Weight was used on platform type scale to weigh farm produceImperial weights were used prior to 1966 when decimal currency was introduced. Weights were used in stores selling farm produce prior to packaging.Cast iron weight with a solid base the upper side curved to form two ends which are joined by a cylindrical handle. The ends are embossed on the top.W & T Avery 14 lbweights. scale. farms produce. w & t avery.

The Gladstone bag was first developed in the mid 19th century and was named after British politician William Gladstone, a four-time Prime Minister of the United Kingdon. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Leather gladstone bag with leather handle and leather strap. Lining of bag is torn. Base of bag carries the words 'SOLID LEATHER' and the number '20'. surgery

Solid metal badge or insignia in a shield shape. Rusted and decoration largely indiscernable. Remants of a coat of arms, 2 five pointed stars are visible.bendigo, gold mining, qc binks, qc binks, america

Black and white photograph of three soliders outside barracks. Plaque states photo donated to NVVM in memory of Dr Gizycki by Family Hertiage Foundationphotograph

Large white ceramic feeding cup with spout and one handle. Designed for pulped food or liquids fed to invalids who are unable to consume solids.domestic items, crockery, domestic items, food & drink consumption

Coopers tool for making wine barrelsSolid timber arch with a piece of timber slotted through with a metal attachment Wooden handle form which a metal cutting tool extends from

USLTA 100th Anniversary commemorative medal in Franklin Mint presentation card. Solid sterling silver; first edition proof. Materials: Silver/Metaltennis

Found in a box possibly used in battery operation.Two metal wheel shapes joined together by a short shaft. The larger metal wheel has cogs and spokes, the smaller wheel appears to be solid.

This is a replica of the Distinguished Conduct Medal which is awarded to soldiers for actions of bravery in the field of battle. Original will have persons name engraved.Medal is a silver medallion and a solid silver chain on top connecting to a cloth ribbon and a pin at back. Ribbon is red, black and red vertical bands.On back engraved ""For distinguished Conduct in the Field". on front engraved "George VS V Britt. OMN: REX ET IND: IMP". Image of George V.passchendaele barracks trust, dcm replica

VIEW OF POWDER MAGAZINE USED IN MINING DAYS AT CLUNES TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED PRINT OF POWDER MAGAZINE, SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM FROM TOWNSHIP ON THE LEFT HAND SIDE. IN DISTANCE TREES IN THE FOREGROUND SOME BOULDERS SHOWN.local history, photography, photographs, mining

This specimen is Cassiterite in Quartz. Cassiterite is a tin oxide metal that forms in thin crystals which can have a beautiful lustre. Quartz is made of silicon dioxide, also known as silica, and is one of the most common minerals on earth. Cassiterite has been a fundamental source of tin ore for humans throughout history, including today. Tin is an important metal that has a wide variety of human uses in different areas, from dying fabric, to making mirrors, and their most well-known use ‘tin’ cans. Tin cans are primarily made of steel and are coated with tin in order to take advantage of tin’s property of being non-corroding. This is a massive step in the history of food preservation. Tinned food first reached Australia in 1815 with early settlers, and it began to be manufactured here in the 1840s. It was incredibly popular, and was a highly exported product, which would be a contributing factor to the ‘tin mining boom’ of the early 1880s. This specimen was collected at Jingellic, New South Wales, in about 1852. Although the Goldfields of the 1800s are much more well-known, tin mines existed alongside the gold mines which began in the mid 19th century and extended almost one hundred years, to the mid 20th century. Specimens like this would have been used as evidence to justify tin mining operations in the region as an investment. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. The Geological Survey of Victoria was headed by British geologist, Alfred Richard Cecil Selwyn (1824-1902), who was responsible for issuing over 60 geological maps during his 17 years as director. These maps were all hand-drawn and coloured and became the benchmark for accuracy for geological mapping. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A fist-sized solid geological specimen made on one half of tin oxide, which is dark grey, and on the other side of silica, which is brown and cream.burke museum, beechworth, geological, geological specimen

Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This bottle reflecs the type of glassware that was in circulation in the 1920's.A heavy, thick, clear glass round bottle with a short neck which has a moulded rim for a cork stopper. It is very solid. There are some bubbles in the glass.Mbottle container

These Message Sticks acknowledge the return of Dja Dja Wurrung Cultural material held by the Burke Museum. The Burke Museum is the current custodian of a significant collection of First Peoples’ cultural material from across South-Eastern Australia. These objects were sold to the Museum by Reynold Everly Johns in 1868. We recognise the harm caused by dispossession of cultural material, and by any inappropriate display and interpretation of this collection over the past 150 years. The Burke Museum is continuing to build relationships and collaborate with traditional owners, Aboriginal communities and the museum sector to ensure culturally appropriate outcomes for the collection, including repatriation of objects to communities of origin. Message sticks are a form of communication between Aboriginal nations, clans and language groups even within clans. Traditional message sticks were made and crafted from wood and were generally small and easy to carry (between 10 and 20 cm). They were carved, incised and painted with symbols and decorative designs conveying messages and information. Some were prepared hastily, like you might create a note left on a friend’s desk or a quick text message; others were prepared with more time to make the markings neat and ornate. There were always marks that were distinctive to the particular group or nation sending the message and often marks identifying the relationship of the carrier to their group. This way it could be identified and authenticated by neighboring groups and by translators when the message stick was taken long distances. Two solid cylindrical shaped pieces of wood bound together with black, red and yellow string. Each stick has etchings with angular lines and dots. dja dja wurrung, message sticks, burke museum, beechworth, beechworth museum, repatriation, reynold everly johns

The mortar is a bowl, typically made of hard wood, ceramic or stone. The pestle is a heavy club-shaped object, the end of which is used for crushing and grinding. The substance to be ground is placed in the mortar and ground, crushed or mixed with the pestle. The mortar and pestle is usually utilised when cooking and when crushing ingredients for a certain drug in pharmacies. For pharmaceutical use, the mortar and the head of the pestle are usually made of porcelain, while the handle of the pestle is made of wood. This is known as a Wedgwood mortar and pestle and originated in 1779. Glass mortars and pestles are fragile, but stain-resistant and suitable for use with liquids. However, they do not grind as finely as the ceramic type The mortar is a thick clear glass bowl and the pestle is a solid clear glass club-shaped tool for crushing tablets to a finer powder or mixing liquids by a pharmacist.pharmacy, mortar & pestle, medications, medicines, glass manufacturing, glass works, early settlers, moorabbin, bentleigh, cheltenham

Newspaper article, Bendigo Weekly, on Mechanics Institutes and 'solid little building in a prominent position in the town' Refers to school in Cal Gully becoming a Mechanics Institute.bendigo, buildings, mechanics insitute, mechanics institute, eaglehawk, long gully

Camp 13, Murchison. Property owned by Jim Finnegan. German, Italian, Japanese prisoners of war held between 1941 - 1946. Shows the remains of what is left of the goal used by Camp 13 Murchison during WW2.Camp 13, Camp Road, Murchison. Camp 13 goal. Solid brick building showing individual cells, roofless, tree right mid-distrance. murchison victoria, goal, prison cells, pow, camp internees, jim finnegan

Blacksmith's vice called a leg vice. It rests on a solid block on the floor and secured on the bench with bolts. The vice was made of wrought iron with hardened steel jaws.rural industry, farm machinery, trades, blacksmithing

Wedge for splitting large logs in Barmah Forest. Wedge was put in log. Gunpowder from cylinder was placed in log and jammed down. Gunpowder was then lit and used to split open the log~ solid metal pointy wedge-shaped cylinder ~ metal cylindrical case, lid comes off, attached to lid is a long metal stick with a flattened end.log splitting, barmah forest, wedge, gunpowder

Two WW1 Soliders with peak hats, left hand photo of soldier is not wearing rising sun badges. Size of straw board 327mm x 416mmfirst world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat

A transitional flat top tennis racquet with solid convex throat and fish head shaped handle. No strings/net. Materials: Wood, Lacquer, Metal, Gluetennis

A Grenvilles Regal wooden tennis racquet, with solid convex throat, and fine-grooved handle. Materials: Wood, Lacquer, Glue, Metal, Gut, Nylon, Leathertennis

A toddler's tennis racquet, with solid concave throat, gut stringing, and leather collar around shaft. Materials: Wood, Gut, Leather, Glue, Lacquer, Metaltennis

Solid fuel stove, with stovetop cooking device, ash tray and oven, with two opening doors. Fire flu at back which extends up the chimney.Lux' on fuel cabinetdomestic items, cooking, stove, lux, fire, kitchen

A plaque contains the metal RMC badge, the RMC badge contains "Royal Military College, Doctrine Vim Promote", the metal badge is on the light solid wood

Used at Lightstation. There are an identical pair in the studio cottage at Cape Otway Lightstation so they are most likely purchased for the Lightstation. The two drawer table has the name ‘Kalmar Melbourne’ on the rear confirming its provenance.The three tables, along with the nest of tables, chest of drawers , and two bookcases would have been purchased as part of a large order placed by the Commonwealth Government sometime between 1957 and the early 1970s, when Kalmar was concentrating on large commissions. Cape Otway Lightstation has a pair of the same bedside tables. Gabo Island’s two bedside tables have first level contributory significance as part of a set, and for their clear provenance to Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Two Scandinavian style bed-side tables. Two drawers in each. Chipboard veneer top. Solid wood frame / legs. Stained an orange colour.

A programme of an art exhibition of 77 pieces of artwork by Lieutenant Daryl Lindsay in 1919. The Introduction was written by the war correspondent CEW Bean. Mr Lindsay's connection with Legacy is not known. A legatee Ray W___ donated this copy of the exhibition programme and the original of the cover print and a watercolour 'The road to Poperinghe' to Legacy in October 1984. At one stage they were in the Comradeship Room. As at December 2019 the original of the cover print is on loan to the Shrine of Remembrance and on display. The caption at the Shrine reads," 'Soldier'1918 by Daryl Lindsay (1889-1976). Daryl Lindsay was appointed an official war artist in 1917. He had worked as a batman for his brother-in-law Will Dyson, also an official war artist, from the end of 1916. Lindsay's sketches documented the facial injuries of soldiers, in order to assist then plastic surgeons undertaking facial reconstruction at Queen Mary's Hospital in Sidcup, Kent. His artistic skills led to his appointment as an official medical artist at the hospital in 1918." The notation H34 in red pen shows that it was part of an early archive project that was trying to capture the history of Legacy. A soldier put together artwork about World War One and exhibited it in Melbourne in 1919. Later two of his artworks were donated to Legacy.Dark brown cover with cream insert of a sketch of a solider. Coffee coloured pages x 6 with navy text held in place by a bronze colour thread.Handwritten H34 in red pen. Handwritten inside front cover a note added in 1984 about the donation of a original artwork to Legacy. "Presented to Melbourne Legacy by Legatee Ray W___ on Founders Day 25 Sept 1984 with the original of the cover print and water colour "The Road to Poperinghe", both hung in Comradeship Room October 1984."history, world war one, daryl lindsay