VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE EXTERIOR. SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. IRON POST AND WIRE FENCE IN FOREGROUND.local history, photography, photographs, mining

VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE EXTERIOR. SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. LEAFLESS TREE IN FOREGROUND - FALLEN TREE BESIDE IT EASTERN ASPECT.local history, photography, photographs, mining

VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE INTERIOR. SITUATED IN A PADOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. SHOWING ARCHED ROOF SMALL WINDOW IN LEFT WALL.local history, photography, photographs, mining

VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE EXTERIOR. SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. SHOWING BRICKED ARCHED ROOF AND END WALL.photography, photographs, mining, powder magazine

VIEW OF POWDER MAGAZINE USED IN MINING DAYS AT CLUNES TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT OF POWDER MAGAZINE, SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. IN DISTANCE TREES IN THE FOREGROUND SOME BOULDERS SHOWN.local history, photography, photographs, mining

This specimen is Cassiterite in Quartz. Cassiterite is a tin oxide metal that forms in thin crystals which can have a beautiful lustre. Quartz is made of silicon dioxide, also known as silica, and is one of the most common minerals on earth. Cassiterite has been a fundamental source of tin ore for humans throughout history, including today. Tin is an important metal that has a wide variety of human uses in different areas, from dying fabric, to making mirrors, and their most well-known use ‘tin’ cans. Tin cans are primarily made of steel and are coated with tin in order to take advantage of tin’s property of being non-corroding. This is a massive step in the history of food preservation. Tinned food first reached Australia in 1815 with early settlers, and it began to be manufactured here in the 1840s. It was incredibly popular, and was a highly exported product, which would be a contributing factor to the ‘tin mining boom’ of the early 1880s. This specimen was collected at Jingellic, New South Wales, in about 1852. Although the Goldfields of the 1800s are much more well-known, tin mines existed alongside the gold mines which began in the mid 19th century and extended almost one hundred years, to the mid 20th century. Specimens like this would have been used as evidence to justify tin mining operations in the region as an investment. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. The Geological Survey of Victoria was headed by British geologist, Alfred Richard Cecil Selwyn (1824-1902), who was responsible for issuing over 60 geological maps during his 17 years as director. These maps were all hand-drawn and coloured and became the benchmark for accuracy for geological mapping. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A fist-sized solid geological specimen made on one half of tin oxide, which is dark grey, and on the other side of silica, which is brown and cream.burke museum, beechworth, geological, geological specimen

Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This bottle reflecs the type of glassware that was in circulation in the 1920's.A heavy, thick, clear glass round bottle with a short neck which has a moulded rim for a cork stopper. It is very solid. There are some bubbles in the glass.Mbottle container

These Message Sticks acknowledge the return of Dja Dja Wurrung Cultural material held by the Burke Museum. The Burke Museum is the current custodian of a significant collection of First Peoples’ cultural material from across South-Eastern Australia. These objects were sold to the Museum by Reynold Everly Johns in 1868. We recognise the harm caused by dispossession of cultural material, and by any inappropriate display and interpretation of this collection over the past 150 years. The Burke Museum is continuing to build relationships and collaborate with traditional owners, Aboriginal communities and the museum sector to ensure culturally appropriate outcomes for the collection, including repatriation of objects to communities of origin. Message sticks are a form of communication between Aboriginal nations, clans and language groups even within clans. Traditional message sticks were made and crafted from wood and were generally small and easy to carry (between 10 and 20 cm). They were carved, incised and painted with symbols and decorative designs conveying messages and information. Some were prepared hastily, like you might create a note left on a friend’s desk or a quick text message; others were prepared with more time to make the markings neat and ornate. There were always marks that were distinctive to the particular group or nation sending the message and often marks identifying the relationship of the carrier to their group. This way it could be identified and authenticated by neighboring groups and by translators when the message stick was taken long distances. Two solid cylindrical shaped pieces of wood bound together with black, red and yellow string. Each stick has etchings with angular lines and dots. dja dja wurrung, message sticks, burke museum, beechworth, beechworth museum, repatriation, reynold everly johns

The mortar is a bowl, typically made of hard wood, ceramic or stone. The pestle is a heavy club-shaped object, the end of which is used for crushing and grinding. The substance to be ground is placed in the mortar and ground, crushed or mixed with the pestle. The mortar and pestle is usually utilised when cooking and when crushing ingredients for a certain drug in pharmacies. For pharmaceutical use, the mortar and the head of the pestle are usually made of porcelain, while the handle of the pestle is made of wood. This is known as a Wedgwood mortar and pestle and originated in 1779. Glass mortars and pestles are fragile, but stain-resistant and suitable for use with liquids. However, they do not grind as finely as the ceramic type The mortar is a thick clear glass bowl and the pestle is a solid clear glass club-shaped tool for crushing tablets to a finer powder or mixing liquids by a pharmacist.pharmacy, mortar & pestle, medications, medicines, glass manufacturing, glass works, early settlers, moorabbin, bentleigh, cheltenham

Newspaper article, Bendigo Weekly, on Mechanics Institutes and 'solid little building in a prominent position in the town' Refers to school in Cal Gully becoming a Mechanics Institute.bendigo, buildings, mechanics insitute, mechanics institute, eaglehawk, long gully

Legion of ex Servicemen and Women - Wangaratta Branch Honour Board containing names of Office Bearers from 1985 to 2002.The Australian Legion of Ex-Servicemen and Women (Vic) Ltd (The Legion) is an ex-service based not for profit association. Formed in December 1944 from a number of existing organisations, membership of the legion is open to all ex-service personnel, including British Commonwealth and Allied personnel, and former members of the peace-time Australian regular and reserve forces, their families, relatives and other persons who abide by and are accepted in accordance with the Constitution.Solid piece of wood with gold writing, has five columns listing the year President, Vice-President Secretary, Treasurer, dating from 1985 to 2002.Legion of ex-servicemen & women, Wangaratta Branch, 1985 - 2002. Signware 5721 2430. wangaratta, legion, ex-servicemen & women

Camp 13, Murchison. Property owned by Jim Finnegan. German, Italian, Japanese prisoners of war held between 1941 - 1946. Shows the remains of what is left of the goal used by Camp 13 Murchison during WW2.Camp 13, Camp Road, Murchison. Camp 13 goal. Solid brick building showing individual cells, roofless, tree right mid-distrance. murchison victoria, goal, prison cells, pow, camp internees, jim finnegan

Blacksmith's vice called a leg vice. It rests on a solid block on the floor and secured on the bench with bolts. The vice was made of wrought iron with hardened steel jaws.rural industry, farm machinery, trades, blacksmithing

Wedge for splitting large logs in Barmah Forest. Wedge was put in log. Gunpowder from cylinder was placed in log and jammed down. Gunpowder was then lit and used to split open the log~ solid metal pointy wedge-shaped cylinder ~ metal cylindrical case, lid comes off, attached to lid is a long metal stick with a flattened end.log splitting, barmah forest, wedge, gunpowder

Two WW1 Soliders with peak hats, left hand photo of soldier is not wearing rising sun badges. Size of straw board 327mm x 416mmfirst world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat

A transitional flat top tennis racquet with solid convex throat and fish head shaped handle. No strings/net. Materials: Wood, Lacquer, Metal, Gluetennis

A Grenvilles Regal wooden tennis racquet, with solid convex throat, and fine-grooved handle. Materials: Wood, Lacquer, Glue, Metal, Gut, Nylon, Leathertennis

A toddler's tennis racquet, with solid concave throat, gut stringing, and leather collar around shaft. Materials: Wood, Gut, Leather, Glue, Lacquer, Metaltennis

Solid fuel stove, with stovetop cooking device, ash tray and oven, with two opening doors. Fire flu at back which extends up the chimney.Lux' on fuel cabinetdomestic items, cooking, stove, lux, fire, kitchen

Empire Day (Town 1905?B/W Photo a large group of people in a square formation with soliders in the centre., Facing a dais draped with the Union Jack flag. with people upon dais.On Reverse First Celebration of Empire Day 24th May 1905stawell

A plaque contains the metal RMC badge, the RMC badge contains "Royal Military College, Doctrine Vim Promote", the metal badge is on the light solid wood

Used at Lightstation. There are an identical pair in the studio cottage at Cape Otway Lightstation so they are most likely purchased for the Lightstation. The two drawer table has the name ‘Kalmar Melbourne’ on the rear confirming its provenance.The three tables, along with the nest of tables, chest of drawers , and two bookcases would have been purchased as part of a large order placed by the Commonwealth Government sometime between 1957 and the early 1970s, when Kalmar was concentrating on large commissions. Cape Otway Lightstation has a pair of the same bedside tables. Gabo Island’s two bedside tables have first level contributory significance as part of a set, and for their clear provenance to Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Two Scandinavian style bed-side tables. Two drawers in each. Chipboard veneer top. Solid wood frame / legs. Stained an orange colour.

A programme of an art exhibition of 77 pieces of artwork by Lieutenant Daryl Lindsay in 1919. The Introduction was written by the war correspondent CEW Bean. Mr Lindsay's connection with Legacy is not known. A legatee Ray W___ donated this copy of the exhibition programme and the original of the cover print and a watercolour 'The road to Poperinghe' to Legacy in October 1984. At one stage they were in the Comradeship Room. As at December 2019 the original of the cover print is on loan to the Shrine of Remembrance and on display. The caption at the Shrine reads," 'Soldier'1918 by Daryl Lindsay (1889-1976). Daryl Lindsay was appointed an official war artist in 1917. He had worked as a batman for his brother-in-law Will Dyson, also an official war artist, from the end of 1916. Lindsay's sketches documented the facial injuries of soldiers, in order to assist then plastic surgeons undertaking facial reconstruction at Queen Mary's Hospital in Sidcup, Kent. His artistic skills led to his appointment as an official medical artist at the hospital in 1918." The notation H34 in red pen shows that it was part of an early archive project that was trying to capture the history of Legacy. A soldier put together artwork about World War One and exhibited it in Melbourne in 1919. Later two of his artworks were donated to Legacy.Dark brown cover with cream insert of a sketch of a solider. Coffee coloured pages x 6 with navy text held in place by a bronze colour thread.Handwritten H34 in red pen. Handwritten inside front cover a note added in 1984 about the donation of a original artwork to Legacy. "Presented to Melbourne Legacy by Legatee Ray W___ on Founders Day 25 Sept 1984 with the original of the cover print and water colour "The Road to Poperinghe", both hung in Comradeship Room October 1984."history, world war one, daryl lindsay

Flat irons were used for general ironing. Historical information Sad Irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with a ten centimetre base with curved sides coming to a point 15.5 centimetres from the base and is three centimteres thick. The bottom of the iron is flat. Two curved pieces three centimetres wide, half a centimetre thick and seven centimetres apart rise from rise up eight centimetres, between them is a two centimetre diameter and ten centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K5polishing iron, silvesters patent, sad iron

Hutchings family property “Whitehall” 3 Scenes Shows large Haystacks Sheds Cows extensive Garden. Avenue of trees. These copies were taken from the Hutchings Family album.Three (3) Sepia Photographs. 204 Titled Whitehall Avenue: An avenue with wooden fences including people on on left three on right including one woman. 204.1 Titled Yard at Whitehall: 4 Men with herd of cows in foreground, man in front holding a metal bucket. Large Hay stacks behind. wooden shed with metal roof on right. 204.2 Part of Whitehall: Windmill and wooden buildings behind Wooden Picket fence in background. 204: Whitehall Avenue 204.1 Yard at Whitehall 204.2: Part of Whitehall All enclosed in a box, which is above a line of solid triangles over a thin linestawell