Pages from a scrapbook including photographs of students in costume performing on stage and the script from a play, 'Hanna and her Seven Sons', Speech Day, 1966. Please contact [email protected] to request access to this record.1960s, events, visual and performing arts

Certificate presented to Joseph Davies by the Minister of Mines in July 1909, in recognition of the bravery and presence of mind exhibited by him on the 16th. July 1909. Document is printed in black script, with letterhead in gold and black.bendigo, mining, joseph davies, joseph davies, jack allan, minister of mines

Found at POW camp 13 site post war by war time guard. Contained in a gold coloured material covered display box.Circular Commonwealth of Australia copper coin, value one penny, dated 1943. Head and shoulders impression of George V1 on reverse side. Kangaroo in flight on front. Latin script around circumference.Australia Penny 1943camp 13, penny coin, australian currency, murchison camp, 1942 australian penny

Found at POW camp 13 site post war by war time guard. Contained in a gold coloured material covered display box.Circular Commonwealth of Australia copper coin, value one penny, dated 1945. Head and shoulders impression of George V1 on reverse side. Kangaroo in flight on front. Latin script around circumference.Australian penny 1944camp 13, penny coin, australian currency, murchison camp

This item is linked to the 'HMAS Encounter', possibly made on the ship c. 1913. In 1916 this ship visited a then unnamed island off the Western Australian coast, where the crew discovered two bronze cannons protruding from the sand. These cannons now in the WA Maritime Museum, Fremantle, have been linked to the "Mahogany Ship" legend by historian K.G. MacIntyre. Cribbage is a very popular card game, particularly with naval personnel. This cribbage score board belonged to Alexander Charles Forsyth who used it aboard H.M.A.S. Encounter in 1913. He was a stoker, service number 3086, from New South Wales. H.M.A.S Encounter, the fourth warship of that name, was built at Devonport Dockyard, Tasmania, for the Royal Australian Navy in 1905. She was a second class protected cruiser and in 1909 was lent for three years to the British Admiralty. In 1913 (the year marked on this cribbage board) she was in New South Wales and Queensland waters and in World War One she served in the Pacific region, taking part in the capture of German New Guinea. She was finally scuttled in 1932.Social significance: an example of leisure activities in early C20th. Historical significance: link to "Mahogany Ship" legend through H.M.A.S. Encounter. This is an interesting item with social significance as cribbage was a popular game, particularly in the 20th century, and it illustrates the pastimes of a generation past. It was given to Warrnambool and District Historical Society by a Wangoom couple and so may have local significance if A.C. Forsyth was related to this couple. H.M.A.S. Encounter was important in Australia’s naval history. Rectangular brass plate with rows of holes, grouped in tens. Plate mounted with 5 brass studs to a rectangular wooden base. 134 holes in brass, grouped in tens. Three holes in each end of wooden base. Board used for scoring made out of brass for game of cribbage Burnished gold on playing surface Reddish-brown on base 144 main indentations, 10 minor indentations Machine engraved "A.C. Forsyth" (in script)/ "1913"/ "H.M.A.S. ENCOUNTER" across middle of the plate, between the rows of holes. brass, ships, leisure, royal australian navy, cribbage board, games, mahogany ship, a s forsythe, encounter, alexander charles forsyth, warrnambool

The scarf was worn by Eileen Capocchi, a member of the Eureka Youth League Choir who sang at the Youth Carnival for Peace and Friendship and donated the item. The planned event had been targeted by Prime Minister Menzies as a Communist Party activity. The Commonwealth Government pressured local Sydney Councils to deny the organisers a venue. These attempts failed. The event combined sporting, athletic and musical events at a football stadium. In later years it was the subject of two documentary films. The scarf is of historic and social significance because of its association with the Peace Carnival for Peace and Friendship of 1952 and the Eureka Youth League. The scarves were worn by all participants and by Eureka Youth League members in subsequent years. The scarf records some of the musical and sporting events organised by the Eureka Youth League in most major Australian cities.Brown and yellow square rayon machine edged scarf made for the 1952 Youth Carnival for Peace and Friendship in Sydney. Central portion shows a peace dove, pink heath, flannel flower and wattle. Perimeter shows a saxophonist, ballet dancer, high jumper, hurdler, cyclist and volleyball net. "Youth Carnival for Peace and Friendship" white script on 3cm brown banner repeated 4 times around perimeter.eileen capocchi, eureka youth league choir, youth carnival for peace and friendship, eureka youth league, 1952

"JCR" in blue ink, "Common Room 1959 at HH" written in script in pencil, stamped "Archives International House"

One of the few remaining items from the hamlet of Karyrie near Wycheproof, Victoria, Australia. The memorial plaque links family tragedy to world conflict. It represents the impact such events had on small communities.Varnished timber, rectangular shape with script : ERECTED TO THE MEMORY/OF OUR MEN / WHO GAVE/ THEIR LIVES IN THEIR DUTY/ TO GOD AND EMPIRE / IN THE GREAT WAR / 1914 -1919. Eight names engraved in black text on metal.Rev. A. E. Goller; Denney A. ; Hunter M.C. ; Kelly E. ; Kerr A. ; Kerr J. ; Lee, G.R.; Williams E. ww1; karyrie; supreme sacrifice.

Ornamental pewter plate inscribed with English writing. Rim features a circle of several coats of arms of different localities including Malacca, Pahang, Selangor, featuring Malay language written in Arabic script (Jawi)"MISC/ In Commemoration of/ Bunga Terasek Maiden Voyage/ At Melbourne" "Sabah Maju Jaya/ Bersekutu Bertambah Mutu برسكوتو برتمبرموتو/ (perlis) فرليس / (Negeri Kedah) نكري قدح / Bersatu Dan Setia/ (Perak) نكري قيراق / Selangor/ (Negeri Sembilan) نكري سمبيلن / Bersatu Teguh / (Kepada Allah Berserah) كلنتن الله كمد برسر ه / Negeri Pahang ي ا ل ط ي ف / (Berserah Kepada Tuhan Kerajaan Kelantan) برسر ه كلنتن كمد توهن كراجان / (Terengganu) ترڠكن ا ن و / Bersatu, Berusaha, Berbakti/ Sabah Maju Jaya" On Reverse "Royal Selangor Pewter" "PMA 0317"

[a] Manilla envelope handwritten labelled 'Transfers and Script [cancelled] attached there to . The Secretary, Cohn Bros Victoria Brewery Bendigo. [b] Share Transfers and Shares dating from 1887-1915 enclosed within envelope.bendigo, industry, cohn bros brewery

N. J. Jenkin lived in Elizabeth St. Malvern. He was Lay Secretary & Treasurer for Methodist Overseas Missions from 1920 - 1942.Matte sepia toned studio portrait of Nicholas J. Jenkin tipped on to buff card with handwritten script at the bottom front. The cardboard has a deckle edge at the bottom. The picture appears to be an enlargement as the focus is not sharp."N. J. Jenkin Lay Secretary & Treasurer OVERSEAS MISSIONS 1920 - 1942"nicholas j jenkin, methodist overseas missions, methodism

Henry (Harry) William Tompkins was a renowned Melbourne architect, former City of Kew councillor and sometime Mayor of the municipality. He was president of the Melbourne Institute of Architects in 1914-15. In partnership with his brother, Frank Beauchamp Tompkins, he designed the Myer Stores in Bourke and Lonsdale Streets in 1933. Locally he was the architect of the Kew War Memorial (opened 1925). At the time that the gravure plate was made, the couple lived in 'Fenwick', a house on the corner of Stawell Street and Fenwick Street, Kew, which has since been demolished.Copper (on steel?) gravure printing plate made for Mr & Mrs Harold Tompkins, 'Fenwick', Fenwick Street, Kew. Engraved in reverse script. It is assumed that the acronym PPC may stand for 'Please Present Card'. "Mr & Mrs H.W. Tompkins, Fenwick, Fenwick Street, Studley Park / PPC 1st Friday"harry tompkins, gravure printing plates, business cards

A letter from Hector Crawford to Robin Boyd regarding purchase of The Flying Dogtor scripts by country stations. Attached is a letter (dated 11 Feb 1964) from R. A. Marshall, Executive Officer of Australian Television Facilities, regarding the negotiations.Typewritten, 2 pages

Document. Foolscap sheet of paper with one side of handwritten rhyming verse. Thirty six lines of neat handwriting in ink. No title. No Date. Scottish Theme. Possibly written by Alex J Hamilton as a performance script.performing arts, elocution, handwritten verse

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft red coloured card covered book with black and white comic like illustrations. Cover shows man sitting on a swing with a young boy holding a Winnie the pooh toy. Title in German Gothic script.Peter Dreschercamp 3, children's books, peter drescher, german internees in camp 3

Possession of Internee at Camp 3 Tatura. Laminated copy of bank note c1930 German mark value 100000. Light mauve coloured wash, picture of head and shoulders of a gentleman (encircled). Details printed in Gothic (German) script. Original note in safe.R.B.D 100000 MARK|(No.)T.01630879banking, camp 3, tatura, commerce, john ran, german currency

Painted ceramic plate with design in blue depicting a pair of figures playing tennis against unseen opponents. Japanese script on face and on base of plate. Also text on base: 1878...Y.I.T.C.' Materials: Ceramic, Inktennis

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1928, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on blue and papyrus coloured paper. 43 pages.Front Cover: Kathleen Petty / ACC 72 / THE / RUYTON / IAN / RECTE ET FIDELITER. / [Unintelligible script] / APRIL, 1928 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

This item was donated to the museum by Joseph Dallimore. Dallimore was brought up at Lake Gillear, and as a young man he left Australia to travel overseas both to help his parent's business in the wool trade and for pleasure. He wrote many letters to his parents keeping them updated with the prices he received from selling wool and on his travels. Later in life Dallimore enlisted in the Australian Army and went on to have a distinguished career during the Boer War. He would have collected this piano whilst on service in South Africa.South African thumb piano from the Zulu culture. It is a wooden panel board with 15 iron finger keys in it. They are stuck onto the wood at one end with some sort of glue and also held in place by an iron rod passing over the top of them. At the bottom of the board is a metal panel and attached to that is a small circular cymbal. There is a string tying the metal panel to the wooden board.There are no original markings on this although the original museum label is still stuck to the bottom which says, ' Native piano ( Mashona)' on it in script.south africa, joseph dallimore. war, boer war, zulu, finger piano, music