties. HMAS Parramatta at Port Said in 1941. Original painting by Frank Norton in 1941.

Photograph of a framed oil painting titled 'Ballarat 1852 Tent Settlement from Black Hill. Shows Ballarat Flat, Golden Point township. Black Hill Flat and Sebastopol.ballarat, black hill, golden point, ballarat flat, tents, settlement, black hill flat, sebastopol

Owned by Rae Mathews of Nymph Street, Mitcham, a member of Nunawading and District Historical Society (now Whitehorse Historical Society) since 2000.Watercolour painting of Schwerkolt Cottage - mounted and framed. NB/ Matches framed oil painting by B. Rogalski hanging in local Historical Room (i.e. same scene & same viewpoint)Signed lower right hand corner B. Rogalskischwerkolt cottage, mathews rae, nunawading & district historical society, rogalski barbara

Framed oil painting featuring a bush scene painted by Irene Cox. The scene includes trees, a wooden hut. Gold decorative frame. Artist's signature lower right corner.

A framed oil painting of a green vase full of pink lilacs. We are currently seeking information on the artist A. Laurens. If you are able to assist please use the email link below.art, artists, laurens, lilacs, still life, flora, available, a. laurens

A period view of later 20th century waterside. Possibly MelbourneFrom the Artist website: "Born in Melbourne Australia in 1941, David’s early career began in etching and a 6-year apprenticeship at the north Melbourne Printing School of Graphic Arts to colour etching assisted in his future career as an artist painter. Many hand skills were learned such as hand engraving, lino and wood cutting also etching with zinc, copper and magnesium, later etching on film in lithography. David’s painting career expands many years of studying the art of watercolour painting and he has been involved in teaching his great love of this medium to painters both in Australia and overseas since the late sixties. He is involved in regularly tutoring for the Australian and International Artist magazine."Maritime ArtMatted framed and glazed watercolour painting of a waterfront with vessels and cranesArtist signature at lwr right corner On verso: number 31 in black ink / name and address of the artist written in black ink (top left corner) / sticker with number AMAA3053, name of artist, title of painting and number GFAM 047/ in pencil : GFAM 047waterside, docks, cranes, shipping, port, david k taylor, artwork, marine art, artwork-paintings

Duncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. Ge completed a Graduate Diploma od Education at the University of Melbourne in 2001. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil and watercolour painting. School of Human Movement Collectionart, artwork, duncan lannan, biology, botany, human movement, drawing, pencil, watercolour, alumni

The date of the scene depicted in this painting has not been identified. The painting has no artist signature or date. The view depicted is from an area close to the present day Madden Drive in Bacchus Marsh. The angle of the view suggests the artists viewpoint may have been from a spot close to the intersection of Madden Drive and Muir Street looking east over the town. Several buildings constructed in the 1860s and 1870s can be seen in the painting. These include Saint Andrews Presbyterian Church (now Uniting Church), built 1865, Stone Villa in Bennett Street, the Bacchus Marsh Court House, the former National Bank and the Border Inn, all on Main Street, and in the distance Saint Bernard’s Catholic Church. Buildings such as Simon’s Garage erected in 1913, on the corner of Main Street and Grant Street are not shown. In the foreground running horizontally Grant Street can be seen. The view of Grant Street shows very few buildings. One house in the centre of the picture is Murdoch's Cottage. A brick house constructed in 1868 on the corner of Grant Street and Waddell Street. To the right of the picture along Grant Street no buildings are shown. The store built by John Jory in 1890 at 60-62 Grant Street which survives as a building in 2025 is not shown. Some allowance for artistic interpretation must be allowed but based on what the scene depicts it suggests a scene of Bacchus Marsh in the late 1870s or 1880s. Print reproduction of an oil painting. Framed. Undated. Unsigned. BMDHS Location: AR/B12/Beside (on floor)views bacchus marsh vic., paintings bacchus marsh vic., landscapes bacchus marsh vic.

Susan PATERSON Born Melbourne Dr Susan Paterson is an artist, curator, writer and lecturer. Her research includes artistic practice and theory. Susan Peterson has worked as an art educator in many Australian States, China, England and New Guinea. Framed painting of an angelic figure with halo. Artist's statement: This work is inspired by those who love angel hunting in the old city of Jerusalem. Angels have significance in the three monotheistic religions which have grown together in harmony in this beautiful holy city. JUDAISM, CHRISTIANITY and ISLAM emerged historically in this order to be religions of peace and prosperity. PILGRIMS from these three religions visit the Holy City of Jerusalem in Israel to celebrate their respective religious traditions. susan paterson, angel, halo, available

Ken SEARLE (1951- ) Born Sydney, New South Wales Ken Searle worked on this commission through 1997 and 1998. Further works and sketches relating to this commission are held by the Art Gallery of Ballarat. Searle is a self-taught artist who first exhibited his paintings and drawings in the mid-1970s and is known for large, and often whimsical, paintings, of suburban and industrial areas in several Australian cities. From 1998 to 2001 Searle worked as a consultant at the school in the Aboriginal community of Papunya, Central Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting highlighting the artist's favoured aspects of Ballarat. Interested with scenes of suburbia for over twenty years, Ballarat is his first portrayal of a whole city. Searle’s view of Ballarat presents a deliberately untidy city seen from a number of viewpoints. Local scenes are portrayed no matter how pretty or garish, the subject matter providing a snap shot in time. Funded through the Commissions Program of the Visual Arts/Craft Fund, 1998 art, artwork, ken searle, ballarat

Framed pastel painting titled "Before the Rain" by Julie Lungren Coulter. Cream card window mount the engraved brass plate affixed to lower edge. Brown and gold painted wood frame.

Framed oil painting titled: "Coastline near Inverloch" painted by Mary Hennekam. Set in cream card window mount with brass plaque affixed to lower edge. Gold painted wood frame.

Tall Ships at Queenscliff; 'The sail training barquentine "Leeuwin" from West Australia and the Republic of Ireland brigantine "Asgard II" at anchor off Queenscliff prior to the "Arrival Convoy" in Melbourne of a number of the Tall Ships, all bound eventually for Sydney via Hobart for Australia's 1988 bicentenary. The Queenscliff pier with the old lifeboat shed and the Blacklight (Queenscliffe's High Light) alongside the old signal tower are also depicted. Port Phillip Heads in the disctance. By Dacre Smyth 29 Dec 1987.A barquentine or schooner barque is a sailing vessel with three or more masts; with a square rigged foremast and fore-and-aft rigged main, mizzen and any other masts. A brigantine is a two-masted sailing vessel with a fully square-rigged foremast and at least two sails on the main mast: a square topsail and a gaff sail mainsail (behind the mast). The main mast is the second and taller of the two masts.Oil painting in frame of the Leeuwin and Asgard tall ships in Queenscliff 1988.On front: Tall Ships at Queenscliff (LEEUWIN and ASGARD). Hand written on back: Tall Ships at Queenscliff; 'The sail training barquentine "Leeuwin" from West Australia and the Republic of Ireland brigantine "Asgard II" at anchor off Queenscliff prior to the "Arrival Convoy" in Melbourne of a number of the Tall Ships, all bound eventually for Sydney via Hobart for Australia's 1988 bicentenary. The Queenscliff pier with the old lifeboat shed and the Blacklight (Queenscliffe's High Light) alongside the old signal tower are also depicted. Port Phillip Heads in the disctance. By Dacre Smyth 29 Dec 1987'.leeuwin, barquentine, queenscliff, dacre smyth, brigantine

Framed oil on board painting of "The Shrine of Remembrance" depicting the forecourt area.On right hand side of painting it shows the R.A.N conflicts. Atlantic - Mediterranean - Red Sea - Persian Gulf - Indian Ocean - Java Sea - Coral Sea - Pacific. Artists name Dacre Smyth appears in bottom left hand corner. " The Shrine of Remembrance " appears below painting. On the frame is dedication reading " Let all men know that this is holy ground .This shrine established in the hearts of men. As on the solid earth" . ..... Let praise resound For those who died; may all remember them. On rear of painting The Shrine of remembrance by Dacre Smyth 2003. Will always be in touch Don. All the best David. Alan McConnell.forecourt of shrine showing the eternal flame., monument showing the ran conflicts.

Allan McLean was a stock and station agent from Maffra. He was elected to local government, served as Shire President and was the first chairman of the Maffra Sugarbeet Factory. He became Premier of Victoria and first member for Gippsland in the Commonwealth Government. Vincenzo Brun was a prominant society painter in Melbourne in the 1890s. The portrait appears to have been commissioned by the Maffra Shire Council, and probably hung in their chambers for many years. Framed oil painting by Vincenzo Brun of Allan McLean, local, state and federal parliamentarian, in thick, gold frame. McLean faces towards the left, is wearing a black suit and bow tie, and has a beard."V.Brun" as signature, bottom rightparliamentary representatives

A mounted and framed watercolour painting of a young lady, holding a tennis racquet, entering via an open window. Artists signature at the lower right. Materials: Paper, Paint, Cardboard, Metal, Paint, Wood, Glasstennis

Framed oil painting featuring a country landscape painted by G. Guppy 1996. Includes trees, road, fence and gate. Signed and dated by the artist lower left corner. Painted in shades of blue, yellow and green.