Showing 4664 items
matching hat
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Mont De Lancey
Hat
Used in c1915 in Gallipoli, Egypt and France. Worn by Private Ebenezer Gray. SERN 766/24th Battalion.Brown Slouch Hat with plain puggaree (Hatband), plus metal Coat of arms.uniform hats -
Geelong RSL Sub Branch
Hat, Slouch, Mid 20th Century
Australian Army issue slouch hat issued to all members of the Australian Army owned by a person by the name of Phipps.Post World War 2 Australian Army Hat pinned into the slouch position. The pinned brim has a Rising Sun Badge attached by two metal pins. Hat Band is cotton and rouched. It also has a leather chin strap. Hand written on leather band inside the hat: PHIPPS Embossed into leather band: MADE BY/"FAYREFIELD"/MELBOURNE/6 5/8/19[indecipherable]australian army slouch rising sun phipps fayrefield -
Friends of Westgarthtown
Top hat
Worn by Pastor Steiniger. Collapsible black top hat, leather band inside, lined.gold symbol of man walking on globe in top hat on inside top of hat.costume, male headwear, pastor, top hat, lutheran, steiniger -
Bendigo Military Museum
Headwear - HAT, UNITED NATIONS, Hills Hats, Post 1970
Hat, mid blue colour with brim, cotton fabric with - “United Nations. Nations Unies” - emblem machine embroidered in white thread on front of hat.Makers label inside hat crown: “Hills Made By Hills Hats In New Zealand Medium”uniform - military - army - un peacekeeping, costume-male headwear, passchendaele barracks trust -
Port Fairy Historical Society Museum and Archives
Headwear - Hat
Female white Port Fairy Bowl's Hat with navy band and silver and blue badge.Headband - Navy blue with 4 air holes and "Port Fairy" embroidered in white Badge - LBA VICTORIA with foliagejanwilley, bowls, port fairy, bowling club -
Whitehorse Historical Society Inc.
Headwear - Hat
Circular beret-like black straw ladies hat with fine black elastic band attached to back. Hat is decorated on the back edge with a large stiffened nylon sateen and woven nylon ribbon styled like a bow. Label sewn inside.On label; 'Kasmo Design Melbourne'costume, female headwear, trades, millinery -
Tatura Irrigation & Wartime Camps Museum
Hat
Supplied at Dhurringile. All POW's were not allowed to take anything from the camp back to Germany. Gunter Knop smuggled this and other items with him under his shirt as well as his diary.Cream cotton sapper hat. 4 piece crown, narrow brim with 10 rows of stitching.dhurringile pow camp, gunter knop, melba schwarz -
Uniting Church Archives - Synod of Victoria
Clothing - Hat, Methodist Deaconess
Grey felt Methodist Deaconess' winter hat with light grey grosgrain ribbon band and edging. -
Tennis Australia
Hat, Circa 1885
Woven women's hat with broad brim and tapestry band around crown. Materials: Thread, Clothtennis -
8th/13th Victorian Mounted Rifles Regimental Collection
Hat, 1943 circa
Worn by VX45541 Lieutenant Louis A Jackson who served with 2nd/8th Armoured Regiment in Australia and New Guinea during WWII. Following its return from New Guinea in 1944, 2nd/8th Armoured Regiment had a change of role and was redesignated Numbers 41, 42 and 43 Landing Craft Companies and served in Pacific Islands till the end of the war. In 1948, Louis Jackson joined the Citizen Forces (CMF) and served as a captain in the 8th/13th Victorian Mounted Rifles. This object is well provenance and, in its condition and completeness, is a fine example of unusual headgear worn by Australian armoured corps soldiers in World War 2 (39-45).Khaki heavy cloth beret with 'Rising Sun' badge and 2nd/8th Armoured Regiment colour patch.beret, hat, jackson, 2nd/8th armoured regiment -
8th/13th Victorian Mounted Rifles Regimental Collection
Headwear - Slouch hat Robertson
This slouch hat was worn at the 75th Anniversary of Beersheba parade at the Australian War Memorial, 31 October 1992. VMR Squadron 4th/19th Prince of Wales’s Light Horse provided the Honour Guard under the command of Captain Kelvin Robertson. It was the first occasion on which slouch hats and plumes were worn by the regiment. In 1992, all Corps in the Australian Army were ordered to wear slouch hats. This was a reaction to the high incidence of skin cancer in soldiers. Berets were thought to offer inadequate sun protection. Slouch hats were not practical in AFVs. Not all crewmen had access to helmets, so berets continued to be worn in vehicles. Slouch hats were worn for parade ground and general barracks work. RAAC acknowledged its Light Horse ancestry by wearing the emu plumes. Life continued in this way till 2010 when the wearing of berets was banned. Special Forces were exempt because it was argued they had a special relationship with the beret. Armoured Corps was outraged. Their relationship with the ‘black hat’ went back nearly a century. Submissions and argument ensued until the current workable arrangement was reached where a CO can authorize the wearing of berets but recognising that the slouch hat is the formal Australian Army head dress. Slouch hat with emu plumes and silver Victorian Mounted Rifles badge over and red backing on turned up side.military, hat, plumes, vmr, robertson -
Whitehorse Historical Society Inc.
Headwear - Hat
Donated by wearer; worn to churchWhite, chenille, off the face, 1960s bonnet shaped hat; small gilt brooch pinned on front.costume, female headwear -
Whitehorse Historical Society Inc.
Headwear - Hat
Pink hat of stiffened net, rouched all over; little sprays of apple blossom nestling in the netJulianne, Melbourne MF 8770costume, female headwear -
Whitehorse Historical Society Inc.
Accessory - HAT
Cream straw hat with brim edged with cream binding. Cream binding around crown with bow at the back. -
Port Fairy Historical Society Museum and Archives
Headwear - Hat, 1860
Owner: Edmund Moutray Esq. died on voyage from London to Adelaide 1860.Mrs. V. Rowley, daughter, and Moutray family, Port Fairy districtAn example of an heirloom and it’s connection to familyblack top hat, tall crown, cream lined: brown leather case with lid and red liningbrim: 720/ 678 crown: extra quality/ Lincoln/ Bennett/ & Co. base of case: E. Moutraylocal history, costume accessories, hat accessories, edmund moutray, london, mrs v rowley, moutray -
Sir Reginald Ansett Transport Museum
Hat, 1991-1996
Ansett Australia 1991-1996Red, wide brim straw sun hat, with 18mm navy and cream grosgrain band on crown. No maker listed.No size on item. AP black ink initial handwritten inside crownansett australia, red, hostess, stewardess, flight attendants, straw, sun hat -
Flagstaff Hill Maritime Museum and Village
Clothing - Hat and Hat Box, late 19th - early 20th century
This hat and hat box was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. McDade is the surname of Dr Angus’ daughter Berry (Berenice) McDade nee Angus. This had belonged to her father Dr William Roy Angus, Surgeon and Oculist (1901 –1970), who wore it on the ship T.S.S. LARGS BAY when travelling from Australia to Scotland for extended studies to be a “Fellow” of the Royal College of Surgeons in Edinburgh in the 1929. This bicorn cocked hat was worn with the narrow points towards front and back. It is decorated with flat gold braid or ‘lace’ with a geometrical design. Regimental lace was worn on the uniform and headdress of regimental officers in the 19th century. Gold lace chevrons were worn on coats to signify rank. Drummers and Foot Guards also wore regimental lace on their garments to distinguish them from other military personnel. In the late 19th century the English and Welsh infantry officers’ uniforms displayed a rose-pattern lace. The gold bullion and underlying crimson ‘eyes’ have been used to signify the rank of the owner. The crimson eyes were used for military, blue eyes for naval personnel. Different numbers and colours of the bullion and eyes may have been used to represent different military ranks. The Regulations specify nine tassels and eleven underlying eyes but there could have been variations. We have not yet been able to identify the rank for this particular hat. The gold button’s emblem has a cross with five stars, a crown, and the motto “AUT PACE AUT BELLO”, translated “either in peace or in war”. Museum Victoria has a similar button and writes that buttons with this design were used in the nineteenth century by the Victorian Volunteers. The Australian War Memorial Curator of Military Heraldry advised Museum Victoria that these buttons dated from 1880-1892 and were worn by regular, unranked soldiers. The Australian War Memorial has a hat that is very similar in design, described as an “Artillery Staff Officer’s cocked had with plume, worn by Volunteer Artillery Staff in the Victorian Colonial Military Forces”. That hat is different in that it has a plume and the braid and button are silver. Berry MdDade, the donor, has used the hat many times as a dress-up hat but doesn’t know the origin of it. The hat seems to fit the design of the Staff Officers in Victorian Volunteers in Colonial times, but the button on this hat was used for unranked volunteers. Also, military uniforms usually have very clear manufacturer’s labels, as they are made by reputable companies under contract to the Defence Department. The manufacturer’s mark is not discernible on this hat. The origin, original wearer and use of this particular hat is unclear. The military bicorn cockade hat belonged to Dr William Roy Angus and is part of the W.R. Angus Collection. It is significant for still being located at the site where it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Black bicorn cocked hat and case. It appears to be part of a 19th century Colonial full dress military uniform. The long, narrow crescent-shaped hat is made of beaver fabric and the crown is lined with crimson silk and finished with a hand stitched leather sweatband. On one flat side there is a pleated black silk, lace cockade woven in the pattern of oak leaves and acorns. The cockade is overlaid with a double row of gold lace braiding secure with a Victorian Volunteer’s gold button. Wide diagonal bands of black lace braid trim are on each side of the gold braiding. The other side of the hat is plain. The front and back points of the hat each have seven gold bullion tassels with nine underlying twists of crimson ‘eyes’. The fitted metal carry case has a catch and a metal plaque on one side. The button bears a crown and cross with five stars and a motto. Inside the hat is a white name tag with clear adhesive over it, with black printed text with the name “Mc Dade”. The hat is part of the W.R. Angus Collection. The hat has no maker’s marks although there is a darker colour in the centre where there could have been a label. Inside the hat is taped a printed label; “Mc DADE 801 1032” Button’s emblem- a cross with five stars, under a crown, all within a buckled belt with the motto “AUT PACE AUT BELLO”. The plaque on the case has no legible marks. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, t.s.s. largs bay, berry mcdade, 19th century colonial military uniform, artillery staff officer’s cocked had, victorian volunteers, victorian colonial military forces, colonial militia, aut pace aut bello, cocked hat, cockade hat, bicorn hat, military bullion, oak leaves and acorns pattern, gold bullion tassels, military heraldry, w.r. angus collection. -
Sir Reginald Ansett Transport Museum
Hat, 1991-1996
Ansett Australia 1991-1996Red, wide brim straw sun hat, with 18 mm navy and cream grosgrain band on crown. No maker listed.No size on item. AP black ink initial handwritten inside crownansett australia, red, hostess, stewardess, flight attendants, straw, sun hat -
Whitehorse Historical Society Inc.
Headwear - Hat
Small black women's hat. Black straw with wide black velvet banding and two large black velvet bows.costume accessories, children's -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Hat
Officer's hat, khaki, rising sun badge - belonged to Captain Douglas C.L.. Perdeiau, See also U890 (tunic)headgear, ww2, army -
Williamstown High School
Hat badge 1960s
Sewn to the hat band that decorated the straw hat worn by girls at Williamstown High School in the 1950s and 1960s.Metal badge enameled in black, red and gold. 'Williamstown High School Hold Fast' around the perimeter, an anchor in the centre. Three loops around the edge so the badge can be sewn to the hat band.Makers Mark on back: Swann & Hudson Frankstonwilliamstown high school, school uniform, hat, hat badge, 1950s -
Warrnambool and District Historical Society Inc.
Headwear - Lady's boudoir cap, Hat, Early 20th Century
This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps -
Eltham District Historical Society Inc
Photograph (Item) - Negative, Ed Stuyfbergen, Derelict former Fayrefield Hat Factory, Sherbourne Road, Eltham, 1988
Ed Stuyfbergen 1988 Entrant No. 26 Ref: Series 34, Items 13, 14, 66-68 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 35, ed stuyfbergen, film - ilford fp4, montmorency, scan - 35mm negative, fayrefield hat factory, sherbourne road -
Eltham District Historical Society Inc
Photograph, Gentleman in bowler hat with cricket bat, possibly Diamond Creek or Hurstbridge district, c.1910
Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmbowler hat, cricket bat, diamond creek, hurstbridge -
Eltham District Historical Society Inc
Photograph, Eltham Depot located at former Fayrefield Hat Factory, Brisbane Street, Eltham, 1985
Shire of Eltham Archives Series 13, Photograph Album, 1985. Originally contained in a 2-ring PVC binder and document sleevesSeven colour photographsseries 13, shire of eltham archives, brisbane street, depot, fayrefield hat factory -
Eltham District Historical Society Inc
Photograph, Figure study of man with hat
Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Clothing - Costume Accessories, School of Mines Hat Band, mid 1900s
Tertiary education at Ballarat began with the establishment of the School of Mines in 1870, making it Australia's third oldest tertiary institution. Classes began in surveying, mathematics, chemistry and a decade later they included metallurgy, assaying and geology. The technical division provided such programs as wool classing, plumbing and bricklaying. In 1967, it was split into three separate institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. Then in 1976 the Ballarat Institute of Advanced Education became into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School became the School of Mines and Industries, Ballarat (SMB). In 1998, the Ballarat School of Mines and Industries and the Horsham-based Wimmera Institute of TAFE merged with the University of Ballarat. The university merged with Monash University's Gippsland (Churchill) campus in 2013 and the merged schools are now the Federation University AustraliaThis woven band of dark blue has two narrow bands of gold on either side. It has a 4cm turn back at the end, which is held by a folded and stitched piece of the same band placed at ninety degrees around the band. school of mines ballarat, hat band, uniform, costume, textiles -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Emu Plume on an Australian Slouch Hat, 2014, 07/069/2014
world war, world war 1, lighthorse, creswick lighthorse, emu, emu plume, emu feathers, slouch hat