An illuminated address presented to James Henry Curnow, Esq., by the Committee of the Geelong Jubilee Juvenile and Industrial exhibition. Hand painted and written on card with committee members signatured, decorated with flowers and with scenes of Melbourne Exhibition building, sailing ship and bordered by a design in blue/grey.Markings - H Frank and Co, Geelong.person, individual, james henry curnow

Photograph ( proof 48) of a group of six men and two women standing in front of a wooden building. The words ' _____'s Royal Mail Hotel' are painted on the façade (possibly Kenny's) and ' H. Kenny' is painted above the doorway. One of the males in the group is holding an infant, there is a ladder leaning against a pole on the right hand side of the photo. In the foreground there is a drinking trough with a sign attached, advertising a race meeting.buildings, hotel, royal mail, myers flat, royal mail hotel, myers flat, h. kenny

Photograph (proof 23) of a delivery van standing outside the Beehive building in Pall Mall. Painted on the side of the van is: Kangaroo Flat Bakery and a picture of a baker surrounded by ornate scroll work, below this is the name 'C.A. Earl'. On the rear doors of the van is Phone 807 (or 817), and 'No, 1'organization, business, bakery, kangaroo flat bakery, c.a. earl

Photograph of an Iron roofed wooden building. Piepers Hill Hotel, Strathfieldsaye Road,Kennington, is painted on a wooden sign above the veranda. In front of the veranda is a lady wearing a dark coloured long dress, holding a baby. Two small girls standing beside her. An elderly woman is standing on the veranda and there is a dog in the foreground.buildings, commercial, hotel, piepers hill hotel

Photograph of a brick building with a part iron roof. The sign 'Hunters General Store' is painted on the front of the building, there is a veranda with wooden posts on the right hand side . Above the veranda there is a faded painted sign with the words 'Serpentine Store' Just visible. In front of that and to the left there is a water tank. There are four women, five men and a child posing in front of the building, all are in casual clothes.buildings, commercial, general store, hunters general store, serpentine store

Photograph of a Royal mail Coach drawn by two horses, the coach is full of people with many riding on the top. There are two boys riding bicycles behind the coach, there are several small buildings in the background, a water tank on a tall tower is visible behind the left hand building. The words 'Royal mail' are painted on the side of the coachtopic, objects, transport, royal mail

Slide. Bendigo Views. Scenic view of Bendigo. A building on the left has 'Maples' painted on the side. Maples is currently Bendigo Toyworls in Mitchell Street.slide, bendigo, bendigo views, bendigo views

Artwork. Norman Penrose collection: (A) Crayon or pencil (coloured) drawing of a building and fence. A man is walking in an archway in the distance. The buildings are yellow and orange. The picture illustrates perspective. (B) Coloured crayon drawing of a one legged man carrying a parrot on his arm, walking along the cliff top beside the sea. A sailing ship is on the water. (C) Coloured crayon drawing of a green fire breathing dragon above the waves of the sea. The moon and stars are shining in a dark sky. The drawing has a blue paint wash. (D) Coloured crayon drawing of Robinson Crusoe. He is on the beach and has a large trunk open. He is looking in it. A number of coconuts and bowls are around the trunk. It is beside a palm tree. A ship with two masts is just off the shore.(C) N. Penrosedrawing, crayon, norman penrose collection, artwork, crayon drawings

Photograph - black and white. The new SEC building under construction, steel girders and framework being erected. 'Johns and Waywood Ltd' is the name painted on the streel girders. Building in the middle background of photo has the sign 'Royal Mail Hotel' - Beer. Building in the left side background of picture has the word 'Myer', Markings on rear of photo read ''1st floor SEC 1940''organization, public utility, electricity company, s.e.c. victoria. 1940. bendigo.

Black and White Photo, Rifle Brigade Hotel - Christenses, Next to the Rifle Brigade Hotel is J. Power Wine & Spirits Store, Opposite the Hotel and the Wine and Spirits Store on the corner of Rowan and View Streets is the Painter and Paper Hanger - Hodgson Bros Buildings painters and paper hangers Venetion makers, Large Factory, in centre top of photo has the lettering 'City Foundry' painted at the top of it, Markings on rear of photo say 'Rifle Brigade Hotel', 'Corner of Rowan and View Streets 1876'.buildings, commercial, rifle brigade, rifle brigade hotel, view street, rowan street, corner of view and rowan sts, crn of view and rowan sts, city foundry, hodgson brothers, hodgson, christenses, j power

Black and White Photo of the Trades Hall Buildings in View Street. Bendigo Business College Logo is painted on the front and side of the buildings. Markings upon rear of the photo read 'Guide to Golden Bendigo - The Forest City', 'Accountancy', 'Book-Keeping', 'Typewriting', 'Shorthand', 'Classes day and evening'buildings, commercial, trades hall, bendigo business college, trades hall, view street, view st

Naive painting of the Creswick Post Office painted on site, "en plein air", part of his recording of the town. Litherland was born in Odessa in 1897 and arrived in Creswick in 1938, where he lived until his death in 1978. This painting and 65 others were bequeathed to the town by him.This painting records the life of the town of Creswick at a moment of time, in the naive style. Litherland became a character about town and a noted artist. He is represented in the National Gallery of Victoria, the Art Gallery of Ballarat, the National Gallery of Australia and other regional galleries.Gouache painting on paper of Creswick Post Office in the naive style. Framed by artist. Named on the back by the artist.Signed lower middle "Victor Litherland" and dated 1963. On the back the name "Creswick Post Office" is written by the artist.victor litherland, creswick, naive art, gouache

Painted "en plein air", as seen by the artist, recording things as they were in 1959. Painted by Victor Litherland who arrived in Creswick in 1938. He became a noted artist represented in major collections. He painted in the naive style and recorded his history of the town.Gouache painting on paper of the old Creswick Fire Station and Town Hall (now the home of the Creswick Museum), done in naive style.signed "Victor Litherland" and dated 1959victor litherland, creswick, naive, gouache, town hall, fire station, 1959

Daryl Lindsay was born and grew up in Creswick, one of the famous Lindsay family of artists. He had a love of horses and this was his favourite. He often did portraits of horses for famous owners.Daryl Lindsay became a noted international artist and the Director of the National Gallery of Victoria. He had a very considerable influence on Australian art, particularly from the 1940s to the 1970s.Oil painting on canvas by Daryl Lindsay of his favourite horse, "Pompey".Signed Daryl Lindsay on front. On the back is written "Daryl Lindsay painted his favourite horse Pompey c. 1930 at Mulberry Hill, Baxter. Presented to the Creswick Museum by Joan Lindsay May 1977.daryl lindsay, painting, horse, pompey, creswick, ngv

Copy of a Heritage Trade & Services Directory Edition 1, dated April 2001. Compiled by City of Greater Bendigo Heritage Advisory Committee. Front cover has an oval picture of part of a building with scaffolding in front of it. Listed are: Architectural Hardware; Architects; Blacksmiths; Brickwork - General; Builders; Castings - Iron and Non Ferrous Metals; Cement Decoration and Rendering; Chimney Pots; Chimney Restoration; Chimney Sweeps; Colour Consultant; Concrete - Pre-cast; Damp Control; Drafting Service; Fabric; Fencing; Fire Mantels and Inserts; Floor Coverings; Furniture Restoration and French Polishing; Garden Renovations; Glass - Etching; Glass - Leadlighting; Guttering, Galvanised Iron and Sheet Metal Work; Interior Decorating; Joinery and Carpentry; Light Fittings; Masonry Cleaning; Paint; Painters and Decorators; Paint Stripping; Plasters and Associated Products; Resurfacing - Enameling; Resurfacing - Powder Coating; Restumping and Underpinning; Roof Restoration - Iron; Roof Restoration - Slate; Roof Restoration - Terracotta; Second Hand Materials; Stone - Quarries and Cutting; Stonemasons; Tile Layers; Tiles; Turning and Verandah Roofing.bendigo, history, long gully history group, the long gully history group - heritage trade & services directory, heritage advisory committee, city of greater bendigo

Two very dark copies of the front of The Noted Warehouse Davey Bros Family Grocer. Building has a decorative area above the verandah with The Noted Warehouse Davey Bros. Family Grocer painted above the verandah. Written on the back: Prior to 1966? Davey Bros Family Grocer Eaglehawk Road Long Gully.bendigo, history, long gully history group, the long gully history group - davey bros family grocer

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art

The minutes of each meeting of the Board of Management of the Victorian Deaf & Dumb Institution, the Victorian School for Deaf Children and Deaf Children Australia has been retained from 1862 to 2010.The minutes of the meetings provide an insight into the day to day running of the School, from Wages and Salaries, student issues to broader educational topics, building works and finances.Light blue woven/painted cover withsimilar dark blue spine, hardcover blank book containing type pages glued onto blank pages. Contains minutes of meetings of the Board of Management of the Victorian School for Deaf Children from September 1991 to July 1992Spine: "MINUTES/Sept. 1991 to July 1992" in gold lettering on dark red backgrounddeaf children australia, deaf education, minutes of meeting

Signature Joseph A Scovell was a Beechworth Builder 1907Object removed from Stanley Athenaeum internal front swinging doors when Greg Owen from Period Restorations worked on the Athenaeum building. Weatherboards had been nailed over the window spaces at the top of the doors, this had then been covered with painted masonite board.Wooden weatherboard painted on one side, rough out on the reverseSignature in pencil Joseph A Scovell 1907

Signature Joseph A Scovell was a Beechworth Builder 1907Object removed from Stanley Athenaeum internal front swinging doors when Greg Owen from Period Restorations worked on the Athenaeum building. Weatherboards had been nailed over the window spaces at the top of the doors, this had then been covered with painted masonite board.Wooden weatherboard painted on one side, rough out on the reverseSignature in pencil Joseph A Scovell 1907

Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art

Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismLedger Gift, 1993Rural landscape with fence and buildings in the distance. Gold gesso on decorative wood moulding frame.Recto: Signed "E. Phillips Fox" in black paint l.l.c of composition; Not dated; Not titledlandscape, buildings, rural, hills, fence, australian art

Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismGift of Dr Robert W. Henderson 2004Rural night landscape with road, buildings and moon. Gold painted wooden frame.Recto: Signed "E Phillips Fox" in brown paint l.l.c of composition; Not dated; Not titledlandscape, evening, moon rising, rural, road, australian art

Born: Mebourne, Victoria, Australia 1943; Died: Melbourne, Victoria, Australia 2011 Abstract ArtGift of the Benalla Apex Club, 1970Cube shapes stacked on top of one another with decoration on sides. Gold painted thin timber frame.Recto: Not signed; Not dated; Not titledpaintings, abstract, boxes, hills, trees, grass, australian art

Born: Gisborne, New Zealand 1882; Arrived: Sydney, New South Wales, Australia 1883; Died: Sydney, New South Wales, Australia 1939Heidelberg SchoolGift of Mrs E.E. Ledger, 1975Rural farm landscape with wagon, animals and building. Gold patterned moulding with grey velvet insert frame.Recto: Signed "E. GRUNER" in black paint in l.r.c of composition; Not dated; Not titledpainting, rural, wagon, chicken, animals, wheel, fence, trees, farm, australian art

Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923InterwarGift of Mrs E.E. Ledger, 1975Beachscape with rocks, trees, water, piers, buildings, sky and sailing boat. Gold wood moulding with fabric and gold insert frame.Recto: Signed and dated "Penleigh Boyd / 21" inscribed in paint l.l.c of composition; Not titledpainting, beachscape, boats, building, trees, rocks, marine, australian art

Born: Creswick, Victoria, Australia 1870; Died: North Sydney, New South Wales, Australia 1952ImpressionismGift of Wooleen Pty. Ltd., 1980Bush and urban landscape with figures, trees and water. Gold brushed and painted timber frame.Recto: Signed "Percy Lindsay" in red oil in l.l.c of composition; Not dated; Not titledpainting, seascape, landscape, figures, trees, buildings, women, child

Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings

Velvet Soap was a widely used laundry bar soap launched in 1906, produced by J. Kitchen & Sons, owned by John Ambrose Kitchen (1835 - 1922). Kitchen was born in Britain and emigrated to Victoria in 1854. After a less than successful period at the Caledonian and Blackwood diggings, Kitchen returned to Melbourne and joined his father and brothers in establishing a tallow candle making works. Through merger and expansion the company became the pre-eminent manufacturer of soap and candles in the eastern colonies in the mid to late 19th century. Kitchen also speculated in a number of enterprises but suffered financial setbacks as a result of the 1890s bank crashes. Despite this, the company continued to grow in the early twentieth century with the introduction of products such as Velvet Soap and Solvol. The company merged with the British company Lever Bros in 1914 who eventually took full control of the company in 1924, becoming Lever and Kitchen. Advertising for Velvet Soap in Australia was extensive and pervasive. All manner of surfaces were used to advertise the product such as building walls, roofs, and most commonly, enamelled sheet metal signs which were fastened to any available surface internally and externally. The most common form of sign that Velvet Soap used was the words 'PURE VELVET SOAP' in white lettering within a vivid dark blue, elongated Maltese cross. On the enamelled metal signs the Maltese cross sat on a red background with a yellow border. While this was the dominant form for Velvet Soap signs, there were variations from the standard. The Velvet Soap sign is of historical significance as a representative of painted signs that were once a common form of advertising during the nineteenth and early twentieth centuries. - : http://vhd.heritagecouncil.vic.gov.au/places/14447#sthash.Vb6KAUWl.dpufHistoric - Advertising Sign - Velvet SoapTin sign with white, yellow, red and blue enamel. Pure velvet soap.puffing billy, enamel sign, pure velvet soap