Showing 38134 items matching "screen-printed"
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Glenelg Shire Council Cultural Collection
Postcard - Postcard - Burswood House , Portland Victoria, Portland Design Studio, 'Burswood', c. 1984
Burswood residence of Edward HentyPostcard, with image of screen print. 'Burswood' Portland. Front view of 'Burswood' and gardens, black border, black, grey, green, yellow, blueBack: 'Burswood', residence of Edward Henty' Portland design studio POSTCARDS OF PORTLANDburswood -
Port Melbourne Historical & Preservation Society
Document - Invitation, opening, exhibition of screen prints by Tom SANDERS, Acland Street Art Gallery, Nov 1987
Invitation to opening of exhibition of screen prints by Tom SANDERS 28 November 1987, with illustration of his impression of proposed SCDC 'Bayside Development'celebrations fetes and exhibitions, arts and entertainment - visual arts, tom sanders -
Uniting Church Archives - Synod of Victoria
Pennant, 1963
From Glen Iris.Dark blue felt triangular pennant with gold screen print text. The pennant has grosgrain ribbon at the edge of its short side."PRES. BOYS ASSN. ZONE PREMIERS HARTWELL BASKETBALL PERMIERS 1950" -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Tablecloth
Blue cotton oblong table cloth with blue felt screen printed Methodist Girls' Comradeship Rays' section emblem in one corner.methodist girls' comradship rays section, albert street methodist church sebastopol ballarat -
Victorian Aboriginal Corporation for Languages
Journal, Peter Austin, Language documentation and description, Vol. 2, 2004
Word lists, screen shots, graphslinguistics, endangered languages -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information Book - "Readers Digest/Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300. Framed print. Print - colour print on paper. Copy of an oil painting, depicting colour, the dawn landing of Australian and New Zealand troops at Anzac Cove. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES EDWARD DIXON (1872-1934). The Landing at Anzac. April 25th 1915". 1915. Successful British Maritime Painter.framed accessories, prints, ww1, gallipoli, centenary -
Wyndham Art Gallery (Wyndham City Council)
Print, Edwina Green, Untitled, 2023
Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Edition of 4 + A/P. Pigment print by Hound & Bone Studio, screen printed and assembled by the artist and Trent Walter at Negative Press. public art, australian first nations art, printmaking -
Federation University Historical Collection
Poster, Alistair Heighway, Ballarat School of Mines Dance, 1967
Poster with screened marooned images and text.ballarat school of mines, poster, dance, silkscreen, artwork, corbould hall -
The Ed Muirhead Physics Museum
FACIT Electric/Electronic
14 Electronic digits appear on Screen -
Seaworks Maritime Museum
Miniature wooden screen
Miniature folding wooden screen with four screens depicting on one side flower scenes and on the other traditionally dressed (possibly chinese) women on a white marble-like background. Wooden part of the screen depicts flowers between the panels.Sticker (flower side): made in china PMA0171 (11?)gifts -
Sunbury Family History and Heritage Society Inc.
School Days
The photograph was printed for a historic display at the Bulla Primary School. The children in the photograph who were past pupils of the Bulla State School are Eric Lewis Grant, who was born on 10th September in 1889 and died on 26th March 1969 and Harold Bruce Grant, born 2nd December 1891 and died on 21 December 1934. Further information states that they were 'Ossie's uncles', who was also an old Bulla resident. Bulla State School was one of the earliest schools to be established in the nineteenth century. It was closed down in 1996, which caused much disappointment to the residents.A photocopied print of an old photograph of two boys in a garden. It has been pasted on board and has a white surround with information about the people in the photograph printed under the image. SCHOOL DAYS is printed at the top of the photograph. grant, eric lewis., grant, harold bruce., bulla, bulla primary school -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Readers Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting depicting in colour "Australian troops ascending the ridge above Anzac Cove to Plugge's Plateau." Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES W LAMBERT (1873-1930) Anzac, the landing 1915, 1920-1922". Official Australian War Artist in 1917.framed accessories, prints, ww1, gallipoli, centenary -
Federation University Art Collection
Bookplate, 'John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title is printed on plain white paperAudrey Hutchison England 1983 is printed on the back of the bookplate bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson et al, Waa in the kangaroo grass, 2023
Transfer drawing made at Wunggurrwil Dhurrung Community Centre, and screen printed at Negative Press. public art, australian first nations art, printmaking -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book: "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints. Collection of 20 prints' refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of a watercolour on paper. Painting depicts a soldier leading a donkey carrying a wounded soldier along a cliff path. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "HORACE MILLICHAMP MOORE - JONES (1868 - 1922) Simpson and his donkey 1918". Enlisted with the New Zealand Expeditionary Force in 1914 and was sent to Gallipoli.framed accessories, prints, ww1, gallipoli, centenary -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints." Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of a "watercolour, gouache, pencil on brown paper". Depicts "soldiers near huts and trenches surrounded by cliffs and a ravine” Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "HORACE MILLICHAMP MOORE-JONES (1868-1922) Anzac Headquarters Gallipoli, 1915." Enlisted with the New Zealand Expeditionary Force in 1914 and was sent to Gallipoli. framed accessories, prints, ww1, gallipoli, centenary -
Plutarch Project
Printed handkerchief
This handkerchief was used as a marketing material to promote the film titled "The Heavens are ours" in Greek by "New World Film Entertainment" shown at Melbourne Town Hall. There were 2000 of these printed by the company for the premiera showing. The film was later screened by the same company at Premier Theatre in November 1958 by popular demand. The handkerchief gesture had the desired effect of attracting large crowds to the show.This handkerchief's primary significance is derived from the innovative story behind its use. A white printed paper towel inscribed, in black ink, with a message in Greek to those it was handed to by "Cosmopolitan Motion Pictures"The inscription in Greek says: "ΦΕΡΤΕ ΤΟ ΜΑΖΥ ΣΑΣ. Θα σας χρησιμεύσει να σφουγγίσετε τα δάκρυά σας παρακολουθώντας το συγκινητικώτερο, το δραματικώτερο δράμα όλων των εποχών που θα κάνει και τις άψυχες πέτρες να ραγίσουν 'ΟΙ ΟΥΡΑΝΟΙ ΕΙΝΑΙ ΔΙΚΟΙ ΜΑΣ'...." In English translation it says: "BRING IT WITH YOU. You will need to wipe your tears watching the most dramatic and emotional film ever, that will have stones with no soul crack... titled "THE HEAVENS ARE OURS" with the unforgettable Golfo Antigoni Valakou, of the most prominent film production company FINOS-FILM presented by NEW WORLD ENTERTAINMENT. The touching story of a girl who has been lost by her parents she still lives with them, in sadness and in laughter.... THE MOVIE THAT NEEDS TO BE WATCHED BY EVERY FATHER , EVERY MOTHER, EVERY YOUNG MAN AND WOMAN. In Melbourne On Saturday, 19th April 1958 MELBOURNE TOWN HALLhandkerchief, film, greek, language, entertainment, cinema, theatre, μαντηλάκι, γιαννούδης, yiannoudes -
Flagstaff Hill Maritime Museum and Village
Print - Vessel, Sailing Ship, Loch Vennachar, 1875-1905
This framed print of the Loch Vennachar has been framed as a gift given by McPherson's Ltd. of Melbourne Sydney Brisbane Perth, as per the inscription below the print. Loch Vennachar made many journeys from Britain to Australia and was well-known in Australian ports. On one of its homeward-bound journeys from Australia, the ship sank in the River Thames. Its cargo included 850 tonnes of preserved canned rabbits from Warrnambool's Western Meat Preserving Company. The ship was raised and continued trading for another four years. On 14th June 1905, Loch Vennachar departed Glasgow for Adelaide and Melbourne. The last known sighting of it was on 6th September 1875 when overtaken by the SS Yongala; the captains exchanged the “all well” signals. After that, the ship disappeared with loss of all 27 lives, according to a list that was received by Fremantle through the English mail. The list indicated that there were no passengers on that voyage. Sadly, other Loch Line ships med with similar disasters. The list of lost crew on the Loch Vennachar included Thomas. W. Pearce, apprentice, Southampton. His father was Tom Pearce, one of the two survivors of the Loch Ard, wrecked in 1878. Also, Thomas’ grandfather, James Pearce, was the captain of SS Gothenburg at the time of her wrecking in 1875. Consequently, the wrecking of the Loch Vennachar and the Loc Sloy near the southwest point of Kangaroo Island, a lighthouse was erected, officially opening in June 1907. The northern headland of West Bay was named Vennachar Point in memory of the ship in 1908. The wreck was discovered in 1976 by divers from the Society for Underwater Historical Research, over seventy years after being lost off Kangaroo Island. The Loch Vennachar performed a significant role in Australia’s colonial trade, taking goods between Great Britain and Australia. These goods included locally preserved tinned rabbits processed at a factory in Warrnambool for overseas trade.Print of painting clipper ship Loch Vennachar. (aka Loch Vennacher, as spelled on this print). Print is under glass in white painted timber frame. The vessel was wrecked on Kangaroo Island September 1905 with the loss of all hands. There is an inscription below the print"Loch Vannacher" on right below print, "Compliments from McPherson's Ltd. Melbourne,Sydney, Brisbane, Perth" on left below printflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch vennachar, loch vennacher, loch line ship, glasgow shipping co, mcpherson's ltd. melbourne sydney brisbane perth, loch vennachar image., kangaroo island shipwreck, 1905 shipwreck, mcpherson's ltd. melbourne sydney brisbane perth, canned rabbits, preserved rabbits, western meat preserving company -
Federation University Art Collection
Bookplate, 'Zelma Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title with scrolls beneath is printed on a diamond shape Audrey Hutchison England 1983 is printed on the back of the bookplatebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet, Modern Printing Co Pty Ltd, Royal Artillery Training Memorandum (Field, Tank Attack, Anti-Aircraft Branches) No 8, July 1943
Paper booklet covering up coming amendments to Artillery publications and fire orders for smoke screens and immediate registered or predicted battery Smoke screenartilllery, smoke, world war 2 -
Mission to Seafarers Victoria
Print - Print, framed, William Howard Jarvis (1903-1964), Orient Line S.S. Orsova off San Francisco, 1954-1966
British painter Howard Jarvis was best known for his maritime landscape paintings. An early member of the Society of Marine Artists (UK), formed in 1939, he went to sea on merchant ships and served in the Royal Navy during World War II. His works were influenced by marine artist Kenneth Shoesmith. Jarvis was commissioned by the Cunard-White Star Cruises to create a stone litho poster, which was quite well known, giving passengers a birds-eye view of a cruise ship.SS Orsova, built in 1954, was a British ocean liner for the Orient Steam Navigation Company until 1960, then P&O Orient Lines between 1960-1966, although the Orient ships retained their corn-coloured hulls and sailed under their own house flag. The colour of the hull on the print indicates it was made between 1954 and 1966. On 24 May 1956, Orsova ran aground off Port Phillip Bay, Melbourne, for twelve hours. In 1966 P&O acquired the balance of the Orient Line shares and all their ships were painted white. In the 1960s, Orsova carried many thousands of emigrants from Greece and Italy to Australia. It was staffed by approximately 600 crew and carried over a 1000 passengers. Maritime Art, Marine artColour printed reproduction of a painting or lithograph print featuring 20th C passenger liner, hull and superstructure primarily painted pale yellow, under steam at sea. Print is mounted glazed with thin gilded and moulded frame.Printed inscription on border of print at lower centre edge: "Orient Line S.S. Orsova / Off San Francisco"s.s. orsova, passengers ships, steamship, emigration, greece, italy, australia, passenger liner, melbourne, port phillip bay, artwork-paintings, w. howard jarvis, orient line, p and o, peninsular and oriental steam navigation company, ocean liner, passengers liners, passenger ships -
Federation University Historical Collection
Card, Chef Chantant Craig's Hotel 30.10.14, 30/10/1914
Cafe Chantant is a type of musical establishment associated with the Belle Époque in France. The music was generally lighthearted, sometimes risqué, even bawdy but, as opposed to the cabaret tradition, not particularly political or confrontational. This event was possibly associated with the Ballarat School of Mines as a fundraiser for the Red Cross during World War One.A card with silk screen design and a Red Crossred cross, craig's hotel, world war one -
Uniting Church Archives - Synod of Victoria
Pennant, c1976
Red triangular pennant with gold screen printing."METHODIST ORDER OF KNIGHTS WINNER. NORTH WEST DIST. ADEKATE PAGES CAMP 1976"methodist order of knights, adakate pages camp, methodist order of knights north west district -
City of Kingston
Photograph - Black and white, c. 1948
Located in the southeast Melbourne district of Ormond. The Ormond Theatre was opened in the late-1920’s with 720 seats in stalls and circle. There was no ceiling in the auditorium, which allowed for the steel roof trusses to be seen. In 1930 a Western Electric(WE) sound system was installed. In 1940 it was remodelled in a simple Art Deco style to the plans of architectural firm Marsh & Michaelson. It re-opened in 1941 with 995 seats. By 1946 it was operated by Albert Park Cinemas Property Ltd. The Plaza Theatre was closed on 30th November 1958. It was converted into a carpet showroom which was still operating in late-1984. The building has since been demolished.Black and white photograph of the theatre inside the Plaza Theatre. The photograph has been taken at the rear of the theatre and looks down over the three tiers of seating toward the screen.Black printed text on white round sticker adhered to reverse: 186 Handwritten in red ink on reverse: 77%theatre, movies, entertainment, suburbs -
Victorian Aboriginal Corporation for Languages
Book with CDROM, Wathaurong Aboriginal Co-operative, Learning Wathaurong : teacher's guide, 2005
A student based language program which includes CD ROM and booklet with coloured layout. Includes dictionary, pronunciation guide and user instructions.Word lists, screen shots, CD-ROMwathaurong, geelong, ballarat, language revival, language maintenance, education, wathaurong aboriginal co-operative, koorie studies, linguistics -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Jon Reyhner, Revitalizing Indigenous Languages, 1999
Obstacles and Opportunities for Language Revitalization/Language Revitalization efforts & approaches/The role of writing in Language Revitalization/Using Technology in Language RevitalizationB&w photographs, screen shots, tables -
Victorian Aboriginal Corporation for Languages
Book, Paul Paton et al, Peetyawan weeyn : a guide to Language revival planning, 2011
Provides a new framework for Aboriginal language reclamation work; it aims to support communities in managing their own language revival process. Chapter headings: Starting Out, Sounds and Words, Sentences and Grammar, Developing the Language, Major Resources, Consolidating and Advanced Language Revival.Colour photographs, word lists, screen shotslanguage revival, education, language learning, endangered languages, victorian languages, linguistics -
Bendigo Historical Society Inc.
Book - JAMES LERK COLLECTION: BENDIGO JUNIOR FOOTBALL LEAGUE 2008 GRAND FINAL PROGRAM, 2008
JAMES LERK COLLECTION: Bendigo Junior Football League 2008 Grand Final Program Program of the teams and timetables - coloured cover courtesy of the Bendigo Advertiser price $2G&L Gerdsen screen printing , Bendigo -
Bendigo Military Museum
Print - NURSE PRINT, FRAMED, Post WW2
This print was originally hanging in the foyer at the entrance to the Billiard room pre the SMI becoming a Military Museum.A Sister of the Army Nursing Service Maple coloured timber glass front, cardboard back. Coloured print by Ivor Hele with white boarder. Female figure in sitting position in nurses uniform.with steel helmet in left hand. Under the print, “A sister of the Army Nursing service” On label under print. “In Memory of Able Seaman W Haas RAN This print along with the overhead flag display was presented to the Bendigo RSL Sub Branch by Cpl J ROWELL in memory of Able seaman W.HAAS. R.A.N”. brsl, smirsl, ivor hele, nurse -
Hymettus Cottage & Garden Ballarat
Print - Menu, Trans Australian Railways dining car service menu, c. 1920
Printed bifold menu of Trans Australian Railways Dining Car Service with signatures of the Ballarat bandsmen travelling to Western Australia to compete in the national band titles 1929 at Perth.Early record of Trans Australian Rail travel and Australian brass band history and activities.bifold card printed menuFront of menu printed Trans Australian Railways Dining Car Service with signatures of the Ballarat bandsmen travelling to Perth for the national band titles in 1929. ballarat, trans continental, railway, menu, bandsmen, national band competitions, perth