Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K. Alfred John Bremer (1893 - 1919) Bank clerk. Contracted anterior poliomyelitis whilst on active service. Died on home leave 1919.Sepia studio portrait of Rev. Frederick Charles Bremmer with his brother Alfred John Bremmer, both dressed in military uniform.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb., alfred john bremer

Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K.B & W snapshot of the Rev. F. Charles Bremmer dressed in his uniform as a military chaplain, standing in a garden.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb.

Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K.Informal B & W snapshot of the Rev. F. Charles Bremmer dressed in his uniform as a military chaplain, standing in a garden.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb.

Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K.Oval inset B & W photograph of the Rev. F. Charles Bremmer, dressed in clerical collar and suit, seated in a cane garden chair.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb.

Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K.Informal B & W photograph of the Rev. F. Charles Bremmer, dressed in clerical collar and suit, standing in a garden.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb.

Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K.B & W photograph of the Rev. F. Charles Bremmer, dressed in clerical collar and suit, sitting at a desk.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb.

James Rogers was born in Wallaroo, South Australia, but came to Sailor's Gully, Eaglehawk with his family as an infant. He was converted in a Salvation Army meeting at Bendigo. He became a member of the Primitive Methodist Church at Eaglehawk. He was stationed at: 1888 Murtoa; 1889 Hamilton; 1892 Melbourne, Collingwood; 1892 Beaconsfield; 1894 Penguin; 1900 Castlemaine; 1905 Dimboola; 1909 Geelong, Yarra St.; 1913 Kilcunda & Powlett River; 1917 Kyabram; 1920 North Melbourne; 1923 Brighton; 1928 Prahran; 1932 Supernumerary Hawthorn. Gaol Chaplain 1909 - 1912; Hospital Chaplain 1935 - 1936Died 2nd September 1937 Agnes Rogers (nee Caldwell) was born in 1867, married James Rogers in 1892 and died in 1951. The children in the photograph are: James Stanley (born 1893), John David (born 1895), Agnes Pricilla (born 1897), Robert Leslie (born 1899), Jean (born 1900), Ethel Margaret (born 1903), Amelia Florence (born 1905) Lois Susan and Ella (twins born 1908).B & W studio photograph of Rev James Rogers, Mrs Agnes Rogers (nee Caldwell) and their children. The images of two men in uniform (presumably absent overseas) have been superimposed on the photograph to complete the family group. james rogers, agnes rogers, agnes caldwell, methodist, primitive methodist, eaglehawk, minister, first world war

B 1900 Fielding NZ, Educated Otago University, Dunedin NZ. Ordained assist 1925. 1st Church Dunedin, 1927 East Taieri NZ, 1932 Christchurch St Pauls NZ; 1942-1967 Toorak; 1953 Moderator Victoria; 1959-1962 Moderator General Australia; 1967 emeritus, Presbytery of Flinders. Died 15 January 1976. B & W photograph of the Very Rev. Dr Alan C. Watson dressed in the formal evening coat of the Moderator General with his daughter Margaret St. John in her wedding dress, his wife Mrs Eileen Watson and Mrs Bain. alan watson, margaret st. john, eileen watson, moderator, presbyterian, minister, mrs bain

A black and white photocopy of the 5th grade class of 1942 at St. Mary's Catholic School.st mary's catholic school, our lady of mt carmel, education, sisters of st joseph, schools, sunbury, 1942, hayes, peter, elliott, jack, callaghan, vincent, payne, tommy, moore, john, donnelly, brian, mccormack, anderson, frank, dillon, deverall, barry, davies, margaret, nolan, kathleen, brookes, joan, millett, eileen, morrison, mary, mercovich, hall, patricia, st mary's catholic church, churches, george evans collection

Coloured photo of former pupils of St. John's, Mitcham, with Priest Father Gillen & Mayor Valda Arrowsmith, L-R - John Barr (Principal), Jean Pavey, Syd Wright, Kath Waugh, Andrew George, Valda Arrowsmith (Mayor), Fr. Kevin Dillon, Margaret White, Matthew Turner, Lauren Hitchens. Centenary Celebrations - 20/5/1988.pavey, jean, wright, syd, waugh, cath, white, margaret, barr, john, george, andrew, st. john's catholic church, mitcham, arrowsmith, valda, dillon, kevin joseph, fr., turner, matthew, hitchens, lauren

Coloured photo of Mrs Margaret White, Longest Standing Parishioner of St. John's Church. Her father had Reserve Hotel.white, margaret, st. john's catholic church, mitcham

Sepia photograph of four young women in bathers on the beach during the St Luke's Anglican Church Sunday School Teachers' picnic at Seaford in 1947.st lukes anglican church, vermont, warren frances, harris maisie, webster margaret, morris phyllis

The bluestone St Thomas Aquinas' Catholic Church at Clunes was built in 1873, replacing an earlier timber chapel. The church closed in May 2018 and was sold for $520,000. It was resold in December 2021 for 1.2 million dollars.Colour interior and exterior photographs of a bluestone church at Clunes called St Thomas Aquinas Catholic Church. The photographs were taken during Clunes Book Town.clunes, st thomas aquinas catholic church, james alipius gould, john nolan, ellen nolan, bishop ronald mulkearns, centenary, kierce, bluestone, mary conroy, john conroy, james colfer, stained glass, church, religion, giovanni brusaschi, alice mary brusaschi, jeremiah mckew, catherine mckew, thomas mullins, bridget mullins, mary mullins, margaret mullings, altar, chapel, james alipius goold, foundation stone, bishop mulkearns

Alice Henty (1852-1932) was the third daughter of Francis and Mary Ann Henty. her father was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living with his wife following his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice Henty’s wedding dress, made in 1876 for her marriage to John Hindson was remodelled in 1943 for the wedding of her granddaughter, Alice Henty Hindson to Norman Lithgow Tait at Holy Trinity, Kew. It was worn again by Margaret Henty Hindson (1918-2000) at her marriage to Dougald Webster Matheson at St Paul's Church, Henty in 1944. The two piece dress has a low décolletage shaped with a collar from which two curved panels drop. The fastenings for the bodice are buttons covered with the same fabric. The bodice is completed with two full length sleeves. The full skirt is slightly flattened at the front with a long train. In contrast, the ivory silk, silk faille and satin bodice with long tails remained unaltered. The front closure of the jacket has handmade embroidered buttonholes and covered buttons. The pleated collar and sleeves are decorated with gathered silk tulle. The jacket features long tails. alice frances (henty) hindson, women's clothing, wedding dresses, margaret henty hindson

In 'Underwear: Fashion in Detail' (Lynn, Eleri, V&A Publishing, 2014) the chapter on 'Decoration' includes a contemporary quote by the fashion writer Mrs Eric Pritchard, who stated that even the virtuous woman should now wear pretty underwear, and in fact was morally bound to do so to remain attractive to her husband and save him from the sin of adultery. This prettiness included 'underwear that became decorative and delicate, trimmed with the lace and baby-ribbon that complemented the Edwardian predilection for indulgent and seductive lingerie' (Lynn, Eleri, p.46). This bodice and Director Knickers formed part of the trousseau of Margaret Grace Burland, who married John Lawrence Henty Hindson at St George’s Church, Malvern in 1912. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Cotton lingerie including a camisole and drawers owned by Grace Burland, and forming part of her trousseau. Fine lawn, lace, blue silk ribbon threaded through at neck and waist, embroidered, concealed buttons at front (some missing) and rear buttoned flap. Distinguishing feature is the extensive use of lace which was an innovation in taste during the Edwardian period.Nilunderwear, henty collection, grace burland, bodices, drawers, knickers

One of a series of photographs and documents relating to her father, Wilfred Charles Woollard, and (his daughter) Jean Margaret Woollard (1916-2002). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973). Jean Woollard was a member of the Kew Historical Society from 1987. She made a series of donations to the Society in 1987, 1989, 1995, 1997 and 1998.Black and white, 4-page order of service for Jean Margaret Woollard, held at St Columba's Uniting Church on 8 October 2002. woollard family, jean woollard, wilfred charles woollard

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length seated studio portrait of Elizabeth Margaret (Milligan) Gaunt, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. Margaret Gaunt is dressed in a pale silk dress, typical of the 1860s, with a buttoned bodice and wide sleeves. She appears to be holding a book in her right hand. The sitter was the half sister of Mary Ann Lawrence (1821-81), the wife of Francis Henty of 'Merino Downs' and 'Field Place', Kew. She married Charles Gaunt (1842-1916) at St John's Church of England, Launceston in 1868. Following her marriage, she was to have 11 children.henty family, eliza margaret milligan, eliza margaret gaunt, launceston - 19th century, mary ann lawrence, mary ann henty, francis henty

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Unit 6 in a two storey, variegated cream brick group of apartments. Built by the Kew Baptist Church in 1964 on the grounds of 'Rangeview' and using that name. Pen and ink architectural drawing on drafting film of 6/29 Mary Street, Kew by Margaret Picken. 6/29 MARY ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 6/29 mary street - kew (vic).

Bennet family home 51 Smith Street with two cars parked in front. First church of England is just visible in background. Lady on left is Jessica Bennett. Young lad leaning on mudguard Graeme Bennett born 1933 later mayor of Stawell. The lady at center is Margaret Bennett. and gentleman with hat is John Bennett Senior, original owner of North Western Woolem Mills. Photo taken outside john Bennetts home in smith street with no kerb or nature strip, looking towards Seaby Street. Note the canvas Water bags on front of one car to keep water cool. John Bennet Sen born in 1895 in Yorkshire. his wife Jessie Brown married in Warrnambool.Two 1940's cars parked with a group of people posing for photo.stawell industry

Margaret Johnson was born and raised in the country. She came to Melbourne to attend secondary school at age eleven. She stayed with the family of her uncle, Dr Carrington, in their home / surgery still located at 174 Union Road, the Surrey Hills Medical Centre. Later, whilst waiting to commence her kindergarten training course, she met Jessie Black and they became firm friends and it was through Jessie that Margaret met Jessie’s brother and her future husband, Thorby Black. The Black family had been residents of Mont Albert for many years and Thorby was in the air force at the time. Margaret and Thorby were married at St Stephens Presbyterian Church in Surrey Hills on 1 May 1948. Her wedding dress was bought at Canns on the corner of Elizabeth Street & Flinders Lane. It was one in an exhibition held as part of a Surrey Hills Festival in the early 2000's. Like others in the exhibition, it no longer had its train and the sleeves have been shortened. Margaret recalled that after her wedding she wore it as an evening dress. Her bridesmaids’ dresses were a little unusual for the time, as they too were white and their flowers were subdued pink and blue. According to Margaret, the popular fashion was for brightly coloured dresses and bright flowers for the bridesmaids. The positioning of the garlands of flowers in their hair was also unusual. They were placed at the back so that the congregation could see them during the ceremony. Housing was in very short supply in the years following the war, so after they were married, Margaret and Thorby moved into a small flat created at Dr Carrington’s surgery. They later moved to a house built in 1926 in Black Street, Mont Albert, which continued to be Margaret’s home until her death. weddings, mrs margaret black, miss margaret johnson, mr thorby black, st stephens presbyterian church, bridal wear

Christopher Joseph Sarovich married Susannah Botley. There are a number of spellings of his surname. He was involved in trade along the Murray River and they met at this time. They moved to Melbourne and the Sarovich family had a furrier family business in Port Melbourne, but resided in Surrey Hills. They owned a number of houses along Whitehorse Road, including the site of the Balwyn Community Centre. The last remaining property in family hands was sold to the Camberwell Council by Mrs Margaret (Peg) Grossman, nee Sarovich. Peg was a member of the Surrey Hills Historical Society.Vertical file of information related to members and descendants of the Sarovich (Sharowich) family: 1. Certificate of marriage of C.J. Sharowitch and Susannah Botley 11.2.1882 (1 page). NB/ Spelling as per marriage certificate. 2. Notes on Louisa Smith by June Peka 21.11.2016 (2 pages); photos of family and staff in Australia and N.Z., no dates (7 pages) and emails between June Peka and Sue Barnett 11/2016 (2 pages). 3. Margaret Grossman funeral service 28.4.2014 at St. Barnabas Anglican church, Balwyn. NB/ Margaret nee Sarovich (miss) susannah botley, (mr) christopher joseph sharowich, (mr) christopher joseph sarovich, (mrs) susannah sarovich, (miss) alice botley, (mr) john nicholls, (miss) louisa botley, (mrs) louisa smith, (mr) james smith, (miss) margaret sarovich, (mrs) margaret grossman

This dress was made for and belonged to Mrs Elizabeth McLachlan (nee Duncan, 1820-1904), wife of Reverend John Hamilton McLachlan (1813-1908), who was the first Minister of St Cuthbert's Presbyterian Church in Brighton. Elizabeth and John were married at the Free Church of Ayr at Lindsaystonn in the Parish of Kirkmickach, Ayrshire, Scotland on 15 October 1849. At this time his occupation was listed as "Minister of Presbyterian Church" and hers as "Governess". They left for Australia on the 1 November 1849 and arrived in Australia 6 months later. Apparently John's hair turned snow white during the journey due to his seasickness! The McLachlans first went to Geelong upon their arrival in 1850, then to the Western District, then Brighton, then Talbot at the height of the gold mining era. The couple had seven children: John Campbell Duncan McLachlan (b. Geelong, October 1850), Mary McLachlan (b. Geelong, November 1851), Agnes McLachlan (b. Hopkins River near Wickliff, May 1853), twins Elizabeth and Walter McLachlan (b. June 1854), Elizabeth McLachlan (b. Hesham, June 1855), Margaret McLachlan (b. Brighton, 1857). Elizabeth died in 1904. She and John are both buried in Amherst Cemetery. The dress was donated by one of her granddaughters. This circa 1849 silk blue grey window pane check dress features a high round neck and pleats on either shoulder extending over the natural shoulder line. The dress shows evidence of nine ornamental buttons down the centre front with only four blue silk buttons currently still attached. The dress fastens with thirteen concealed hook and eye closures to the waist. The Pagoda sleeves inset into the bodice in a small high armhole flaring out and finishing just below the elbow. A pale blue silk ribbon with a diagonal drawn stitch design decorates the front of the sleeve in a simple geometric design. The Pagoda sleeve is lined in a matching pale blue silk. The full skirt is pleated into the waistband and finishes just above the floor at the front. At the back the bodice features a squared off design to the princess panels shaping the dress into the body. The skirt is heavily pleated at the centre back into the waistline and finishes slightly longer at the back than the front. The skirt features two very small pockets on either side of the dress, just inside the hips. reverend john hamilton mclachlan, st cuthberts presbyterian church brighton, elizabeth mclachlan, amherst cemetery, 1840s fashion, brighton

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 87 Church Street, Hawthorn by Margaret Picken.87 Church St, Hawthorn, Margaret Picken '90. Woodards - Hawthorn. artist - margaret picken 1950-