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Mont De Lancey
Tool - Hammer and Spanner Combination, Unknown
A handmade steel hammer and spanner combination with a hooked pry bar point at the end of the handle. spanners, wrenches, tools, farm equipment, steel, hammers -
Stawell Historical Society Inc
Clothing - Handmade Dress, Wedding Dress c 1900
Huttley Martin Costume CollectionSatin Lined Lace and embroidered, handmade Ivory Bodice Joined to skirt with press studs -
Flagstaff Hill Maritime Museum and Village
Clothing - Combination Undergarment, Eliza Towns, Late 19th century
This item of underclothing, called a "combination" is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. Although they were worn under the corset, next to the skin (and therefore not meant to be seen), they were often decorated with lace and embroidery. Although these combinations are made with a plain cotton fabric, Eliza Towns has incorporated pin tucks, hand embroidery and crocheted lace to embellish her garment. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear.Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has three buttons in the front and a handmade drawstring cord around the square neckline. It is trimmed with crocheted lace (with a floral design) on the neckline, sleeves and pants. It had pintucks and feather stitching on the bodice and the left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, 19th-century undergarment, handmade clothing, handmade lace, crocheted lace, towns family, nhill, eliza towns -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth is sealed, and has remnants of tape on outside. Tooled cork-top finish with ring below. Slightly bulged neck. Shoulder has some diagonal creases and a distinct line where shoulder meets body. Body tapers inwards to base. It has a bubble and diagonal crease lines. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Orbost & District Historical Society
photo frame, after WW1
Made by a soldier while convalescing after being wounded in WW1.This personal item gives an insight into the human element of World War 1. A very elaborate, handmade photo frame made of small pieces of wood put together with pegs.handcraft ww11 photo-frame -
Orbost & District Historical Society
club
Inspected by Joanna Freslov, archaeologist 2.6.2008 - possibly Melanesian origin.A long, thick, handmade wooden club with carved rings at one end and club ball at other,club weapon hunting -
Bendigo Military Museum
Book - Darbys Clangers, Times and Chimes, WO2 Graham Squire, 1978
This book was hand made in Bendigo and presented to the Army Survey Regiment Sergeants Mess by WO2 Graham Squire (Later WO1 RSM RASvy). The book is to record events when the Sgts Mess Bell was rung, signaling that money was put over the bar for those present. Events such as promotions, departures, birthdays, birth of children and grandchildren were celebrated in this way and hence recorded in this book. The Bell itself was presented by WO1 Alex "Darby" Munro and that is the reason for the naming of the book "Darby's Clangers, Times and Chimes". the first entry in the book is 30 Nov 1978 and the last entry is 29 Nov1996 to celebrate the departure of the last serving members of the unit.Large handmade book with many unused pages, book is housed in a vinyl covered cardboard box.Page 1 Top - " Please leave first entry space vacant for WO2 G Squire (Fishing Warden), Thank you, Max Neil WO2 for PMC" Page 1 Bottom - "The one that got away!" Last entry "Three cheers for Litho!" signed by LTCOL Duncan Burns Commanding Officer Army Survey Regiment 29 Nov 1996.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Orbost & District Historical Society
cloth, first half 20th century
This item is hand-made shows the skill and craftmanship of women in the early settler families.Very fine, delicate white point lace supper cloth with very ornate design. Handmade.cloth manchester table-linen handcrafts lacemaking -
Orbost & District Historical Society
vase, first half 20th century
Belonged to Mary Gilbert who was a passionate local historian. She was awarded a British Empire medal in recognition of her work for education and the community. . Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert, and had seven sisters and one brother. Four siblings died at a young age. .She was a teacher historian loved and respected by her family and the wider community.This item has aesthetic significance. It was owned by Mary Gilbert, a prominent Orbost personality, the first curator of the Orbost Museum. Handmade, tall carved wooden vase painted red. Bush scene painted black with pokerwork.vase ornament-wood gilbert-mary -
Orbost & District Historical Society
doilies, first half 20th century
This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Two small square handmade doilies. Tattered centres and crochet edging of bells. On white linen.doily handcrafts needlework linen embroidery -
Federation University Historical Collection
Clothing - Costume Accessories, Mackenzie Tartan Scarf, c1953
Margaret Bennett was a student at Ballarat Teachers' College in 1949. She attended the Ballarat School of Mines as a full-time day student for three years, gaining her Diploma of Art in 1972. She was Drum Major of the Ballarat Ladies' Pipe Band from c1954-1955. She was also the set and costume designer for Junior Light Opera Company. A handmade Mackenzie Tartan Scarf, with a red, white, green and dark blue pattern and fringed endsCity of Ballaarat Pipe Band, Life Member on the front Inscribed on the back is Drum Major Margaret Bennettmargaret bennett, ballarat ladies' pipe band, alumni, highland pipe band, margaret reynolds, tartan, scarf, mackenzie tartan -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Travel Trunk, c 1851 wood, brass lock and hinges and Guernsey Newspaper 1851, c1851
This wood traveling trunk was used by the LePage family when emigrating from Guernsey , Channel Isles, to Melbourne on SS Caliope 1852. Nicholas LePage , a tailor, and wife Elizabeth arrived in Melbourne in 1852 with their son Frank Thomas and daughter Elizabeth. Joshua Holloway released land in his 'Two Acre Village' in Cheltenham 1851. Nicholas bought a LOT for 10pounds and began a market garden that was managed by successive generations. The LePage family became involved with the Methodist Church , local friendly societies, sporting clubs and civic councils that endured. 'The LePages became one of the best known Moorabbin market gardening families, with a tradition of service to communal and civic affairs that is unmatched' John Cribbin, ' Moorabbin ,Pictorial History 1862-1994.' (City of Kingston)A handmade wood trunk with brass lock and hinges and Guernsey ( Channel Isles) Newspaper lining 1851Top of lid; White Stencil BETSEY LEPAGE / PASSENGER TO MELBOURNE Lining of box; Guernsey Newspaper 1851 henry dendy's special survey 1842, moorabbin shire, moorabbin roads board, dendy henry, were jb, holloway josiah, brighton, bentleigh, cheltenham, pioneers, market gardeners, early settlers, methodist church, two acre village cheltenham, charman stephen, bent thomas, daphne cottage, sons of temperance friendly society, mayors moorabbin council, lepage nicholas, lepage frank thomas, lepage everest, lepage frank wilbur, cheltenham co-operative society, cheltenham cream and butter factory -
Stanley Athenaeum & Public Room
Work on paper - Darwin's cardboard cut-out, Darwin's Stand-up photo
Purchased to celebrate 150 years since the publication of Charles Darwin's 'Origin of Species' , displayed in exhibition and at the Charles Darwin celebratory dinner 2009. Sent by post from UK.Made of cardboard with lightweight stand at back. Brown and white colouring for photo. Stand at back handmade.starcut outs limited SC104 -
Clunes Museum
Document - NEWSPAPER ARTICLE, HERALD SUN, MELBOURNE, DUNCAN MCHARG, 22/10/2016
ARTICLE IN HERALD SUN 'WEEKEND', 'COUNTRY LEGENDS', CLUNES COBBLER DUNCAN MCHARG. HANDMADE SHOEScountry legends, cobbler, duncan mcharg, handmade shoes -
Tatura Irrigation & Wartime Camps Museum
Suitcase, 1940
Made by POW's in Camp 13, at Murchison, VictoriaGreen painted hessian covered handmade wooden suitcase with metal handle, clips, lock and corners.suitcase, handmade suitcase, wooden suitcase, pow crafts -
Tatura Irrigation & Wartime Camps Museum
Suitcase, 1940's
Made by POW in Camp 13, MurchisonGreen painted, hessian covered handmade wooden suitcase with metal hendle, clips, locks and cornerssuitcase, harrison l, camp 13, tatura, ww2 camp 13, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Furniture - Stool, 1940's
Given to former guard officer Lieutenant William O'Neill, an office at POW Camp 13, by a German POW.Wooden stool with unusual curved structure and leather seat, handmade at camp 13 by German POW.wooden stool, camp 13, furniture -
Tatura Irrigation & Wartime Camps Museum
Suitcase
Made by POW at Camp 13, Murchison who was a crew member of the "Ramses". Suitcase made for owners possessions Many of the Internees & POW's who arrived in Australia with all their belongings in a canvas hold-all, made wooden suitcases for their possessions. Some were hoping for repatriation, others used them when moved from camp to camp. then lastly on their release.Handmade wooden suitcase with metal handle and clips- canvas straps attached to inside of case (Lid)suitcase, wooden, hahn j, asboth s, camp 13, tatura, camp 13 wooden suitcase, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Suitcase
Made by P.O.W at Camp 13 Murchison who was a crew member of the Ramses. Suitcase made for owners possessions.Handmade wooden suitcase with metal handle and clips. Canvas strap attached to inside of case and lid.ramses, camp 13 -
Tatura Irrigation & Wartime Camps Museum
Biscuit Cutter, 1941 - 1946
Made in Camp 3 for internees making Easter biscuits.Tin biscuit cutter handmade in shape of a rabbit with flat ears - life size (for Easter bunny).camp 3 cooking utensils, rabbit biscuit cutters, biscuit cutters, easter biscuits -
Tatura Irrigation & Wartime Camps Museum
Tool - Iron - branding, Karl Wied, Branding Iron, 1940's
Small handmade branding iron on metal spike. The letters KM are riveted onto a flat plate.KMbranding iron, metal work, camp 3, tatura, internee, karl wied -
Tatura Irrigation & Wartime Camps Museum
Blouse, 1943-1944
Made by internee in Camp 3White cotton blouse. Handmade lace yoke and sleeves. 6 small buttons on opening at backblouse, fischer g, cotton, lace, camp 3, tatura, ww2 camp 3, costume, female -
Tatura Irrigation & Wartime Camps Museum
Ironing Board, 1940's
Used by internees from Camp 3Handmade wooden sleeve ironing board, padded with woollen army blanket piece. Applied with tacksironing board, wied l, camp 3, tatura, ww2, domestic, laundering -
Tatura Irrigation & Wartime Camps Museum
Rucksack, 1942/43
Made in "Lager" Tatura by internee Richard Graze for his Wife, GertrudMulti coloured handmade canvas rucksack with leather straps and drawstring. Predominate colours orange and greengraze t, graze r, camp 3, tatura, ww2 camp 3, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Cake Tin, 1940's
Used by internees at Camp 3.Large metal round cake tin. Spring form type with spring clip on the side. Handmade.cake tin, wied l, camp 3, cooking -
Tatura Irrigation & Wartime Camps Museum
Tool bag, 1940's
Made and used by internees at Camp 3Handmade fabric tool kit with pockets of varying sizes and 2 strings for tying/wrapping uptool kit, hoefer family, camp 3, tatura, ww2, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Calendar, c.1943
Made in Camp 3 by Ursula Stuerzenhofecker for her friend Helga AndersonHandmade illustrated calendar. At top wool tie for hanging and date section attached with staples at bottom.Ursula Sturzenhofecker 24.12.46war camps, documents, calendars, stuerzenhofecker, anderson, helga -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1900
Black Net Belt Sewn with Sequins & Beads. Wired buckle. Handmade. Mrs Dulcie Doolan.stawell clothing material -
Bendigo Historical Society Inc.
Tool - Boot maker's punch
A handmade tool with a wooden handle attached to a rectangular metal block. Probably used for boot makeingtools, bootmaker, punch tool -
Port Fairy Historical Society Museum and Archives
Headwear - Ladies Hat
Handmade black lace and fabric flower bonnet. The flowers are edged in white. The lining is in black net.visiting, outing, dressed up