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Tatura Irrigation & Wartime Camps Museum
Ironing Board, 1940's
Used by internees from Camp 3Handmade wooden sleeve ironing board, padded with woollen army blanket piece. Applied with tacksironing board, wied l, camp 3, tatura, ww2, domestic, laundering -
Tatura Irrigation & Wartime Camps Museum
Rucksack, 1942/43
Made in "Lager" Tatura by internee Richard Graze for his Wife, GertrudMulti coloured handmade canvas rucksack with leather straps and drawstring. Predominate colours orange and greengraze t, graze r, camp 3, tatura, ww2 camp 3, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Cake Tin, 1940's
Used by internees at Camp 3.Large metal round cake tin. Spring form type with spring clip on the side. Handmade.cake tin, wied l, camp 3, cooking -
Tatura Irrigation & Wartime Camps Museum
Tool bag, 1940's
Made and used by internees at Camp 3Handmade fabric tool kit with pockets of varying sizes and 2 strings for tying/wrapping uptool kit, hoefer family, camp 3, tatura, ww2, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Calendar, c.1943
Made in Camp 3 by Ursula Stuerzenhofecker for her friend Helga AndersonHandmade illustrated calendar. At top wool tie for hanging and date section attached with staples at bottom.Ursula Sturzenhofecker 24.12.46war camps, documents, calendars, stuerzenhofecker, anderson, helga -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1900
Black Net Belt Sewn with Sequins & Beads. Wired buckle. Handmade. Mrs Dulcie Doolan.stawell clothing material -
Bendigo Historical Society Inc.
Tool - Boot maker's punch
A handmade tool with a wooden handle attached to a rectangular metal block. Probably used for boot makeingtools, bootmaker, punch tool -
Port Fairy Historical Society Museum and Archives
Headwear - Ladies Hat
Handmade black lace and fabric flower bonnet. The flowers are edged in white. The lining is in black net.visiting, outing, dressed up -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, R. Ireland Timber Yards, 1970`s
Part of 11 pieces modeled on the 1893 almanac published by the Port Fairy Gazette. Used as display in the first Port Fairy Historical Society building on an extended mantel piece, 20 Bank Street Port Fairy.Small handmade model of a Robert Ireland's timber yard and shop front from the 1892 almanac. R .Ireland, Timber Yards,model, building, mewkill, ireland -
Wodonga & District Historical Society Inc
Functional object - Haeusler Collection Hand Made Photograph Printing Frame c. early 1900s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This homemade photographic printing frame was built by Louis Haeusler (b.1878) and demonstrates his engineering capabilities. Rather than purchase the required materials for his home dark room processing, Louis would make any tools he needed from found materials around the Haeusler family home. Louis’ photographic equipment is among the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A handmade photographic printing frame, constructed from timber, paper, nails, glass and sticky tape. photography, photos, photographic, photographs, family photos, family photography, darkroom photography, dark room photography, printing, printing frame, wodonga, haeusler, haeusler collection -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1870s
This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Double ring collar blob finish on neck; upper is wide and rounded, lower is a thin ring. Diagonal lines in glass on neck, low shoulder mould seam, rippled texture around body. Push-up base with pontil mark, rectangular impression in heel. Uneven base. Sediment on inside surfaces.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Flagstaff Hill Maritime Museum and Village
Bottle
Bottle, small English Ale, green glass, handmade 3 piece mould - twist marks on neck and handmade top crooked, cork and wire sealed, some encrustation on top, c 1850's to 1900. H 25.5cm x Dia 6.8cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade green glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber-coloured glass and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free-blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from the fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best-known, shipwrecks in Victoria’s history.Bottle, green glass wine bottle with contents. Glass has ripples and crease lines. The mouth has a seal in place. The applied lip is cracked. It has a deep pushed-up base with a pontil mark. Handmade with no seams in the body. The contents smell like apple cider vinegar. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle, green glass -
Orbost & District Historical Society
ornament, 1893
Top of wedding cake for Hilda Temple and Dr James Kerr on 10th November, 1893.Dr James Kerr visited Orbost on a government vaccinating job and settled there the next year. He married Hilda Temple in 1893. He was Orbost's first resident doctor. Glass and wood display case containing a floral arrangement from the top of a wedding cake .Arrangement is handmade.ornament dr-james-kerr handcraft -
Orbost & District Historical Society
picture, late 19th - early 20th century
This is an example of a hand crafted item made to personalise and add aesthetic value to a home.A pressed dried native flower arrangement in a large oval frame of wood. It has a glass front. It is handmade.handcraft pressed-flowers picture -
Flagstaff Hill Maritime Museum and Village
Accessory - Handkerchief, c. 1910
This gentleman’s white silk handkerchief once belonged to Mrs W N Barnard of Portland, c. 1910.This silk handkerchief is representative of gentleman's fashion in the 1910s.Gentleman's square cream coloured silk handkerchief, handmade, with wide hem around the edges. Circa 1910flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, gentleman’s handkerchief c. 1910, gentleman’s silk handkerchief c. 1910, gentleman’s fashion c 1910, silk handerchief -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's fine cotton nightdress, c1900
This lady’s hand sewn fine cotton nightdress is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's hand sewn fine cotton long sleeved nightdress with the bodice and cuffs decorated with handmade lace. clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh,, lacework -
Churchill Island Heritage Farm
Functional object - Garden barrow
Found in Amess Barn 1980s, this garden barrow is a typical example found on farms. Constructed using found materials and excess pieces, the garden barrow is analogous to the modern wheelbarrow.Handmade garden wheelbarrow with wooden flat tray made from abutting planks and single metal wheelfarm machinery, barrow, hand operated, hand made -
Clunes Museum
Container - BOTTLE
Green glass bottle, six sided bottle, pattern at top, going into round neck, handmade lipBase; 6.4.5 (in round indentation)green bottle, glass bottle -
Tatura Irrigation & Wartime Camps Museum
Cupboard, 1940's
cupboard/bedside table made in a Tatura CampHandmade wooden cupboard. Interior has 2 shelves. Door is closed with a metal catch painted browncamp hand crafts -
Tatura Irrigation & Wartime Camps Museum
Cake Tin, 1940's
Used by Internees at Camp 3.Large metal round cake tin. Spring Form type with slide on closures. Handmade. Well used.cake tin, hornung g, frank g, camp 3, cooking -
Tatura Irrigation & Wartime Camps Museum
Wood plane, 1940's
Part of a collection of handtools made by internee at Camp 3, TaturaWood plane, handmade with short, slightly curved handle and metal inserts forming blades at bottom endsplane, wood, haering m, haering f, camp 3, tatura, ww 2 camp 3, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Functional object - Cigarette Case, 1940's
Made by POW at Camp 13 MurchisonHandmade wooden inlay cigarette case with sliding interior panel. Inlay on front depicts a rising sun.camp 13, murchison, cigarette case -
Tatura Irrigation & Wartime Camps Museum
Article - Model - dog kennel, Toy, 1940's
Made by Internee at Camp 3 tatura & used by children as part of a farm scene.Handmade wooden Toy model of a dog kennel, roof painted dark red, sides and base, greendog kennel, beck k, camp 3, tatura, ww2 camp 3, toys, general -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1910
Cream Guipure Lace Collar. Three fruits and Leaves main design. Flowers around edge. Handmade.stawell clothing material -
Southern Sherbrooke Historical Society Inc.
Poster - Poster promoting the first exhibition of the Southern Sherbrooke Historical Society
Poster promoting the first exhibition of the Southern Sherbrooke Historical Society, handmade by Susan Heywood-Downard in 1990s. -
Queenscliffe Maritime Museum
Leisure object - Hand made surfboards
Two examples of improvised surfboards made of solid timber planks, one possibly being an old ironingboard. These illustrate enthusiasm for surfing inspite of lack of ready cash. These hand made surfboards were possibly used by children or young teenagers who had enought ingenuity to enable them to go surfing when money was scarce.Two handmade wooden surfboards with carved and painted emblems at the front; one showing a cat and the other a frog.surfing, surfboards, surfing history -
Parks Victoria - Maldon State Battery
Sieve
Probably used to sift rock or chemicals,Circular metal piece with a lip around the circumference with 32 handmade holes to form a sieve.It is rusty and battered.Yes -
Wodonga & District Historical Society Inc
Textile - Silk and Lace Wedding Dress of Edith Irene Marshall (née Horsfall) c.1937
This silk dress belonged to Edith Irene Marshall (née Horsefall), who married William George Townsend Marshall at St David's Presbyterian Church, Albury on the 18th September 1937. The dress contributes to our understanding of social and family life in twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women's history.A handmade 1930s silk and lace wedding dress with a long, circular train, waist sash and lace collar. 1930s, wodonga, albury wodonga, wedding, wedding dress, christianity, marriage, social history -
Mont De Lancey
Clothing - Leather Boots, Wandin Thomas Sebire JP
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.2 pairs of handmade, adult brown leather boots, with decorative stitching, eyelets and stitched with waxed thread. Soles covered with hob nails in a decorative pattern. 1 handmade child's brown leather boot, with decorative stitching, metal eyelets, heel has patterned nails.bootlaces, boots