University of Ballarat was a predecessor institution of Federation University Australia.University of Ballarat Chancellor Robert H.T. Smith.robert h.t. smith, university of ballarat, chancellor

University of Ballarat was a predecessor institution of Federation University Australia.University of Ballarat Chancellor Robert H.T. Smith.robert h.t. smith, university of ballarat, chancellor, council

Originally published in Ballarat and Vicinity.Photographic portrait of Dr Robert Denham Pinnock.dr robert denham pinnock, robert pinnock, dr pinnock, portrait

Report of the inquest on John Mitchell, murdered on 24 September 1862. Accused was Josiah Grimshaw.3 p. copy of article from Trove databasejosiah grimshaw, john mitchell, murder, greensborough

Stawell Girl Guides Helping Serve Drinks to walkers in the Major Mitchell Marathon 1972B/W photograph with campfire and two guides providing drinks to walkersM Hutton

Mitchell Bros. Auctioneers Main Street Stawell From Sketch series Circa 1890stawell businesses

White Mr & Mrs David Golden Wedding 1902 including Mitchell and Simpson family members.stawell

Wright Pawsey & Mitchell Grocery Store. Patrick Street corner Sloane Street Stawell c1900stawell business shops

Back left William Lemon Mitchell. Arch Henderson. Walter Scott. Percy King (Chemist)stawell

Evelyn Frances Victoria Hutchings – David White Mitchell Wedding Group. Men in uniform WW1stawell

Photograph of Henry Mitchell (born circa 1851). The Mitchell family lived in Hailes Street, where Henry's father John was murdered in 1862. Henry was the superintendent of the Methodist Sunday School for over 30 years. His life story can be read cf: Advertiser (Hurstbridge), Friday 8 September 1933, page 4.Digital copy of black and white studio photograph.henry mitchell, methodist church greensborough

The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome, allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This show harness was used by Mr. Andy Bourke when showing his Clydesdales at shows or demonstrations. Although a more modern example with decorative embellishments, it still has many essential components traditionally found in an everyday working horse harness. The original purpose of the "housen" for example, was to run rain or drizzle off the horse's neck when they had to work in wet conditions - it was laid flat for this purpose on the top of the collar. Nowadays it is purely for show and is often used to advertise a business or stud. Horse brasses and fly terrets were fastened to various parts of a horse's harness. In the early days they probably began as amulets to ward off evil and to bring good luck and continued to be used as a festive decoration. The heyday of horse brasses was between the years 1851 and 1900. Horse brasses are fastened to various parts of the harness with many of their designs being symbolic. The ornamentation on this harness (although not authentic horse brasses) are based on the horse brasses that were popular in the 19th century. This horse harness is a significant example of the equipment that was needed wherever heavy horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with stage coaches, drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used when showing a Clydesdale (or other breed of heavy horse). It is made up of a number of components. 1. Decorative leather cart saddle with two large cloth pads underneath (which have a scalloped leather and stud border), a raised leather pommel and a silver and red coloured metal back strap holder across the top. It has two symmetrical sets of ornamentation (silver hearts and circles) in the front and a wide strap or girth (with a maker's stamp reading "R. Mitchell Saddler") and buckle which attaches the saddle to the horse. 2. Pair of steel hames which are gently curved (to fit on a horse collar) and are topped with steel knobs. They have several steel rings and lugs (to hold straps and chains) and a "Made in England Warranted Steel" stamp. 3. Breeching harness which consists of a number of leather straps, chains and metal rings including a wide padded leather strap with a scalloped edge that sits on the back of the horse and a thick leather strap that goes around the hind quarters of a horse which is joined to the back strap with four shorter vertical straps and buckles. These straps feature silver and red patent leather trim and silver heart shaped ornamentation. The strap also features the maker's stamp of "R. Mitchell". 4. Decorative leather bridle with blinkers featuring the same silver and red patent leather trim on the cheek piece, brow band and throatlatch. It has a stainless steel "Liverpool Driving Bit" with a curb chain, a variety of decorative silver ornaments (rosettes, diamonds plus a heart and two circles) on each end of the forehead band, dropper and strap as well as a silver metal bell (sometimes known as a "fly terret" or "swinger") that sits on the headpiece of the bridle. 5. Leather "violin shaped" dropper (or hanger) with two silver rosette shaped ornaments and a stainless steel clip on the top 6. Stainless steel "Liverpool Driving Bit" with a straight mouthpiece which is ribbed on one side. It has three rein spots (spaces) and a curb chain. 7. Leather arch shaped "Housen" covered in black and red patent leather and decorated with silver studs (some spelling out F H) and bordered with a red fringe. It has a leather strap at the back and two leather loops on the front. 8. Leather padded backband (Australian style "Stallion Draught Roller") decorated with two groups of nine metal "horse brasses" or harness ornaments displaying horseshoe, starburst and horse head designs on blue, red and white striped webbing. The backband has three notched straps at each end, a buckle near the centre and the initial B stamped in two places underneath. 9. Bellyband made of leather and red, white and blue striped webbing. It has a set of three buckles at each end (which correspond with the notched straps of the backband). 10. Wide, thick leather strap which has a buckle and notches at each end. It also has the maker's stamp of "R. Mitchell Saddler". 11.One pair of long leather traces - each with a buckle and notched loop at one end, decorated with a small silver diamond shaped harness ornament. 12. Length of stainless steel heavy duty chain with two swivel connectors.Saddle - "R.MITCHELL / SADDLER" Hames - "MADE IN ENGLAND / WARRANTED / STEEL" "MADE IN ENGLAND / WARRANTED / unclear" Breeching Straps - "R. MITCHELL / MAKER / R. MITCHELL MAKER" Housen - "F H" Backband "B / B' Wide leather strap - "R. MITCHELL / SADDLER"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, harness, horse harness, show harness, clydesdale horses, andy bourke, horse drawn cart, housen, bridle, hames, breeching straps, dropper, bit, liverpool bit, backband, harness ornamentation, bellyband, back saddle, fly terret

These letters are part of communication which took place between Sir Robert Menzies and Mr. G. R. Coulthard, President of the Australian Institute of Dairy Factory Managers and Secretaries Inc. (Victorian Branch) in 1965 and 1966. The Butter Factories’ Managers Association was formed in the 1890s and held its first annual conference in 1893. This organisation became the Australian Dairy Institute and then was incorporated with the Australian Society of Dairy Technology on 24 March 1986 to become the Dairy Industry Association of Australia. Ross Coulthard was a former manager of the Tallangatta dairy factory and later manager of the North Eastern Dairy Company at Kiewa. He had gained experience at several dairies across Victoria and was a qualified Butter Maker, Milk and Cream Grader and Tester and later a Cheesemaker. He took over as manager at Tallangatta in 1954 and later became Manager of the North Eastern Dairy Company at Kiewa after a merger with the Tallangatta Butter Company. He served as Victorian President of the Dairy Industry Association in 1966 and 1976 and was the Australian National President in 1980. These letters are significant because they are linked to Australia's longest serving Prime Minister and the Victorian Dairy Industry.2 letters from Robert G. Menzies and Private Secretary to Mr. G. R, Coulthard printed on Commonwealth of Australia Government letterhead.robert g menzies, australian institute of dairy factory managers, dairy industry victoria

Robert Whatmough and family lived at Willis Vale from approx 1863 to 1878. Willis Vale was later owned by the Partington family. In this photograph the family is involved in butchering a pig. The people have been identified as: Mary (Hill) Whatmough b1813; and her daughter Rosalie b1856; Grandpa John Wilson; Joseph Wilson b1835; Emmett Whatmough b1842; John Thomas Fielding b1860; James Fielding b1861; Robert Whatmough b1815; [Sarah Whatmough b1845 m1866 Joe Wilson b1835 8 children]. Photo and article also appeared in The Diamond Valley News 9/10/1984 page 26.Early evidence of farming and animal husbandry in the Greensborough area.Black and white photograph, enlarged and mounted on timber backing.Typed caption pasted on front of photograph: 'Robert Watmaug [sic Whatmough] and family slaughtering pig at Willis Vale Greensborough.' Identification of those in photo by Faye Fort 2015.robert whatmough, whatmough, willis vale, greensborough, wilson

A. Part of the G.Hadden collection B. Details of coal mine methods."Coal Miners Pocketbook" is the book that miners got for some extra tips of digging coal. The book was hard bound with blue covering and gold lettering and 1274 pages.Inside the front cover the name "G.Hadden" was written.

Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Black and white Ex Libris Bookplate for Robert Littlewood.bookplate, andrew sibley, keith wingrove memorial trust, available

Robert Logan took up Lot 28 in the Village Settlement in 1896 and worked it until his death in 1936. His second son, Malcolm, took over the selection and continued to work it until he married and then it was subdivided. This photograph shows the oats that Robert Logan grew to feed his horse. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph of a white haired man with a large white moustache man wearing overalls tying up a sheaf of hay. Handwritten description on reverse by John Lundy-Clarke.Robert Logan with hay grown on LOT 28 SECTION 1 of the Village Settlement. He was the original selector and his LOT was the last worked fully (by his son Malcolm) in SECTION 1. 1920. robert logan, logan, malcolm logan, kalorama, john lundy-clarke

Notes relate to the 'Sad Fatal Accident' involving Martha Williams at Hiscock's [Mine]; also Locomotive Mine Disaster, 1933; 1850s mining accident involving Robert Blyth; Notes of the Trial Saw Mill at Buninyong.gold mining, inquests, buninyong, imperial mine, mining, trial saw mill, forestry

Robert Simeon Nelson established a carpentry and cabinet making business in Linton from about 1858. His services included coffin making, and over time the business gradually evolved into "Nelson Bros Undertakers". R.S. Nelson married Mary Ann Dawe in 1864. They had six children, four of whom survived to adulthood.Black and white copy of original family portrait photograph, which shows Robert Simeon Nelson, his wife Mary Ann and their first three children - William John, b.1864, James, b.1866 and Thomas, b.1868 (d.1869).robert simeon nelson, mary ann nelson (née dawe), william john nelson, james nelson, thomas nelson

Black and White photograph, of Bendigo 3 climbing Mitchell St, near the Railway Station with the Destination of Quarry Hill. Has a Hutton's Ham ad on the front drivers panel and two rood ads. In the background are Sandhurst Dairies shop advertising Toppa Ice Cream, a boot repairer and a van marked Jeffreys Bread parked on the north side of Mitchell St. Nearing the point where the double track became single - see the signal wire insulators in the overhead. Printed on Fujichrome paper. Two copies held."TMSV Sales" stamp on rear. On rear of in ink 'HTT16 = MM N 102 = Geel 32 = BED 3"trams, tramways, bendigo, mitchell st, quarry hill, overhead, tram 3