Showing 833 items
matching pen and pencil
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Rutherglen Historical Society
Image
Photocopy of a black and white photograph of the Great Southern Mine. Mine structure is at the centre of the photo, a fenced paddock on the right, and a large mullock heap in the background.Written on back of copy in pencil "Great Southern Mine heap" and in pen "Great Southern Mine".great southern, gold mining, mining industry -
Bendigo Military Museum
Book - BIOGRAPHY, 1939-1945, R.V. Jones, "MOST SECRET WAR"
"MOST SECRET WAR/ BRITISH/ SCIENTIFIC/ INTELLIGENCE/ 1939-1945".Hard cover book with dust cover. Hard cover - cardboard, mid blue colour buckram. Gold colour print on spine. Dust cover - paper, black and red colour print on front and spine. Black and white portrait photograph of the author on back. Off white colour background. 556 pages. Cut plain, white colour paper. Illustrated black and white photographs, maps and diagrams. Front end paper - handwritten information.Handwritten information - grey lead pencil "19.95". Black ink pen " ? McDermott/ Christmas 1978".publications, book, biography, ww2 -
Glenelg Shire Council Cultural Collection
Print - Print - Remember 'Wren' it was like this?, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint with two birds (wrens) in the foreground. The birds sit on a branch with multi-coloured leaves and flowers. The background features a coastline with breaking waves and a light blue sky.Front: 5/11 (lower left)(pencil) Remember "Wren" it was like this? (lower centre)(pen) Signature (lower right) (pencil) Back: 5 -
Churchill Island Heritage Farm
Photograph - Photograph of Amess House taken from a ploughed field
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border showing Amess House taken from a distance on a ploughed field with the large Norfolk Pine.Catalogue number written on reverse in pen/pencil Hand written on reverse in pencil 'Pre-Jenkins? Pre-war? Suggest Buckley era (A. Evans)churchill island, amess house -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Dillwynia glaberima (Smooth Parrot-pea), n.d
Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAView on left is a stem with six smaller stems coming from the top, with nine full flowers and three buds. The flowers are yellow with red and purple clouring on the petals at the centre. Leaves are dark green, long and narrow. On the right there are two flower studies from top and side views. One the lower right is a leaf study, a bud study, a study of a stem with two leaves and a seed study. Studies are numberes with typed letters on paper (white) and glued to surface of image. Also numbered in pencil.Front: Dillwynia glaberima (lower right) (pencil) CEW (Signature, lower left in image) (red pencil) Back: 43 (upper left) (pen)cema, botanical, collin woolcock, woolcock, drawing, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Platylobium triangulare (Ivy Flat-pea), 1970-1990
Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Full stem view on left, detailed views on right. View on left depicts central stem with four subsidiary shoots. Twenty-four leaves are situated in pairs opposite each other along the stem and shoots. View also shows two buds and two flowers. On right, detailed views of flowers (side and back) depict yellow petals with red and purple centres. Back of petals are brown, and speals are olive green. Lower right is a leaf detail, triangular in shape with dark green surface and pale green veins. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt (cream on pale tan) in a gold painted wooden glazed frame.Front: Platylobium triangulare (lower right) (pencil) CEW (signature, lower left in image) (burgundy pencil) Back: 44 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Monotoca Scoparia (Prickly Broom-Heath), 1982
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of stem, leaf and flower details. At left is stem with small, long dark green leaves with small white flowers. At top centre is detail of a white flower from a top view and to right is flower view from bottom view. Below this (l-r), t-b) are: side flower view, leaf top view, stem detail with leaves and buds, bottom leaf view. At bottom left is detail of two buds. Mounted in double matt (white on sage), frammed under glass in gold detailed wooden frame.Front: Monotoca scoparia (lower left) (pencil). CEW/82 (centre left in image) (brown pencil). Back: 1 (upper left) (pen)collin woolcock, woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Lotus australis (Australian trefoil), n.d
Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Full stem study on left, details of flowers on right. Stem on left is pale green and brown with small hairs. From central stem are four side stems ending with leaves and flowers. Leaves depart stems in clusters of five, have rounded ends and have fine hairs. One stem depicts seek pods and withered petals. On lower right are two flower views (top & side) - the petals are pale pink with dark pink edges and veins. Sepals are green and brown and have small hairs. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt (off-white on pink) in a gold painted wooden glazed frame.Front: Lotus australis (lower left) (pencil) CEW (signature, lower left in image) (purple pencil) Back: 63 (upper left) (pen)collin woolcock, woolcock collection, botanical drawings, botanical -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Daviesia Brevifolia (Leafless Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem and detailed views of flowering plant in coloured pencil. On left is a stem view with small pink pea flowers and no leaves. On right (t-b): flower buds; side view of stem with flowers; front view of flower; rear view of flower with sepals. Each view is numbered in pencil and with typed numbers and letters on white paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in gold wooden frame.Front: CEW (signature, lower left in image) (maroon pencil). Daviesia brevifolia (lower right) (pencil). Back: 20 (top left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Pultenaea daphnoides (Large-leaf Bush-pea), 1970-1990
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower and stem view on left, depicting two stalks shooting from a central stem. All three stems are brown with small hairs. Green leaves with rounded ends and a brown central vein with a sharp protruding point are staggered up alternatue sides of the stem. One stem has two flower buds and two flower blooms (each are in clusters). On right are (top-bottom) top view of flower, side vire of flower, top leaf vire, stem detail, bud views. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt white on pale tan) in a gold painted wooden glazed frame.Front: Pultenaea daphnoides (lower left) (pencil). CEW (signature, lower left in image) (purple pencil). Back: 28 (upper left) (pen)collin woolcock, botanical, cema, botanical drawings, woolcock collection -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Sericea (Showy Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.View of flowering plant with stem and flower details. On left is a view of stem with three smaller stems bearing long, thin green leaves and ending in clusters of pea flowers (apricot in colour). On right (t-b): stem detail with leaves; end view of leaf depicting curve; top view of flower; side view; rear view. All views are numbered in pencil and typed numbers on paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in wooden frame with gold detail.Front: CEW (signature, lower left in image) (maroon pencil). Dillwynia sericea (lower right) (pencil). Back: 39 (upper let) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Bossiaea walkeri (Cactus bossiaea/Cactus pea), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant. Leaves grow from a central stem. Five red flowers in full bloom are attached to the leaves, and there are four buds. Leaves are grey-green and have serrated edges. Mounted in a double matt (cream on olive) in glazed timber frame with gold paint.Front: CEWoolcock (signature, lower left in image) (purple pencil) Bossiaea walkeri (lower right) (pencil) Back: 56 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cylindrical containers (wood pulp?) being unloaded from a small truck, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: 6 1/2 (upper centre, red pen) 8036 (upper right, blue pen) 0 (centre, blue pen) 12.16 5/8 (lower right, pencil) 4 1/2 (centre right, red pen)port of portland archives -
Churchill Island Heritage Farm
Photograph - Photograph of seated group beside the shoreline
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series documents a historical re-enactment held on Churchill Island in 2007.Photograph of a seated group of children watching sailboats and a man in historical costume with a trifoil hat in the foreground standing on the left of frame.JOURN CRIER 2007 [handwritten on reverse in pen] RE-ENACTMENT/DONOR/PHOTOS CARROLL RYAN [handwritten on reverse in pen] Catalogue number written on reverse in pencil.churchill island, photograph, children -
Churchill Island Heritage Farm
Photograph - Photograph of two men
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series documents a historical re-enactment held on Churchill Island in 2007.Photograph of two men posing for the camera and wearing nineteenth century clothing with people walking pastCHURCHILL ISLAND/RE-ENACTMENT/ 2007 [handwritten on reverse in pen] DONOR/PHOTOS CARROLL RYAN [handwritten on reverse in pen] Catalogue number written on reverse in pencil.churchill island, photograph, historic -
Bendigo Historical Society Inc.
Photograph - ROSELLA PRESERVING FACTORY
Sepia photo, corrugated iron building with 2 double doors. Large building with hip and valley roof. Tall metal ? Tubular chimney at back left. Pallets and containers stacked against wall. On back in ball point pen ' Rosella Factory, Brougham St. In pencil ' new sheds from brick stores'A.W.M Gibbony, ,Pall Mall Bendigoorganization, business, rosella factory -
National Wool Museum
Archive (Series) - Ledger, 1925-1926
Wool broker ledger for an agent working out of the Dennys Lascelles building. Ledger tracks information on wool growers who sold with agent working out of the Deenys Lascelles building. Includes name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. Also contains a list of new clients on back pages.Alphabetical wool brokerwool broker -
Bendigo Historical Society Inc.
Book - ALBERT RICHARDSON COLLECTION: WANNANS ENGINE DRIVERS GUIDE
Book: red covered book, written on front in gold 'Wannan's Engine-Drivers' Guide'. Written in pencil inside front cover : H.R. Attwood, Alice St., Sunshine and in blue pen 'Hrm Grauz' On further page, Hilliaue Grauz, Gibson Street, Warrnambool. Book contains chapters relating to boilers, operation and accidents.A.C. Wannan, Consulting Engineermachinery, engines- steam, wannan's engine-drivers' guide, richardson, wannan, boilers, mining, mines, engine driver, engineman -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Pultenaea humilis (Dwarf Bush-pea), 1977
Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower stem view on left, with flower details on right, leaf and stepal details on left. On far left are two leaf views of front and back in dark green - back view shows smalls hairs on leaf. On lower left is a side view of the leaf. The stem study depicts leaves up both sides of the central stem and side stems. Two stems have flowers near the top end. The flowers are dark yellow with an orange tinge, with red and purple centres. On right is a detail of stem and leaves, two side views of flower buds, a top view of full flower and a side view of full flower. Mounted in a double matt (off-white on pale tan) in a gold paint and wood glazed frame.Front: Pultenaea humilis (lower left) (pencil) CEW 29/1/77 (signature, lower left) (pencil) Back: 3 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Pultenaea subumbellata (Wiry Bush-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Colour drawings of flowering stem and detailed leaf and flower views. The largest stem view depicts thin woody stem with small fine green leaves along length of stem. Branching stems at top end in clusters of buds or small orange and yellow pea flowers. At centre left are 3 details of leaves (front, rear and end views). On right are (t-b): top view of yellow pea flower; side view (orange and yellow); rear view (orange) with sepals; sepal detail; side view in full bloom. All views are numbered in pencil and printed on white paper affixed to image surface. Mounted in double matt (white on faun), under glass in wooden frame with gold detail.Front: Pultenaea sub-umbellata (lower right) (pencil). CEW (signature, lower centre in image) (maroon pencil). Back: 37 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Federation University Historical Collection
Correspondence, Trower. Still & Keeling, Legal correspondence concerning the death of Frank Wright, 1970/71
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Four pieces of legal correspondence concerning the death of Frank Wright plus an inventory of furniture and musical instruments from chartered surveyors addressed to John Hosier. Also included is a telegram from Frank's sister Laura Ritchie, authorising Mr John Hosier to act for the family. The legal correspondence is from Trower, Still & Keeling and the inventory is from E. Copping Joyce & Son.2). Several notes written - one in blue pen, one in black pen and another in pencil. 1a)., 1b)., 2)., 3). & 4). all have handwritten signaturesfrank wright, john hosier, laura ritchie, trower still and keeling -
Melbourne Legacy
Document, Legatee Brian Armstrong, One Man's Legacy. The Story of the George Knocks Fund, 1965
A photo of Legatee George Knocks from his time in the Royal Navy. George Knocks was born in the UK and joined the Royal Navy in World War 1. He later migrated to Australia and joined Legacy in 1929 until his death in 1945, he left a significant bequest to Melbourne Legacy which was used to help many people. Information from a press release in 1975 relates the story of George Knocks who joined Legacy and left a bequest that made a difference. The information was intended to be used by press and magazines etc. A longer version of the story is in the Weekly Bulletin - 29 Sept 1964 and this document prepared by Legatee Armstrong in 1965 called One Man's Legacy. Summary: George was described as a lonely ex-seaman who migrated to Australia after the first world war. He learnt about Legacy and the work with widows and children. 'He joined up as a Legatee and from that day, the pattern of life changed greatly for George. He became absorbed in his new environment and spent most of his time with the children. The mothers founding him a rugged, but completely trustworthy friend.' When George died on 14 April 1945 he was mourned by many Legacy friends. His left his property to four comrades, as trustees to use in continuing Legacy's work, this bequest became the George Knocks Fund. As a result, a great many people in Legacy's care were helped, in all sorts of ways.A record of the life of a legatee.White foolscap paper x 6 pages with black type of the story of George Knocks Fund, stapled together and edge bound with green tape, dated 30 June 1965.Handwritten on cover 'Box 3' in blue pen, 'B4 George Knocks Fund' in red pen and '1945' in pencil. Final page is signed 'JHB Armstrong' in blue ink.george knocks, fund, bequests -
Federation University Historical Collection
Book, A text-book of Euclid's elements: for the use of schools, 1894
Owned by William Baragwanath who studied at Schools of Mines Ballarat. He became council member of the school of mines from 1916-50. William Baragwanath (1878-1966), surveyor, geologist and public servant, was born on 1 August 1878 at Durham Lead near Ballarat, Victoria.Worn, maroon cloth bound book with gold printing on the spine. It is illustrated and is 430 pages long.In pen inside leaf - W. Baragwanath, SMB (crossed out), School of Mines, Ballarat Vic In pen on title page - Series of numbers and [illegible] be able to quote any by number. Inside in pencil and pen - various drawings and numbers.william baragwanath, a text book of euclid's elements, h s hall, f h stevens, school of mines ballarat, geology, mathemathics -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Scene of foreshore development, 1950s
Port of Portland Authority archivesFront: (no inscriptions) Back: fd009 (pencil, upper left) P.G. 5. (blue pen, upper right)port of portland archives, bulldozer, excavation site, all saints, cliffs -
Churchill Island Heritage Farm
Photograph - Photograph of people on boat
Churchill Island Heritage Farm has a large collection of photographs. This series shows Harry Jenkins' activities around the Island.Photograph of two children sitting on the stern of a boat holding the rudder, and a man standing on the side, with a smaller dinghy visible in the background.OUT FISHING/EASTER 1957 [handwritten on reverse in blue pen] [catalogue number written on reverse in pencil]churchill island, photograph, harry jenkins -
Churchill Island Heritage Farm
Photograph - Black and White Photograph of boat and a jetty, c.1940
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph showing a sailboat moored to a jetty. A man pulls a wheelbarrow towards the end.Catalogue number written in pencil on reverse. On reverse in pen '1940/Unloading Suna (?) at jetty Churchill Island'churchill island, boat, jetty -
Churchill Island Heritage Farm
Photograph - Black and white photograph of horses and cart, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a horse, a foal, and a cart in front of a leaning tree with a barn on the right side.Catalogue number written in pencil on reverse. On reverse in pen '1939 Building on right is the old hay barn'churchill island, amess house, barn, horse -
Churchill Island Heritage Farm
Photograph - Black and white photograph of Ted Jenkins feeding a Shetland pony and a foal, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Ted Jenkins feeding a Shetland pony and a foal.Catalogue number written in pencil on reverse. On reverse in pen '1939 Ted Jenkins and the two shetland ponies'churchill island, ted jenkins -
Churchill Island Heritage Farm
Photograph - Black and white landscape photograph, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph looking towards Boys' Home crossing. Shoreline with small scattering of trees in the background.Catalogue number written in pencil on reverse. On reverse in pen '1939 Looking towards to boys' home crossing'churchill island