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Bendigo Historical Society Inc.
Document - ARTICLES FOR ROYAL HISTORICAL SOCIETY (BENDIGO BRANCH) NEWSLETTER APRIL 1973
Articles for Royal Historical Society (Bendigo Branch) Newsletter - April 1973. 1. From Bendigo Advertiser 15/10/1950 re Bendigo's first unofficial postman, Mr Collier, White Hills. 2.''Inaugurating the New Lock Up'' from Bendigo Advertiser 20/9/1861; mention of Detective Thompson and first inhabitant of Market Square lockup (man named Diamond). 3. Chinese Testimonial (Bendigo Advertiser 27/11/1856) re ring presented to Mr Lysaght as their ''first lawyer''. 4. Bendigo City Coat of Arms - description of this in detail and the representations of the Coat of Arms that are incorrect (eg on three sides of the City Hall) Suggestion - '' see the old Council Chambers'' for ''portraits'' of the (full and correct?) Bendigo Coat of Arms.5. Article from Bendigo Advertiser 4th Jan 1864 re storm of 31/1/1864 (sic) December? Mention of Axe Creek Bridge Hotel of Mr Costelloe. A note from 1973 from author that this hotel might later have been renamed 'The Perseverance' hotel; details of severed storm and flash flood of the day. [Two copies].document, names of bendigo pioneers, bendigo -
Bendigo Historical Society Inc.
Photograph - SANDHURST BENEVOLENT ASYLUM - SANDHURST STATE SCHOOL, 1888
Black and White Photos, From the book 'Sandhurst Illustrated' by Schutze, Picture features 'Sandhurst Benevolent Asylum' looking up from Barnard Street, Note the main front gatesand two side gates with large stone pillars to support them. man and lady leaving another couple about to enter the grounds, single lady also having just left the grounds. 'Sandhurst State School' (Camp Hill Primary School) from Rosalind Park, very tall spire on the main building with lookout, Foliage in front are the trees of Rosalind Park.buildings, sandhurst benevolent asylum, anne caudle centre, sandhurst state school -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH OF CHARING CROSS 1938, October 1938
Black and White Photograph of Charing Cross October 1938. In the Photo are a number of Trams, some of the trams are about to move up High Street in the direction of Golden Square. Photographed are Trams 'No 16 Golden Square', '19 Lake Weeroona' and '13 Quarry Hill'. Off centre left shows the complexity of overhead wiring required to keep the trams moving. Far left man in dark clothing on bicycle. Tram employee standing in front of tram No. 16. Background right Herald, Age, and Leader newsagent signage. E.S.&A. Bank sign. Streader shoe signage. Centre two men leaning on bicycles at Fountain Fence. Taller building has signage for Trustee Company on wall.photograph, charing cross & trams, bendigo trams, bendigo tramways, trams, charing cross -
Monbulk RSL Sub Branch
One Day Hill, The line : a man's experience; a son's quest to understand, 2006
A man's reflection of the infamous Burma railwayp.190.non-fictionA man's reflection of the infamous Burma railwayworld war 1939 – 1945 - prisons and prisoners – japanese, burma - thailand railway -
Victorian Interpretive Projects Inc.
Photograph - Colour, Gaida Stevens, World War One Tunnel Entrance, Lone Pine, Gallipoli, 2015, 2015
Lone Pine was an action that featured one of the most famous assaults of the Gallipoli campaign. The attack was planned as a diversion for the Australian and New Zealand units that were to breakout from the Anzac perimeter by capturing the heights of Chunuk Bair and Hill 971. At 5.30 pm on 6 August 1915, the Australian artillery barrage lifted and from concealed trenches in no man’s land the 1st Australian Brigade charged towards the Turkish trenches. The troops paused on reaching the Turkish trenches, finding that many were covered by timber roofs. Some fired, bombed and bayoneted from above, some found their way inside and others ran on past to the open communications and support trenches behind. Others advanced as far as "the Cup" which was where Turkish support units were located and from where the Turks counter-attacked. By nightfall, most of the enemy front line was in Australian hands and outposts had been established in former Turkish communication trenches. The Australian Engineers dug a safe passage across no man’s land so that reinforcements could enter the captured positions without being exposed to Turkish fire. Having captured the Turkish trenches, the Australians now tried to hold what they had taken while the Turks desperately and determinedly tried to throw the Australians out. From nightfall on 6 August until the night of 9 August a fierce battle ensued underground in the complex maze of Turkish tunnels. The Australians succeeded in drawing the whole of the immediate Turkish reserve. Six Australian battalions suffered nearly 2,300 killed and wounded at Lone Pine. Seven Australians were awarded the Victoria Cross, the highest number ever awarded to an Australian division for one action.(http://www.awmlondon.gov.au/battles/lone-pine)Entrance to a tunnel at Lone Pine, Gallipoli. gallipoli, world war one, tunnel, mmm -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: TALES OF VICTORIA HILL
Two printed pages titled Tales of Victoria Hill. Mentioned is the gold yield on the New Chum Line of Reef, early gold discovery, Christopher Ballerstedt and his son Theodore, Theodore building Fortuna as well as a crusher or battery in its grounds. He believed he had exhausted the riches from his claims and sold the claim on the hill to George Lansell, deepest gold mine, interconnecting to neighbouring mines to obtain the required up and down drafts for ventilation, rising of the water levels resulting the closure of the Victorian Quartz Mine when a rope broke and the equipment that is still there. An accompanying photo of the Victoria Quartz Mine shows the buildings, chimney and poppet legs and a man standing in front of a building. There is also an accompanying floppy disc.bendigo, history, long gully history group, the long gully history group - tales of victoria hill, j n macarthy, christopher ballerstedt, theodore ballerstedt, fortuna, george lansell, lansell's 180, victoria quartz co, victorian consols, bendigo's deepest known gold bearing reef -
National Vietnam Veterans Museum (NVVM)
Photograph, Nui Dat Hill Bunker
A black and white photograph of 131st Divisional Locating Battery, 1st Field Regt RAA. Gnr Cahill mans an M60 machine gun while his number two is at the ready with his SLR rifle, in one of the units' sandbagged bunkers, in the battery location on top of Nui Dat Hill, 1AFT BAse, (circa March 1967)photograph, 131st locating battery, 1st field regt, raa, nui dat, gibbons collection catalogue, gnr cahill -
Tatura Irrigation & Wartime Camps Museum
Book, Further Ramblings of an Old Man, 1994
History of the life of L. P. (Phil) Heron and Family.Small book. Light tan cover with black writing. Black sketch depicting hill overlooking the ocean.Dedication to authors wife Edeheron family history, family history books, phil heron -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1910
Taken by photographer for State Rivers and Water Supply Commission.Small black and white photograph. Waranga Reservoir embankment (north end) man left of picture, looking towards narrow gauge railway line along which the beaching material is transparent from a nearby hill. Windmill left of centre and small boat and house right corner.goulburn weir, victorian state rivers and supply commission -
Tatura Irrigation & Wartime Camps Museum
Sketch - Pencil
Josef Thum was an Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS-Mobile Cinema Unit 36, around 1946-47 and based at Murchison. After hositilities ceased, Thum was permitted to assist in the presentation of "pictures" as was the common term of the period, each time there was a screening at MurchisonBlack and white sketch of head and shoulders of a man about to throw a large ballman and ball, thum j, hill k, camp 13, tatura, illustrations, pencil -
City of Ballarat
Artwork, other - Public Artwork, Aaron Robinson et al, Flow by Holly Grace and Aaron Robinson, 2014
Water is key to a thriving community and it is through the representation of water Flow enlivens the space at Bakery Hill. Historically ‘water races’ ran through the valleys of the Greater Ballarat area unearthing the minerals that forged prosperity and wealth. This water still flows today unearthing new possibilities for the community. Possibilities focusing on sustainability, ecology, health and prosperity. Flowing over the site a series of kinetic turbines flutter in the wind creating a contemporary water race. The interactive elements offer visual stimulation enticing people to connect with the artwork and in turn the surrounding spaces. Bakery Hill has great historical significance. It’s connection to the Eureka Stockade and the series of events that were to unfold during the 1850’s was to become the turning point in Australian political history. The placement of each turbine is to mirror a point of history in the timeline of events that occurred during the Eureka Stockade. The Water Race is a symbol of possibilities, the ones created by history and those of modern society. It is a visual timeline that can be read by traversing the site. The connecting turbines that flow and turn in sync are a representation of time passing and the interconnectedness of history with the community that surrounds it. The gateway to Bridge Mall is framed through the placement of each turbine allowing the sense of prosperity and wealth to flow through to the surrounding community. This gateway also references the significance of Bakery Hill reinvigorating the historical site by reconnecting it back to its town centre. The artwork is of aesthetic and historical significance to the people of BallaratTwelve steel turbines set on poles with dates attached and a large bronze 'timeline' plaqueFLOW/ Plotting the motion of Wind, Water, History and Time/ by Holly Grace and Aaron Robinson/ This site has great historical significance. It’s connection to the Eureka Stockade and the series of events that unfolded in the 1850’s was to become the turning point in Australian history. The placement of each turbine within this artwork mirrors a point of history in the events that led up to the Eureka Stockade. It is a visual timeline that can be read by traversing the site. The connecting turbines that flow and turn in sync are a representation of time passing. They are a symbol of the community’s connection to their history. 1851 June James Esmond makes the first discovery of gold in Victoria at Clunes./ 1st July The Port Phillip District separates from New South Wales and becomes the Colony of Victoria. It is still subject to British rule./ August Gold is discovered at Buninyong and at Golden Point, Ballarat. Lt-Governor La Trobe introduces the Gold Licence system in an attempt to reduce the colony’s debt./ 20th September First gold licences issued in Ballarat. / 1852 August/ Eureka Lead discovered on the Ballarat goldfields. December Charles La Trobe resigns as Lt-Governor but he is not relieved until 1854/ July – December/ Unrest builds on the various goldfields with protest meetings held in Bendigo and Castlemaine. Bendigo’s Red Ribbon Movement is active on the goldfields and the Bendigo Petition is presented to Lt-Governor./ December/ Charles Hotham is appointed Lt-Governor/ 1854 March/ A bill to extend the Elective Franchise is passed by the Legislative Council and sent to London for the assent of the British Parliament. 22nd June/ Lt-Governor Sir Charles Hotham arrives in Victoria. The colony faces mounting debt and Hotham orders weekly licence hunts in an attempt to increase income./ August/ Hotham is acclaimed during his visit to the Ballarat goldfield./ 13th September? Hotham orders twice-weekly licence hunts to further increase revenue./ September – October/ Miners are experiencing problems – no shafts bottomed on the Eureka Lead for five weeks./ 7th October/ James Scobie is murdered outside the Eureka Hotel. Many diggers believe that publican James Bentley is responsible./ 9th October/ At Scobie’s inquest, Bentley is acquitted, despite strong evidence of his guilt./ 10th October/ Father Smythe’s servant is beaten up by authorities and falsely arrested for not holding a licence./ 15th October/ Mass meeting of miners on Bakery Hill. Catholic miners meet after Mass. // 17th October/ A meeting of up to 10,000 Diggers is held near the Eureka Hotel to protest against Bentley’s acquittal. The meeting results in the burning of the hotel. Three diggers, Westerby, Fletcher and McIntyre, are arrested. Hotham dispatches 400 soldiers to Ballarat. 22nd October/ Another large meeting is held to address grievances. The Catholics send their leaders, Hayes, Kennedy and Manning to meet Rede. The Government Camp is under siege 11th November/ A public meeting on Bakery Hill results in the formal establishment of the Ballarat Reform League and adoption of the League’s proposals./ 21st November/ The enquiry into the Bentley affair is published. It recommends the dismissal of the judge and the establishment of a Royal Commission. 23rd November/ Westerby, Fletcher and McIntyre are convicted of burning the hotel. The Ballarat Reform League demands their release. 27th November/ A deputation from The Ballarat Reform League, including Humffray, Black and Kennedy, meet with Hotham to demand the release of the three prisoners. Hotham does not believe the diggers have the right to “demand anything”, Rede requests reinforcements in Ballarat. 28th November/ Miners attack the troop reinforcements and wagons passing near the Eureka diggings. A drummer boy is seriously wounded. 29th November/ A “Monster Meeting” attended by more than 10,000 diggers is held on Bakery Hill. The Southern Cross flag is flown for the first time. Peter Lalor addresses the miners and a number of diggers burn their licences. 30th November/ A licence hunt occurs in the morning at the order of Commissioner Rede. Another meeting of radical miners is held on Bakery Hill. Peter Lalor becomes leader of the diggers and calls for volunteers. Many diggers wear an oath to defend their rights and liberties under the Southern Cross flag. A number of diggers move to the Eureka Lead and start to erect a stockade. 3rd December In the early hours of Sunday morning 296 soldiers and police led by Captain Thomas proceed from the Government Camp to the Eureka Lead and attack the Stockade. 22 diggers and 7 military are officially listed as being killed. Many others are wounded. Approximately 120 diggers are arrested and marched to the Government Camp. 4th December/ Funeral of some of the fallen diggers and soldiers. Martial Law is proclaimed in Ballarat. Henry Seekamp, editor of the Ballarat Times is charged with seditious libel. 6th December/ Major General Sir Robert Nickle, commander-in-chief of the military forces in the Australian colonies, arrives in Ballarat. 9th December/ General Nickle repeals martial law. 14th December/ The Gold Fields Commission sits for the first time. 18th December/ The first Ballarat sitting of the Gold Fields Commission is held at Bath’s Hotel. 1855 23rd January/ Henry Seekamp is found guilt of sedition and sentenced to three months in prison. 22nd February/ The Eureka trials starts in Melbourne. February to March/ 13 prisoners are tried and acquitted amid great public rejoicing. 27th March Report of the Royal Commission recommends miners’ rights and significant reforms. 10th November/ Peter Lalor and John Basson Humffray are nominated for seats in the legislative Council. 31st December Sir Charles Hotham dies before his resignation takes effect. flow, aaron robinson, holly grace, public art, eureka stockade, bakery hill -
Uniting Church Archives - Synod of Victoria
Program, Souvenir of the Holiness Convention, 1940
The convention was held in the Brunswick Street Methodist Church, Cantebury Road, Surrey Hills on the 13th, 14th, 15th, 16th, 17th June 1940. It was arranged and convened by the Methodist Local Preachers' Association.Souvenir program for the 24th Holiness Convention. The program has a reproduction of the artwork "The Light of the World" by William Holman Hunt. The back cover is umber coloured with an image of a bible and card with the words "Behold I stand at the door and knock. If any man will open I will come in! Have YOU opened it yet?"Front cover: "I am "The Light and Hope of the World""methodist local preachers' association melbourne branch, brunswick street methodist church, fitzroy -
Robin Boyd Foundation
Book, Patrick Skene Catling, Freddy Hill: The Story of a Modern Man of Pleasure, 1970
Paperbackwalsh st library -
Victorian Aboriginal Corporation for Languages
Book, Tim Bonyhady, Words for country : landscape &? language in Australia, 2002
Landscape and Language -- Lubra Creek -- The River Runs Backwards -- These Blarsted Hills -- Scarcely Any Water on Its Surface -- Everyone Who Has Ever Done A Tree Sit Always Says That The Tree Talks To You -- The Spirit of the Plains Kangaroo -- The Graveyard of a Century -- So Much for a Name -- Blackfellow Oven Roads -- The Ends of the Earth -- Natural Beauty, Man-Made -- Uluru -- The Outside Country -- It's Only Words.Mapslanguage and landscape, language essays, writing, storytelling -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Charles Angwin, Late 19th C
B. 1860 Victoria; d. 1948 Burwood Victoria. Methodist minister, ordained 1886. Served at Dromana 1886; Poowong 1887; Wodonga 1888; Preston 1889; Donald 1890; Casterton & Coleraine 1893; Wangaratta 1895; Euroa 1898; Pyramid Hill 1901; Forth 1904; Latrobe 1908; Avoca 1911; Beeac 1914; Kilmore 1917; Frankston 1920; Mordialloc 1923; Superintendent Gardiner 1926. (No further records.).Photo of a young man with long sideburns and moustache, wearing a clerical collar and suit."Rev. Charles Angwin"angwin, charles -
Hume City Civic Collection
Photograph, c1897
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Library collection. During 2000 this was transfered from Mont Park to the Royal Melbourne Hospital.A man and a boy and a dog are in front of a weatherboard shed and in a garden with a fence. There is a brick building in the background.walls, w., sunbury asylum, walls album, george evans collection -
Hume City Civic Collection
Photograph
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.A high wooden foot bridge spans a river with a man standing in the foreground of the picture. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection -
Hume City Civic Collection
Photograph
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.A man is driving a horse drawn dray. There is one passenger on the dray and another is standing at the back of the dray. A garden is in the foreground with trees in the background. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection -
Hume City Civic Collection
Photograph
A photocopied image of an Aboriginal midden. A man is standing to the left of the photograph in the hollow and a dog is standing on the edge of the hollow. There are a few trees in the middle distance and bare hills along the skyline. Framed in mustard coloured board.aboriginal culture, aborigines, middens, aboriginal reserves, george evans collection -
Stawell Historical Society Inc
Photograph, View from Big Hill Looking North to Newington Road
Mining Scene. In foreground is Scotts Open Cut, on the left is the Great Northern mine, behind that is the Oriental Mine and the two shafts of the North Cross mines. On the upper right is the Magdala Mine. The mines on the horizon could be the Prince Alfred, Prince Patrick, Newington and Pleasant Creek or Little Newington Mine.B/W Scene Man sitting above open cut, looking at buildings and poppet headsstawell, gold mining -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Clunes Museum
Certificate, UNITED KINDOM BAND OF HOPE & UNION, 3.3.1889
CERTIFICATE PRESENTED TO W. HO;MAN WHO BECAME A MEMBER OF THE BAND OF HOPE TO PROMISE TO ABSTAIN FROM ALL INTOXICATING DRINKS AS BEVERAGES. MAY ALSO BE HAD SO AS TO INCLUDE "TABACCO" IN THE PLEDGE.CERTIFICATE MEMBERS CARD TO CERTIFY W. HOLMAN WHO BECAME A MEMBER OF THE CLUNES WESLEYAN SUNDAY SCHOOL. BAND OF HOPE 3.3.1889. J.M.PASCOE . SECRETARY OR REGISTRAR.certificates, sunday shool, wesleyan., holman -
Swan Hill Regional Art Gallery
Print, TROVA, Ernest, Man is but a memory, 1967
... Swan Hill Regional Art Gallery Horseshoe Bend Swan Hill ... -
Swan Hill Regional Art Gallery
Print, TROVA, Ernest, Silk screen from banner (falling man multiple), 1968
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Swan Hill Regional Art Gallery
Print, TROVA, Ernest, Head, planet earth (falling man series), unknown
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Swan Hill Regional Art Gallery
Print, WAINBURRANGA, Paddy Fordham, Mun Gruk Gruk Man, 2003
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Swan Hill Regional Art Gallery
Print, WAINBURRANGA, Paddy Fordham, Lightning Man, 2003
... Swan Hill Regional Art Gallery Horseshoe Bend Swan Hill ... -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Man of Birds, 1997
... Swan Hill Regional Art Gallery Horseshoe Bend Swan Hill ... -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Man with Three Nostrils, 1997
... Swan Hill Regional Art Gallery Horseshoe Bend Swan Hill ... -
Swan Hill Regional Art Gallery
Print, CANTRILL, Ivor, Man, 2010
... Swan Hill Regional Art Gallery Horseshoe Bend Swan Hill ...