Showing 298 items matching "people's party"
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Eltham District Historical Society Inc
Journal - Newsletter, Newsletter, No. 279 December 2024
Contents: • Remembering The Shire Of Eltham – 30 Years On by Russell Yeoman • Our Christmas Party –7:30pm Wednesday 11th December 2024 • Shire Council representation – 1871-2024 by Jim Connor • Montsalvat – Major Impact on Eltham Character by Marguerite Marshall • Montsalvat and all that Jazz by Jim Connor • What are those holes for? by Jim Connor • Historic events come to life by Liz Pidgeon • Hurstbridge • David Gibbins’ Memories of St. Margaret’s Eltham by Jim Connor • Montsalvat People by Richard Pinn o Lesley Sinclair (1904-1999) o Matcham Skipper (1921-2011) • 60 Years: Flavour of Eltham by Liz Pidgeon • My Research on Alan Marshall by Amanda Tink The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society -
Vision Australia
Card - Image, Concert party of blind musicians, 1896-1900
Five men in suits with high collars and bow ties pose with three ladies in evening dress. To the far left are Aaron Solomon and Annie Rose Drummond, and to the far right is John Irwin. Aaron Solomon (1870-1936) was enrolled at the RVIB school in 1878, after losing his sight at 6 years of age. He first began participating in concerts in September 1884, at an exhibition of talent that was held by the Institute and the Deaf, Dumb and Blind Institute, to raise awareness of their work and achievements. He then became a regular performer with the entertainment troupe and travelled around Victoria singing and playing piano, even after his discharge from the Institute in 1892. In 1894 he formed his own troop of players and toured around Victoria, Tasmania and New Zealand. This consisted of two females (Tilly Aston and Maggie Mulvogue) and three males (Charles Bartlett, John Irwin and himself). In 1896, Annie Drummond, Nellie Andrew and William Snell replaced the Aston, Mulvogue and Bartlett, and W.W. Spicer was appointed as manager with his wife acting as an assistant to the ladies of the group. In 1897-1898, H Forder replaced William Snell. On a return tour to New Zealand in late 1898, Thomas Andrews - brother to Nellie - joined the troop and Fred Hunter replaced H Forder. This was the first time the troop numbered eight people, who were also present when Annie Drummond married Aaron Solomon in Hamilton, New Zealand on Feb 3, 1899. This image could have been taken in 1898 before they left as a promotional card, or in 1899 when they returned, as a memento of the happy occasion.1 cardboard postcard size image with silver writingA. Marks & Co Elgin Street Carltonaaron solomon, annie rose drummond, w.w. spicer, nellie andrews, thomas andrews, fred hunter, john irwin, a. marks & co -
Lakes Entrance Historical Society
Photograph - Walk-a-weigh, Lakes Post Newspaper, 1994
Photograph in album number 03335.01Black and white photograph large group of people posing for photograph, the group from Community Health Centre are the Walk-a-Weigh group at their Christmas breakup party barbecue at Eastern Beach, with their Christmas gifts for Salvation Army distribution Lakes Entrance Victoria health services, recreation, celebration, charity -
Whitehorse Historical Society Inc.
Photograph - Schwerkolt Cottage Garden, Wisteria Garden Party 2001, 12/10/2001
Coloured photograph of people dancing at the Society's Wisteria Party on 12 October 2001.wisteria garden party 2001, nunawading and district historical society, dancing -
Whitehorse Historical Society Inc.
Photograph - Schwerkolt Garden Party, Wisteria Garden Party 2001, 12/10/2001
Coloured photograph of people dancing at Society's Wisteria Garden Part on 12 October 2001wisteria garden party 2001, nunawading and district historical society, dancing -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 5, Stephen Butler, Feb. 1979
Has a strong association with the BTPS's first wedding charter in Feb. 1979 and the people involved.Set of five colour photographs of the BTPS's first wedding charter Feb. 1979, done as a promotion for wedding photographs. See March 1979 Fares Please! .1 - 33 dressed awaiting the party .2 - ditto .3 - In Wendouree Parade with 28 .4 - Opposite Lake Lodge with the Wedding party in front of the tram. .5 - 28 in service.trams, tramways, btps, weddings, charters, tram 33, tram 28 -
Melbourne Tram Museum
Document - Invitation, Yarra Trams, centenary celebrations of Essendon Tram Depot, Sept. 2006
Invitation card - inviting people to the centenary celebrations of Essendon Tram Depot, printed on white card with a photo of the opening of party for the Essendon Tramways, NMETL. Invite for Sunday 15/10/2015. Gives details, RSVP, times etc. Has the Centenary celebrations logo on the front.trams, tramways, yarra trams, nmetl, centenary, 100 years of electric trams, essendon depot -
Melbourne Tram Museum
Administrative record - form - invoice blank, Melbourne & Metropolitan Tramways Board (MMTB), 12/1967
Form used issues invoices for payment to various parties by the MMTB. Has spaces for name of the receiver, dates, references, particulars and invoice Number. Demonstrates a MMTB form used to send out invoices to people or organisations that services were provided to by the Board.Form - printed on blue paper, No. 3/5, Dec. 1967tramways, mmtb, forms, accounting, invoices -
Melbourne Tram Museum
Newspaper, The Age, "New tramcar feeds row on conductors", 26/8/1992
Set of three newspaper cuttings at the time of the launch of a new Restaurant tram - all dated 26/8/1992. Both reports featured issues with keeping Conductors on Melbourne trams. 1 - The Age - Kirner's hint on conducting yourself at dinner - featuring a photo of Premier Joan Kirner, Transport Minister Peter Spyker and Colonial Tramcar Restaurant part owner - Craig Opie 2 - Herald Sun - "New tramcar feeds row on conductors" - as above 3 - Herald Sun - "Win a tramcar party" - Herald Sun Competition to win a free dinner for 36 people and runners up a dinner for two. Yields information about Melbourne Tramcar Restaurant and the replacement of conductors on trams.Set of three newspaper cuttings from Melbourne newspapers 26/8/1992.tramways, conductors, colonial tramcar restaurant, joan kirner, peter spyker -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTOGRAPH OF GROUP OF LADIES AT KITCHEN TEA, 16/09/39
BHS CollectionPhotograph of a group of ladies: The black and white photo is of a group of ladies in fancy wedding dress for her kitchen tea. Dressed up as a wedding party with the bride groom, marriage celebrant, flower girl, brides maids and groomsman. Nine people in the photo. The wedding party are carrying flowers, the bride has a vale with flowers and the men are in suits. * On the back the names hand written in black ink are: *Joyce Martin, Elsie Boyd, Isobel Thompson, Margaret Shepheard, Elaine Horne, Vi Morgan, Joyce Davidson, Phyliss Brerton. Little Nellie flower girl. The date 16/09/39. Hand written in blue ink *At Alma Pemb's Kitchen Tea. Estelle Dole, 1 Farrell St., Bendigo* Box 116Aphotograph, person, female, bendigo. estelle dole -
Bendigo Historical Society Inc.
Book - LONG GULLY HISTORY GROUP COLLECTION: THE INAUGRAL SIR JOHN QUICK BENDIGO LECTURE ON SIR JOHN QUICK
BHS CollectionBooklet with a grey and white cover. It has a picture of Sir John Quick on the front cover. The Inaugral Sir John Quick Bendigo Lecture. Sir John Quick - He Trusted the People. La Trobe University, Bendigo 12 August, 1994. By the Hon. Justice Michael Kirby AC CMG. Mentions Sir John Quick's life, his work and his contrubution to the character of the Australian Constitution. Also mentioned is Republicanism and it's pro and cons.bendigo, history, long gully history group, the long gully history group - sir john quick, the inaugral sir john quick bendigo lecture, la trobe university, the hon justice michael kirby, bendigo independent, melbourne age, university of melbourne, australian natives association, federal council of australasia, bendigo federation league, the australian constitution, oliver cromwell, robert garran, annotated constitution of the australian commonwealth, federal arbitration court, catherine harris, bendigo gallery, michele maslunka, john hirst, australian labor party, professor geoffrey blainey, weekend australian 19-20 march 1994, sir harry gibbs, king edward vii, king george v, king george vi, churchill, atlee, queen elizabeth ii, curtin, chifley, evatt, whitlam, mr keating, australian broadcasting corporation, john maynard keynes -
Halls Gap & Grampians Historical Society
Photograph - Parfett family at Mackenzie Falls, c. 1926
... with gold edging. A party of 8 people grouped on a large rock... edging. A party of 8 people grouped on a large rock in front ...The Parfett family regularly holidayed in the Halls Gap area c1920sRectangular black & white photograph in a thin wooden frame with gold edging. A party of 8 people grouped on a large rock in front of a waterfall. 3 men, standing, the first has a cigarette in his mouth and holds a hat, the second holds a hiking pole; 3 women, the third has her arm raised with her hand on the back of her head; and 2 youths, the bigger wears braces and sits at the front of the rock, feet crossed, hands in his lap. The Rock has letters B.P and t E (?) painted on it. "BIG FALLS, c. 1926 (Mackenzie Falls) BLC sticker "Framed by DOUG'S FRAMES professional Picture Frame 24 Magpie St Ballarat, just down from Sovereign Hill. Phone 053 - 32 8311 label on back of frame.parfett, mackenzie falls, waterfalls -
Lakes Entrance Historical Society
Postcard - Baang Yarnda, 1930c
A. Freeman on back.Maranui is the tourist launch, and Baang Yarnda was used as accommodation for fishing parties from Broomes Federal Hotel Lakes Entrance.|Also two larger copiesBlack and white postcard of the Baang Yarnda moored in the Tambo River. Tourist launch Maranui beside Baang Yarnda, people standing on the deck of the Baang Yarnda, and two men in the tourist launch Maranui. Tambo Upper Victoriaboats and boating, tourism, guesthouses -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Wombat Hill Botanic Gardens 150 anniversary event Daylesford organiser Gael Shannon, 2013
... wombat hill botanic gardens heritage celebration garden party ...The Wombat Hill Botanic Gardens 150 anniversary event organiser was Gael Shannon. The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Four people photographed at the 150th anniversary event at the Wombat Botanic Gardens.victoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, organiser, tour, gael shannon, don henderson, wombat hill botanic gardens -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Wombat Hill Botanic Gardens 150 anniversary event Daylesford community event, 2013
... wombat hill botanic gardens heritage celebration garden party ...The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Digital imagesvictoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, john hawker, john madigan, stilt, trees, owls, wombat hill botanic gardens -
Vision Australia
Photograph - Image, Royal Blind Society of New South Wales street images, 1982
Two images of a group of people standing on a footpath and being interviewed. The central point are two men and a woman, with the television camera pointed towards them in both shots.2 negatives on strip under heading 'Christmas Party 1982'royal blind society of new south wales, marketing -
Bendigo Historical Society Inc.
Newspaper - VICTORIA HILL - 'NEW CHUM GOLD'
Newspaper article from 'Down the Mall' in the Bendigo Advertiser dated Saturday 2/5/1970. '' If the 'old boys' of the Victoria Hill area had been about yesterday when a party of school children inspected the old mining district, it is likely they would have sent off 'new chum' gold with the visitors. Back in the days when mining was active, most of the boys carried their bottle of 'new chum' gold - mundic made to sparkle with a few drops of vinegar. They gave willing help to people making their debut panning for gold and never failed to 'salt' the dish with 'new chum gold.''newspaper, bendigo advertiser, victoria hill, new chum gold, bendigo advertiser sat 2/5/1970 -
Lakes Entrance Historical Society
Photograph - Beach party 1910 Lake Tyers Victoria, H D Bulmer, 1910 c
Sepia photograph of eleven people on sandy beach beside Lake Tyers Victoriaboats and boating, waterways, fashion -
Lakes Entrance Historical Society
Photograph - May 1944 rescue in Bass Strait, Lakes Post Newspaper, Kevin Horne, 1/10/1994 12:00:00 AM
Also in rescue party Harold Broome and Vic CarstairsBlack and white photograph of Kevin Horne one of the four airmen rescued by fisherman Jack Gray and sons in May 1944 when their plane went down in Bass Strait. Shown here on his visit to thank the remaining members of the rescue party at Lakes Entrance Victoriamilitary history, people, r a a f, world war 1939 - 1945 -
Narre Warren and District Family History Group
Book, Sheila Scotter, Sheila Scotter : snaps, secrets and stories from my life, 1998
There is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publisher253 p.; 25 cmnon-fictionThere is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publishersheila scotter, fashion -
Narre Warren and District Family History Group
Book, Agnes Stokes et al, A girl at Government House : an English girl's reminiscences : 'below stairs' in colonial Australia, 1982
A Girl at Government House These reminiscences of an English girl 'in service' present a remarkably lively portrait of Australia in the eighteen eighties and nineties. The story is delightfully different, an evocation of a little-documented side of life in nineteenth century Australia. Brisbane during the Jubilee, Sydney Centennial celebrations, and the Melbourne Exhibition provide the background to the colourful, continuous whirl of dinners, balls and garden parties of colonial society. Juxtaposed with the social roundabout are the lives and loves of the ordinary people who were 'a free and easy lot, and homely too'. The charmingly naive Agnes has come from England 'knowing no more than a babe unborn how it came into the world'; her rustic vision quaintly interpreted Australia as 'beautiful flowers without any scent' and fostered the belief that snakes will never die till sunset, however early they are killed'. An adventurous spirit and insatiable curiosity lead Agnes from one great house to another. Governors and grooms, ladies and laundry-maids — all are described with enchanting directness and compelling humour. Great care has been take to illustrate Agnes's story with authentic photographs depicting the people and places mentioned in her narrative. Captivating in its freshness, this delightful story is faithfully recorded with sparkling spontaneity. (inside cover)non-fictionA Girl at Government House These reminiscences of an English girl 'in service' present a remarkably lively portrait of Australia in the eighteen eighties and nineties. The story is delightfully different, an evocation of a little-documented side of life in nineteenth century Australia. Brisbane during the Jubilee, Sydney Centennial celebrations, and the Melbourne Exhibition provide the background to the colourful, continuous whirl of dinners, balls and garden parties of colonial society. Juxtaposed with the social roundabout are the lives and loves of the ordinary people who were 'a free and easy lot, and homely too'. The charmingly naive Agnes has come from England 'knowing no more than a babe unborn how it came into the world'; her rustic vision quaintly interpreted Australia as 'beautiful flowers without any scent' and fostered the belief that snakes will never die till sunset, however early they are killed'. An adventurous spirit and insatiable curiosity lead Agnes from one great house to another. Governors and grooms, ladies and laundry-maids — all are described with enchanting directness and compelling humour. Great care has been take to illustrate Agnes's story with authentic photographs depicting the people and places mentioned in her narrative. Captivating in its freshness, this delightful story is faithfully recorded with sparkling spontaneity. (inside cover)agnes stokes, servant -
Lakes Entrance Historical Society
Photograph - Faye Lancaster,Jean Cockrane, Karen Lancaster, Trevor Hancock, Emily Carstairs, Ina Burchell, Brian Hancock and Shirley Hancock, Carstairs Family Lakes Entrance Victoria, 1972
Photograph taken at garden party at Mrs Wards home Seaview Parade recipients of Garden of the Year Award presented by Brian HancockBlack and white photograph showing eight people representing four generations of the Carstairs family. Faye Lancaster,Jean Cockrane, Karen Lancaster, Trevor Hancock, Emily Carstairs, Ina Burchell, Brian Hancock and Shirley Hancock. c1972genealogy -
Musculoskeletal Health Australia (now held by the Glen Eira Historical Society)
Photograph - Group photo, Active at Any Age Launch, 1990
John Cain (1931-2019), Premier of Victoria from 1982 to 1990 (centre), joins two Activity Ambassadors in an exercise demonstration at the Active at Any Age launch in 1990. The Active at Any Age program was a health promotion project funded by the Victorian Health Promotion Foundation. This photo appears on page 11 of the Vol 3 No 3, Spring 1990 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update. It accompanies a brief article titled, "Activity Ambassadors".B&W photo of three people taking part in an exercise demonstration outdoors. A man, standing between two women, kicks one leg high in the air. The women, standing on either side of him, link their arms into his as each one holds her other arm out to the side. One of the women is also kicking her leg forward.[on yellow sticky note] arthritis foundation of victoria, john cain, victorian premier, activity embassadors, active at any age, program, launch, victorian health promotion foundation, exercise demonstration, arthritis update, 1990, victorian labor party, politician -
Ithacan Historical Society
Photograph, Effie and Spiro Cominos wedding, 1951
... A sepia studio photograph of a wedding party... and Ioulia Raftopoulos. A sepia studio photograph of a wedding party ...The photograph was taken at the wedding of Spiro and Effie Cominos (nee Raftopoulos) in 1951. In the front from L-R: Nina Kallinikos, Diamantina Cominos (nee Vlassopoulos) and baby Xenofon, the bride's sister, Aspasia (Sia) Raftopoulos. Standing back L-R: Gerry and Elly Galatis, Diogenis Cominos, Spiro and Effie Cominos and the bride's parents, George and Ioulia Raftopoulos. A sepia studio photograph of a wedding party. There are eleven people in the group and they have been photographed in from of drapes. Information about the people in the photograph has been written on the back. -
Ithacan Historical Society
Photograph, Pano (Peter) Paxinos
Pano ( Peter) Paxinos pictured filming an annual children's Christmas party held at the Ithaca House clubrooms. Pano has captured many Ithacan events on video. The children's Christmas Tree party together with the annual picnic are the two events that continue to draw young families and each new generation to the Ithacan club. Adults all have fond memories of the annual Christmas Tree and picnic.A coloured photograph of a man sitting on a chair and photographing people in the room at an event. -
Ithacan Historical Society
Photograph, Apokries Festival, Ithaca, c1970s
The photo is taken in Vathi Ithaca at the Apokries carnival. It is the tradition to dress up and have fun. The Agios Prebezis and Papadia signs on the back of the two people in the foreground are satirising the church and relate to a scandal during the 1970s involving the Metropolitan of Prebesa (Prevesa) and a local priest's wife. The Apokries festival period traditionally begins ten weeks before Greek Orthodox Easter and culminates with fancy dress and masquerade parties on the weekend before Ash Monday, the first day of Lent. The name Apokries means abstention from meat, as during lent no meat is eaten. The Apokries festival dates back to Dionysos, the ancient Greek god of wine, fun and fertility. A coloured photograph of a crowd celebrating at a carnival. Two people with their backs to the camera are in fancy dress and are wearing hand written signs on their backs. The corners of the photograph are rounded. -
Ithacan Historical Society
Photograph, Ithacan dance group, c1990s
The group pictured are young Ithacan girls who were taught by Olga Black and they are wearing the traditional Ithacan dress. The group performed at various IPS events including the annual ball, Christmas parties. Both Olga and her sister Nina, taught Greek dancing to many people over the years, both Greek and non Greek. Many young Australian born people of Ithacan descent develop a greater appreciation and awareness of the Greek and Ithacan culture through learning traditional dances.A coloured photograph of a dancing group dressed in a Greek costumes. In the group there are five older girls and a younger girl as well as one boy. -
Ithacan Historical Society
Photograph, Grecian Ball, 1947
The photo is taken at a Grecian Ball held in 1947 at the St Kilda town Hall. Grecian balls were organised by the Greek Orthodox Community of Melbourne. Pictured is a large party of Ithacans in attendance: Anastasia Kostopulos and her daughter Katina pictured in the foreground; and behind left to right - lady in white unknown, Nathalia Vlassopoulos (Laoretis), Thalia Lekatsas, Angelos Lekatsas (Kalfas), Nina Ventouras (Sikiotis), Nick Ventouras, Sophia Kostopoulos (her son Leo Kostos behind her), Helen Fatouros (Vlass ) Panagioti Paxinos, Rita Paxinos (nee Fatouros), A black and white photograph of a group of people at a social function