These riding pants belonged to Captain Charles Rogers of the Australian Army (Light Horse unit). He was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934 when, during the Victorian centenary celebrations, the Melbourne Shrine of Remembrance was opened. Charles Rogers was well-known in Warrnambool in the 1930s, 40s and 50s as a horseman and Army member. He was often seen on horseback leading parades and celebrations in the city and was a long-serving Warrnambool Agricultural Show official as a judge of equine events. He died in 1961. The drapery and clothing store of Cramond and Dickson was founded in Warrnambool by John Cramond and James Dickson in 1855 and was a prominent business in Warrnambool until its closure in 1973. A branch of the store was opened in London in the late 1860s and was managed for some years by James Dickson. These riding pants are of interest because they belonged to Captain Charles Rogers, a Victorian Light Horse Regiment member and a well-known horseman in Warrnambool. The item is also important because it came from the well-known Warrnambool store, Cramond & DicksonThese are khaki riding pants. The knees are reinforced with extra stitching and the back of the waist has two buttons on a raised section and four buttons on the waist itself for the attachment of braces. The front opening has five buttons and the garment has two deep side pockets. The top of the garment is lined inside with brown material. On the left leg is a machine-made patch to cover a worn section. Cramond & Dickson Warrnambool & London C. Rogers charles rogers, cramond & dickson stores, history of warrnambool, jodhpur, victorian light horse regiment

This is a cardboard colourised certificate. It was put out by Victorian Education Department. On top centre is a crest showing two women. A shield with Southern Cross, around the words "Education Dept Victoria", are garlands of gum leaves and gum nuts. At the bottom of the certificate are printed figures of a girl and boy. The girl is knitting something. The boy is holding a saw and a piece of timber. (His knees are scratched.). The recipient's details are typed - George Edwards of White Hills 1916 - Dated 22 Sep 1942.ww2, schools, fundraising

The Manifolds were a significant pioneering pastoral family in Western Victoria. The donated riding jodhpurs originally belonged to Mrs Edward Manifold, formally Beatrice Mary Synnot Anderson. Beatrice was Edward Manifold’s cousin once removed whom he married in 1900. Edward, the son of John Manifold, was born on 15 November 1868 and educated at Geelong and Melbourne Grammar schools and at Trinity Hall, Cambridge (B.A., 1891). He chose the Danedite portion of land at Purrumbete, and on the death of his bachelor brother Thomas Peter (1863-1895), after a hunting accident, he took over his allocation, Wiridgil. He also owned Boortkoi, near Hexham and on these properties, he ran merino sheep, a Lincoln stud which dated back to 1870, and Shorthorn cattle. 3000 acres were also leased to dairy farmers. Edward was a member of Hampden Shire Council in 1909-31 and three times president at Camperdown. The town was largely bordered by Manifold land and partly dependent upon the local pastoral dynasties, which benefited the local area from the families’ various business interests. Though an offer to build public baths to commemorate the Queen Victoria Jubilee in 1897 was not proceeded with, the town acquired a hospital, a reserve on Mount Leura, a clock tower and a cricket pavilion, as well as notable donations from the Manifolds to St Paul's Church and the grammar school. Edward was a keen polo player and racing man. He was also a successful owner of steeplechasers and a committeeman of the Victoria Racing Club for many years. He was also a member of many Western District racing clubs. On the 16 July 1900, Edward had married his sixteen-year-old cousin Beatrice Mary Synnot Anderson by whom he had three sons Thomas Peter, Andrew and Robert Edward Manifold. Edwards's estate at his death was valued for probate at nearly £500,000. Edward died following an operation on 14 February 1931 at a private hospital in Yarra Vale Melbourne. Beatrice passed away in 1954, aged 79 in Ballarat where she was born in 1874. Contextual historic Family background: The Manifold brothers Thomas (1809-1875), John (1811-1877) and Peter (1817-1885) were the fourth, fifth and sixth sons of William Manifold and Mary, nee Barnes, of Courthouse Farm, Bromborough, Cheshire, England. The family had decided to emigrate to Van Diemen's Land. Thomas was sent ahead, arriving in Hobart Town on 23rd January 1828 with £1500 and a letter of recommendation from the Colonial Office. Thomas acquired 1280 acres on the west bank of the Tamar River. John and Peter, with their parents and three sisters, arrived on 8th July 1831. Land grants by then had finished but William brought ninety acres next to his son Thomas’ land and on the combined properties the family built Kelso House. The Manifolds’ properties were comparatively poor and when news of the Port Phillip District, in Victoria reached Thomas, he lost no time in coming to see for himself in February 1836. He was impressed with what he saw and hurried back to Tasmania to buy lambs and ewes. With one of his brothers, on July 9th he landed his stores at Point Henry and proceeded to occupy both sides of the Moorabool River. Thomas, at the end of the year, returned to Tasmania and left Peter and John to run the new property. Thomas, however, returned to Victoria for several visits and on one of these visits he, along with his brothers, examined the country near Ballarat. In December 1838 they managed to penetrate the Stony Rises, and Peter and John reached Lake Purrumbete and the Mount Leura country. During this time, on 4th July 1838, Thomas married Jane Elizabeth, eldest daughter of Captain Walter Synnot, formerly of Ballinate, County Armagh, Ireland, and then of Van Diemen's Land. Thomas joined his brothers, and they occupied the Purrumbete run in January 1839. On the journey to Purrumbete they could not take their stock and drays through the Stony Rises, so went north of Lake Corangamite, to the neck of land between it and Lake Gnarpurt. By April the move from Moorabool area was complete. As yet they had no hut and were working day and night, but their delight in their new run was unbounded. John wrote to his mother: “We are at last got to the land we wished for it is a beautiful place, and cannot be surpassed by any I have ever seen”. The three brothers occupied Purrumbete together, breeding both sheep and cattle until Thomas went to Grassmere run on the Merri River near Warrnambool in 1844. John and Peter soon gave up breeding sheep but retained the well-known '3M' brand for the cattle. These were Shorthorns, derived from four bulls originally imported by the Boldon brothers and later improved by further importations, and were renowned for size and quality. By the time of the gold rush in 1851, John and Peter were breeding over 1000 head a year, as well as fattening stores. The diggings at this time had disorganised Grassmere by drawing away Thomas's men, and his wife decided to take her two sons and two daughters to Europe for their education. Thomas gave up the property next year, went to England to join his family, and eventually brought the family back to live in Melbourne. At Purrumbete things were different. The brothers, John and Peter, preferred black stockmen to white, so the discovery of gold upset them very little while providing the very market they required. John was on his second visit to England when the rush started, and Peter went in his turn soon after John returned. On 2 September 1856 John married Marion Thomson, at Cormiston, Van Diemen's Land. They had four daughters and five sons, from three of whom, William Thomson, James Chester and Edward, the later generations of the family descend. Through the years the brothers had to contend with the scab, fluke and footrot, depression, rabbits, bush fires and pleuro-pneumonia. In 1861 they appointed as manager Henry Manifold Matson, their nephew, who had already been with them for five years. Thomas died in Melbourne on 7 November 1875, John at Purrumbete on 3 January 1877 and Peter at Purrumbete on 31 July 1885. Devout members of the Church of England, John and Peter, during their lives, gave generously towards building St Paul's Church, Camperdown, and guaranteed part of the vicar's stipend. Peter was a member of the Hampden and Heytesbury Roads Board from 1859 and carried on into the Hampden Shire Council when it was formed in 1864. However, it was not for public works that they were known, but for their personal example. In a new land where speculators and adventurers were all too common, the Manifold brothers were among those who intended it to be their home and their children's home. Industrious, unpretentious and hospitable, they were respected in their community as men of the highest integrity. This riding habit is a characteristic example of the type and style of riding clothes that well-dressed ladies wore in the 1920s. It highlights the changes that were beginning in society for women. Prior to 1918 ladies still had to ride side-saddle with skirts over Jodhpurs. Society of the time regarded women riding astride as unseemly and just not done. This riding habit is particularly significant on a number of levels, it shows the beginnings of change in society's attitudes through women's fashion after the First World War. A change that was to bring a start to a more liberating societal attitude towards women after the successful establishment of the Representation of People Act 1918 that gave women the right to vote. This garments provenance is linked to one of Victoria's important pioneering families the Manifolds, one of the first families that came from Van Diemen's land to settle the Western District of Victoria in 1844. Originally the garment belonged to the wife of the great-grandson of pioneer William Manifold, Edward Manifold who married Beatrice May Synnot Anderson, Edwards Cousin in 1900. The garment was made by the Mayfair tailors J. Busvine & Co. in the early to mid-1920s (estimate) who at the turn of the century were tailors to the Courts of Europe. Their clothing is highly collectible today and examples can be found in a number of significant museum collections around the world, notably the Metropolitan Museum of Art in New York and the FIDM in Los Angeles. Jodhpurs, part of a three-piece, side saddle riding habit tailored for Mrs Edward Manifold, with four buttons to the front material black woolen twill the legs are cuffed below the knee with 8 buttons holes which are reinforced to the inside with fabric. Cream Satin waistband and removable chamois lining to the seat makers label Busvines Co. tailored for Mrs Edward Manifold.Embroidered in blue on a Satin Cream label to Jodhpurs "Busvine Ltd / 4, Brook St, London. W. No." Hand written in black ink script "523/ Mrs Edward Manifold"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, side saddle riding habit, side saddle riding outfit, breeches, mrs edward manifold, beatrice manifold, shipwreck coast, flagstaff hill maritime village, great ocean road

Clothing. Women's knee length white cotton bloomers with 6cm waistband dipping to a V at centre front. Two side openings (30 cm). Originally fastened with cotton tape ties attached to waistband. Ties have been removed. Leg sections gathered into waistband. Legs trimmed at hem with cream coloured crocheted lace (10 cm) edged with light blue.costume, female underwear, women's white cotton bloomers

Photograph - Black and white photo copy of a photograph of Charles Deynes Barber, Melbourne, Australia, from the photo album of Fanny Elizabeth Whibley 1848-1930. Charles Barber, in riding attire,knee high boots. Whip in hand, sitting on a turned wooden chair, resting his left arm on a circular wooden hall table, with a sculpture of a horse on the table top.Charles Deynes Barber, Melbourne, Australia. From the photo album of Fanny Elizabeth Whibley 1848-1939.photograph, person, charles deynes barber

Studio photograph of a young girl in knee length frock with lace collar, puffed sleeves and button up boots. Standing beside a wicker chair and plant stand, mounted under glass in a brown wooden frame with gold edging upon a grey card with cream inside border, markings upon photo read 'Allan Paris Panel, 318 Smith Street, Collingwood'Allan Paris Panelperson, individual, portrait, young girl, allan paris, portraits

Loaned for digital copying. Rodney Sire Council 1984.|Back: Bernie Fitzsimmons; Royden James (Dep. Shire Sec.); Alan Clement; Ted McCracken; Andrew Crawford; Kevin Ryan; Dennis Hunt (Dep. Shire Eng.);|Front: Patricia Maher (Typiste); John Gray; John Purdey (Shire Secretary); Edward Davis (President); Norma Bear; Arthur Knee (Shire Engineer); Frank Pullar.

Refers to the service of "WO2 Tommy PATTISON". Refer Cat No 5342.4.1. These trousers are of Aust Cam colour. It has a pocket on each leg. The pocket is held shut with 2 buttons. It has a handkerchief pocket on each hip. It has adjustable tabs for waist size. It has belt loops of similar material. It has double thickness on the knee area. At the ankle end of legs is a hem with an elastic draw cord. The fly is held shut with five buttons. 2. These trousers are of Aust Cam colour. It has a pocket on each leg. The pocket is held shut with 2 buttons. It has a handkerchief pocket on each hip. It has adjustable tabs for waist size. It has belt loops of similar material. It has double thickness on the knee area. At the ankle end of legs is a hem with an elastic draw cord. The fly is held shut with five buttons. To adjust the waist size a small webbing belt and steel buckle have been employed. uniforms, aust army, wo2 tommy pattison.

This dress was made for the Melbourne Show in 1993 and won 3rd prize. It was designed by Jean Inglis who was inspired by the Blue Triangle Butterfly (Scientific name: Graphium sarpedon choredon). The Warp was 2/24 commercially brought black wool with a “tie down” thread of black polyester and Weft of the same 2/24 wool 2 ply. Jean utilised a twill technique devised by Theo Morgan in creating the dress. The dress was handwoven by Jean Inglis with the help of Ruth Rondell with some of the pattern and final sewing. Black dress stretching from below the knees, reaching up to the neckline and down to the hands in the sleeve. The dress has three butterflies attached to the front approximately 50mm in diameter going from right knee to left hip in a nonvisible diagonal line. Lower half of dress has ten thin blue & green lines of varying lengths, reaching a max height of the hip. The neck of dress has four frills of blue and green colour. The longest two frills are in the centre pointing diagonally outwards towards the hands. The second layer of frills is shorter and further around the neckline towards the shoulders. The dress is completed with a cape of blue and green colour with a thick black seam separating each segment of colour. The cape sits on the shoulders and droops to a height of the hips. At the rear, the cape reaches the height of the rump. The cape has two draw strings for tying to the shoulders. wool, butterflies, melbourne show, butterfly

Taken in the early 1900s, the postcard depicts two girls dressed in old style, white knee length dress which was common for this period for young women. This compared to the ankle length styles which were acceptable for adult women. We can also see an example of early bridge construction and engineering, notably made from timber rather than from stone or steel, noted in the postcard as Snow's Bridge. Sepia rectangular postcard printed on card Obverse: Snow's Bridge/Beechworth Reverse: Dear Julie/ I received your pretty PB/ We haven't gone away yet. Mr Stokes/ asked me were you going to be/ married. He wished you luck/ (I wonder/ if he meant it.) We sent the Magpie to Annie to-day. I haven't got any/ word about going to a [unknown]/ yet. We had a great Friendly Societies/ day yesterday but it rained a bit/ Sally is going to get a [illegible] silk/ dress. When are you to be married?/ Mr Pounceby is back at Allen's shop./ [unknown]. We are going to Belle's for a [unknown] if we can. With Love from Lilly. bridge, beechworth, snow's bridge, children, childhood, postcard

This large deep pan (with a long handle) was used by pioneer families, mainly rural folk, that needed a pan which could cope with an open fire heat source, in or mainly outside the homestead. This pan was used in the early to late 1900's for the "stews" and other meals required by hard working stock men and farmers that had irregular "lunch and dinner" breaks under sometimes hard and gruelling conditions. Hot plates were normally not in use.This "open fire" saucepan belonged, and was used by a Kiewa Valley, pioneer family, the Roper Family. This saucepan was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. This saucepan was one of an array of "open fire" cooking utensils used in the "camp draft" grazing in the Bogong High Plains and this could take up to six weeks. This kettle belonged and was used by a Kiewa Valley, pioneer family, the Roper Family. This kettle was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. A scientific study started in 1947 to study the impact of grazing cattle on the natural Alpine and sub Alpine vegetation found grazing cattle had an adverse affect on the natural Alpine and sub alpine vegetation, and grazing on the plains was stopped by the Victorian Government in 2005.This large (black, soot infused) cast iron saucepan has a "ten pint" holding capacity and was used on the "open fire", possible on the fire direct. It has a long all metal handle coming from the top half of the pot and angled at approximately sixty degrees upwards. This angle insures that both distance from flame intensity and least bending of knees when lifting is at a minimum.On bottom of pan (underside) "N0. 8 JSJ SIDDONS" on the other side "WEST BROMWICH 5 QUARTS"camp fire cooking utensils, hot plate, cast iron cooking appliance, drovers kitchen

Coloured slide transparency. Image is of a female dressed in costume. She is wearing a short dress of shiny material over a white long sleeved blouse, a conical hat and white knee high boots. She is posed standing with one arm straight and the other bent upwards. On the lower white border of the slide the words Fancy Dress Party Narina Lindrea have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

This sculpture was a commissioned artwork made by Victora Chancellor (nee Simcock), a Sydney artist.Ceramic sculpture, depicting a reclining mother holder her newborn baby. The mother is lying on her back, with knees drawn up and feel flat on the ground, protectively cradling a newborn baby on her chest. The umbilical cord between baby and mother is still attached. The mothers upper back is resting against a rock, holding her partially upright. Sculpture is mounted on a rectangular wooden base.obstetric delivery

This is a khaki colour pair of trousers. The bottom of each leg is tapered, with a similar colour bootlace to do it up. The hip section is wider for ease of riding a horse. The fly is held shut with 6 buttons, it has 2 front hip pockets with top entry. There are 6 buttons around the waist line. The knee areas are reinforced with double layer of same material. The material is of a ribbed wool design.uniforms, light horse, passchendaele barracks trust

Report - "proposed East Burwood Tramway Extension - Warragul Road - Toorak Road Intersection - Preliminary Appreciation intersection and shopping redevelopment - Jan. 1977". Prepared by John W Knee for the MMTB and others. Looks at the intersection, how the shopping centre could be accessed, possible Mall development, residential issues, passenger facilities and pedestrian capacity. Includes a number of possible access routes for the area. None were applied when the tram line was extended.Yields information about a consideration for the extension of the Toorak Road line to East Burwood in 1977.Comb bound report with clear plastic covers, brown covers, 17 A4 pagesmmtb, east burwood, toorak road, warragul road, new tramways, john knee

Photograph of four unknown women in a formal pose having a garden party. Two of the women are seated and one is posed on the ground, the seated lady on the right of the photo has an opened book on her knee The three seated women are dressed in long frilly formal dresses, and the lady standing also wears a hat. They are seated in a fernery, there is a trellis visible in the background and a portion of a weatherboard wall on the left hand side.person, group, garden party, garden party

Photograph. Harry Biggs Collection. A black & white photo of a man in a suit sitting in a sulky. The top of the sulky has a cover with a fringe around it & the man has a rug over his knees. He is holding the reins of a decorated horse which the sulky is attached it. At the back is a work place & the letters RSONS can be seen. Beside that is a brick building & 2 school children, a boy and girl are standing in front of it.person, individual, casual, harry biggs collection, horse drawn carriage

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1930s dress in 1983 to wear to her sister's Registry Office wedding in William Street, Melbourne. It was the first vintage clothing item she ever purchased and was the starting point of a lifelong love of collecting, preserving and promoting historical clothing. She subsequently wore the dress to a great number of events and considered it an important piece in her wardrobe. c1930s black cotton filet net dress with white cotton embroidered flowers. The dress fastens centre front with three hook and eyes, eleven black silk covered buttons and finished with black acetate ribbon band pussy bow at the neck , is slim fitting and finishes at approximately knee length. The head of the sleeve is gathered with a small shoulder band and finishes above the elbow with a black silk band. filet net, 1930s, di reidie, vintage clothing

Harry Cowley No 2615 enlisted in the 6th reinforcements to the 22nd Batt AIF on 8.7.15. Embarked for Eygpt 27.10.15. Transferred to the 7th Batt AIF on 24.2.16. Embarked for France 26.3.16. Hospitalised 4.7.17 with injured knee, hospital again 26.6.18 with Catarrh. WIA 11.8.18 GSW to right shoulder. Discharged from the AIF on 6.7.19. Chevrons were worn inverted on the right sleeve of the uniform below the elbow. Colour patches were worn as shown on each arm.Items relating to H. Cowley. .1) Chevrons denoting years of service, 4 blue "V" shaped stripes on a piece of kahki uniform cloth. .2) Colour Patch, cloth, brown over red, 7th Batt AIF. .3) Same as .1)uniforms - military, military equipment

B&W photo shows siblings Percy and Cissie (Minnie Agnes) Johns on the verandah of their home, Glen Park Farm, Selby. Percy looks in his early teens, making the photo around 1910 or later. He is wearing a long-sleeved pale shirt, long dark trousers tucked into knee-high boots, and possibly a dark hat. Cissie is wearing a pale, knee-length dress, dark stockings, and a pale, wide-brimmed hat. She is aged about 10. A medium sized dark dog sits at Percy's feet. The house is an L-shaped weatherboard with two gables at right-angles and a verandah with a bullnosed roof, ornate support posts, and a striped end piece from the roof. Wooden steps lead down from side. There is a large brick chimney where the two wings meet, and a metal water tank to the side. There are large trees, both in leaf and dead, plus some flowers near the verandah.

Robert Raymond O’DONAHOO No 1399 enlisted in the AIF in 2nd reinforcements to 14th Battalion on 19.10.1914 age 21 years 11 months. Embarked for Egypt 2.2.1915, embark for Gallipoli 12.4.1915, WIA 27.8.1915 GSW to left leg severe, admitted 4th Field Ambulance then to Mudros Island, admitted 3rd London General Hospital England 12.9.1915, leg amputated (appears to have been halfway between knee and ankle), embark for Australia 8.5.1916, discharged from the AIF 25.12.1916 medically unfit.Framed, wooden, dark lacquer within which is displayed 2 items mounted on red background: 1. Invitation card with Royal crest from the King & Queen to Pte O'Donahoo, Wednesday 22 March 1916. 2. Red ink, round cardboard disc - Buckingham Palace 1916.In text on back: “Paul O'Donahoo”documents - inviation, buckingham palace, o’donahoo

Loaned for digital copying. Rodney Shire Council 1957.|Back: Martin O'Brien; William McMaster Smith; Stan Youlden; Tom Hastie; William Calder; Oswald Young.|Middle: Stefan Asboth (assist. Engineer); Edna French (Assist. Secretary); May Padley (Typist); Aileen Woodman (Clerk); Pat Whyte (Clerk); John Hehir (Engineers' Clerk).|Front: William Martin (Secretary); Stuart Ross (President); Ruby Ross; Arthur Knee (Engineer).|Shire of Rodney|Tatura

Rodney Shire Council, 1978.|Back: Kevin Ryan; Andrew Crawford; Russle Wallace (Dep' Shire Engineer); Ian Parsons; Vince Page (Health Isp.); Bernie Fitzsimmons); Frank Pullar; John Purdey (Dep. Secretary); Stefan Asboth (Assist. Engineer).|Front: John Gray; Pat Whyte (Rate Collector); Ben Perry (Secretary); Stuart Mock (President); Arthur Knee (Engineer); Jennifer George (Stenographer); Jack Smith.|Shire of Rodney|Tatura

Original photo loaned for digital copying. Rodney Shire Council 1982.|Back: Bernard Fitzsimmons; Andrew Crawford; Royden James (Dep. Secretary); Frank Pullar; Dennis Hunt (Dep. Shire Engineer); Edward Davis; Ted McCracken; Stuart Mock.|Front: Patricia Maher (Typiste); Jack Maher; Diane Walker (Typiste); John Purdey (Shire Secretary); Kevin Ryan (President); Arthur Knee (Shire Engineer); Norma Bear; John Gray.|Shire of Rodney|Tatura

Photo - Bertha Leviny (seated centre) with five of her daughters L-R: Gertrude, Hilda, Mary (standing), Dorothy and Kate. Her grandson James Leviny is at Bertha's knee. The pet dog is an Australian terrier. Bertha was the wife of noted colonial silversmith and jeweller, Ernest Leviny. Together, they raised a family of ten children in their home Buda, Castlemaine. The five unmarried daughters pursued their interests in various creative pastimes linked with the Arts and Crafts Movement of the late nineteenth and early twentieth centuries.One of the few photographs of Bertha Leviny and her daughters taken together after the death of Bertha's husband, Ernest, a prominent Australian silversmith. The Leviny daughters were artistic in their own right, following the principles of the Arts and Crafts Movement. Three of the daughters entered works in the 1907 Exhibition of Women's Work held at the Exhibition Buildings, Melbourne.Silver gelatin, toned print. Black and white photograph of a group of six women, a child and a dog. The women are seated on and around a garden bench with the tennis pavilion in the background. All are smiling at the dog which is standing on its back legs in the foreground. The little boy's face is blurred from movement during the exposure.Handwritten in ink (verso): "At Buda 1906"bertha leviny, mary leviny, gertrude leviny, hilda leviny, dorothy leviny, kate leviny, james leviny, australian terrier dog, kodak box brownie camera, edwardian costume, buda, 1906, photograph, portrait, leviny women, castlemaine

Black & white photograph of a bride. She is wearing a long, white dress with a lace panel starting at about knee length. The bodice is lace and the dress has elbow length sleeves. She has elbow length gloves with a bracelet on her right arm. She has a long veil with embroidery at the lower edge. Her bouquet with it's large white bow is on a pedestal in front of her. Photo is mounted on white cardboard.The Muntz Studio, Puckle St., Moonee Pondsphoto, individual, wedding, foster & wilson collection, photograph