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The Beechworth Burke Museum
Animal specimen - Gang Gang Cockatoo (female), Trustees of the Australian Museum, 1860-1880
The Gang-gang Cockatoo can be found throughout much of south-eastern Australia. They reside in mountainous forests and open woodlands, often in small groups or larger flocks at sources of food and water. They eat mainly seeds from native trees and shrubs along with wattles, eucalypts and hawthorns. The Gang-gang Cockatoo is also known to incorporate berries, nuts, fruits and insects to their diet. The sound made by this type of Cockatoo is often described as a rasping screech which resembles the sound of a rusty hinge being moved.This type of call is made when the bird is in flight. These birds also fond of attention and can pick their own feathers if they are bored. The name "gang gang" derives from a New South Wales Aboriginal language, either the Ngunnawal or Wiradjuri. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Gang-gang Cockatoo has a grey head and crest with brown glass eyes. The beak is hooked and a pale bone colour. The neck and torso of the cockatoo is patterned with orange and black stripes. The feathers of the underparts and back are slate-grey with an edging of pink and yellow. The female cockatoo has more yellow in their feathers than the males which gives them a further barred appearance. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, australaisian shovelor, shovelor, cockatoo, gang-gang cockatoo, cockie -
Bendigo Historical Society Inc.
Photograph - SPECIMEN COTTAGE, BENDIGO, C 1955
black and white photograph: brick and sand stone building portion of 2 storeys with wooden balcony. Single storey section appears to have slate roof. 2 storey section has door and 1 window. Single storey section has central door with window each side., Dark coloured cat at front left. Specimen Cottage, Hargreaves St., Bendigo.A. Doney, C 1955. ( J. Lerk, 18.2.2000 )buildings, residential, specimen cottage, bendigo -
Bendigo Historical Society Inc.
Map - MAP: VIRGINIA MINE GARDEN GULLY LINE OF REEF
Map of Virginia Mine on the Garden Gully line of reef, Eaglehawk, transverse section. Shaft, levels and Garden Gully anticlinal axial line drawn. Key shows types of formations - quartz, spurs, sandstone, slate, cleavage, lava. This map forms part of the Geological Survey of Victoria, Structure of Bendigo Goldfield report, No. 47, 1923. H.Herman, late Director of Geological Survey.Geological Survey Victoria, Geological Survey Office, Bendigo.bendigo, gold mining, virgina mine eaglehawk, eaglehawk, bendigo, gold mining, virginia mine, garden gully line of reef. -
Kew Historical Society Inc
Photograph - 'Glencara', 59 Sackville Street, 1988
The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.) -
Kew Historical Society Inc
Photograph - 'Glencara', 59 Sackville Street, 1988
The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.) -
Kew Historical Society Inc
Photograph - 'Glencara', 59 Sackville Street, 1988
The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.) -
Surrey Hills Historical Society Collection
Photograph, Ken Hall, Victorian home at 215 Union Road, Surrey Hills, Original: 1920; copy by Ken Hall: 1980s
Built in 1888, which was 5 years before water reticulation came to Surrey Hills. It originally relied on rainwater and a well (still in existence in 2009) was located near the back door. From 1921 this was the home of Mr Natale and Mrs Ethel May Cerini and their family. It remained in the family until it was sold in May 2015. The Cerinis had 2 daughters - Jocelyn Francesca and Lynette Lorraine . The house passed to Jocelyn after her parents' deaths. Mr Cerini named the house after a property in NSW called 'Goonoogoonoo' where he had worked. It had been named 'Montiere' at a previous time. Natale was an accountant and very active in community affairs, especially after his retirement. The house was originally on a double block. [Additional information: Ken Hall - 2/12/2009] The first owner was A Embling, followed by Mrs L A Campbell. [Ref: Alan Holt property register] A Embling was most likely Austin Henry Chinnock Embling (1867, Ballarat East - 2 OCT 1900), eldest son of Dr Dr William and Elizabeth Embling (née Austin). His wife was Sybil Mary Mildred (MS: Edlin), born in Adelaide, whom Austin Embling married in 1898. Black and white photo of a Victorian style house with 3 brick chimneys, a slated roof and a verandah on 2 sides. It has iron lacework and the roof is striped corrugated iron. It sits behind a picket fence. The spire of Surrey College can be seen behind the trees at the rear of the house. In the street is an electric light pole and an immature tree within a picket protection guard.Paper type-written tags mounted at the bottom of the photo - LHS: " Built 1888"; RHS: "215 Union Road in 1920 / Surrey College can be / seen behind the trees."houses, victorian style, goonoogoonoo, surrey college, street trees, natale cerini, kenneth tudor hall, ken hall, jocelyn cerini, jocelyn hall, ethel may swan, ethel swan, ethel cerini, jocelyn francesca cerini, natale benjamin cerini, natale benjamin john andrea cerini, ethel may cerini, lynette lorraine cerini, lynette lorraine lazarus, austin embling, austin henry chinnock embling, sybil mary embling, sybil mary edlin, sybil mary mildred, montiere, goonoo goonoo, lynette cerini -
Australian National Surfing Museum
Video Clip, The Story of the Bells Beach Bell, 20th April 2011
The Bells Beach contest trophy is one of the most widely recognised sporting trophies in the world. Joe Sweeney has been making the trophy for the Bells Beach surfing contest since the late 1970's. It has been won four times by Australian surfer Mark Richards and American surfer Kelly Slater.The Bells Beach trophy is an iconic surfing artefact. To ring the trophy at Bells Beach at Easter is something all professional surfers aspire to achieve once in their professional careers. Short webclip featuring Joe Sweeney describing how he makes the iconic Bell trophy each year for the Rip Curl Pro at Bells Beach. Duration: 01.48 -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - ADDITIONAL SIGNS IN & AROUND RAE'S OPEN-CUT
Carbon copy and notes for signs. Notes read: Additional Signs In and Around Rae's Open-Cut 18/6/71. (1) Graded Bedding - Note regular alternation of thin sandstones and shale. (2) Oblique Fault - Iron Oxide & thin quartz vein on fault plane. (3) Spurry Quartz Veins - note faulted contact between largest vein and crushed slates.document, victoria hill, victoria hill - additional signs in and around rae's open-cut, graded bedding, oblique fault, spurry quartz veins -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: READY
Bendigo Advertiser "The way we were" from Friday, July 23, 2004. Ready: members of the Golden Square Eventide Welfare Association, pictured in 1972. Back row: Jack Bright, Kevin Slater, Dick Beattie, Harley Brown, Arthur Lourie. Front: Jim Porter,Edna Ellis, Gordon Sayers, Dennis Oaks, Norm Pinch, Win Brown and George Ellis.newspaper, bendigo advertiser, the way we were -
Kew Historical Society Inc
Photograph - Preshil (formerly 'Kalimna'), 12 Sackville Street, 1988
Documentary evidence records that in 1890 William H. Jarman, accountant, was the first owner and occupier of 'Kalimna', a substantial rwo-storey residence; it having an initial N.A.V. of £1503. In the following year the N.A.V. for the eleven-roomed property had increased to £2504 indicating that the building had been completed. Jarman is recorded as owning and occupying 'Kalimna' until at least 1910,Colour photographic positive of one of 'Kalimna'. The house is typical of the late Victorian period with polychromatic brick walls, a two storeyed, cast iron decorated verandah that spans two facades, and a polygonal bay window extending to the front. The eaves and chimneys are decorated with Italianate brackets executed in render. The slate roof remains intact, including its cast iron finials. (Kew Conservation Study, 1988)kalimna -- sackville street -- kew (vic.), preshil -
Surrey Hills Historical Society Collection
Photograph, 87 Essex Road, c 1930 (demolished), 1930
A check of the electoral rolls points to this being the home of Frederick Harry Percival Lamble, labourer, born in Collingwood. He and his family continued to live at 87 Essex Road until his death in 1968 and his occupation is consistently given as labourer. His wife Bessie Louisa Woods died in 1957.Black and white photo taken from the street of an Edwardian style timber house with 2 chimneys, one of which looks like a kitchen or laundry chimney. The house stands behind a white wooden picket fence in a mature garden which conceals the bull-nose verandah. The house appears to have a slate roof with galvanised capping. To the left can be seen the roofs of houses in Durham Road.timber houses, edwardian style, essex road, lamble family, durham road, bessie ethel lamble, bessie ethel smith -
Surrey Hills Historical Society Collection
Photograph, 'Maitland', 1 Bedford Avenue, Surrey Hills, c 1900, 1900
Maitland' was built in 1889 for Thomas Zeplin, who was a Professor of Music. He owned all the land bound by Union Road, Wilson and Montrose Streets and the railway line. 1 Bedford Avenue stayed in family ownership until purchased by Camberwell Council in 1986, initially for a car park. However it was renovated to become part of Surrey Hills Neighbourhood Centre. It was opened on 23 November 1990. No 3 Bedford Avenue was built for Thomas Zeplin's daughter and named 'Mervyl' or 'Merryl'. Mrs Brodecky (donor) was the great-granddaughter of Thomas Zeplin. The 2 girls are granddaughters of Thomas Zeplin. Electoral roll information: 1972 & 1977: Albert Vojteck Brodecky, manager, 1 Bedford Avenue. 1977: Ray Nanette Brodecky. There are 2 copies. Thomas had this built for his son and family. The house was occupied by his family, though sometimes rented out. His great-grand-daughter Mrs. A. Brodecky sold to the Camberwell Council in 1986. This was the only surviving photo in the family after the fire. Courtesy: Mrs. A. BrodeckyBlack and white photo of 2 houses taken from the street front. On the LHS is a Victorian double-fronted single-storey villa of Hawthorn brick construction, with wrought iron lacework to the veranda, slate roof and picket fence, with an established garden. Next door at No 3 is a double-storey Victorian terrace with a similar fence and building materials. There are 2 young girls standing in front between the properties.maitland, bedford avenue, 1900, surrey hills neighbourhood centre, victorian style, mervyl, merryl, mr thomas zeplin, mrs nanette brodecky, mr albert vojteck brodecky -
Bendigo Military Museum
Plaque - SOLDIER of the YEAR AWARD - 3MC Unit, Australian Army, 1981
Passchendael Barracks was the name of the Army Drill Hall, Mollison St. Bendigo. The Drill Hall was in use from 1916 - approx 2004.This is a mid size rectangular wooden board. In the center is a stylised shield with a R.A.C.T. Badge fixed onto it. Engraved on bottom of shield are the words; "Presented by WO2. Ft. Finnigan - A.R.A. Cadre 1980-1982. At the top of the board is a banner with the words "3MC Unit Soldier of the Year Award" On the board are 18 small shields. Eight are engraved, ten are blank. Names on Shield. 1981 - CPL P, Healy 1982 LCPL J.A. Slater 1983 LCPL G. L. Thomas 1987 LCPL T. Cole 1988 LCPL P. Shard 1989 PTE D. Belacic 1990 LCPL A. Roper CPL. M. P. L. Hennequinsoldiers, ract 3 mc unit, passchendaele barracks trust -
Stawell Historical Society Inc
Photograph, Stawell Post Office Cnr Wimmera and Main Streets 1875
Stawell Post office built in March 1875 replacing the 1860 weather board building in the early Township of Stawell. The stucco exterior was described as modern Italian, and the building had excellent proportions. Special reference was made to the use of slate from Great Western. The foundations are of solid granite. The difference in this photograph to 85.01 would be approximately 100 years. Stawell Post Office possibly before 1880's on Corner of Wimmera and Main Street. Man on right of photograph standing in front of Akins Seed and Stationers Store near telegraph pole and horse. stawell -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: June 12, 2001
Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. June 12: Role of the Auxiliary – Bob Slater, Snow skiing – Alan Bates. royal victorian institute for the blind, radio shows -
Vision Australia
Equipment - Object, Hand frame with grid
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping.Brown plastic rectangular hand frame with holes evenly spaced on either long side. Hinged Braille metal guide with space for 2 rows of Braille, each 35 cells long. braille equipment, rnib -
Bendigo Military Museum
Booklet - Welcome to the Army Survey Regiment, Army Survey Regiment, Circa late 1970's
An information booklet provided to new arrivals at the Army Svy Regt. It contains information on daily routine, unit facilities and services, accommodation options, sports policy, Regimental Appointments, recreational facilities and places of interest around Bendigo. Cover photo of the gate entrance to the Army Survey Regiment on the cover. WO1 Ken and Cpl Heather Slater stand at the gate. A4 soft covered booklet, paper pages held together with "ARNOS" an Fastenerroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Bendigo Historical Society Inc.
Document - MINING REPORTS - GEOLOGICAL REPORT OF MAIN SECTION OF GOLDFIELD
Handwritten notes on a Geological report of main section in a length of 5 miles. Report mentions sandstones and slates, with occasional calcareous bands, which show a cyclic arrangement. Also mentioned are different zones of sediments, anticlines, structure of the field and references: Page 1028 Formation of Bendigo Quartz Reefs by F R Stilwell to 1032 and pages 160 to 163 'Ore deposits as Related to Structural Features - A H Newhouse.document, gold, mining reports, mining reports, geological report of main section of goldfield, the bendigo goldfields page 1015, formation of bendigo quartz reefs by f r stilwell page 1028 to 1032, ore deposits as related to structural features pages 160 to 163 a h newhouse -
Hume City Civic Collection
Photograph, late 1990s
St. Mary's Anglican Church at Bulla was originally built on the outskirts of Bulla township in 1858. In the early 1970s it was moved to its present site to make way for the flight path at the newly constructed Tullamarine Airport. The former site was on the corner of Oaklands and Sunbury Roads and is covered with vegetation. The church was designed by Thomas Taylor.A profile view of the west side of St. Mary's Anglican Church at Bulla and the garden area around the church. A slate covered gable roof has been constructed over the porch nave and chancery with a cross at each end of the roof over the nave. 6 bluestone buttresses and 3 lance windows are along the side with 3 small lancet windows and a blue painted wooden lancet door on the porch.churches, religion, taylor, thomas, st. mary's anglican church, george evans collection -
Port Melbourne Historical & Preservation Society
Map - Plan of Melbourne, 1855
... George Slater ...Framed copy of 1855 "Plan of Melbourne and its suburbs". Black frame. Some writing can be seen on left hand side of print.built environment, melbourne and metropolitan board of works -
Vision Australia
Equipment - Object, Howe Press, Small Braille label maker
Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two hinges which allow it to sit over the paper edge, and a single line of Braille could be written.2 metal Braille frames for single line usagebraille equipment, assistive devices -
Vision Australia
Equipment - Object, APH (American Printing House for the Blind), Plastic Braille slate
Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 plastic Braille frame with 4 lines of 28 cells with side hingebraille equipment, equipment -
Vision Australia
Equipment - Object, Howe Press, Four line Braille slate
Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 metal Braille frame with four lines of Braille windowsPerkins Model 140 RVIB sticker has been attached to the back of the framebraille equipment, assistive devices -
Vision Australia
Equipment - Object, Braille hand frame and stylus
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. In this example, the Rules of Membership for the Victorian Braille Writers were attached to the board.1 wooden back board with metal hand frame and stylus156 carved into wooden framebraille equipment, victorian association of braille writers -
Vision Australia
Equipment - Object, Braille hand frame and stylus with Braille maths slate and pegs
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! Various metal hand frames accompanied by a metal stylus with wooden handle. Some include a wooden slate, which was used to make the system portable as a firm base was needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. Transcribing maths was an extremely complex task and a metal grid was utilised to reproduce graphs and diagrams.1 wooden hand frame with metal grid and metal and wooden stylus, 1 metal maths grid with metal pegs in metal container inside a brown suitcase and numerous sheets of Braille paperT.C. Coughlin 5 doz sausage rolls Wilmington Southend is written inside the lid of the suitcasebraille equipment, james murphy -
Glenelg Shire Council Cultural Collection
Painting, S.S. Casino Off Cape Otway 1932, 1932
Depiction of a ship in heavy swells, tilting towards viewer. Ocean is deep blue green with white crests. Ship has a black and red hull, white cabin, white and black smokestack and red mast. Flags from mast and at rear of ship are flapping in strong wind. Sky is cloudy and grey, with lighter areas in cream and pale grey, darker areas in slate grey and blue. Framed in wooden frame with gold edging.Front: SS CASINO OFF CAPE OTWAY 1932 (lower left, paint) A.V. GREGORY 1932 (lower right, paint) -
Surrey Hills Historical Society Collection
Photograph, 215 Union Road, c 1920
The house was variously known as ‘Mintaro’, ‘Montiere’ and ‘Goonoo Goonoo’, the later after 1920 when it was purchased by Natale Cerini and his wife Ethel May (nee Swan), who were married in 1918. Built 1887-1888 by William Wigley. The original colour was deep cream with dark green trim. Property included a block of land on south side and also land to the north. The original coach house was on what became 213 Union Road and was used to build a yacht in by the then neighbours, the Flemings. The street plane trees were replaced in the 1970s with melaleucas and in 1987 new plane trees were planted between the melaleucas. Sepia copy of an older photo of 215 Union Road from diagonally across the road. Shows street surface, bluestone kerbing, a young tree within a guard and a Victorian style home with 3 chimneys, a slate roof and a veranda on at least the south and west side. Beyond the house are mature cypress and other trees and a spire. The spire belonged to Surrey College, a boys' boarding school (later Nethercourt Hospital and St Judes.)'mintaro', 'montiere', 'goonoo goonoo', william wigley, mrs ethel may cerini, miss ethel may swan, miss jocelyn cerini, mrs jocelyn hall, miss lynette cerini, victorian style, 215 union road -
Bendigo Military Museum
Photograph - Army Survey Regiment’s Fortuna Lions Football Club Grand Finals, Seymour, Victoria, 1983
This is a set of seven colour and black and white photographs of Army Survey Regiment’s Australian Rules football team – the Fortuna Lions aka “Fortuna Fumblers”, taken at Seymour and Bendigo Victoria in 1983. The Fortuna Lions competed in the Puckapunyal Area Football Association for several years from 1978 to 1984 and in 1983, fielded a great team it managed to reach the Grand Final. Held at the neutral ground at Kings Park, Seymour, the match was an incredibly exciting and bruising contest played in damp conditions and ended in a draw. Dave Lawler’s spectacular mark was a highlight. Due to heavy rain during the following week, the Grand Final replay was held the following week in even heavier conditions. The Fortuna Lions prevailed in the replay with an emphatic victory. The team’s leaders were Eddie Jacobs (coach), Rhys De Laine (captain), Greg Else (vice-captain), and Ken Slater (manager). Refer to items 6244.27P (black & white) and 6245.26P (colour) for other photographs taken at the two grand finals.This is a set of seven photographs of Army Survey Regiment’s Australian Rules football team – the Fortuna Lions aka “Fortuna Fumblers”, taken at Seymour Victoria in 1983. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour. 1983. Fortuna Lions Football Team - Back row L to R: Don Mawson, Stuart Ridge, Alan Staley, Doug Home, Dave Lawler, Greg Byers, Glenn Cannon, Keith Quinton, Mick ‘Buddha’ Ellis. Middle row L to R: Brian Paul, Dennis Learmonth, Greg Higgins, Jim Ash, Larry Thompson, Rhys De Laine, Eddy Jacobs, Ken Slater, Bob Thrower, Andy Godden, Nick Van Dalen, Peter Colwell, Warren ‘Wah’ Hall. Front row L to R: Mick Hogan, Rod Skidmore, Terry McIntyre, Greg Else, Terry Winzar, Peter Jones. .2) - Photo, colour. 1983. Fortuna Lions Football Team Grand Final Banner. .3) - Photo, colour. 1983. L to R: Kristin (Isaac) Skidmore, Santina (Argetto) Straube, Stuart Ridge, Nick Van Dalen, Larry Thompson, Jim Ash, Carmel (Butler) Fauth, Gayle Humphrey. .4) - Photo, black and white. 1983. Jim Ash in celebration. .5) - Photo, black and white. 1983. L to R: unidentified, Brian Fauth, Glenn Cannon. .6) - Photo, black and white. 1983. L to R: Doug Home, back of Warren ‘Wah’ Hall, Terry Winzar with premiership cup. .7) - Photo, black and white. 1983. Larry Thompson with premiership cup..1P to .7P – there are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
Wodonga & District Historical Society Inc
Domestic object - Marble mantel clock, c1895
This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. The clock is representative of French mantel clocks in the late 19th and early 20th century. The key included may be a replacement key as these keys were commonly manufactured in England by "Popular Progress" whose trademark is on this key.This item comes from a collection used by a prominent citizen of Wodonga. It is representative of a style of crystal ware items of the early 20th century.A French designed black and red marble or slate mantel clock. The clock face is white with black handles and Roman numerals. The number of minutes is also marked in 5 minute intervals in Arabic numerals around the outer edge of the dial. It is a wind up clock with 2 winding points. The key included is manufactured by English clock key manufacturer "Popular Progress". There is a line design etched into each of the 4 corners of the front section and the front of the base.On Key " Made in England" and the letter P inside an outline Spadehorology, french clocks, mantel clocks, domestic items