Showing 1820 items
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Kew Historical Society Inc
Book, The Artists of Kew / [by] Elizabeth Mackie, 1981
Self-published book by Elizabeth Mackie, member of Kew Historical Society Inc, listing and describing the 'Artists of Kew'. artists - (kew, vic.), elizabeth mackie -
Kew Historical Society Inc
Clothing - Pink Polyester Nightdress, Leon Worth, 1950-1989
Self patterned pink polyester nightdress featuring a scalloped hemline. Manufacturer: Leon Worth, Australia. Size 12.women's clothing, nightwear, nightdresses, leon worth -
National Wool Museum
Textile - Coat Dress, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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Flagstaff Hill Maritime Museum and Village
Vehicle - Vessel, Lifeboat Warrnambool, 01/09/1910
The construction of the lifeboat ‘Warrnambool’ began 15th September 1909 and was completed almost 12 months later, 1st September 1910. It was built at the Government Dockyard in Williamstown, Victoria, along the lines designed by the Great Britain’s Royal Lifeboat Institution, and included whaleback decks fore and aft, mast and centreboard, and rudder and tiller hung from the sternpost. It could be propelled by both sail and oar. At that time Captain Ferguson was Chief Harbour Master and Mr Beagley was foreman boat builder when he and his fellow workmen built the boat. The boat was described as “… a fine piece of workmanship and does credit to her builders and designers…” It had all the latest improvements in shape, disposition of weight and watertight compartments, and it had space for a large number of people in addition to the crew. It appears that 'H Meiers' whose signature, along with building dates, is pencilled on a concealed timber 'plaque' in the hull, was involved with the building of the lifeboat. It is interesting that the ‘Melbourne Directory’ of 1911, published by Sands and MacDougal, lists McAuley and Meiers, boat builders, Nelson Place foreshore, between Pasco and Parker Streets, Williamstown, (Victorian Heritage Database, ‘Contextual History, Maritime Facilities’), It is probably the company of the person whose name is inscribed on the lifeboat plaque. Flagstaff Hill’s documentation also mentions that the keel was laid at ‘Harry Myers, boat builders, Williamstown, Melbourne’ – the name ‘Myers’ can also be spelled ‘Meiers’, which could be the same person as the Meiers in “McAuley and Meiers” (as mentioned in genealogy lines of Myers). The new lifeboat, to be named ‘Warrnambool’ was brought to town by train and launched at the breakwater on 1st March 1911 using the Titan crane (the old lifeboat built in 1858, was then returned to Melbourne in 1911). This new lifeboat was stationed at Warrnambool in a shed located at the base of the Breakwater, adjacent to the slipway. A winch was used to bring it in and out of the water. The lifeboat ‘Warrnambool’ was similar in size to the old lifeboat but far superior in design, build and sea-going qualities such as greater manoeuvrability. The ‘self-righting, self-draining’ design was “practically non-capsizeable” and even if the boat overturned it would right itself to an even keel and the water would drain away. The hull was built of New Zealand Kauri, using double diagonal planking, laid in two layers at right angles, with a layer of canvas and red lead paint between the timbers to help seal the planking. It has “… plenty of freeboard, high watertight spaces between the deck and bottom… through which pipes lead…” The backbone timbers were made of Jarrah. The lifeboat Warrnambool was one of several rescue boats used at Port Fairy and Warrnambool in early 1900's. In late 1914 the Warrnambool lifeboat and crew were used to help find what was left of the tragic wreckage of the Antares, and were able to discover the body of one of the crewmen, which they brought back to Warrnambool. Between 1951 and 1954 the lifeboat was manned under the guidance of Captain Carrington. He held lifeboat practice each month on a Sunday morning, to comply with the Ports and Harbour’s request that lifeboats be manned by a strong and competent crew, ready for action in case of emergency. In the early 1960’s it ended its service as a lifeboat and was used in Port Fairy as a barge to help dredge the Moyne River, bolted to the Port Fairy lifeboat. Flagstaff Hill obtained the Warrnambool in 1975. In 1984 it was on display at Flagstaff Hill Maritime Village, Warrnambool. On 23rd May 1990 she was lifted from the water and placed in a cradle for restoration. The name ‘WARRNAMBOOL could be seen faintly on the lifeboat before it was restored. It was during the restoration that Flagstaff Hill's boat builder discovered the 'plaque' inside the hull. A copy of the blueprint plans has the name “V.E.E. Gotch” printed on it. His advertisement in Footscray’s ‘Independent’ newspaper of Saturday 11th May 1901 states he is “Principal and Skilled member (Naval Architect) to the Court of Marine Inquiry of Victoria and holds classes for naval architectural drawing and arithmetic.”The lifeboat WARRNAMBOOL is significant for its half century service to the local community as a lifesaving vessel. She was also used to help retrieve the body of a shipwrecked crew member of the ANTARES. Lifeboat "Warrnambool", a wooden, clinker hull, 'self-righting, self-draining design, single mast, pivoting centreboard. Complete with sail and yardarm. A 'plaque' was found inside the hull of the lifeboat, made of untreated wood, disc-shaped with one straight edge (Diam 15.5cm), inscribed by one of the boat builders in pencil script "Life Boat Start building / 15/9/09 - complete 1/9/10 / (signature looks like H Meiers) / Boat Builder)."'Plaque' inside body of boat is inscribed in pencil, script writing "Life Boat Start building / 15/9/09 - complete 1/9/10 / (signature looks like H Meiels) / Boat Builder)." flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lifeboat, life boat, vessel, life saving, 1910 vessel, port fairy, boat builder plaque, rescue boat, beagley, williamstown, government dockyard, v.e.e. gotch, royal lifeboat institution, captain ferguson, meiers, nelson place, non-capsizeable, self-righting, titan crane, double diagonal planking, captain carrington, barge, antares, self righting, crew of twelve, capacity of 30 survivors -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 19/09/1949
Allan writes of his time in New York and mentions some parcels he has sent to his mother, including one with a photo album of photos taken whilst aboard the 'Fenris'. As shipping is slow in New York he is planning to drive with three others from New York to Los Angeles.Quinn CollectionPale green self-folding letter written with green ink, headed New York and dated 19/09/49.The letter is from Allan to his mother.letters-from-abroad, quinn, 1949, new york -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet, Light Auto Rifle Cal 7.62 mm, 1960's
A soft covered booklet covering the general characteristics, operation, disassemble and assembly and maintenance of 7.62 mm Self loading RifleFN Logo, Fabrique Nationale D'Armes De Guerre, S.A. Herstal-Belgium -
Port Melbourne Historical & Preservation Society
Document - Sticker, "I'm keeping Port Melbourne beautiful!", Keep Australia Beautiful, c. 1992
From the Keep Australia Beautiful campaign of the 1980s/90s (the organisation was located in the former Port Theatre at Bay and Liardet Streets during that time)Self adhesive sticker 'I'm keeping Port Melbourne beautiful!' with Keep Australia Beautiful logo; red and blue on whiteenvironment, keep australia beautiful -
Whitehorse Historical Society Inc.
Painting - Illustration, Boardman, Pierce, n.d
Pierce Boardman, 1828-79 (from self portrait).Pierce Boardman, 1828-79 (from self portrait). Roads Board member 1865 - 66; Auditor 1869 -74.Pierce Boardman, 1828-79 (from self portrait). boardman, pierce -
Maldon Vintage Machinery Museum Inc
Pump - Centrifugal
Green painted self priming centrifugal pump bolted to a wooden base. Label attached warning of the need for safety guards. Primo Titan. Thompson Kelly & Lewis logo on front. Instruction plate on top. -
Port Fairy Historical Society Museum and Archives
Clothing - Dress, 1930s
Hilary Reardon Collection;Garment made by Mrs. Margaret RobinsonEvening dress of cream self-spotted silk with beaded neck and hem with piped waistline. Full length- Hand finishedlocal history, costume female, dress, robinson, margaret, reardon, hilary, fashion -
Bendigo Historical Society Inc.
Postcard - FAKIRS SURROUNDED BY FIRES, 1909
Postcard. Fakirs surrounded by fires. The Hindus believe that spiritual and magic power may be gained by self-torture. Dated 31.7.1909. -
Frankston RSL Sub Branch
Photograph, Ron Gage, Generic frame
Details from World War 2 Nominal Roll GAGE, RONALD WILLIAM Service Australian Army Service Number VX107470 (V32070) Date of Birth 29 Aug 1921 Place of Birth MELBOURNE, VIC Date of Enlistment 16 Sep 1942 Locality on Enlistment GLENHUNTLY, VIC Place of Enlistment IN THE FIELD, QLD Next of Kin GAGE, FREDERICK Date of Discharge 31 Jul 1946 Rank Private Posting at Discharge 115 HEIDLEBERG MILITARY HOSPITAL Framed photograph, of serviceman Ron Gage, in uniform of the Australian Militia Horse Artillery ca 1936. The frame is of a light brown wood with silver trim and has a glass front.Label on the obverse; PRESENTED BY RON GAGE MILITIA ARTILLERY (HORSE) 1936 SELF PHOTOGRAPHron gage, -
Melbourne Legacy
Letter - Document, letter
Application by Mr Frederick R Killey in February 1943 for the position of Manager of the Legacy Club Hostel. It lists his experience as 16 years teaching and missionary work in India in charge of an orphanage. He was rejected from military service in WWI due to defective eyesight and points out he has a badge issued to him at the time stating he was rejected on medical grounds. The note in red ink shows the application was unsuitable. Legacy had a preference for providing positions to ex=servicemen when possible. Holmbush was the first children's residence operated by Melbourne Legacy it was renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter written by Mr Killey in 1943 applying for a position at Holmbush on white notepaper, black ink handwriting, two hole punched.Handwritten "Considered by Doug and self. Does not seem suitable. Not a returned man" in red ink.residences, holmbush, holmbush administration -
Ballarat Tramway Museum
Functional object - Rail Screw
These screws were samples provided to BTM by Ajax Fasteners. Two Rail Screws (each slightly different) in cardboard box. These screws were samples provided by Ajax Fasteners. Box has self adhesive labels showing name, delivery address and description of contents.ballarat, tramways, track -
Kiewa Valley Historical Society
Can Fuel Measuring, circa 1950
The 1950's saw a revolution in small appliances for use in the average household. The hand held self heating(kerosene) iron for which this filling can was provided ,was introduced as a time saving and more convenient iron for pressing clothes and other cloth fabrics. It replaced irons needing an external fire source to heat the ironing plate. These irons continued to be in service, even when electricity was available in cities and larger rural towns. This item was used before and during the electricity supplies available from the Kiewa Hydro Electricity Scheme. These irons remained in use within regional rural areas that had limited or unreliable electrical reticulation and the ability to service them from this filling can was an essential part.n the 1950s and later the Kiewa Valley was still a relatively isolated region which was home to rural properties and small settlements. The availability of electricity and or the financial means to afford new types of electric hand irons ensured that older and sometimes less efficient ironing appliances remained for an extended period covering the 1960s to 1970s. Kerosene products, such as the kerosene self heating (KVHS 0347A) iron and this kerosene filling item, was a cheaper method for farm based domestic and other rural activities requiring a heat source. The use of kerosene as a heat/light source was able to be supplied in bulk and able to be used when floods severed vital roads into this region. The supply of electricity was in summer time subject to interruption from bush fire damaged wooden poles carrying the electrical cables. Self sufficiency by rural populations was the backbone of survival and the ability to store energy sources "on the farm" was a prerequisite of isolated regions, such as the Kiewa Valley, circa 1950s.This specially spout fitted can was provided with the Coleman self heating kerosene iron (see KVHS 0347A). On one side of the half enclosed top of the can there is a small spout(for poring the appropriate liquid into the egg shaped fount container) at the rear end of the hand iron. The can is made from tin. See KVHS 0347B- Instruction sheet; KVHS 0347C- Wrench.On one side of the can in black print on yellow background is "FUEL MEASURING CAN" underneath is "For Coleman Instant-Lite Iron" underneath are four numbered paragraphs detailing the use of this can. Below this is the name and places of manufacture. On the other side of the can is printed "BE SURE" with filling and maintenance instructionskerosene can, ironing, domestic appliances, household appliances -
Federation University Historical Collection
Booklet - Book, Burra Lotjpa Dunguludja: Victorian Aboriginal Justice Agreement Phase 4, 2018
Burra Lotjpa Dunguludja means 'Senior Leaders Talking Strong' in Yorta Yorta language.Sixty page book aiming to continue to address Aboriginal over-representation across the justice system, and to progress self-determination as the core policy approach. The vision was to ensure Aboriginal people have access to n equitable justice system that is shaped by self-determination, and protects and upholds their human, civil, legal and cultural rights.aboriginal, martin pakula, tont lovett, marion hansen, aboriginal justice, aboriginal justice caucus, message stick, koori justice unit -
Melbourne Tram Museum
Photograph - Colour Photograph/s, 1985
Black and white photograph of the Victorian Tramway team at the Transport Interstate Bowls Tournament Brisbane, March 1985. Photo by the Brisbane City Council - has the City of Brisbane stamp of rear with photograph details - see image i2. Nick Windt, Jack Manning, Tom Arrel, Norm Martin, Self, Stan Willis, John Webb, Eric Mann, Milton Coffin. Alan Edwards, Chas David, Vin Hurley, Ivan Bradley, Leon Grilli, Ken Grimshaw, Ron Phillips, Jack Faulks. Printed on Fujichrome paper.In ink on rear "Nick Windt, Jack Manning, Tom Arrel, Norm Martin, Self, Stan Willis, John Webb, Eric Mann, Milton Coffin. Alan Edwards, Chas David, Vin Hurley, Ivan Bradley, Leon Grilli, Ken Grimshaw, Ron Phillips, Jack Faulks. Victorian Team (Tramways) at Brisbane, March 1985trams, tramways, personnel, sports, bowls -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Quinn CollectionHand-written, self-folding letter (0369), headed M/S Fenris, New York. Dated 30/01/48Letter is addressed to Mrs S Quinn, 5 Pollington Street, St Kilda, Vic.and post-marked Brooklyn.letters-from-abroad, quinn, 1948, m/s fenris -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 26/08/1949
Allan writes that when the Fenris reaches New York he thinks he will "..sign off". He has been with the ship for ten months and ...'"the South American sun is becoming a little monotonous".Quinn CollectionSelf-folding letter written on both sides (0818). The letter, dated the 26/09/49, is headed M.S. Fenris, At Sea. The letter is post-marked Boston Mass. 21letters-from-abroad, quinn, brazil, 1949 -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 19/09/1949
Allan writes of his trip from New York with five others in a 1942 Plymouth. He describes "..magnificent highways..", the very hot weather, and that "New Mexico and Arizona have been the most spectacular states with their deserts and mountains and colours".Quinn CollectionPale green self-folding letter written with green ink (0823), headed Yuma, Arizona and dated 02/10/49.The letter is from Allan to his mother.letters-from-abroad, quinn, 1949, new mexico, arizona -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 22/10/1949
Allan writes that in order to reach Australia he signed on to the Mongabarra at San Pedro but when the ship reached San Francisco he had to sign off and let the seaman, who had been ordered before Allan signed on in San Pedro, take his place. Had he been able to stay with the ship he would have been in Australia by Christmas.Quinn CollectionPale green self-folding letter written with green ink (0826), headed San Francisco and dated 22/10/49.The letter is from Allan to his mother.letters-from-abroad, quinn, 1949, mongabarra -
Mission to Seafarers Victoria
Letter - Correspondence, 28/11/1949
Allan writes it is three months now that he has been ashore waiting to sign onto another ship and most of his savings have been used up. He has met up with several old friends when their ships have docked in San Francisco. He has spent some time with is friend Norm Cowley, who has married and settled in San Francisco. Quinn CollectionPale green self-folding letter written with green ink (0831.a) headed San Francisco and dated 28/11/49.The letter is from Allan to his mother.letters-from-abroad, quinn, 1949, san francisco, norm cowley -
Glenelg Shire Council Cultural Collection
Souvenir - Pilsener Glass - Portland Lawn Tennis Club, n.d
Pilsener glass, gold rim, Portland Lawn Tennis Club logo, gold embossed. Self embossing on base: '425ml in logo'.Front: 'TROPHY' - gold embossed, beneath trophy. -
Glenelg Shire Council Cultural Collection
Costume - Costume - Woolen Bathers, 1940-1959
Purchased from a market in Warrnabool.Black woollen (men's) skirted bathers with appliqued logo, self-fabric belt loops, white stripe down each side. -
Bendigo Historical Society Inc.
Accessory - HARRIS COLLECTION: GOLD RING WITH NUGGET
Gold ring, self patterned with rose images, Gold nugget attached on top. Ring donated by Harris family (estate) Axedale.costume accessories, jewellery, gold ring -
Yarrawonga and Mulwala Pioneer Museum
Lawn Mower, Ransomes lawn Mower
Self -propelled Motorised cutting Bladed Roller Mower 98 cc 2 stroke engine with grass catcher - photo 0022Ransomes Ipswichlawn mower, grass, mower -
Whitehorse Historical Society Inc.
Accessory - Shaving Mug
White porcelain shaving mug with position for brush. It has a floral pattern of mauve and yellow pansies and a self pattern around edges.Appears to be: 97/personal effects-toilet requisites, shaving -
Bendigo Historical Society Inc.
Document - BENDIGO CEMETERIES COLLECTION: SELF GUIDED TOUR NO. 5 DOCUMENT
BHS CollectionBlue coloured document trifold: Self guided Tour No. 5 of White hills Cemetery, Friends of the Bendigo Cemeteries 1998 - 1999Friends of the Bendigo Cemeteries 1998 - 1999bendigo, cemetery, white hills cemetery -
Federation University Historical Collection
Document, Indenture Between Robert M. Serjeant, Joseph Flude and the Trustees of the Ballarat School of Mines regarding Letters of Patents for the Benefit of the Ballarat School of Mines, 1877, 04/03/1875
R.M. Serjeant was listed as a mining manager and Joseph Flude as a metallurgist. In 1875 they were both living in Ballarat. The patent number is A.D.1875, 4th March. No 2031. According to the patent the hearth of the furnace is in the form of a cone revolving horizontally. The feed is supplied to the apex of the cone by an archimedian screw. The crown of the furnace comprises a double covering or roof with an intermediate chamber for receiving heated air. The inner covering is pierced to admit of the heated air being brought into contact with the pyrites on the face of the revolving hearth. The discharge of the roasted substance is affected by means of a scraper at the base of the cone. It was claimed that this was a new mode of introducing heated air, and the exclusion of flame during the operation of roasting pyrites. The self-acting charge and discharge of the furnace and the peculiar construction of the hot air chambers, and the use of perforated bricks through which the supply of air is affected were also new. (http://patentsvictoria.net/002031.html) From the Goulburn Herald, 14 September 1878 "A feature connected with the school of mines is the yet unfinished pyrites works. The extraction of the gold from pyrites and the utilization for commercial purposes of other substances connected with pyrites are peculiarly important to Ballarat, because were a simple and inexpensive method devised there are millions and millions of tons of quartz that would then be made remunerative. With this thought in their minds two scientific gentlemen invented the school of mines self-acting rotatory furnace. This, for lack of funds, has not been completed as yet, but the amount in hand for the purpose is daily increasing, and it will eventually be an accomplished fact. It is in contemplation also to erect machinery shops in connection with the school, and it is purposed to con struct a steam-engine to do at once the work of the pyrites treatment and the ma chine room. A model shaft and mine too are being prepared for on the reserve, so that practical mining of the most thorough character may be taught on the ground.'Large indenture on red bordered vellum. The indenture was regarding a patent for the benefit of the Ballarat School of Mines. Letters Patent for an Invention for Roasting Pyrites to be called 'the Ballarat School of Mines self-Acting Pyrites Furnace" to Robery Malachy Serjeant and Joseph Flude. The large document is on a vellum type paper complete with stamps and seal. The document is signed by Acting-Governor William Stawell. Inscriptions and Markings Written on verso: "Date of Patent 4th March 1875 No 2031 Letters Patent for An invention for roasting pyrities to be called "The Ballarat School of Mines Self-acting Pyrities Furnace" to Robert Malachy Serjeant and Joseph Flude Melbourne, Victoriaballarat school of mines, serjeant, r.m. serjeant, robert m. serjeant, flude, joseph flude, patent, barry, redmond barry, rogers, judge rogers, bland, rivett henry bland, john airy, warrington rogers, establishment, indenture, legal, cuthbert, ballarat school of mines trustees, william stawell, john warrington rogers