Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with a double band of jet passementerie. The capelet has a high dog neck collar, which is lined with leather. The original lace, of which some remains, has been removed in the past, probably due to damage, leaving some traces of its original style. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear

The style suggests that it may have been part of the fittings of the newly opened 1937 George V memorial building at Port Melbourne. Possibly hung in the Dining hall.Religious artSolid heavy wood panel carved in relief depicting 12 bearded figures, robed and seated around a table covered with a cloth. The table is laid with seven dishes, a loaf of bread, a wine cup in front of the central figure and a dish below the table on the floor at left, and a wine or oil jar at right. The sculptor has carved the wood in a style reminiscent of the medieval or early renaissance craftsmen. There are three modern steel screw attachments for hanging attached at verso on sides and centre top edge. The subject is the Last Supper of Jesus and his twelve disciples, with Judas at left end of the table seeming to cover with his hand a bag, perhaps the 30 pieces of silver.the last supper, jesus, disciples, carving, sculpture

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. In three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty-one galvanised canisters with separate lids. The canisters are painted a grey/white colour and have either numbers, letters or words painted on the lid and on the cannister in black paint. There are variations in the style of canister and in the style of the inscriptions.

Brighton local Margaret Cooke (nee Parish) had this dress made for the Miss Summer Festival competition fundraiser. The idea for the dress came from a photograph in the Womens' Weekly. A professional dressmaker cut and made the dress. It has an 18" waist. There is a black and white photocopy on file of the dress being worn at the time.Floral cotton dress with matching belt and shoes. Sleeveless polished cotton cream dress with large red, pink and brown rose print. Heavily ruched front. The skirt has an in-built crinoline structure made with thick Vielene lining and corded hoops. Separate belt with bow at centre front. Shoes made to match by 'Suzette' in their original box. .1- dress .2 - belt .3 a-b - pair of shoes .4 a-b - shoe box and lidShoes - Label, printed in gold on white leather in sock: Suzette / Styled in / NEW YORK-PARIS-ST. LOUISprinted fabric, miss summer festival, 1950s, margaret cooke

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema, woolcock collection, botanical drawings, illustrations

Spofford style brace. All metal with thumbscrew for square chuck. Handle is brokenflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Sword Bayonet, brass handgrip morticed to suit Martini Henry, "Yataghan" Style.

Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Silver coloured metal tankard in Georgian style. Engraved details on one side.Engraved on side: “Presented To, MAJ. K. J. HERDMAN, from, HQ 3 TRG GP OFFICERS MESS, Aug 80”memorabilia, tankard, kevin john herdman

Building A at Mount Helen Campus Side view of Building A on Mount Helen Campus showing Brutalist style architecture brutalism, federation university australia, federation university mount helen campus, buildings, mount helen campus, a building mount helen campus, brutalist

Set of two identical swords, rapier style sword with straight, patterned blade "Made - Spain/ Toledo"

Set of two identical swords, rapier style sword with straight, patterned blade "Made - Spain/ Toledo"

8674.1 - Clear glass bottle with paper label and plastic cork style lid.- TRADE MARK - Commercial blue black writing ink. - Manufactured by Angus & Co. PTY. LTD. AUSTRALIA - The Celebrated "Commercial" Blue Black Writing Fluid Writes a deep blue colour and soon changes to a very deep Black. It is non-corrosive and flows cleanly and freely from the pen, and will keep for years in any climate. - Contents 20 Fl. Oz.

The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape, and in the "eyeglass" stem style.pessary, intrauterine device

A green canvas bag - backpack style with green plastic lining and canvas strappingcanvas bag

List of years and names of Wangaratta Sub Branch Presidents and Secretaries from 1928 to presentTimber style laminate honour board five sided with RSL plague at top."Wangaratta Sub Branch" List of years and names of Presidents and Secretaries from 1928 to presentwangaratta rsl, office bearers

The current Shire hall was built 1908 to replace the original shire hall which was demolished due to crumbling plaster in the brickwork. This mallet was used in the opening ceremony of the new shire hall to ceremonially lay the foundation stone at the commencement of the construction of the new hall.This item commemorates the opening of one of Winchelsea's most attractive heritage buildings.The old Shire office now known locally as the "tea trooms" was the political and administrational centre of the Winchelsea Shire before the amalgamation and formation of the Surf Coast Shire.wooden mallet with gothic style silver/pewter work. inscription on base of mallet.Presented to/ Cr. J. Mathison J.P./ President. Shire of Winchelsea./ On the occasion of his laying the foundation stone of the Shire Hall 22. 1.08winchelsea, shire, mallet, opening, ceremony, foundation stone, j. mathison, silverwork, wood work, relic, artefact, new shire hall, president, councillor

Mary Hardcastle?Leather style glove box with tortoise shell design - may be Mary Hardcastle.gloves, box, giselda bannister

Black and white photograph of a woman in 1920s style bridal dress, standing in a gardenOn back of photo: "Ready girls wedding. Ada."ready family, ada ready, wedding photographs

Brodie style steel helmet painted black for use by Air Raid WardenHas the Letter W stencilled on the front.

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Social housing, New Empiricism style, Stockholm, SwedenStockholm / N-E / Flats-New Empiricism (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This item was owned and worn by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1980s. 1920s style red coloured dress of Indian cotton, tucked, and embroidered with beading.mcintyre collection, australian fashion - 1980s, women's clothing, day wear, dione mcintyre

White, linen table runner with hand embroidery with floral patterns in various styles.table linen, table ware, table runners, embroidery

Red wooden handkerchief box lacquered - Oriental style with gold birds on the lid.boxes, handkerchief boxes

Used by Mrs. H. N. LordWooden Spanish style fan with flower painted detailing on ends and pink tassel.fans, folding fans